10/9/2025 - From a Simple Guitar Lick to a Fully Produced AI-Generated Song

Description

Chapters

Transcript

0:02 [Music]
0:19 [Music]
0:20 Is this place I can rest my forehead?
0:25 [Music]
0:27 Ging thoughts and sweet silence.
0:32 [Music]
0:34 Is this place where the feelings on
0:38 [Applause]
0:41 exposure to violence?
0:45 This is the place I can slowly face. The
0:49 only one I truly can know.
0:53 These are tears from a long time ago.
0:57 Got these tears from a long time ago. I
1:01 need to cry 30 years or so.
1:05 These are tears for a long time.
1:08 [Music]
1:10 No.
1:12 [Music]
1:18 Oh darling, oh darling, you say unto me,
1:25 where have you been all my life?
1:29 [Music]
1:32 Well, I have been swimming the seven sad
1:35 seas.
1:38 Poor women have tossed me their
1:40 lifelines.
1:42 I'd pull them into the waters.
1:46 might have them, but I didn't know.
1:51 These are tears from a long time ago.
1:54 Got these tears from a long time ago. I
1:58 need to cry. 30 years old. So, these are
2:03 tears from a long time.
2:06 [Music]
2:25 Welcome, welcome, producer Brandon.
2:26 Producer Brandon a little late tonight.
2:28 Checking in a little late. Not a
2:29 problem. He's got a whole other show he
2:31 does. Not just as producer, he's he's
2:34 he's he's star of the show. And you're
2:37 like, well, producer Brandon's star of
2:38 this show. I Exactly.
2:41 He's busy. So there you have that. Dr.
2:44 Jay, what's happening? What's shaking?
2:46 What's going down?
2:48 Good evening, good people. Share the
2:50 live if you would be so kind.
2:54 [Music]
2:59 You like that?
3:01 [Music]
3:12 [Music]
3:32 [Music]
3:37 What's Hello.
3:40 Is this it?
3:42 [Music]
3:45 Wait.
3:53 [Music]
3:57 Huh?
4:00 [Music]
4:23 Is that higher? I think it's higher.
4:26 [Music]
4:39 [Music]
4:44 I can't remember those chords.
4:50 What I can tell you is I'm as good at AI
4:53 as I am at guitar.
5:01 He's not very good at guitar. What are
5:03 we going to do? I It's called the AI
5:06 learning lab. I would think he would
5:07 have some qualifications. I came in here
5:09 to learn something about artificial
5:11 intelligence. I heard from my work. I
5:13 don't work there anymore. They let us
5:15 all go. But I heard from my work that
5:17 artificial intelligence was the future.
5:19 And so I've come here for that. And he
5:21 he claims to not know anything about it.
5:25 [Music]
5:54 Wonder if I should turn that into Suno
5:56 song. H I bet I can't remember it.
6:01 I bet I can't remember it. Let's see if
6:06 I can.
6:09 We're going to So, hello.
6:13 We're going to share this tab instead
6:15 because if we don't share the tab
6:16 correctly, Brandon gets all sorts of
6:18 twisted up in a bunch. Cams. Yeah. Yeah.
6:22 Yeah. All right. cams, bars, black box
6:26 thing.
6:29 Okay. Wait, what was that?
6:34 Wait,
6:37 [Music]
6:44 that's all it is.
6:46 Let's see what Suno
6:50 can do with that.
6:52 We're going to add audio. We're going to
6:54 record. We're going to turn my little
6:56 microphone
6:57 down toward my guitar.
7:00 8 minute limit for audio uploads. I
7:02 don't think we're going to come close to
7:04 that.
7:08 Okay, I got to give it permission. Oh my
7:11 god. Why does it dump it over to the
7:14 iPhone all the time?
7:17 All right, hang on. Hang on. Start over.
7:21 Everybody just calm. Your browser
7:23 browser has lost connection. All right.
7:26 I might not be able to We'll figure this
7:28 out, people.
7:34 [Music]
7:51 Wait.
7:55 [Music]
8:04 Okay. Let's see. I got to cut off the
8:07 beginning of this.
8:09 Is it here? No, I don't think so. Let's
8:12 see.
8:37 [Music]
9:02 Okay. He should be able to hear me now.
9:09 Champy's at the top of his game. All
9:10 right, here we go.
9:13 I'm going try this again. Let me get
9:15 this wire out of the way.
9:19 By the way, what we're doing here, if
9:21 you didn't if you didn't know, because I
9:23 I didn't I just had a brain fart and I
9:26 was just playing around on my
9:30 [Music]
9:33 I just came up with this little lick
9:35 that I thought was kind of interesting.
9:37 And uh then I thought, "Oh, wonder what
9:39 Sunoa could do with that as a song." So,
9:41 we're going to figure that out.
9:49 [Music]
10:01 [Applause]
10:02 [Music]
10:13 Okay.
10:15 [Music]
10:28 Okay, so we just recorded that crappy
10:31 little lick played mediocre
10:34 mediocrely.
10:38 We're going to save that to library.
10:42 All right, lyrics. What does that sound
10:45 like?
10:46 We're not going to use human lyrics
10:49 because why?
10:52 Um, all right. We're going to go to
10:54 chat. JP Thai.
10:57 Welcome everybody. If you're new here,
10:58 how many folks are in here right now?
11:00 Oh, just a handful. This is This is all
11:02 irregulars. You all know me. If anybody
11:03 doesn't know me, I'm Kyle. This is the
11:05 AI learning lab. We're gonna figure some
11:07 [ __ ] out tonight. Okay. Um,
11:12 you're
11:14 a
11:17 Grammy awardw winning
11:21 lyricist. You know what would be nice is
11:23 if I could upload that little lick to
11:26 chat GPT and have it hear it. I could
11:28 probably do that over at
11:31 at Gemini, couldn't I? your
11:33 award-winning Grammy award-winning
11:35 lyricist
11:38 known for
11:42 clever word play and
11:46 um profound
11:49 imagery.
11:51 All right, good.
11:54 Isn't five multimodal?
11:57 I
12:00 I don't know if it can do audio like
12:02 song analysis. I've never tried it. We
12:04 can You know what, producer Brandon,
12:05 throw that on the purple post-it. Let's
12:08 try that next. Yes, you're late, Mr. It.
12:10 It ruined everything. It ruined
12:12 everything.
12:14 Everyone was here. We were ready to
12:16 start. We lit the candles. Everybody was
12:18 getting ready to blow them out. And
12:20 someone was like, "Where's Mr. It?" So,
12:23 the candles just melted down. The cakes
12:25 ruined.
12:26 Anyway, welcome, welcome. Okay.
12:30 Um, profound imagery. What does it sound
12:32 like?
12:37 Um,
12:45 [Music]
12:50 I got it.
12:53 write
12:55 a song
12:58 about two people
13:03 who haven't quite
13:07 decided
13:10 if they are more than friends
13:16 as they walk around
13:21 a carnival.
13:25 a few hours before it opens.
13:31 That's nice.
13:34 All right, here we go. Soulpiercing
13:38 lyricist. Oh, that's good. I should have
13:39 done that.
13:41 The struggles of swimming upstream
13:43 against the current.
13:45 The current like salmon. That's good.
13:48 That's okay. Let's see what we got here.
13:49 What's it called? Before the lights come
13:51 on. I like that genre folk pop ballad
13:55 with cinematic imagery crossed between
13:57 Phoebe Phoebe Brides and Paul Simon. The
14:00 ferris wheels asleep, its arms still
14:02 folded tight. We walk between the
14:04 shadows and strings of halfway light.
14:07 Ooh, strings of halfway light is
14:08 beautiful. The popcorn stands are
14:11 dreaming of laughter. They'll be fed and
14:14 your reflection in a puddles turning
14:16 pink instead of red. Wow, that's
14:18 beautiful.
14:19 You say it's strange to see it empty. I
14:22 say it's strange to feel this Kong. You
14:24 smile like you know something. I know
14:26 I've already begun. Aw.
14:30 Before the lights come on, before the
14:32 crowd arrives, before we name what this
14:34 could be, before this the day survives,
14:38 we linger in the middle. We linger in
14:42 the middle where the maybe feels like
14:45 song. That's a great line. We linger in
14:48 the middle where maybe feels like song
14:50 to hearts not yet decided before the
14:53 lights come on. This is [ __ ] good.
14:58 Okay, so let's copy all this. We don't
15:01 need no stinking brains.
15:03 Brains is tasty.
15:05 H you know that brains is tasty.
15:12 That's Chichin Chong, by the way, if
15:14 you're triggered because I'm making a
15:16 fun of someone. I'm not. I'm mimicking
15:18 Chichin Chong. Okay. Um, okay. We're
15:21 going to paste the lyrics here. We're
15:23 going to go grab the title.
15:28 [Music]
15:32 Do we want this to be a female or a
15:34 male?
15:36 I think it's from a point of view. Hang
15:38 on.
15:40 Um,
15:42 style influence. Okay. So, wait. So, we
15:45 got to get the the style folk pop ballad
15:48 with cinematic imagery. Oh, so, okay.
15:51 So, here's what we're going to do. I'm
15:52 going to go back to chat. Oh, I haven't
15:54 sw switched my tab. Okay, I'm back at
15:56 chat GBT. I'm going to grab um I'm going
16:01 to grab this description and I'm going
16:02 to have it kill the artist names. So,
16:06 I'm going to say, um, give me a new ve,
16:12 that's not give. Give me a new music
16:16 prompt
16:19 that doesn't
16:22 include artists name but captures
16:30 their styles
16:33 as you intend. I want chat to to design
16:38 this song.
16:41 Can you give Sunno? Can't you give Sunno
16:44 the same name? Oh, the same. I could
16:46 tell it to do this.
16:49 Yeah, but that's okay. It's captures.
16:52 Captures. Okay.
16:56 [Music]
17:03 Extend the lyrics. Four more versus
17:05 female. Of course. Okay. Sarah Mclofflin
17:07 cross crossed with Corey Sandler. I like
17:10 it. That's solid. Okay, great. Create
17:12 Jesus Christ. Um,
17:16 I need this as a simple
17:20 200 character
17:23 prompt.
17:26 Good lord, you went overboard.
17:40 Hey Corey, did you see Sarah Mclofflin
17:42 on uh on the Kelly Clarkson show singing
17:45 her
17:48 angel?
17:49 Which which, you know, Kelly Clarkson
17:52 was like, I can't I can't hear that song
17:54 anymore. I just think of Sad Puppies. Um
17:57 but man, they sang they sang a duet and
18:00 Kelly Clarkson's um harmonies on that
18:04 were [ __ ] she's incredible, man.
18:07 Incredible. Um, by the way, is is audio
18:11 Can you hear my voice good? Is it better
18:13 or worse than it has been for the past
18:15 couple of weeks? I think this mic I got
18:18 is is shittier. I don't know. Like I've
18:20 got either a bad cable or bad settings
18:25 or something.
