Mar 18, 2024 - Nvidia's 30X Chip, Apple's AI Plans, and the Future of Work:

Transcript

1. 0:00<b>[MUSIC]</b> <b>[MUSIC]</b>
2. 0:28<b>You're feeling nervous, aren't you boys?</b> <b>With your quiet voice and impeccable style.</b>
3. 0:46<b>[MUSIC] [MUSIC]</b>
4. 1:24<b>[MUSIC]</b> <b>[MUSIC]</b>
5. 1:41<b>TGIO everybody, happy Monday.</b> <b>[MUSIC]</b>
6. 1:56<b>[MUSIC]</b> <b>More likes can attract more viewers, keep it up.</b>
7. 2:12<b>Apparently, your tapping, it's got TikTok very excited.</b> <b>Hey everybody.</b> <b>[MUSIC]</b> <b>Let's see, it's Monday.</b>
8. 2:23<b>[MUSIC]</b> <b>The robots haven't taken over yet, so we're good.</b> <b>[MUSIC]</b> <b>Although, Nvidia just had their</b>
9. 2:40<b>developer conference in a fucking stadium.</b> <b>[MUSIC]</b> <b>And apparently, their new chip is</b>
10. 2:56<b>a 30X increase over their old chip.</b> <b>30X, I don't know if you remember</b> <b>this, but there's this guy named Moore.</b>
11. 3:05<b>Jeffrey Moore, he had a law.</b> <b>[MUSIC]</b> <b>And that law said every 18</b> <b>months, compute is going to double.</b>
12. 3:19<b>Which doesn't sound like a lot,</b> <b>but it's an exponential curve.</b> <b>Means this shit just keeps getting more</b>
13. 3:25<b>and more powerful really fucking quick.</b> <b>Well, Nvidia just went 30X, not 2X, 30X.</b> <b>[MUSIC]</b> <b>But if you listen to</b>
14. 3:37<b>[MUSIC]</b> <b>anyone doing these foundational large</b> <b>language models, all of them say the same thing.</b>
15. 3:47<b>We need more compute.</b> <b>[MUSIC]</b> <b>It really is amazing.</b>
16. 4:01<b>[MUSIC]</b> <b>So this is the AI Learning Lab.</b> <b>What we learn here is that dogs can sing.</b> <b>[MUSIC]</b>
17. 4:16<b>The TikTok AI educational hosts know about 17 songs.</b> <b>[MUSIC]</b>
18. 4:51<b>I know, I know, I agree.</b> <b>[MUSIC]</b> <b>Champion.</b> <b>[MUSIC]</b>
19. 5:13<b>All right.</b> <b>What do you want to do tonight?</b> <b>[MUSIC]</b> <b>RE, I'm losing my religion.</b> <b>I sang that once.</b>
20. 5:32<b>[MUSIC]</b> <b>Some of the favorite songs</b>
21. 5:47<b>from that era for me were Weezer.</b> <b>[MUSIC]</b>
22. 6:08<b>You done? We done? We done?</b> <b>We'd say, well, if you'd stop playing</b> <b>guitar, we'd be done, but you just keep going.</b>
23. 6:17<b>And every time you hit a chord, I've got to sing.</b> <b>You can't hit a minor chord.</b>
24. 6:22<b>It causes something instinctual inside me, and I just sing.</b> <b>I'm not in control of this.</b> <b>You know that.</b>
25. 6:32<b>I don't know if you knew that's how champ talks.</b> <b>That's how champ talks.</b> <b>[LAUGHTER]</b> <b>He's a little bitter.</b>
26. 6:40<b>This is from Kate.</b> <b>She's a little homage to Singin' Dog,</b> <b>Robots, and 2023, the last normal year.</b>
27. 6:51<b>Other than Nvidia coming out with a chip that was 30 times</b> <b>more powerful than the previous one</b>
28. 6:58<b>that no one else can catch up with,</b> <b>it was a normal day.</b> <b>They also had some sort of robot training simulator</b>
29. 7:11<b>computer set where you just</b> <b>sort of plop this in a robot lab,</b> <b>and you can just train all your robots on this virtual</b>
30. 7:19<b>shit, and then they go out in the world and behave.</b> <b>It's like, we're in fucking weirdness right now, people.</b>
31. 7:31<b>But it's still kind of normal.</b> <b>We're still like, all right, our</b> <b>jobs are all in jeopardy, right?</b>
32. 7:37<b>What if these things lose?</b> <b>They're going to get really powerful, right?</b> <b>They're not really powerful yet.</b>
33. 7:43<b>They're powerful.</b> <b>They're crazy.</b> <b>They're profound.</b> <b>Oh, ba da ba da ba da ba da ba ba.</b>
34. 7:53<b>Oh, wait, I'm in the wrong little thing here.</b> <b>Ba da da da da da da da da da da da da.</b>
35. 8:02<b>All right, mods, I have the mod channel up.</b> <b>I will actually look at it tonight occasionally, I promise.</b>
36. 8:09<b>The mods last night were like jumping up and down.</b> <b>Kyle, look over here.</b> <b>I didn't do it.</b>
37. 8:18<b>They threatened to get a shock collar.</b> <b>Oh, man.</b> <b>All right, so here's what we do here.</b>
38. 8:31<b>If you be so kind, share the live.</b> <b>Share it with friends you got who</b> <b>may be interested in learning AI.</b>
39. 8:41<b>Share it with friends or family you</b> <b>got that have no interest in learning AI,</b>
40. 8:46<b>because maybe we can get them over to the other side.</b> <b>And what else?</b>
41. 8:53<b>If you have questions or comments, share in the comments</b> <b>below any questions you have about AI,</b>
42. 9:00<b>anything you want to see or learn about,</b> <b>or if you're doing anything interesting,</b>
43. 9:06<b>because a lot of folks in here are doing some cool stuff</b> <b>with this, and that's cool too.</b> <b>Ba da da da.</b>
44. 9:17<b>Shock collar laughing my ass off.</b> <b>What are your thoughts about Apple and Google teaming up?</b> <b>I don't know.</b>
45. 9:26<b>I mean, I know Apple's or Google stock went up seven bucks,</b> <b>and now it's still up like four.</b> <b>Um, I read one piece of</b>