18:27 Okay, it's okay. Okay, fine. Okay, now
18:29 we're going back to Sununo and I'm
18:31 actually going to switch my screen this
18:32 time. So, we're going to go down here.
18:34 We're going to go style. We're going to
18:36 pop that in there.
18:38 Bittersweet folk pop ballad set in a
18:41 quiet carnival before dawn. I don't know
18:44 what actually it'll be interesting to
18:46 soon see what Sunno does with that. If
18:48 we get like some Collopy music or
18:50 something. Two friends on the edge of
18:52 love, soft acoustic, ambient shimmer,
18:54 tender vocals, nostalgic yet full of
18:57 unspoken hope. Fine. Let's let's let's
19:00 see. Let's see how it do. All right.
19:05 Um,
19:07 so we'll go verse.
19:12 I gota I got to put all these lyrics in
19:15 uh what you call it brackets. So hold
19:18 please while I do some
19:22 whatever this is called.
19:25 Manuel labor.
19:29 We linger in the middle.
19:44 pre chorus
19:47 bracketology. Yes, this is this is the
19:49 bracketology. It's exactly what's
19:50 happening here. Uh if you're new here,
19:53 how many folks here? We got some some
19:54 new folks in. I'm Kyle Shannon. This the
19:56 AI learning lab. What we're learning
19:58 tonight
20:00 is I played a little teeny tiny
20:02 just guitar lick.
20:05 And then I thought about what it sounded
20:07 like.
20:08 And then I had Chat GPT write me some
20:10 lyrics and they were actually pretty
20:12 [ __ ] good.
20:15 Um because I've done this before and the
20:18 lyrics are like laughingly bad, but this
20:21 was not bad. Okay, so we got that. Now
20:26 we're going to scroll down here. We got
20:28 our style.
20:30 Advanced options. Exclude styles. No,
20:33 we'll do that. We're going to go female.
20:35 Corey Sandler insisted. And if Corey
20:38 says it's got to be a woman, it's got to
20:39 be a woman. You don't mess with her. You
20:42 just don't do it. She can throw clay.
20:46 Okay. She can throw clay. So, if you
20:49 think she's messing with you, she's not.
20:52 So, we just do what she says. That's
20:54 what we do around here. Weirdness.
20:56 Let's go. We're going to go up a little
20:58 bit in weirdness. We'll go to 67. 67.
21:03 There should be something that happens
21:05 there. If a Jenzer is nearby, they're
21:08 probably laughing right now. Oh boy,
21:10 I'll tell you.
21:14 All right. And the song is called Before
21:15 the Lights Come On. All right. Here we
21:18 go. Do you want to hear my Do you want
21:19 to hear my uh Oh, no. That's not That's
21:22 a different thing.
21:25 We're making new songs. Oh yeah, here's
21:27 the recording.
21:32 Oh, I didn't trim it. Dang it. That may
21:35 not matter.
21:36 Can I trim this?
21:39 Edit.
21:44 I thought I did trim it.
21:47 Maybe I didn't. I don't know.
21:50 Whatever. Let's Let's just go see what
21:53 what Sununo did.
22:13 [Music]
22:16 Hang on. I got to reshare because when
22:18 when my microphone took a dump. This is
22:22 sounding like an amazing little song.
22:24 It sounded like like a really sweet
22:28 sweet little song.
22:31 I've been doing a lot of incredible
22:33 guitar solos
22:35 in the call and response direction. Oh,
22:37 that's cool.
22:40 You can insert stage direction that can
22:43 include a call and response solo to an
22:45 instrument. Oh, cool.
22:47 Okay, here we go. Uh, record it. We're I
22:50 mean, we're wherever we are. We're at
22:52 the beginning again. Here. Here's here's
22:54 our little song with our with our not
22:57 only poorly played little guitar piece,
22:59 but like the piece at the beginning that
23:03 was just janky.
23:05 [Music]
23:15 A ferris wheels asleep, its arms still
23:18 folded tight. We walk between the
23:21 shadows and the strings of halfway
23:23 light. The popcorn stands are dreaming
23:26 of the laughter they'll be fed and your
23:28 reflection in a puddle's turning pink
23:31 instead of red.
23:34 You say it's strange to see it empty.
23:39 I say it's strange to feel this calm.
23:43 You smile like you know something.
23:55 >> Hold on.
23:57 There's There's a There's an audio
23:59 artifact in there.
24:02 Yeah, we you lost it because I had two I
24:04 had two shares up and uh
24:08 so something something was weird. Let's
24:10 let's listen listen to the other one for
24:12 a second. And then I think I want to go
24:14 edit. I think what I'm going to do is
24:15 I'm going to edit the the jankiness out
24:18 of the beginning and then remaster it.
24:20 And then we'll use that as the basis.
24:24 [Music]
24:33 >> The ferris wheels asleep. It arms still
24:36 folded tight. We walk between the
24:39 shadows and the strings of halfway
24:42 light. The popcorn stands are dreaming
24:45 of the laughter they'll be fed in your
24:48 reflection. In a puddle is turning pink
24:51 instead of red. You say it's strange to
24:54 see it empty.
24:56 >> Wow, that's so cool. Okay, so let's go
24:58 fix this recording and make another
25:00 couple of couple of couple of actions.
25:04 What's going on? Why can I not go edit
25:08 this?
25:10 Open an editor.
25:12 [Music]
25:17 In the studio, you have complete DAW
25:19 controls and you can clone your voice,
25:22 too. Yeah, I haven't really dug into um
25:25 all the stuff you can do now in Sunno.
25:28 Here's the part that's [ __ ] up. Let's
25:30 hear. Listen.
25:33 Okay, that was bad. So, can I just
25:35 delete this? No, of course not. Oh,
25:37 wait. I did.
25:41 Okay, there's that click. So, let's get
25:43 rid of Let's get rid of
25:47 I think I have this twice. So, let me
25:51 grab that. Oh, no. That's not right.
25:55 No. Oh, okay. I see what I can do.
26:05 How do I grab the end of this?
26:20 Um, can I zoom in? Yes.
26:31 [Music]
26:51 [Music]
27:21 Um,
27:25 save his new song.
27:31 23 second. Wait, 23 seconds. I don't
27:34 think it's that long. Anyway, all right.
27:35 Maybe it is.
27:37 All right. And then we're going to go.
27:40 This is it, I think.
27:43 Oh, you're not seeing this.
27:46 Share this tab instead.
27:47 [Music]
27:50 All
27:55 right. Um, who knows why it's given that
27:57 pop. Let's remaster it
28:01 and see if it depopifies it. So, we're
28:04 going to go
28:06 remixedit.
28:07 We're going to go create
28:10 remaster.
28:20 Remaster
28:22 remastered successfully. Beautiful.
28:26 Beautiful. Beautiful. Beautiful.
28:29 Beautiful. Remastering clip.
28:32 Where's our remaster?
28:40 [Laughter]
28:42 Remastered. Okay. Oh, there's two of
28:44 them.
28:47 [Music]
28:56 Okay.
29:00 [Music]
29:07 That was good.
29:12 Right.
29:24 I like that weird [ __ ] it did with it.
29:26 Okay. So, this one we're now going to go
29:28 cover,
29:30 right? We're going to cover this one.
29:34 All right. So, it's loading that there.
29:37 Beautiful.
29:39 Beautiful. Beautiful. Beautiful.
29:43 And then
29:45 we got to go back to chat jeep
29:48 and I need to get my style prompt.
29:53 So we're So there's our style prompt and
29:57 then we got to go back and get our
29:58 lyrics.
30:05 Oh crap. Oh, you know what I can do? I
30:07 can go to this other song where it's got
30:09 the lyrics in there.
30:11 before the lights come on and I can go
30:13 get me some lyrics.
30:17 Um, yeah, there we go.
30:23 Now I don't have to do the editing.
30:25 Copy. And then I go
30:28 back.
30:31 Did I lose everything? No. I pop my new
30:35 lyrics in.
30:38 All right. Fantastic Bob. And then I go
30:42 down to our advanced options
30:45 and we put in a little lady. We do the
30:48 weirdness up a little bit like we talked
30:50 about.
30:52 Audio influence, we're going to leave it
30:54 25. Style influence, we're going to
30:56 leave it 50. That's fine. And then we
30:58 need our song title
31:01 before the lights come on.
31:07 before the
31:09 lights come on.
31:19 Yeah, I guess that's good. Okay. Create.
31:25 Now we should have a song that's similar
31:27 to what we had before, but without the
31:29 popping the popping stuff.
31:39 Hopefully it's kind of like that because
31:41 I'll I'll do a a remaster of this one
31:44 because this one's really cute.
31:54 It has that little pop in it. So, we'll
31:56 rem Actually, you know what? Let's just
31:57 [ __ ] it. Let's go remaster that one
31:59 right now. remaster.
32:13 All right,
32:14 that one's getting remastered.
32:21 And then we've got
32:26 [Music]
32:35 The ferris wheels asleep arms still
32:38 folded tight. We walk between the
32:41 shadows and the strings of halfway
32:44 light. The popcorn stands are dreaming
32:46 of the laughter. They'll be fed in your
32:49 reflection in a puddle's turning pink
32:52 instead of red. You say it's strange to
32:55 see it empty.
32:58 I say it's strange to feel this calm.
33:03 You smile like you know something
33:08 I don't know. I've already begun.
33:13 Before the lights come on before the
33:16 crowd arrives.
33:20 [Music]
33:26 Why am I getting goosebumps?
33:30 AI can't be creative.
33:33 AI can't be creative.
33:36 The the trolls come in here and they
33:38 tell us this night after night after
33:39 night. It can't do anything original. It
33:41 can't do anything creative.
33:44 Sorry. Yes, it can. Holy [ __ ] That was
33:47 really good. Um, it was a little little
33:49 janky, but but really beautiful. Let's
33:52 hear this one.
33:56 [Music]
34:09 The ferris wheels asleep, its arms still
34:12 folded tight. We walk between the
34:15 shadows and the strings of halfway
34:18 light. The popcorn stands are dreaming
34:21 of the laughter they'll be fed. And your
34:23 reflection in a puddle is turning pink
34:26 instead of red. You say it's strange to
34:30 see it empty.
34:32 I say it's strange.
34:36 >> All right, let's I want to We've got to
34:38 add a little something to this. Um,
34:42 it's completely changed it. Yeah,
34:44 exactly. That one, that one was
34:45 completely changed. Let me go see if I
34:47 can find the remaster here
34:50 of
34:53 that original one. That was really
34:54 sweet.
34:57 Yeah, here we go. Before the lights come
34:59 on remastered
35:01 Tik Tok pin.
35:04 I got goodies on Oh, I got gooseies on
35:07 my recent songs. I I I I created YouTube
35:11 channel called sleep
35:14 to house them. Oh, that's so cool. Yeah.
35:18 I you know, it's funny. I was talking to
35:20 my friend Steve today and he was saying
35:22 something about, you know, it not being
35:25 able to have a novel thought.
35:28 And I was like, well, how do we have
35:31 novel thoughts, right? He goes he goes
35:34 he goes how can it have a novel thought
35:36 if it's only been trained on things in
35:38 from the past and I'm like how does our
35:41 brain work? Like what's it been trained
35:44 on? Things from the past, right? Like we
35:49 [ __ ] went in our head when we were eight
35:51 and when we were five and when we were
35:53 13 and then we learned to play a song at
35:55 27 and then we wrote a song at 28
35:59 and then we got
36:02 stalked by some crazy [ __ ] in New
36:04 York and then right all that shit's in
36:07 the past but it's in there somewhere
36:11 and how do you get it out? I don't know.
36:13 You have you you create some sort of
36:16 probability calculator that when someone
36:18 gives you a a prompt,
36:20 you you have a bunch of tokens that get
36:23 zapped together and spit it out
36:27 remarkably like a large language model.
36:33 Jeff Flanigan, I live in the past like a
36:35 lot. Most people do. Most people do. Um
36:40 it's great. I created lullabibies with
36:42 both lyrics and instruments. They're
36:43 killer good. Now you have eight hours of
36:46 it. That's awesome, man. All right,
36:47 let's let's listen to this remaster.
36:59 The ferris wheels asleep, its arms still
37:02 folded tight. We walk between the
37:04 shadows and the strings of halfway
37:07 light. The popcorn stands a dreaming of
37:09 the laughter they'll be fed and your
37:12 reflection in a puddle's turning pink
37:14 instead of red.
37:18 You say it's strange to see it empty.
37:22 I say it's strange to feel his calm.
37:27 You smile like you know something
37:31 I don't know I've already begun.
37:35 M
37:37 before the lights come on. Before the
37:40 crowd arrives, before we name what this
37:43 could be, before the day survives, we
37:47 linger in the middle where the maybe
37:49 feels like song. Two hearts not yet
37:52 decided. Before the lights come on,
37:58 [Music]
38:04 a prize bear in the windows got a rip
38:07 along the seam. You laugh and say he's
38:10 just like me, stitched up from a dream.
38:15 [Music]
38:20 >> Huh. Okay. Not crazy about it. It's
38:23 okay. Okay, it's good. It's good. Let's
38:25 we Let's We got to go create something
38:27 remarkable. Like the seed here is really
38:30 good. So, let's go change this
38:31 bittersweet folk pop ballad.
38:35 I'm going to say with
38:38 um hints of
38:42 carnival music. We're not going to put
38:45 the story in here. Music.
38:53 soft acoustic, ambient shimmer, tender
38:55 vocals, nostalgic
38:58 yet full of unspoken hope. Um, the song
39:06 starts
39:08 sweetly
39:10 and builds
39:18 with drama and joy.
39:23 Boom. Oh, and I want to do another
39:25 version.
39:27 So, there's two of those going. I want
39:29 to pull down the weirdness
39:33 and I want to increase the style
39:34 influence. We're going to flip those two
39:37 and we're going to create those. Okay,
39:40 here we go. Lannis Moriceet. It's got a
39:42 little of that in there. Electro Synth.
39:45 Can someone drop the genre info he's
39:48 using? So, the genre info that I wrote,
39:50 I'll put it uh I'll I'll drop it in
39:53 YouTube and then um
39:58 and then if someone could dump that over
40:00 to TikTok, that would be great. There's
40:02 YouTube.
40:04 Um there you go. That's the That's the
40:07 prompt. All right, let's Well, let's see
40:08 how good the prompt Let's see how good
40:10 it is. So, hopefully it keeps a little
40:13 of my original guitar in there.
40:21 [Music]
40:39 The ferris wheels asleep, its arms still
40:42 folded tight. We walk between
40:51 >> that still had some weird uh uh popping
40:54 and audio [ __ ] in it. I wonder if it
40:58 it might be my browser session where
41:01 it's actually not in You know what I'm
41:03 going to do? No, Kyle. What? I'm going
41:06 to download that.
41:10 I'm going to download that MP3 and see
41:12 if it's still got the artifacts in it.
41:13 It might be my browser because I haven't
41:15 restarted my browser in a while.
41:24 >> Oh, it's Oh, well.
41:28 The ferris wheels asleep, it arms still
41:31 folded tight. We walk between the
41:34 shadows and the strings of halfway. The
41:38 popcorn stands a dreaming of the
41:40 laughter they'll be fed in your
41:42 reflection in a puddle's turning pink
41:45 instead of red.
41:48 You can just imagine this video, right?
41:50 Like two like two young little sweet,
41:53 you know, like teens or early 20s
41:56 walking, you know, walking down like a
41:59 dirt road carnival. People are getting
42:02 ready in the background. Lights are
42:04 coming on here and there. There's lights
42:06 in the puddles.
42:10 You say it's strange to see it empty.
42:14 I say it's strange to feel this calm.
42:19 You smile like you know something I
42:24 don't know. I've already beun.
42:29 Before the lights come on and before the
42:32 crowd arrives. Before we name what this
42:35 could be. Before the day survives,
42:39 we linger in the middle where the maybe
42:42 feels like song. Two hearts not yet
42:45 decided
42:47 before the lights come on.
42:51 [Applause]
42:51 [Music]
42:55 [Applause]
42:57 All right. I I This must be
43:01 Hang on. I just downloaded two two
43:04 things. Let Let me just listen to him
43:05 quick.
43:08 YouTube, you're not going to hear this
43:09 probably.
43:15 [Music]
43:22 The ferris wheels asleep, its arms still
43:25 folded tight. We walk between the
43:28 shadows and the strings of halfway
43:30 light. The popcorn stands a dreaming of
43:34 the laughter. They'll be fed in your
43:36 reflection in a puddle's turning pink
43:39 instead of red.
43:42 You say it's strange.
43:48 >> All right. Um I think it's better. I
43:50 don't know. Okay. Whatever. Okay. Back
43:53 to this. Let's hear the other versions.
43:57 [Music]
44:02 in there. I think we're just going to
44:04 have to accept it.
44:08 [Music]
44:11 >> That was horrible.
44:14 [Music]
44:21 >> The ferris wheels asleep, its arms still
44:24 folded tight. We walk between the
44:27 shadows and the strings of halfway
44:30 light. The popcorn stands a dreaming of
44:33 the laughter they'll be fed in your
44:36 reflection in a puddle's turning pink
44:39 instead of red. You say it's strange to
44:42 see it empty. I say it's strange to feel
44:44 this calm. You smile like you know
44:47 something. I don't know. I've already
44:50 begun.
44:54 Before the lights come on, before the
44:57 crowd arrives, before we name what this
45:00 could be, before the day survives, we
45:04 linger in the middle where the maybe
45:07 feels like song.
45:12 Two hearts not yet decided
45:16 before the lights come on.
45:24 [Music]
45:27 A prize bear in the windows got a rip
45:30 along the seam. You laugh and say he's
45:33 just like me, stitched up from a dream.
45:36 The smell of rain and sawdust makes the
45:39 air taste almost sweet. I count your
45:42 footsteps next to mine. They nearly
45:44 match the bead. You toss a coin, it
45:47 spins between the quiet and the breeze.
45:51 It lands on something fragile, something
45:54 trembling between me. Before the lights
45:58 come on, before the noise begins, before
46:02 the world demands, we choose where all
46:04 this story ends. We're written in the
46:08 margin where the ink's still barely
46:11 strong.
46:13 [Music]
46:15 Two souls half in the promise
46:19 before the lights come on.
46:21 >> All right, we're gonna I think it needs
46:23 to be a little punchier. So, bittersweet
46:26 folk pop,
46:31 rock ballad
46:34 with hints of carnival music. I'm going
46:36 to kill soft acoustic.
46:38 We'll leave ambient shimmer,
46:41 tender vocals, nostalgic yet full of
46:44 unspoken hope. The song starts sweetly
46:46 and builds
46:49 builds,
46:50 let's say, to a joyful
46:54 beat.
46:57 All right. Seeing their children's
46:58 children on the rides while their
47:00 grandparents wearing huge smiles. Kyle,
47:03 seriously, a bit of an Irish low
47:06 with boron and penny whistle. Ah, yeah.
47:09 Okay, this is good. Um, I'm just going
47:11 to add that at the end. A bit of an
47:14 Irish
47:16 lil
47:19 with I don't know what a boron is. Boron
47:22 and penny whistle. Boron
47:26 and penny whistle.
47:29 That's cool.
47:31 I like that.
47:32 I love music nights. I know. This is
47:34 fun, right? I didn't plan on this. Irish
47:36 drum. Oh, yeah. That's good. Uh
47:40 like uh let's see. Um
47:43 poke ball pad with hints of carnival
47:45 music
47:52 and
47:54 an Irish lil with boron. Oh, that's the
47:57 hand drum.
47:59 Got it. Irish drums with boron and penny
48:02 whistle ambient shimmer tender vocals.
48:08 Okay. Okay. This should be good. This
48:11 should give it a little bit of magic.
48:18 This should give it a little bit of
48:19 magic. And hopefully because it's going
48:22 to have a bit more of a drive to it, we
48:25 won't get that clicking and popping
48:27 because I think that's from my original
48:29 my original file introduced that. And
48:33 Brandon's point's a good one. It kind of
48:34 sounds like an old crackly album.
48:38 [Music]
48:47 The ferris wheels asleep, its arms still
48:50 folded tight. We walk between the
48:53 shadows and the strings of half.
48:56 the popcorn.
48:59 [Music]
49:08 >> The ferris wheels asleep, its arms still
49:11 folded tight. We walk between the
49:14 shadows and the strings of halfway
49:16 light. The popcorn stands are dreaming
49:19 of the laughter they'll be fed and your
49:22 reflection in a puddle's turning pink
49:24 instead of red. You say it's strange to
49:28 see it empty.
49:30 I say it's strange to feel this calm.
49:36 You smile like you know
49:40 I don't know.
49:41 [Music]
49:45 >> I don't quite like that one. I want to
49:47 go back. I want to hear that remaster
49:48 one. The cute little remaster.
49:56 [Music]
50:06 The ferris wheels asleep, its arms still
50:09 folded tight. We walk between the
50:12 shadows and the strings of halfway
50:14 light. The popcorn stands are dreaming
50:17 of the laughter they'll be fed and your
50:19 reflection in a puddle's turning pink
50:22 instead of red.
50:25 You say it's strange to see
50:29 [Music]
50:32 this calm.
50:34 You smile.
50:38 >> Can you switch time signatures? I think
50:40 that is in three, isn't it?
50:44 D.
50:46 [Music]
50:53 >> Before the lights come on, before the
50:56 crowd,
50:57 before we name what this could be before
51:00 the day survives, we'll linger in the
51:03 middle where the feels.
51:07 >> I think it is a six.