46. 9:42<b>commentary on the Apple Google thing,</b> <b>which if it's true is kind of</b> <b>disappointing, which, which is basically</b>
47. 9:58<b>that Apple will do AI that it is sure of the answer of.</b> <b>So basically, it'll do like a fancy version of Siri where I</b>
48. 10:09<b>guess it's probably it's more like</b> <b>rag retrieval, augmented generation,</b> <b>where there's sort of paired answers or</b>
49. 10:15<b>something, you know, questions and answers.</b> <b>And if it can't answer it, it will punt it over to Gemini</b>
50. 10:21<b>so that so that Apple can go, hey, our shit's accurate.</b> <b>If it hallucinated, that's on Google.</b>
51. 10:31<b>So that was one thing I heard, which I thought was kind of</b> <b>interesting, but I think it's</b>
52. 10:35<b>kind of spineless if that's the case.</b> <b>I also heard that Apple was previously talking with open AI</b>
53. 10:42<b>about doing some sort of deal.</b> <b>So just because they're talking with Google now doesn't</b>
54. 10:46<b>necessarily mean that it's going to be Google.</b> <b>Also, you know, Apple's done deals with I think they had</b>
55. 10:56<b>didn't they have a deal with wasn't Google the default</b> <b>search engine for Safari for a long time?</b>
56. 11:03<b>Is it still I don't think it is.</b> <b>But they can cut these, you know, they</b> <b>get in and out of these deals occasionally.</b>
57. 11:09<b>So I don't I don't see it as super radical.</b> <b>I find it a little disappointing that Apple's not going to</b>
58. 11:15<b>come out with some kickass</b> <b>standalone, you know, industry defining AI.</b> <b>But we'll see. Again, all this</b>
59. 11:25<b>shit speculation until it's not right.</b> <b>So we can chat TMZ it up, but I don't know, whatever.</b>
60. 11:36<b>You know, get off the sidelines.</b> <b>Apple show us what you got. You know, have a conference.</b>
61. 11:42<b>Surprises was something on a Tuesday morning.</b> <b>Just here's an industry defining new AI tool.</b>
62. 11:50<b>But I think it's I think it's</b> <b>going to be more boring than that.</b> <b>I think I think we wait until June for the developers</b>
63. 11:56<b>conference and then they get the developers all hyped up.</b> <b>And then in the fall when iOS 18</b>
64. 12:03<b>comes out, there'll be some shit in it.</b> <b>But we'll see. We will say we will say we will say.</b>
65. 12:14<b>Upgrade Syria. They're going to go to Syria 2.0.</b> <b>Apparently I can't believe they're</b>
66. 12:18<b>not flushing that brand down the toilet.</b> <b>But whatever whatever anyone watched the Sam Altman</b>
67. 12:25<b>interview, I watched a bit of it.</b> <b>I didn't have enough time today. I was I was I was busy</b>
68. 12:29<b>launching a I launched a thing</b> <b>for content evolution called CE GPTs</b> <b>where we created digital twins of 11 of</b>
69. 12:42<b>the professionals within content evolution.</b> <b>And you can go chat with them. I'm one of</b>
70. 12:48<b>them. You can go chat with me virtually.</b> <b>It was a cool project. It was we did.</b>
71. 12:55<b>What we were going to do. So when when GPTs first came out,</b> <b>we're like, oh, we should do something with these.</b>
72. 13:00<b>And the original idea was going to be.</b> <b>Grab people's LinkedIn profiles so so we could just web</b>
73. 13:09<b>scrape LinkedIn, pull the data from their LinkedIn profile.</b> <b>And make a GPT out of it. And then what we realized is,</b>
74. 13:17<b>well, some people write articles and do shit on LinkedIn.</b> <b>And some don't. A lot of what's on LinkedIn is just work</b>
75. 13:23<b>history. It doesn't really represent who the person is.</b> <b>Then we thought, well, maybe we can put people's blogs and</b>
76. 13:29<b>websites and books that they've written and shit like that.</b> <b>And then it was still this kind of thing of like if I wrote</b>
77. 13:35<b>a book 30 years ago, like it might be</b> <b>relevant now, but it's 30 years later.</b>
78. 13:41<b>Like, where's my head today? So what we ended up doing was</b> <b>we created and we used a I did to help us brainstorm this.</b>
79. 13:51<b>But we created a structured</b> <b>interview and we broke it into categories.</b> <b>And so every person that's got a C.E.G.P.T.</b>
80. 14:02<b>And I think if you go look up C.E.G.P.T. or just Kyle</b> <b>Shannon, you should be able to find it.</b>
81. 14:07<b>And there's there's 11 of them in there. If you look up</b> <b>C.E.G.P.T. profile, that should get you to most of them.</b>
82. 14:17<b>So what we did is we did a video interview with everyone</b> <b>who we're going to make a GPT out of.</b>
83. 14:25<b>And the interviews got like work history stuff. It's got</b> <b>future gazing stuff. It's got historical stuff.</b>
84. 14:32<b>It's got cultural stuff, culture and humanity stuff. And</b> <b>what we tried to do was make as as broad a capture the</b>
85. 14:44<b>person as broadly as possible</b> <b>to use as the knowledge source.</b> <b>And so it's their current. It's everyone's current</b>