51:12 The drive is now 44 though it's
51:14 underlying 68. Yeah.
51:17 But how can I change that? That I don't
51:19 know. Have you done that, Corey? Like
51:22 what what would I prompt? Do I do that
51:23 as a as a cover or a remaster and then
51:26 change the time signature? I don't know
51:28 how to do that. If anyone knows how to
51:30 do that, tell me. Um, all right, let's
51:32 go. I changed the prompt here from
51:35 bittersweet folk pop rock to just
51:37 bittersweet folk rock.
51:41 [Music]
51:50 The ferris wheels
51:53 arms folded tight.
51:56 >> Is that in the song? This is what I
51:58 can't figure out.
52:00 [Music]
52:05 >> The ferris wheels asleep. It's arms
52:09 folded tight between
52:12 >> that those cracks are not in the songs.
52:15 They're
52:16 >> they're in the playback.
52:19 [Music]
52:21 >> The popcorn stands are dreaming of the
52:24 laughter they'll be fed and your
52:26 reflection in a puddle's turning pink
52:29 instead of red.
52:33 You say it's strange to see it empty.
52:37 [Music]
52:38 I say it's strange.
52:40 [Music]
52:44 >> Yeah, it's a glitch. There's a glitch in
52:46 it, but like when I replay the same
52:48 section, the glitches are in different
52:50 spots.
52:54 [Music]
52:59 >> You say it's strange to see it empty.
53:03 I say it's strange to feel this calm.
53:08 You smile like you know something
53:12 I don't know I've already begun.
53:16 Before the lights come on before the
53:19 crowd arrives. Before we name what this
53:22 could be before the day surides.
53:26 We linger in the middle where the maybe
53:29 feels like song. Two hearts might get
53:32 decided
53:34 before the lights come on.
53:37 >> Nice. Nice.
53:40 A prize bear in the windows. Got a rip
53:43 along the seam. You laugh and say,
53:47 stitched up from a dream. The smell of
53:50 rain and sawdust makes the air taste
53:53 almost sweet. I count your footsteps
53:56 next to mine. They nearly match the
53:58 beach.
54:00 You toss a coin, it spins between the
54:04 quiet and the breeze.
54:07 It lands on something fragile. Something
54:09 trembling between.
54:13 Before the lights come on, before the
54:16 noise begins, before the world demands,
54:20 we choose where all this story ends.
54:23 We're written in the margin. Where the
54:26 ink still barely strong
54:30 [Music]
54:31 before the lights come on.
54:34 God damn. That's a good song. Those
54:35 lyrics are good, man. Um, okay. So, that
54:38 got a thumbs up. That's pretty good. I
54:40 like the driving thing. I just tried to
54:42 do two more in 68. So, let's hear this
54:44 this other one. That's the indie indie
54:46 rock.
54:53 [Music]
54:56 The ferris wheels asleep. It arms still
54:59 folded tight.
55:01 >> There. You just asked for it, Cy.
55:03 There's your alto.
55:09 >> The popcorn stands are dreaming of the
55:11 laughter. They'll be fed in your
55:14 reflection in her puddles turning pink
55:17 instead of red.
55:21 [Music]
55:23 Suno's got that weird thing where it
55:24 just it does that weird sort of octave.
55:30 It does that in a lot of songs. It's
55:31 weird. It's very It's very kind of a
55:34 telltale sign of a sunos.
55:37 >> Let's try these other ones. These are
55:39 the ones I prompted in 68. We'll see if
55:40 they're in 68.
55:42 [Music]
55:52 The ferris wheels asleep, its arms still
55:55 folded tight. We walk between
55:59 the strings of halfway.
56:01 The popcorn stands
56:05 fed.
56:09 [Music]
56:18 The ferris wheels asleep, its arms still
56:22 folded tight. We walk between the
56:25 shadows and the strings of halfway
56:27 light. The popcorn stands a dreaming of
56:30 the laughter they'll be fed in your
56:33 reflection in a puddle turning pink
56:36 instead of red.
56:40 You say it's strange to see it empty. I
56:45 say it's strange to feel this come.
56:50 You smile like you know something.
56:55 I don't know. I've already begun.
56:59 Before the lights come on. Before the
57:02 crowd arrives. Before we name what this
57:06 could be.
57:14 I think I'm killing the soul of this
57:16 thing. I'm going to pull out the
57:17 bittersweet.
57:21 Like, I feel like the earlier versions
57:24 that were more simple
57:28 are really what this song's about, but I
57:31 think it's worth exploring.
57:35 [Music]
57:44 The ferris wheels asleep, its arms still
57:47 folded tight. We walk between the
57:49 shadows and the strings of halfway
57:52 light. The popcorn stands are dreaming
57:55 of the laughter. They'll be fed in your
57:57 reflection. And a puddle's turning pink
58:00 instead of red. You say it's strange to
58:04 see it empty.
58:06 I say it's strange to feel this.
58:10 >> You know what the thing is? The lyrics.
58:13 It's strange to see it empty when
58:15 there's a bunch of instruments
58:17 underneath that. It doesn't have that
58:19 same kind of haunting feeling of it
58:21 being empty. It feels not empty.
58:24 So, I think we've got to I think we have
58:27 to re
58:37 The ferris wheels asleep, its arms still
58:40 folded tight. We walk between the
58:43 shadows and the strings of halfway
58:45 light. The popcorn stands are dreaming
58:48 of the laughter. They'll be fed in your
58:50 reflection in a puddles turning pink
58:53 instead of red. You say it's strange to
58:56 see it empty.
58:59 I say it's strange to feel this calm.
59:04 You smile like you know something I
59:08 don't know. I've already begun.
59:13 Before the lights come on. Before the
59:16 crowd arrives. Before we name what this
59:19 could be. Before the day survives. We
59:23 linger in the middle. Where the navy
59:26 feels like song. Two hearts not yet.
59:31 >> All right, I'm gonna try that. Corey,
59:33 cello and acoustic guitar could work
59:34 good with this. Yeah, now this is just a
59:36 Disney song. Yeah, I agree.
59:38 Yeah, we're we're uh we're bleeding the
59:41 life out of it. But, you know, this is
59:43 like the cool thing is we have all the
59:45 previous versions so we can go back.
59:48 This is so you know if you wonder like
59:51 I'm working on this musical
59:54 Sydney and we've written a you know a a
59:58 fair amount of the songs have been
1:00:00 written in some version of this where
1:00:03 but the difference in a musical is we
1:00:05 know we know exactly the emotion that we
1:00:08 want for a particular scene
1:00:10 and it's a lot of it's a lot of just
1:00:14 cranking through dozens and dozens and
1:00:17 dozens thousands of these until you get
1:00:18 something that's close and then you kind
1:00:19 of circle around the drain for a while.
1:00:21 It take it it's it's a bizarre process.
1:00:25 Um,
1:00:27 but it's like I you know I kind of feel
1:00:29 like
1:00:31 the people that say that this isn't a
1:00:33 creative process haven't done it
1:00:36 right. Like it's like this is a weird
1:00:39 song. Like I didn't write the lyrics. I
1:00:41 wrote the little guitar lick, but that's
1:00:44 not writing a song.
1:00:46 But that first thing that we got out of
1:00:48 it was really kind of magical, right?
1:00:51 And so it's like, can you make it better
1:00:53 without losing the magic? And that's
1:00:55 that's part of the art. And maybe maybe
1:00:58 not. Maybe you don't end up with
1:00:59 anything usable out of this.
1:01:04 [Music]
1:01:07 [Applause]
1:01:13 The ferris wheels asleep, its arms still
1:01:16 folded tight. We walk between the
1:01:19 shadows and the strings of halfway
1:01:21 light. The popcorn stands are dreaming
1:01:24 of the laughter they'll be fed. Your
1:01:27 reflection in a puddle's turning pink
1:01:29 instead of red. You say it's strange to
1:01:33 see it empty.
1:01:36 I say it's strange to feel this calm.
1:01:41 You smile like you know something.
1:01:45 I don't know. I've already begun.
1:01:49 Before the lights come on, before the
1:01:52 crowd arrives, before we name what this
1:01:55 could be, before the day.
1:01:59 [Music]
1:02:01 >> All right, that's not bad. I I did two
1:02:03 versions with um with I added obo for
1:02:06 you, Corey,
1:02:09 the key changes of crime against
1:02:10 humanity.
1:02:14 This is songwriting by committee.
1:02:18 [Music]
1:02:26 The ferris wheels asleep, its arms still
1:02:30 folded tight. We walk between
1:02:33 >> No, she sounds too sure of herself right
1:02:35 there. Right. Like the the magic of it
1:02:37 was it was like this
1:02:40 young woman in this wistful place.
1:02:44 Here's Obo.
1:02:47 inary.
1:02:53 [Music]
1:03:05 The ferris wheels asleep, its arms still
1:03:08 folded tight. We walk between the
1:03:11 shadows and the strings of halfway
1:03:13 light. The popcorn stands are dreaming
1:03:16 of the laughter they'll be fed. And your
1:03:19 reflection in a puddle's turning pink
1:03:22 instead of red. You say it strange to
1:03:25 see it empty.
1:03:28 I say it's strange to feel this calm.
1:03:33 You smile like you know something I
1:03:37 don't know. I've already begun.
1:03:42 Before the lights come on, before the
1:03:45 crowd arrives, before we
1:03:48 >> No, the chorus sucks.
1:03:51 [Music]
1:04:07 Incredibles
1:04:10 asleep,
1:04:14 its arms still folded tight.
1:04:18 We walk between the shadows
1:04:22 and strings of halfway light.
1:04:26 [Music]
1:04:28 The popcorn stands are dreaming
1:04:31 [Music]
1:04:32 of the laughter. They'll be fair
1:04:37 and your reflection in a puddle's
1:04:40 turning
1:04:42 pink instead of red.
1:04:47 You say it's strange to see it empty.
1:04:52 I say it's strange to feel this calm.
1:04:57 You smile like you know
1:05:01 I don't know I've already begun.
1:05:07 The percussion throughout can match
1:05:09 visuals.
1:05:11 Oh man, I thought Kenny Rogers. Yeah,
1:05:13 that had a Kenny Rogers thing to it.
1:05:15 Minor key and slow lead to a power rise.
1:05:20 You can direct the transition of key
1:05:22 changes from minor to major.
1:05:25 Huh, that's cool.
1:05:28 All right, let's
1:05:32 This is new thing. Minimalist folk with
1:05:34 cello and acoustic guitar and obo in 68
1:05:38 with hints of carnival music, ambient
1:05:40 shimmer, tender vocals, nostalgic yet
1:05:43 full of unspoken hope.
1:05:46 Um, yeah, that's all right.
1:05:50 [Music]
1:05:57 The ferris wheels asleep, its arms still
1:06:00 folded tight. We walk between the
1:06:03 shadows and the strings of halfway. The
1:06:07 popcorn stands are dreaming.
1:06:10 >> Minimalist is key. I don't like that
1:06:12 melody, but minimalist is really good.
1:06:14 That's And it's it's got like all that
1:06:16 processing on the vocals. All the all
1:06:18 the reverb and ambience in the vocals.
1:06:20 That's That's what gives it that empty
1:06:22 feeling. That's good.
1:06:26 [Music]
1:06:34 The ferris wheels asleep, its arms still
1:06:37 folded tight. We walk between the
1:06:40 shadows and the strings of halfway
1:06:42 light. The popcorn stands are dreaming
1:06:45 of the laughter they'll be fed and your
1:06:48 reflection in a puddle's turning pink
1:06:51 instead of red.
1:06:54 [Music]
1:06:57 You say it's strange to see it empty.
1:07:02 I say it's strange to feel this calm.
1:07:07 You smile like you know something I
1:07:11 don't know. I've already begun.
1:07:16 Before the lights come on, before the
1:07:19 crowd arrives, before we name what this
1:07:22 could be, before the day survives, we
1:07:26 linger in the middle where the maybe
1:07:29 feels like song. Two hearts not yet
1:07:32 decided
1:07:35 before the lights come on.
1:07:41 Yeah, let's get this baked, Corey. And
1:07:43 you should absolutely cover it. You
1:07:45 should absolutely cover it.
1:07:48 And also, anyone wants to make a video
1:07:50 of this. This is I can see this video so
1:07:53 clearly, right? This is just, you know,
1:07:57 morning. Sun's just coming up. Fog's
1:08:00 lifting off the fields. Carnival.
1:08:02 Whoever had the idea about like zoom in
1:08:04 on the the merrygoround with the horses
1:08:06 on it and then old guys there dusting
1:08:08 them off, wiping the moisture off.
1:08:12 These two just walking gently through
1:08:14 the That's really cool.
1:08:18 [Music]
1:08:23 in the windows. Got a rip along the
1:08:25 seam. You laugh and say he's just like
1:08:28 me, stitched up from a dream. The smell
1:08:32 of rain and sawdust makes the air taste
1:08:35 almost sweet. I count your footsteps
1:08:38 next to mine. They nearly match the
1:08:40 beat. You toss a me stitched up from a
1:08:43 dream. The smell of rain and sawdust
1:08:47 makes the air taste almost sweet. I
1:08:50 count your footsteps next to mine. They
1:08:52 nearly match the beat. You toss a coin,
1:08:55 it spins between the quiet and the
1:08:58 breeze. It lands on something fragile,
1:09:02 something trembling between.
1:09:06 Before the lights come on, before the
1:09:10 noise begins, before the world demands,
1:09:13 we choose where all this story ends.
1:09:17 We're written in the margin where the
1:09:19 ink's still barely strong. Two souls
1:09:22 half in the promise
1:09:25 before the lights come on.
1:09:30 [Music]
1:09:36 Cotton candy ghost the whisper of a
1:09:41 secret that your hand could hold but
1:09:43 hasn't yet tried. If I breathe too loud
1:09:47 I'll break the spell we've spun.
1:09:52 A heartbeat before gravity decides which
1:09:55 way we run.
1:09:59 Before the lights come on, before the
1:10:02 sky turns gold. Before our voices learn
1:10:06 the lines they're scared to have told.
1:10:09 Let's walk this midway silence till the
1:10:12 dawn is found.
1:10:14 And maybe we'll decide it.
1:10:18 Before
1:10:21 the lights come on
1:10:26 [Music]
1:10:30 one.
1:10:33 [Music]
1:10:39 >> That's the one. Damn.
1:10:43 Damn. That's good. All right, let's
1:10:47 download.
1:10:49 We'll download the video. Video will be
1:10:51 downloaded after the generation. Let me
1:10:53 grab the MP3.
1:10:57 Download the MP3. Let me give that a
1:11:00 thumbs up and let me publish it.
1:11:04 Publish.
1:11:09 Um, let's see. Replace image.
1:11:14 Upload prompt for an AI generated image.
1:11:17 Um,
1:11:19 young
1:11:25 couple walk
1:11:30 side by side
1:11:35 at
1:11:37 dawn
1:11:39 down a dusty
1:11:42 carnival road with
1:11:49 Um,
1:11:55 ferris wheel in
1:11:59 the background.
1:12:03 Um,
1:12:05 bold color
1:12:10 film stock
1:12:13 with light bleed.
1:12:25 [Music]
1:12:26 dee.
1:12:32 [Music]
1:12:54 All right, that's good enough.
1:13:14 Add a video.
1:13:17 Yeah.
1:13:23 Let's see. Caption.
1:13:27 Um,
1:13:31 let's see.
1:13:39 created
1:13:42 in collaboration
1:13:44 with the irregulars.
1:13:50 Yes. All right. Publish. So that's now
1:13:54 published. So you should be able to go
1:13:59 search for before the lights come on.
1:14:04 And then let me share this. Share. Copy
1:14:08 link.
1:14:10 Let me go to the AI cell.
1:14:21 I'm going to put it in. Look what I
1:14:22 made.
1:14:35 You know, it's it's a good song when you
1:14:37 stop playing it and then you immediately
1:14:39 start singing it again.
1:14:41 You know what I'm saying?
1:14:44 Mhm.
1:14:47 Why did that not make So, wait, what's
1:14:49 this called? Before the lights
1:14:53 come on.
1:14:58 Um, why do I not have an image there?
1:15:00 That sucks.
1:15:13 Can I copy this? Paste it.
1:15:17 I don't think so.
1:15:29 [Music]
1:15:30 Paste. Did it work?
1:15:35 Yes.
1:15:37 Post.
1:15:42 Oh [ __ ] I just notified everyone about
1:15:45 my song. How come he gets to notify the
1:15:48 entire community when he posts
1:15:49 something, but we're not allowed to do
1:15:51 that? That was a mistake. Sorry about
1:15:53 that.
1:15:55 But anyway, okay. So,
1:15:58 wait. Oh, edit displayed lyrics
1:16:02 without verse, etc. Oh, is that does
1:16:04 that is that an option
1:16:07 or should I just I should just pull them
1:16:09 out, right?
1:16:12 Um,
1:16:15 [Music]
1:16:16 can I edit these here? No. Let's see.
1:16:19 Edit. Uh,
1:16:23 how do I edit this? Uh, edit. Here we
1:16:27 go. Edit displayed lyrics. Okay,
1:16:33 beautiful. Thank you. Good call, Silver
1:16:35 Fox.
1:16:44 You know what's amazing about these
1:16:46 lyrics is normally these lyrics will
1:16:48 have like some really dud
1:16:51 kind of um
1:16:54 like like just it'll it'll have like the
1:16:58 better lyrics will be in the verse than
1:16:59 the chorus or there'll be like a a verse
1:17:03 that's just got really shitty cliched
1:17:05 lyrics. This doesn't really have any of
1:17:08 those. This GPT5 it's
1:17:10 pretty [ __ ] good. I hate to break it
1:17:12 to you.
1:17:15 In case you were wanting AI to keep
1:17:17 sucking,
1:17:19 it's getting a little better.
1:17:22 Pin song to profile. Okay.
1:17:27 And then can I How do I
1:17:32 How do I republish? Do I republish this?
1:17:37 Save. It's already published. Okay. So,
1:17:39 let's go. Oh, you're not No one's
1:17:42 looking at this. Sorry about that. Tabs.
1:17:44 Yeah. Yeah. Yeah. I saw that. I saw it a
1:17:48 little too late.
1:17:53 Okay. So, it's displaying the lyrics
1:17:55 correctly. Great. So, share this tab.
1:17:59 All right. So, let's listen to our song
1:18:03 and then we'll download the video of it
1:18:05 and go put that we'll go download the
1:18:08 video and put it on X and spend the next
1:18:10 45 minutes trying to get a video to
1:18:12 upload
1:18:19 anybody of a
1:18:22 Okay, here we go.
1:18:25 [Music]
1:18:32 The ferris wheels asleep, its arms still
1:18:36 folded tight. We walk between the
1:18:39 shadows and the strings of halfway
1:18:41 light. The popcorn stands are dreaming
1:18:44 of the laughter they'll be fed in your
1:18:47 reflection in a puddles turning pink
1:18:50 instead of red.
1:18:56 You say it's strange to see it empty.
1:19:00 I say it's strange to feel this calm.
1:19:06 You smile like you know something I
1:19:10 don't know. I've already begun.
1:19:15 Before the lights come on. Before the
1:19:18 crowd arrives. Before we name what this
1:19:21 could be. Before the day survives, we
1:19:25 linger in the middle where the maybe
1:19:28 feels like song. Two hearts not yet
1:19:31 decided
1:19:34 before the lights come on.
1:19:36 [Music]
1:19:44 A prize bear in the windows got a rip
1:19:47 along the seam. You laugh and say he's
1:19:50 just like me. stitched up from a dream.
1:19:54 The smell of rain and sawdust makes the
1:19:56 air taste almost sweet. I count your
1:20:00 footsteps next to mine. They nearly
1:20:02 match the beat. You toss a coin. It
1:20:05 spins between the quiet and the breeze.
1:20:08 It lands on something fragile, something
1:20:11 trembling between.
1:20:16 Before the lights come on, before the
1:20:19 noise begins, before the world demands,
1:20:22 we choose where all this story ends.
1:20:26 We're written in the margin where the
1:20:28 ink still barely strong. Two souls half
1:20:32 in the promise
1:20:34 before the lights come on.
1:20:39 [Music]
1:20:45 Cotton candy goes the whisper of eye.
1:20:50 The secret that your hand could hold but
1:20:52 hasn't yet tried. If I breathe too loud,
1:20:56 I'll break the spell we've spun.
1:21:01 A heartbeat before gravity decides which
1:21:04 way we run.
1:21:08 Before the lights come on. Before the
1:21:11 sky turns gold. for our voices learn the
1:21:15 lines they're scared to have told. Let's
1:21:19 walk this midway silence till the dawn
1:21:22 has found its song. And maybe we'll
1:21:25 decide it
1:21:30 before the lights come on.
1:21:35 [Music]
1:21:50 Nice.
1:21:52 All right.
1:21:53 >> The queen of the woodlands
1:21:56 wears a gold crown.
1:22:00 [Music]
1:22:02 She sits by a streaming
1:22:07 lilac.
1:22:12 She rests on a hill.
1:22:17 It may be her tomb.
1:22:22 She weaves a chain of
1:22:25 [Music]
1:22:28 >> um let's go back here. Let's do this. So
1:22:32 there's Thank you for that, Corey
1:22:34 Sandler. That's a beautiful image. That
1:22:36 is a good a good image than I did. I
1:22:39 like it. So, we'll use it. Um,
1:22:44 look what I made. Let's just make sure.
1:22:46 I think this is gonna have
1:22:49 Yeah, that's bad. So, we'll get rid of
1:22:52 that.
1:22:54 Oh, no. We got to edit this.