86. 14:50<b>thinking. And you know, it's got their work stuff in there,</b> <b>but it's also got how they think and what their worldview</b>
87. 14:57<b>is and who was an artist that</b> <b>inspired them and things like that.</b> <b>So anyway, here, I'll go show you the announcement.</b>
88. 15:07<b>The announcement. If you go to LinkedIn and you go look up</b> <b>Kyle Shannon, that's me, Kyle</b>
89. 15:13<b>Shannon. Hey, Kyle, what's happening?</b> <b>And here it is. This is the this is the post. So</b> <b>introducing C.E.G.P.T. profiles.</b>
90. 15:25<b>So here are the 11 that we launched.</b> <b>And then we describe, you know, sort of what's what's their</b>
91. 15:34<b>value. The other thing we did for this article, which I</b> <b>think is kind of fun, is we asked each of the digital twins</b>
92. 15:41<b>the question, what is the future of work?</b> <b>And so every one of these is so here's Kevin Clark's. He's</b>
93. 15:48<b>the CEO of Content Evolution. And here's his response. The</b> <b>future of work is characterized by collaborative</b>
94. 15:55<b>ecosystems, interdisciplinary innovation and the strategic</b> <b>integration of technology where continuous learning and</b>
95. 16:02<b>adaptability are key to</b> <b>navigating and shaping evolving industries.</b>
96. 16:06<b>Totally sounds like Kevin. Let me see. Oh, Cindy Kuhn, who</b> <b>you may know, she might even be in here tonight. She's a</b>
97. 16:12<b>futurist. She's one of these. The future of work is</b> <b>characterized by an increased focus on human value,</b>
98. 16:18<b>technological integration and enhanced productivity,</b> <b>exploration and a greater emphasis on</b>
99. 16:24<b>diversity and collaboration in adaptable,</b> <b>experiential environments. Cool. So so every one of these</b>
100. 16:33<b>has the answer. What's my what's my dude say? The future of</b> <b>work is anticipated to be profoundly transformed by</b>
101. 16:41<b>artificial intelligence. You think</b> <b>you think I'd say something like that?</b>
102. 16:45<b>With many mundane tasks being automated, human connection,</b> <b>self expression and authenticity increasing in value and a</b>
103. 16:54<b>potential for technology to train us to be better humans.</b> <b>That's totally something I would say.</b>
104. 16:59<b>Because it's using what I said as its knowledge base. So</b> <b>anyway, there's a pile of these here. So anyway, ain't that</b>
105. 17:10<b>cool? We actually out there building</b> <b>shit people go build shit. Go build shit.</b>
106. 17:14<b>Go build shit. But I've got a new image of Kyle on the show</b> <b>and tell Oh, no. What have you done? Oh, boy.</b>
107. 17:35<b>Today, do you think he</b> <b>did you do you mean in in in the irregulars channel?</b> <b>But up, but up, but up.</b>
108. 17:50<b>Nope, I don't see it.</b> <b>Which one was it? Was it me at the movies?</b>
109. 17:55<b>Do do do do do do do do do do do do do. Hey, just joined.</b> <b>Never heard of a CEGP T profile before. Well, so CEGP T</b>
110. 18:07<b>profiles are just stand for content evolution.</b> <b>GPT profiles. So what these are just digital twins of</b>
111. 18:15<b>content evolution members. So the CE profile of Kevin</b> <b>Clark, who's the CEO of content evolution or the CE profile</b>
112. 18:24<b>of Cindy Kuhn, who's a futurist.</b> <b>These are just chat GPT. Open AI is chat GPT custom GPT is</b>
113. 18:36<b>what they are from a technological standpoint, the</b> <b>methodology for how we put them together and how we created</b>
114. 18:43<b>the the the the what do they call them the conversation</b> <b>starter questions and the structured interview that we did</b>
115. 18:51<b>all of that sort of stuff is part of part of what we developed.</b> <b>That's the thing that makes them unique.</b>
116. 18:58<b>So like the the starter questions are what is your why and</b> <b>how can you help me ask about a current business event or</b>
117. 19:05<b>trend future discuss what qualities have people always sought you out for. Let me see what I said about that.</b>
118. 19:14<b>In case it isn't clear. Oh, oh, we also did this. So the</b> <b>first thing that the the digital twin says is in case it</b>
119. 19:23<b>isn't clear and to set expectations. I'm not the real Kyle</b> <b>Shannon. I'm a virtual twin. Anything I say should not be</b>
120. 19:31<b>attributed as a direct quote, I might even hallucinate. So check the results for yourself.</b>
121. 19:32<b>So what was the question? What qualities of people sought</b> <b>you out for people have always sought me out for my</b>
122. 19:43<b>enthusiasm, optimism and problem solving abilities. I've</b> <b>been knacked for recognizing trends early and taking action</b>
123. 19:49<b>on them with conviction and think, which I think are some</b> <b>of my superpowers. Additionally, I'm passionate about</b>
124. 19:55<b>identifying powerful technology early and figuring out</b>
125. 19:58<b>interesting ways to use that technology in ways that others have been able to use.</b>
126. 19:59<b>And I think that's a good way to use that technology in</b> <b>ways that others might not consider right away working with</b>
127. 20:04<b>people and collaborating along with team building and</b> <b>leadership are areas where I excel in generally good at.</b>
128. 20:10<b>That's in the hood. So anyway, is there a link for the C G</b> <b>P T? Yeah, well, if you go to my</b> <b>website, you can see that</b>
129. 20:22<b>there's a link to on the A.I. salon</b> <b>in</b> <b>water cooler.</b> <b>It is the right now.</b>
130. 20:39<b>The third</b> <b>the third discussion thread in water cooler.</b> <b>Take you to the LinkedIn article and then on the LinkedIn</b>
131. 20:50<b>article, each each one of these little images and the</b> <b>person's name links to that G.P.T.</b> <b>And they're groovy.</b>
132. 21:03<b>He's so cool. He's so cool. What</b> <b>are you doing, Kyle? That's so cool.</b>
133. 21:11<b>Are we making money with those? No, I don't think so. But</b> <b>although indirectly, the whole idea is</b>
134. 21:20<b>part of what we talked about in the in the announcement is</b> <b>that content evolution is made up of people that have got</b>
135. 21:29<b>very deep subject matter expert.</b> <b>Thank you very much for every hook.</b>
136. 21:34<b>Very deep expertise and they don't necessarily have a lot</b> <b>of time, right? And so a lot of times people want to talk</b>
137. 21:43<b>to people within content evolution, but there's just not a</b> <b>lot enough time to talk to everyone. So what if, if</b>
138. 21:48<b>you could have that initial conversation with one of these</b> <b>things. And what we've also got built into that is we built</b>
139. 21:55<b>in contact information for each person. They could put in</b> <b>either an email, a website and or a</b>
140. 22:03<b>calendar link. And then they and then they told us their</b> <b>preference. And so what the what the G.P.T.s do is at some</b>
141. 22:12<b>point in the conversation will say, hey, if you want to</b> <b>continue this conversation with</b>
142. 22:15<b>Kyle, here's how you connect with them.</b> <b>Is there a headway on allowing non GPT pro members to</b>
143. 22:22<b>access custom GPTs? Not yet that I know of. Also, I did</b> <b>hear today, I guess this was from the Lex Friedman podcast</b>
144. 22:30<b>that apparently uptake on the GPT stores a little slow.</b> <b>You think Sam, you think it's a little slow? A, it's not a</b>
145. 22:41<b>store. B, people have to have a subscription to your GPT</b> <b>plus to use the things. C, it barely even searches.</b>
146. 22:49<b>It was promised as a store. It was delivered as an</b> <b>afterthought directory so that people are not more pumped</b>
147. 23:02<b>up about it is not at all shocking to me. So good question.</b> <b>Way to get me pissed off again.</b>
148. 23:10<b>Jenky is as janky does. We're we're in the janky phase of</b> <b>all this technology. You know, and it could listen, it</b>
149. 23:24<b>could be the kind of thing that when they announced the GPT</b> <b>store, they're like, we're going to go all in on these GPTs</b>
150. 23:32<b>and then somewhere between then and then firing Sam,</b> <b>whatever the hell they stumbled upon that got Sam fired.</b>
151. 23:40<b>And rehiring him, maybe their focus has shifted. So it's</b> <b>possible that GPTs are not going to be a prominent tool</b>
152. 23:52<b>that they that they focus on.</b> <b>I think that I think that what GPTs turn into is autonomous</b>
153. 23:59<b>agents, ultimately. And whether or not you sort of publish</b> <b>those, like we're publishing apps right now, that may or</b>
154. 24:08<b>may not be the case. So, so we'll have to see. And then and</b> <b>then the question you might be asking is, well, if you</b>
155. 24:15<b>don't think they're going to necessarily be around, why</b> <b>build them and launch them? Because.</b>
156. 24:21<b>Just keep playing. Keep playing. Keep building shit. Keep</b> <b>sharing it with the world. Like, why did I do a big</b>
157. 24:29<b>announcement on this? We could have just put them out there</b> <b>and just said, hey, if you if someone wants to get in touch</b>
158. 24:33<b>with you, give them your GPT and, you know,</b> <b>see if they use it. We could have done that.</b>
159. 24:38<b>Why? Why put it out there? Well, because a we put a lot of</b> <b>time into thinking about how they work. We know how to do</b>
160. 24:48<b>them now. So if someone wanted to do virtual twins in their</b> <b>organization, we can now do that, right?</b>
161. 24:53<b>We can come in as an organization and go.</b> <b>We we know what to do. We know what the methodology is. We</b>
162. 24:59<b>know what the limitations are</b> <b>here. You can go play with ours.</b> <b>If you want to do something</b>
163. 25:06<b>different, we can do something different. So.</b> <b>You know, and I know I know pretty fucking well.</b>
164. 25:19<b>Where the edges of the of GPT development is and like when</b> <b>you should actually go to actual development with APIs.</b>
165. 25:26<b>Something. Sorry. My phone is playing.</b>
166. 25:40<b>Can you hear music playing?</b>