1:23:01 Um,
1:23:03 edit. Edit.
1:23:17 [Music]
1:23:26 Come on.
1:23:28 Oh, come on. This must be Xfinity.
1:23:39 Edit
1:23:52 [Music]
1:23:57 can't display AVIFs.
1:24:00 Welcome to the format nightmare.
1:24:09 All right. Fantastic. Bob, you got it
1:24:12 done there.
1:24:14 Beautiful. Beautiful. Beautiful.
1:24:17 Beautiful.
1:24:18 There's our beautiful little song.
1:24:22 Our beautiful little thing. We click
1:24:24 here. It goes there. There it is. Very
1:24:27 beautiful. We click here.
1:24:33 Did that go to a new place? It did go to
1:24:35 a new place, but here's where it went.
1:24:37 Calm down, everyone. I'll share the
1:24:39 right tab
1:24:41 before the lights come on.
1:24:46 All right.
1:24:53 Why is it not playing?
1:25:00 I lost connection. Screen share audio.
1:25:04 Awesome.
1:25:06 Yeah, my machine is hosed RAMwise.
1:25:11 That is what's going on with all the
1:25:12 audio. So,
1:25:15 anyway,
1:25:17 all right, we got a we got a pretty
1:25:18 thing. So, let's go grab the video
1:25:22 download. We're going to download the
1:25:24 video. a video.
1:25:29 Oh, it's got to generate it because we
1:25:30 put a new a new picture. We put in a new
1:25:33 picture, people.
1:25:35 Fantastic.
1:25:38 What's happening? Shu. Uh, Kyle, do you
1:25:40 have any writing advice
1:25:43 for finding a premise?
1:25:46 Oh, I might do Nanorimo next month.
1:25:49 Um,
1:26:02 it's so funny. my writing partner,
1:26:05 my writing partner for Sydney.
1:26:12 Right before I started StoryVine,
1:26:15 I did a uh
1:26:19 I did a 30-day
1:26:21 everyday update
1:26:23 of Andrew, my writing partner, who was
1:26:26 doing Nanorimo,
1:26:29 and we did a we did a 30-day diary of
1:26:32 him doing the 30 days of Nanorimo. That
1:26:35 that just came back to me. That's really
1:26:37 funny.
1:26:38 Um,
1:26:40 yeah, there was this amazing moment
1:26:42 where he got sick and he didn't want to
1:26:43 make a video and I said, "Make a video
1:26:45 anyway."
1:26:47 And
1:26:49 man, he had a [ __ ] ton of people
1:26:50 following him by the end. It was really
1:26:52 cool. Um, oh, but advice for for coming
1:26:56 up with a premise.
1:26:58 Um, if you want to see that, it's at
1:27:00 it's at my YouTube channel here. I'll
1:27:02 show it to you.
1:27:04 It's at my Kyle Shannon YouTube channel.
1:27:08 So, let me share this tab.
1:27:16 Go to your channel.
1:27:20 Yeah. And here it is. The X Days
1:27:21 project.
1:27:23 So, it must be in playlists.
1:27:26 There's my kids when they were little.
1:27:28 Here's
1:27:32 >> Hi there. My name is Andrew Watts and my
1:27:34 goal is to write a complete novel in
1:27:37 only 30 days.
1:27:41 What the hell am I doing?
1:27:48 [Music]
1:27:57 Good morning. Uh, I'm Andrew Watts and
1:28:00 this is day one of my 30-day attempt to
1:28:05 >> So, anyway, that's good. The uh let's
1:28:08 see, I'll I'll go to the funny day.
1:28:12 Hang on. The funny day is
1:28:20 I think it's this one.
1:28:24 Hi there,
1:28:32 What the hell am I doing?
1:28:37 [Music]
1:28:52 Still not ready. Oh, was the day before
1:28:54 this one.
1:28:56 Yeah, hang on.
1:28:56 >> Hi there. My name is Andrew Watts and my
1:28:59 goal is to write a complete
1:29:00 >> Yeah, this is the one. This is really
1:29:02 good. So, I'll tell you
1:29:04 >> Hi there. My name is Andrew Watt.
1:29:05 >> I'll tell you the story of this video
1:29:07 you're about to see. So, so he was
1:29:08 deathly ill and he he was like, "Kyle,
1:29:10 dude, I can't make a video and I'm not
1:29:13 writing. I don't think I'm going to
1:29:14 finish Nanorimo."
1:29:16 And he he was like, "I just think this
1:29:17 is all [ __ ] stupid."
1:29:20 And so I told him I said I said, "Just
1:29:23 make a video of that. Screw the format.
1:29:25 Just Just make a video of that. So, this
1:29:27 is what he made.
1:29:28 >> And my goal is to write a complete novel
1:29:31 in only 30 days.
1:29:33 >> I don't think he's related to Alan.
1:29:35 >> What the hell am I doing?
1:29:48 [Music]
1:29:51 Uh hello. Welcome to day five. I'm
1:29:54 Andrew Watts. Um I'm really sick today.
1:29:59 I didn't write. I'm not going to read.
1:30:03 Uh and as far as I concerned,
1:30:06 um Nanorimo can go
1:30:10 suck my ass.
1:30:21 Um, Nanorimo. Oh, yeah. It's the
1:30:24 National
1:30:26 National Novel Writers Month, and the
1:30:29 the goal is that you write I think it's
1:30:30 a 30,000word or 50,000word novel in 30
1:30:33 days. Um,
1:30:36 and uh, yeah. So, so that that was
1:30:39 Andrew. Okay. Um, what are we doing? I
1:30:43 don't know. K, it's your channel. Maybe
1:30:44 you should figure out what we're doing
1:30:46 here.
1:30:47 Um download video.
1:30:51 All right. So let's go not share this
1:30:56 and share
1:31:00 full screen so you can hear it.
1:31:04 And then I will go to here.
1:31:08 My eyes are drying out.
1:31:21 Yeah, my RAM is hosed.
1:31:25 Hued. Hued.
1:31:32 These sessions always make me think of
1:31:34 Rick Rubin. That's a hu I'll take that
1:31:35 as a huge [ __ ] compliment.
1:31:39 Why Why is this not launching?
1:31:46 window
1:31:48 before the lights come on.
1:31:51 Uh oh.
1:31:55 My machine is not happy.
1:32:00 Uh
1:32:02 let's see.
1:32:07 Let's see.
1:32:11 I don't think the lights are coming back
1:32:13 on. Yeah, something's [ __ ] weird. All
1:32:15 right, let's try this again.
1:32:19 Quick time player. There we go. Okay.
1:32:23 All right, everybody. Everybody calm
1:32:25 down. You're all so [ __ ] excitable.
1:32:29 Here's our This is our Corey Sandler
1:32:32 artwork. Corey Sandler. A lot of music
1:32:34 direction in this. She was She was good
1:32:35 producer tonight.
1:32:37 Did you ever answer a shoe? No.
1:32:40 a shoe. Sorry. Wait, before we play the
1:32:43 song, um,
1:32:46 coming up with concepts, premises for a
1:32:48 novel
1:32:53 here would here would be a fun thing to
1:32:54 do. So, one of the things that um, Chat
1:32:58 GPT is really good at is sifting through
1:33:02 a bunch of sort of idea vomit. So, what
1:33:06 I would say is
1:33:08 um
1:33:10 put chat GPT into conversation mode
1:33:13 where you're talking to it and tell it
1:33:16 you want to come up with premises for a
1:33:18 novel and then just literally
1:33:21 ju and just tell it I'm going to I'm
1:33:23 going to just share a whole bunch of
1:33:25 unrelated ideas and just say, you know,
1:33:29 here's a story from when I was a kid.
1:33:31 Here was a dream I had once. Here's a
1:33:34 dumb idea I had for a thing once. Here's
1:33:37 the kinds of things I like. Here's the
1:33:38 kinds of things I don't like. Literally
1:33:41 just let your brain
1:33:44 like not not
1:33:47 take anything seriously. Just get it as
1:33:50 much out of your head as you can. Your
1:33:52 opinion, stories you've got, things like
1:33:55 that. When you get a bunch of that stuff
1:33:57 out, say, "Okay, I've said enough. Now,
1:34:00 what I want you to do first is I want
1:34:01 you to organize my thoughts into themes
1:34:05 or or or a framework or something like
1:34:08 that. Just give it some sort of
1:34:11 direction to organize your thoughts.
1:34:14 And then once it's organized your
1:34:16 thoughts, then say something like,
1:34:20 you know, if I want to turn, you know,
1:34:22 something in these thoughts into a
1:34:24 novel,
1:34:26 what do you think are the five bit best
1:34:29 ideas in my, you know, scattershot of
1:34:32 thoughts that could that could evolve
1:34:35 into a novel concept
1:34:38 and then let it come up with that and
1:34:40 and look at what it comes up with. And
1:34:42 then if you don't like any of them, tell
1:34:44 it why you don't like it, you know, tell
1:34:47 it, "Nope, I don't like any of those,
1:34:48 and here's why."
1:34:51 And then and then tell it to give you 10
1:34:53 more. And then and then you'll you'll
1:34:57 probably within 15 minutes, you'll end
1:34:59 up with three or four concepts you'll be
1:35:01 really excited about. And then I would
1:35:03 take each one of those and and run them
1:35:06 down their own sort of chat GPT
1:35:09 brainstorming session.
1:35:12 And then, you know, one or two of them
1:35:14 will probably hit dead ends, but
1:35:16 there'll be one that like as you run
1:35:18 down the brainstorming session, it'll
1:35:19 completely open up. So, that that would
1:35:22 be a fun way to do it because you don't
1:35:24 want to just ask it to give you concepts
1:35:26 that are not related to you, right? This
1:35:28 is a novel. So, if you're going to be
1:35:29 spending 30 days writing, you know,
1:35:33 getting the [ __ ] out of your soul,
1:35:37 then have it be come from your soul. So,
1:35:39 have it be about you. So just, you know,
1:35:42 put no judgment on any ideas and and
1:35:44 they don't have to be related at all.
1:35:46 Just vomit them into the machine and
1:35:48 then watch how it organizes them and
1:35:50 then just turn that into concepts. I
1:35:52 think that'll be good. Claude Sonnet had
1:35:54 been telling me off for procrastinating
1:35:57 and not writing anything. That's
1:35:58 hilarious. Great idea. I do that with
1:36:00 chat GPT to write poems,
1:36:03 then combine poems in Sunno and have
1:36:05 them create the song. Yeah, that's
1:36:06 great. That's awesome.
1:36:09 All right. So, here's our video that
1:36:10 we're going to try to upload to um uh to
1:36:14 to Twitter, which should be comical.
1:36:18 [Music]
1:36:27 The ferris wheels asleep, its arms still
1:36:30 folded tight. We walk between the
1:36:33 shadows and the strings of halfway
1:36:36 light. The popcorn stands are dreaming
1:36:39 of the laughter they'll be fed and your
1:36:42 reflection in a puddle's turning pink
1:36:45 instead of red.