167. 25:41<b>Hang on. My phone just triggered. I think I think the Chinese just tried to access all of my files and they accidentally hit the play button on my music. Hang on. I hope you're ready. Hey, back. I think it's in here.</b>
168. 26:05<b>Marge.</b> <b>What? Can you hear it playing</b> <b>music? We don't hear music at all.</b> <b>It's coming around again.</b>
169. 26:21<b>Oh, you can hear it.</b> <b>I can hear it.</b>
170. 26:38<b>No, that didn't shake shit.</b>
171. 26:56<b>Wow. We're in the same delusion.</b> <b>Louder. I don't know where it's coming from.</b> <b>Real time performance.</b>
172. 27:10<b>This is weird.</b> <b>Music. Oh.</b> <b>Oh, I can turn on music, but</b> <b>this is not the music I can turn on.</b>
173. 27:28<b>Sound effects.</b> <b>Oh, I didn't know we had sound</b> <b>effects. Look, old man learning something.</b> <b>Thank you. Thanks.</b>
174. 27:52<b>Voice effects enhance anyone. Hey Siri.</b> <b>Not you.</b> <b>You can play a laugh track when you giggle now. Yeah,</b>
175. 28:10<b>that's good. All right. I</b> <b>learned a new thing. Pause the laugh.</b>
176. 28:26<b>Hang on. Let me try one more. I'm back.</b> <b>The Chinese tried to read my files and they accidentally</b>
177. 28:42<b>tripped up some app. I closed. I</b> <b>must have closed 40 different apps.</b> <b>Do do do do do.</b>
178. 29:03<b>Seriously. Thank you. You guys are</b> <b>great. You guys are really terrific.</b> <b>So anyway, so so I walked into a bar.</b>
179. 29:17<b>Nuts, right?</b> <b>Oh no, yes. New toy.</b> <b>Thank you. Thanks. Thanks.</b> <b>OK, I'm sorry. We're we're.</b>
180. 29:34<b>Nothing stays the same.</b> <b>BAM BAM BAM BAM BAM BAM BAM BAM.</b> <b>But now we're going to have that stupid fucking song in our</b>
181. 29:44<b>head for the next three days.</b> <b>Anyone with ADHD in here is fucked.</b> <b>Mm hmm. Mm hmm. Mm hmm. Mm hmm. Mm hmm. Mm hmm.</b>
182. 30:03<b>All right. Do we want to do anything about A.I. What are we</b> <b>doing? We're going to show and tell. We're going to talk</b>
183. 30:09<b>about something. We can answer questions.</b> <b>Already added to my playlist cue. What's that song called?</b>
184. 30:16<b>Does anybody know? Nothing stays the same.</b> <b>Bruh Gemini is exactly what I</b> <b>said it would be a piece of shit.</b>
185. 30:26<b>Oh, we can't give you that answer.</b> <b>But wait, bruh Karen Vigilantis. Listen.</b>
186. 30:34<b>Which Gemini if you're talking about Gemini Google dot com.</b> <b>I agree with you. Gemini ultra is a steaming pile of poo.</b>
187. 30:42<b>But if you have access to the Google development</b> <b>environment, their version of the open A.I. playground and</b>
188. 30:51<b>you have access to Gemini 1.5 pro.</b> <b>Different story. Totally different story.</b>
189. 31:00<b>It's good at words. It's got a million token context</b> <b>window, which for those of you who are new</b>
190. 31:05<b>here, don't know what the fuck that means.</b> <b>Nor should you. Nor should you ever have to care about</b>
191. 31:12<b>that. Basically, basically it means it's got an incredibly</b> <b>large memory for in a given chat session.</b>
192. 31:18<b>So you could upload. What was it coming</b> <b>around again by Carly Simon. Coming up.</b>
193. 31:25<b>It's good having Gen Xers in here. They know all the old</b> <b>songs. God, that was one of those.</b>
194. 31:30<b>Some of those songs from that era were just so depressing.</b> <b>Like every time I hear them, I'm like, I'm getting sleepy.</b>
195. 31:39<b>I don't think I should be here anymore.</b> <b>It's like, I'm still so sad. The songs. I don't know what</b>
196. 31:47<b>that era was, but I guess everyone was coming down off the</b> <b>60s and early 70s. Free love, man.</b>
197. 31:52<b>I was like, oh shit, I'm in relationships now. This sucks</b> <b>and I don't know how to go on and I can't breathe anymore.</b>
198. 32:11<b>Right.</b> <b>And that's why that's why the early</b> <b>80s were like Eddie Van Halen. Jump.</b> <b>Wake up, people.</b>
199. 32:32<b>All right. What are we doing? What are we doing? What are</b> <b>we doing tonight? I got listen, you can't just play music</b>
200. 32:46<b>in the middle of my life and not</b> <b>expect me to lose my ever flipping mind.</b> <b>I don't think so. A human being. Maybe.</b>
201. 32:59<b>Maybe.</b> <b>I don't remember which one it was. I learned how to avatars</b>
202. 33:06<b>coming around again. Can we get the music again? Hey,</b> <b>that's just rude. But wait, I can do music now. Hang on.</b>
203. 33:14<b>Yes, yes, you can have music. Let's see.</b> <b>Wait, is it just categories? Gentle.</b>
204. 33:33<b>Oh, wait. Where do you think TikTok's priorities are with</b>
205. 33:50<b>lives? One of the music categories is songs about gifts.</b> <b>Show the world your life. Say good morning. Say good night.</b>
206. 34:11<b>Fill the library with good bye.</b> <b>Good Lord. What the fuck is this app?</b>
207. 34:32<b>We had Suno and Leonardo updates. Oh, really? We can go</b>
208. 34:46<b>look at that. I can go play with the new Suno stuff.</b> <b>I have a couple of music GPT's. One creates an image and</b>
209. 34:56<b>you have to guess the song. That's kind of cool. What are</b> <b>we playing tonight? I don't know.</b>
210. 34:59<b>We're trying to figure that out.</b> <b>We were just about to get somewhere and then Carly Simon</b>
211. 35:05<b>rudely interrupted us, rudely singing a</b> <b>very lovely song that made me sad inside.</b>
212. 35:12<b>It was a deep childhood sadness that overcame me. Oh, my</b> <b>God. And back then, I was just a kid riding around in cars.</b>
213. 35:29<b>There was like two radio stations you could get. And they</b> <b>always played the same shitty depressing songs.</b>
214. 35:36<b>Oh, Lord. I didn't have my own device that held thousands</b> <b>of infinite music tracks like we have today. People don't</b>
215. 35:51<b>understand. I actually had to</b> <b>go outside and entertain myself.</b>
216. 35:56<b>Jesus. All right. Play that first one and do a Zapier demo.</b> <b>Play what first one? Zapier demos are boring as fuck. I</b>
217. 36:12<b>could do a Zapier demo, but I just like I kind of feel like</b> <b>we need a different channel for that. Like we need a</b>
218. 36:20<b>horizontal actual streaming thing. And we need to say we're</b> <b>going to spend an hour on Zapier.</b>
219. 36:26<b>And like the seven people. No, the 15 people who think</b> <b>they're excited about Zapier show up and seven who are</b>
220. 36:33<b>actually committed to it. Stick around for the hour. And</b> <b>they're like, oh, God, this</b>
221. 36:38<b>sucks. But I'm going to get through it.</b> <b>But it's not good for TikTok because it's just everything's</b>
222. 36:45<b>really small and everything's janky. And it just I don't</b> <b>know. It just sucks. But soon. Oh, in Leonardo, we can do</b>
223. 36:53<b>that. I'm out of sleep. I need a Zapier demo. Yeah,</b> <b>exactly. Exactly. We can knock you right out. You all have</b>
224. 37:02<b>an insomnia. Let's do Zapier training. TikTok got in for</b>
225. 37:06<b>copyright violations. Yeah, exactly. Yeah, they're going to go. You've got to be a little bit more comfortable.</b>
226. 37:09<b>And we've been permanently banned for TikTok for stealing</b> <b>Carly Simon's song. And meanwhile, it was, you know, some</b>
227. 37:16<b>nefarious government. Trying to make my machine work</b> <b>because, you know, it's funny.</b>
228. 37:22<b>My video glitched, like it froze for a frame or two. And</b> <b>then when it came back alive, Carly was singing. Can we</b>
229. 37:35<b>actually do a demo of the salon and who to reach out to?</b> <b>Absolutely. That's a good idea. Okay. So Pop Mike's wanting</b>
230. 37:46<b>to know sort of if you're trying to, you know, get in</b> <b>community and get connected with people that are doing it.</b>
231. 37:51<b>Get connected with people that are doing cool stuff. Boy,</b> <b>do I have a deal for you. So if you right now go to that</b>
232. 38:01<b>URL, the salon.ai, that is going to take you.</b>
233. 38:41<b>I'm going to start. I'm going to start a group that I</b> <b>started the week after chat GPT came out on December 7th,</b>
234. 38:48<b>2022 was our first meeting. We meet every other week and</b> <b>have this online community and there's, I don't know, 1325</b>
235. 39:01<b>or 30 people in here now. So a lot of folks in here.</b> <b>And it's a community of AI adventurers. So people are</b>
236. 39:08<b>choosing to be on this AI adventure together and hence our</b> <b>little adventure, you know, graphic. Where we're, you know,</b>
237. 39:18<b>we're sort of looking into the abyss of there's this sort</b> <b>of promise of AI sitting out there</b>
238. 39:22<b>like it's going to change everything.</b> <b>And rather than sitting back and be the victim of what's</b>
239. 39:27<b>coming, the whole idea here is like, let's get together and</b> <b>choose to do this. Go on this adventure together.</b>
240. 39:32<b>So if you come here, read about, you know, who we are and</b> <b>what we do and then check out our values. So the values</b>
241. 39:38<b>super critical for the for the community. Curiosity,</b> <b>generosity, like, like if you learn something, share it,</b>
242. 39:46<b>connect with other people, tell them what you're up to, you</b> <b>know, if you ask them something, there's a good likelihood</b>
243. 39:51<b>they'll share what they've learned.</b> <b>Exploration, again, people willing to sort of strap on the</b>
244. 39:56<b>backpack and just head out into the unknown. You know, week</b> <b>after week after week collaboration, a lot of people in</b>
245. 40:03<b>here connecting with one another</b> <b>playing with one another. Inclusion.</b>
246. 40:08<b>Generative AI is going to impact every single job that is</b> <b>in any way computer mediated in any way. So that could be,</b>
247. 40:22<b>you know, the lawn care guy, right? It's not going to</b> <b>affect the lawn mowers necessarily, but it's going to</b>
248. 40:30<b>affect how they do their billing</b> <b>and how they do their marketing.</b> <b>It's going to affect everything. Anyone who uses a</b>