1:36:51 You say it's strange to see it empty.
1:36:55 I say it's strange to feel this calm.
1:37:01 You smile like you know something I
1:37:05 don't know. I've already begun.
1:37:10 Before the lights come on, before the
1:37:13 crowd arrives, before
1:37:19 [Music]
1:37:21 >> Good question from El Diablo Blanco. Um,
1:37:26 I've seen subscription sites advertised
1:37:29 with all different AI programs. Do you
1:37:31 recommend any of these?
1:37:33 Um,
1:37:35 I I I I'm a mixed bag on them.
1:37:40 It is absolutely a pain in the balls
1:37:45 to have multiple subscriptions and try
1:37:48 to keep up with all the different models
1:37:49 and blah blah blah blah blah. So, there
1:37:52 is something very seductive about having
1:37:54 a single interface where you can have
1:37:56 access to all the models. Um, one of the
1:37:59 old school ones, you know, like three
1:38:02 years old, but but one of the ones that
1:38:04 people seem to like a lot is Poe Poe.
1:38:07 Um, it's really good. There's there's a
1:38:10 bunch of them right now that are just
1:38:11 kind of thrown together sites where
1:38:13 they're they're literally just throwing
1:38:16 APIs into a single chat interface and
1:38:18 then they charge 2030 bucks a month. Um,
1:38:21 PO's been around long enough that it's
1:38:23 pretty good. Um, it also depends like
1:38:26 what PO has is large language models,
1:38:30 image models. I think it might have
1:38:32 audio models and it's got video models,
1:38:35 too. Um, so there's there's things like
1:38:38 PO that have lots of different models in
1:38:41 them. And then there's ones that are
1:38:43 more creative specific like um like
1:38:46 Leonardo's one of them, Korea is one of
1:38:49 them that have lots of different models
1:38:53 you can choose from, but they're just
1:38:54 for like video or they're just for
1:38:56 images or images and video things like
1:38:58 that. Um here's the downside to them
1:39:03 for something like chat GPT. It's not
1:39:06 just the chat GPT5 API that you want
1:39:09 access to. like chat GPT itself is like
1:39:12 25 different tools and so if you're in
1:39:16 someone else's environment just using
1:39:19 the chat GPT API you're using some small
1:39:23 percentage of what's there so you end up
1:39:25 not learning
1:39:27 what the core model site actually is
1:39:30 like like
1:39:32 what I would say is if you want to play
1:39:34 with lots of different models what might
1:39:36 make sense is do a subscription to
1:39:39 something like PO where you can POE
1:39:41 where you can do lots of different
1:39:43 models but then I would also do a
1:39:45 subscription to chat GPT
1:39:47 just so you can experience all the stuff
1:39:50 it offers and like really dig deep on a
1:39:52 single model
1:39:54 because it's just a different
1:39:55 experience. So that that's that's my two
1:39:58 cents on that. Um I find those things
1:40:01 distracting and confusing and often not
1:40:04 really adding value. Um, you know,
1:40:07 there's lots of open- source ones, too.
1:40:09 I don't know. I don't know. I I could
1:40:13 spend if chat GPT stopped right now, I
1:40:16 could spend the next three to five years
1:40:18 not even scratching the surface of it.
1:40:20 It's It's that deep. There's so much
1:40:22 going on there.
1:40:24 Um, imagine.art. I just found that
1:40:26 because but so expensive. I'm still
1:40:30 wavering on spending on a video model. I
1:40:33 listen, Corey. I'm I'm right there with
1:40:35 the the video models right now are all
1:40:38 so expensive. They really are. They're
1:40:40 like like like uh the new Sunno in the
1:40:44 API is is 10 cents a second, which means
1:40:47 a 10-second video is a dollar. Do you
1:40:50 know how many [ __ ] videos you have to
1:40:52 make to get the videos to not suck, to
1:40:54 be usable in some form? Like if you
1:40:57 wanted to do a video of this
1:41:01 music video, it's three minutes and 28
1:41:04 seconds long and it's, you know, th
1:41:06 those things are generating 5-second
1:41:08 clips. So So you're going to probably
1:41:11 have to do a hundred different clips to
1:41:15 get enough video to do this. Well, if
1:41:17 you're doing that in Sunno, that's a
1:41:19 $100. Now, if you compare that to what
1:41:22 it would take to go out and film on set,
1:41:25 it's really cheap. But if you're just
1:41:27 [ __ ] around with AI, a hundred bucks
1:41:30 is ridiculous. Not wait, Sora. Yes,
1:41:34 sorry. Sorao is the song maker. Sora is
1:41:38 the one I was talking about. It's 10 10
1:41:39 cents a second for Sora, too. Um, that's
1:41:43 just expensive. There's there's other
1:41:44 ones that are cheaper, but good lord. So
1:41:48 if you really want to experiment with
1:41:50 video, what might actually make sense is
1:41:53 spin up an instance of like Google
1:41:55 Collab
1:41:57 where you have a a virtual machine in
1:41:59 the cloud and run some open- source
1:42:01 models like set up some GPUs in the
1:42:03 cloud. I assume that would be
1:42:05 significantly cheaper, but I don't know.
1:42:06 But then you got to then you got to
1:42:08 [ __ ] set up a you know a virtual
1:42:10 machine and go research all the open
1:42:12 source video models. So, just the the
1:42:15 other here's the other thing I would
1:42:17 say. If you're just exhausted by not
1:42:19 knowing what the [ __ ] to do with video,
1:42:22 give it a year,
1:42:24 right? Because we're just now we're just
1:42:27 now getting to the point where the
1:42:29 physics in these models are good enough
1:42:33 that you you can get mostly usable
1:42:36 videos most of the time. A year from
1:42:40 now, they're going to be rock solid and
1:42:42 there's going to be a bunch of really
1:42:43 cheap ones that are just fine.
1:42:46 Tik Tok voc users salon. Okay. Um,
1:42:52 videos frustrate me. They frustrate me
1:42:54 too, Silver Fox because I'll tell you
1:42:57 when when videos don't um frustrate me
1:43:01 like the song that I did
1:43:04 um
1:43:06 to Kill You for a Dollar. Let me show
1:43:08 you this video and then I'll I'll tell
1:43:10 you why it didn't drive me as crazy.
1:43:15 Um, where am I going?
1:43:21 Am I sharing? I'm not sharing right.
1:43:24 Hang on.
1:43:36 Here
1:43:48 we go.
1:43:55 Am I sharing? Oh, no. Not
1:44:03 okay.
1:44:19 [Music]
1:44:35 to kill you for a dollar.
1:44:40 Desperate
1:44:42 for an end
1:44:46 to this monotony monotony.
1:44:49 [Applause]
1:44:53 You look like a warm one. Your future
1:44:56 all set. Let me lick your pockets. I'll
1:45:00 take what I can get. I don't need your
1:45:03 kindness, your contact, your jokes, or
1:45:06 your pitiful love. Do you have any
1:45:09 smokes?
1:45:11 Can't go back to Kansas or three channel
1:45:14 TV. You know what's coming in. Your
1:45:17 future is me. The rats control the sewer
1:45:21 pipe. And in this waste they multiply
1:45:25 and feed upon their young.
1:45:28 And here
1:45:30 they flock.
1:45:32 They strain.
1:45:35 They push to be
1:45:39 much more
1:45:41 than they can be.
1:45:43 [Music]
1:45:47 Eyes like sharks.
1:45:51 They lack
1:45:53 the light
1:45:55 to look upon
1:45:59 their destiny.
1:46:04 [Music]
1:46:05 to kill you for a dollar.
1:46:10 [Music]
1:46:14 Flicker and static feel chill to the
1:46:17 bone. This is the channel that leads you
1:46:21 back home. A dollar buys you power. A
1:46:25 dollar buys regret. A dollar buys a
1:46:28 silence your conscience won't forget to
1:46:32 kill you for a dollar.
1:46:39 [Music]
1:46:40 To kill you for a dollar for a dollar
1:46:44 for a dollar.
1:46:47 So, the reason that wouldn't didn't
1:46:49 drive me that crazy is because
1:46:53 I basically just found a style in
1:46:55 midjourney that I liked and I just
1:46:58 wanted
1:47:00 like video snippets and sort of images
1:47:04 as if they were filmed in the late 80s
1:47:07 in New York City in Spanish Harlem,
1:47:09 which is where that song what that what
1:47:10 that song's about, being an artist in
1:47:12 New York City during the crack epidemic
1:47:16 And
1:47:17 so it just had to be like a wash of
1:47:20 reality and a wash of emotion and it was
1:47:24 kind of like I I tried to to semi, you
1:47:28 know, include images that went with the
1:47:30 lyrics, but I didn't really think about
1:47:32 it that much. So if you're doing
1:47:34 something like that, the video stuff's
1:47:36 brilliant. Like that like emotionally
1:47:39 that captures what it felt like back
1:47:42 then to me, right? It's like that's what
1:47:44 it felt like. Um,
1:47:48 but the minute you start to get into,
1:47:52 you know, I want to have someone sitting
1:47:53 here and at this line I want to have
1:47:55 them look over here and then I want a
1:47:56 ball to come into the scene. The minute
1:47:58 you try to do any kind of actual
1:48:01 storyboarding, holy [ __ ] [ __ ] it's a
1:48:04 disaster.
1:48:06 Um,
1:48:09 the sound comes in better here, but the
1:48:11 picture comes in better on X. That's
1:48:13 hilarious. Okay, so the the video clips
1:48:16 are midjourney video. Yes. What
1:48:21 what plan includes? So So Corey, um
1:48:26 the
1:48:28 $60 plan? You can get videos in the $30
1:48:33 plan, but there's so few of them that
1:48:36 it's just not worth it. So, if you want
1:48:39 to actually do videos in midjourney,
1:48:41 it's the $60 plan. Um, and it gives you
1:48:44 a fair amount. Like, I don't I don't
1:48:47 think I have any fast hours left.
1:48:50 You need the pro plan. Yeah, you do. But
1:48:52 it's it's really good. Like, so so
1:48:56 there's there's two things. If you want
1:49:00 if you want audio generated for your
1:49:02 clips, then you need to use something
1:49:05 like V3 or Sora 2.
1:49:09 But if you just want So Corey Sandler, I
1:49:12 feel like for you, how does it compare
1:49:14 to say cling?
1:49:17 I think that the
1:49:22 similar to the the image fidelity in
1:49:25 midjourney where the the images are just
1:49:27 on a different plane artistically.
1:49:30 I feel like the video is similarly on a
1:49:33 different plane artistically
1:49:35 like midjourney just look I it's hard to
1:49:38 describe what midjourney seems to do is
1:49:41 actually understand the artistic intent
1:49:43 of the image if that makes any sense.