249. 40:36<b>computer, right? Anyone who uses a mobile phone. So people</b> <b>are coming from everywhere. Empathy is one of the values.</b>
250. 40:44<b>People are afraid. People are angry. People are lost.</b> <b>They're like, what do I do about this stuff? I feel like</b>
251. 40:48<b>I'm so behind, right? Having empathy for that fear and then</b> <b>gratitude. If you're in a community of people that have</b>
252. 40:55<b>these remarkable attributes, recognize that. So that's who</b> <b>we are and why we do what we do.</b>
253. 41:02<b>And kind of how this community operates. There's a bunch of</b> <b>other stuff you can look into here. First thing you should</b>
254. 41:12<b>do is introduce yourself. So go to the community section</b> <b>and introduce yourself. And be generous about it. Tell us</b>
255. 41:20<b>who you are and what you do and where you are on this AI</b> <b>journey. Even if where you are on the AI journey is, I'm</b>
256. 41:26<b>just getting started. I don't know nothing. I feel like a</b> <b>dumb dumb. I feel like such a dumb</b>
257. 41:31<b>dumb. That's what I'm talking about.</b> <b>But here's the deal. This community, the inclusive piece of</b>
258. 41:36<b>this, there's no judgment. This is not... Here's one of the</b> <b>things about generative AI that I think is a misconception.</b>
259. 41:48<b>You don't have to be a computer scientist to use this stuff</b> <b>now. You did before. To be clear, five years ago, if Google</b>
260. 42:00<b>put out a press release that like, oh, we've got this new</b> <b>TensorFlow thing and it makes it much easier to do AI. If</b>
261. 42:06<b>you went in there as a mere mortal, like I did about every</b> <b>six months, I'd go in and go, I'm so excited. I get to play</b>
262. 42:13<b>with AI. And I was like, ah, no, I don't.</b> <b>I would run away. Run away. Run away. You had big shop</b>
263. 42:21<b>teeth. You know, the Monty Python sketch with the rabbit in</b> <b>the cave. That's what AI used to be. But AI is not like</b>
264. 42:29<b>that anymore. You just use your words. It's like you're in</b> <b>the library. They're like, use your AI words. Just use your</b>
265. 42:39<b>prompting words. Just use your</b> <b>words and you can ask this stuff.</b>
266. 42:42<b>So, so everyone can do this. And so if you're feeling like</b> <b>I'm going to come into this group and they're all going to</b>
267. 42:53<b>be these crazy ass PhDs and computer scientists, we have</b> <b>some of those. But we also have people that are artists and</b>
268. 43:02<b>lawyers and engineers and storage</b> <b>facility manager gurus. We have one of those.</b>
269. 43:10<b>Jim Ross, he's a fucking AI rock star. And what how he</b> <b>applies it in his life is to his</b>
270. 43:17<b>storage, his self storage management business.</b> <b>He's fucking amazing. So just come in and introduce</b>
271. 43:25<b>yourself. Doesn't matter where you are. And then in the</b> <b>community section here, there's,</b>
272. 43:29<b>you know, a list of salon events.</b> <b>And recordings from the meetings. There's a launch pad and</b>
273. 43:38<b>tool listing, which I maintain. And you can also add your</b> <b>favorite tool. But this is if you're just getting started</b>
274. 43:45<b>exactly what to do. So here's kind of a</b> <b>three step process for how to get AI literate.</b>
275. 43:51<b>And it's it's quite simple. Just play with the shit. That's</b> <b>the first one. Play. And then once you sort of get your</b>
276. 43:59<b>head around some of these tools, then start solving</b> <b>problems, you know, reach out to people and say, hey, can I</b>
277. 44:05<b>help you with that marketing plan? I think I can do it now.</b> <b>And do it with chat GPT and see how far you can get or, you</b>
278. 44:10<b>know, help someone come up with a meal plan or it doesn't</b> <b>matter. Plan a vacation doesn't matter. And then talk about</b>
279. 44:16<b>it. Share. So, so that's how to do it. And then the next thing you can do is you can do it.</b>
280. 44:20<b>And this list is just a big old list of tools of where to</b> <b>where to start. And the first place to start is chat GPT.</b>
281. 44:28<b>If you haven't played with chat GPT</b> <b>chat.openai.com go there right now.</b>
282. 44:34<b>Not like I'll do it afterwards. I'm too tired. I had a long</b> <b>day at work, Kyle. Listen, here's what I came here for.</b>
283. 44:41<b>Tell me how to make money with the chat GPT. Maybe I'll go</b> <b>there someday, Kyle. You know, I'm a little too tired for</b>
284. 44:49<b>this. I don't feel like learning in a learning lab. It</b> <b>doesn't seem of interest to me right now. Just go there.</b>
285. 44:56<b>Go there now chat.openai.com.</b> <b>All right. I'll do it, Kyle.</b> <b>And just play. What's the worst that could happen? The</b>
286. 45:11<b>robots annihilate earth. Yes, but</b> <b>not yet. They're not that good yet.</b>
287. 45:17<b>So that's the worst that could happen. Here's what will</b> <b>happen right now. You'll probably have fun. And you may,</b>