1:49:46 So, if you've got a really flat image
1:49:48 that's like, you know, sketched shapes
1:49:51 and sketched drawings, it'll kind of
1:49:53 recognize it as a 2D plane and then any
1:49:56 animation it does stays in this 2D
1:49:58 plane. But if you've got something if
1:50:00 you've got an image that has kind of
1:50:02 depth to it or like sometimes an image
1:50:04 will feel kind of 3D, Midjourney seems
1:50:07 to catch that really good and turn
1:50:10 things appropriately 3D and like it's
1:50:13 just I don't know, it's just a really
1:50:14 smart model visually. Um, but it doesn't
1:50:18 generate sound. So, if you want to do
1:50:19 dialogue and all that sort of stuff, you
1:50:21 have to throw that into like Hedra or or
1:50:23 Runway, uh, whatever the [ __ ] their
1:50:26 their, you know, voiceover thing is. Um,
1:50:30 anyway, um, I think it's quite
1:50:32 beautiful. You've never used it. Let me
1:50:33 go, let me pop over to MidJourney. I'll
1:50:36 show it to you, but I don't think I have
1:50:37 enough I don't think I have any fast
1:50:39 credit, so I don't think I can make a
1:50:41 video right now.
1:50:43 Um,
1:50:45 mid journey mid journey. Mid joiny mid
1:50:49 johny mid johny.
1:50:52 All right.
1:50:56 So here I am in a mid joiny and the way
1:51:00 it works is you can basically take any
1:51:04 image like here's a cool image
1:51:08 and then down here in the lower right
1:51:10 it's just animate image low motion high
1:51:13 motion.
1:51:15 Um, you can you can do it as a loop so
1:51:18 so that it ends where it began or you
1:51:20 can do it as a regular
1:51:23 um thing. If I hit low motion, it's
1:51:25 probably going to error me out.
1:51:28 Submitting. Oh, no, it didn't.
1:51:34 I'm in I'm in relaxed mode.
1:51:37 Well, it'll it'll take a while, but
1:51:39 that's it. Like it is. And it you get
1:51:41 four videos for every every time you hit
1:51:44 the button. It's really really good.
1:51:47 You've never even used it for images,
1:51:50 Corey. Oh my god. You're You will love
1:51:52 MidJourney. It's insane. It's so good.
1:51:56 Um here, let me show you, Corey. Let me
1:51:58 show you a couple of things.
1:52:01 Um
1:52:04 I don't even know where to begin. So
1:52:06 there's a thing called mood boards. So,
1:52:08 if you've got existing images or
1:52:10 photographs, Corey, or even like your
1:52:12 your pottery, just shapes that you use
1:52:14 to inspire your pottery, you can create
1:52:17 mood boards. Like this is a mood board
1:52:18 that I made of, um, photography that I
1:52:22 did, uh, sky photographs that I made
1:52:24 over the years. Um, and so I can choose
1:52:28 this mood board and then I'll get images
1:52:30 that have skies in them that look like
1:52:33 stuff that I that I shot. It's it's it's
1:52:35 insane. And then you can mix mood
1:52:37 boards. Um, so let me see. Let me go
1:52:40 back here. So I can go let me let me do
1:52:43 I'll put in one of those sky ones.
1:52:46 Let's see. Yeah. So, so it popped
1:52:50 it popped the uh the code right there.
1:52:54 And then let me do I'll do this sign
1:52:57 one. This is this is another set of
1:53:00 photographs I did of like these street
1:53:02 signs on Kfax Avenue here in Denver.
1:53:06 And so
1:53:08 I'll add that one in there.
1:53:12 So now I've got two different mood
1:53:14 boards sitting up in the prompt.
1:53:17 And so I'll just type in a prompt. I'll
1:53:19 say like um cowboy walking
1:53:24 down the street
1:53:28 as cars
1:53:31 pass
1:53:33 him by.
1:53:35 at golden hour
1:53:42 and then we'll see how it does.
1:53:46 That video is going to take forever.
1:53:51 But these these images may show up at
1:53:54 some point. We'll come back to them. Um
1:53:59 let me let me show you some other
1:54:02 like here. These are a bunch of the
1:54:04 videos I did for To Kill You for a
1:54:06 Dollar.
1:54:20 [Music]
1:54:22 I And that video I I did so many videos
1:54:25 it blew out my subscription.
1:54:27 I blew up my subscription like three
1:54:29 days into the month this month and I
1:54:32 just I'm I'm like I'm like [ __ ] it if if
1:54:36 you know if they're not going to do it.
1:54:37 Like look at the the quality of the
1:54:39 images in Mid Journey is just insane. Oh
1:54:41 Corey, let me show you another thing.
1:54:43 So, so just like you have mood boards,
1:54:46 if you go to the explore tab, so in the
1:54:48 upper leftand corner here,
1:54:53 um
1:54:54 over here to the right, there's three
1:54:57 different things. There's images,
1:54:58 videos, and styles. So, if you go to
1:55:00 images, these are just images that
1:55:02 people have made. But if you go to
1:55:04 styles, these are all now um
1:55:08 style references that you can create
1:55:11 images in those styles. So let me see
1:55:14 what my last prompt was. My last prompt
1:55:17 was
1:55:23 cowboy walking down the street. Okay, so
1:55:25 there's there's my cowboys. We'll look
1:55:27 at that in a second. But if I go back
1:55:29 here and you say try this style, it
1:55:32 takes whatever your last prompt was and
1:55:35 it does it in this new style.
1:55:38 So
1:55:40 let me try
1:55:42 that one. And then you can also search
1:55:45 for these. You can search for like um
1:55:48 drama
1:55:50 and then now here's a bunch of dramat
1:55:52 dramatic styles. So, let me find
1:55:55 something here that looks cool and
1:55:57 dramatic and would look cool with a
1:55:58 cowboy. Uh, this one. So, I'll try that
1:56:02 style. And so, now if I come back here,
1:56:05 now it's creating four new images of
1:56:09 each of those styles. It's really slick.
1:56:11 But here's,
1:56:15 you know, here's the thing based on like
1:56:17 this is absolutely kind of those are
1:56:19 absolutely my skies, you know, similar
1:56:22 to my skies and has the sort of color
1:56:24 grading of of the images I make.
1:56:29 You know, they're kind of weird and
1:56:30 overly processed,
1:56:33 which I just kind of dig. So,
1:56:37 it's it's just it's just really good at
1:56:39 understanding images. Really good.
1:56:46 All right, I got to get out of here,
1:56:48 people.
1:56:50 I hope that was helpful for everybody.
1:56:52 There's Ann Murphy in the house. Ann
1:56:53 Murphy,
1:56:54 good luck. Saturday, the She Leads AI
1:56:58 create conference starts. If you are
1:57:01 near Salt Lake City or want to be, you
1:57:04 should be going to the uh to the Sheile
1:57:07 Leads AI create conference. A little
1:57:10 last minute, but I'm sure if you're nice
1:57:12 to an she'll hook you up.
1:57:16 Um
1:57:18 Corey Sandler, thanks so much for
1:57:20 everything you do. You're welcome. Of
1:57:21 course. Um
1:57:24 Oh, Pro Professor Crystal, you're
1:57:26 Boulder, Denver. Cool. Awesome. Yeah,
1:57:28 I'm in Denver. Terrific.
1:57:31 Um, oh, these are cool. Here, wait, show
1:57:34 my screen again. There, Brandon.
1:57:37 Here was this. This was that one
1:57:39 dramatic style that
1:57:41 um
1:57:44 that the images just came in from.
1:57:47 Like, look at these things. These are
1:57:48 crazy. And this is this these are not my
1:57:50 mood boards. This was like one of those
1:57:52 ones we picked that was dramatic.
1:57:55 They're just like you can just so
1:57:58 quickly iterate different
1:58:02 styles.
1:58:05 Oh yeah, these are these are from one of
1:58:07 those mood boards that I picked or one
1:58:09 of the styles I picked on the outside.
1:58:13 Look at that one. It's got this banded
1:58:15 sky thing going on.
1:58:19 Killer.
1:58:21 I know, Champy. You need cheese. I know,
1:58:23 buddy. Okay. All right. Good. So, today
1:58:27 is Thursday. That means tomorrow's
1:58:28 Friday. What does that mean? That means
1:58:31 we got a bunch of stuff going on. 11:00
1:58:33 a.m. Mountain time is AI Salon office
1:58:37 hours and meetup. All right. So, that's
1:58:40 if you go to my LinkedIn, it's available
1:58:42 there. And I think if you go to the new
1:58:45 the brand spanking new
1:58:49 AI salon website, if you go to thus the
1:58:52 salon.ai,
1:58:57 let me make sure that the the event is
1:59:00 actually there. Yeah, it is.
1:59:04 Tomorrow's October 10th. Yeah. So, if
1:59:06 you go to the salon.ai AI and just
1:59:08 scroll down a little bit. It says
1:59:10 upcoming events
1:59:12 and the AI salon office hours and meet
1:59:15 and greet is there. Okay. Tab. Am I on
1:59:18 the wrong tab? Yes, I am. There you go.
1:59:22 All right. So, upcoming events and here
1:59:24 it is right here. So, just go RSVP.
1:59:26 Beautiful. That'll give you the the
1:59:28 information. And by the way, this is our
1:59:30 brand spanking new lovely website. Um,
1:59:34 okay. So, that's that. Um,
1:59:41 right after that meeting is a meeting
1:59:43 for the AI Salon Mastermind, a founder
1:59:46 hangout where if you're part of the AI
1:59:48 salon mastermind, it's a smaller meeting
1:59:50 where we talk about what everyone's up
1:59:52 to in business and and just business and
1:59:55 life and talk about, you know, solving
1:59:58 problems for them. It's a it's a really
2:00:00 it's a really nice group. Um, so that
2:00:02 that happens at noon Mountain time and
2:00:04 then tomorrow night is Friday night date
2:00:06 night. Friday night date night. So back
2:00:10 here at uh at 8:00 p.m. Mountain time.
2:00:14 Uh, and what that looks like is you
2:00:17 bring a date or not. I'll be your date.
2:00:20 Doesn't matter. Bring nachos. Bring hot
2:00:22 pockets.
2:00:24 Get yourself some booze.
2:00:26 Get drunk on a Friday night and and and
2:00:29 lament the fact that you could be doing
2:00:30 something else, but you're actually
2:00:31 doing the right thing. Being in the
2:00:34 conversation about AI. I thought I was
2:00:36 your date. You're always my date,
2:00:38 Brandon.
2:00:40 Yeah. Yeah. And if you don't come
2:00:41 tomorrow night, you have FOMO. You're
2:00:43 gonna you're just gonna you're just not
2:00:46 going to be happy with your life. Okay.
2:00:48 Um that's it. I'm getting out of here.
2:00:50 My voice is shot. That was That was a
2:00:52 lot tonight, but it was good. I was glad
2:00:54 to do it. All right. Peace out. Hope you
2:00:56 have a good night. Bye.