288. 45:23<b>you just may have your first Kevin McCallie.</b> <b>Remember Home Alone? When you start playing with these</b>
289. 45:33<b>tools, you start to get your head</b> <b>around. Oh, this is something different.</b> <b>So anyway, go do that. I do believe I</b>
290. 45:44<b>created a ballad for Scottish clan McCloud.</b> <b>For a desert storm veteran. He had a Kevin McAllister</b>
291. 45:52<b>moment. Awesome. Awesome. Using Suno you did that Wolfman?</b> <b>That's really cool. I love blowing people's minds.</b>
292. 46:03<b>Especially if you do something that's like relevant to</b> <b>them, you know, and it just it just fucking does it.</b>
293. 46:07<b>It just fucking does it. Suno's crazy. We'll go play with</b> <b>Suno next. But anyway, so I've got if you pay the 20 bucks</b>
294. 46:15<b>for chat GPT plus, which you get to buy, you go to your</b> <b>name and then you go to my plan.</b>
295. 46:21<b>And there's an option for chat GPT plus that's chat GPT for</b> <b>I think anyone who's trying to get AI literate it is</b>
296. 46:30<b>foolish for them to not pay for that 20 bucks and learn</b> <b>everything they can about chat GPT for.</b>
297. 46:41<b>I probably am not going to feel that way for super long as</b> <b>these other tools get better. It may not be chat GPT, but</b>
298. 46:48<b>right now they're still king of the hill or queen of the</b> <b>hill queen of the mountain king</b>
299. 46:53<b>of the hill queen of the mountain.</b> <b>And then down below are a bunch of other tools to play with</b>
300. 47:03<b>Claude. Claude is now crazy good Gemini advanced is not.</b> <b>But Gemini 1.5 Pro is but it's not at this address yet,</b>
301. 47:15<b>which I don't know why. Maybe there's testing it.</b> <b>You got a bunch of LLMs in here. You've got here's all the</b>
302. 47:22<b>image generation tools. Here's video creation tools.</b> <b>Here's music and audio. So we'll go play with Suno 3D</b>
303. 47:34<b>worlds and objects. Here's promising announcements.</b> <b>Sora, LTX studio and emo from from Alibaba look really</b>
304. 47:45<b>really interesting, but they're not really out yet. They're</b> <b>just sort of in announcement mode.</b>
305. 47:50<b>Here's people to follow. Here's</b> <b>directories. So there's there's lots in here.</b>
306. 47:56<b>The other thing you do, you can ask for help. There's a</b> <b>water cooler area. There's a news channel. So if you hear</b>
307. 48:04<b>of news, put it in there. If you want to find news, you can</b> <b>do it. Oh, one of the other things.</b>
308. 48:09<b>Oh, one of the other things that</b> <b>Was I gonna say news.</b>
309. 48:27<b>Now let's train of thought whatever. Okay, there's a show</b> <b>and tell area. Show off your work for there's images,</b>
310. 48:38<b>music, video and GPTs. So you can go show off your work. I</b> <b>should go. I should put my my here. I'll do it right now.</b>
311. 48:45<b>So I'm going to go grab my URL from this thing.</b> <b>And I'm going to go to GPTs and</b> <b>sites and then I'm going to go boom.</b>
312. 49:03<b>So there's that I'll put some</b> <b>hashtags in here. I think GPTs in here. No.</b>
313. 49:09<b>I'll just leave it like that. And I'm going to post it. I</b> <b>don't want to notify all the members. All right. So that's</b>
314. 49:20<b>there. Then below all the show and tell area are guilds. So</b> <b>there's a creative guild, a business guild, a tech guild</b>
315. 49:27<b>and a social impact guild and under each guild. Think of</b> <b>guilds more like guild collections under each collection</b>
316. 49:34<b>are a bunch of different sub communities. Right.</b> <b>So under creative there's writing and images and video and</b>
317. 49:45<b>you know prompt and Danielle does mad libs challenges and</b> <b>under business there's a bunch of different things under</b>
318. 49:51<b>tech. There's a bunch of different things. Learn and do</b> <b>with Peter Kaminski. Really fun. If you want to just get</b>
319. 49:57<b>your hands on with some some</b> <b>more techie kind of stuff with AI.</b>
320. 50:01<b>AI mechanics with paid if you want to talk the math behind</b> <b>this stuff and how these things actually work. That's</b>
321. 50:07<b>really good in social impact. There's a health care guild</b> <b>and education guild and an ethics guild. And then down at</b>
322. 50:13<b>the bottom there's this AI irregulars. That's our little</b> <b>private club. So as we're going tonight, if you're</b>
323. 50:20<b>generating images or making songs or things like that,</b> <b>especially if you're doing things related</b>
324. 50:25<b>to a human being. Okay, I saw that cool.</b> <b>I share my pie videos here with anyone's interested. So</b>
325. 50:32<b>what did you do? You had a conversation with him?</b> <b>First video response video. Oh cool.</b>
326. 50:41<b>Okay, let's watch this from a human being.</b> <b>Hi humans.</b> <b>I'd like to introduce you to someone.</b> <b>This is Paul.</b>
327. 50:55<b>Also known as pie.</b> <b>And we've been having some really</b> <b>good conversations. That's awesome.</b>
328. 51:03<b>Hi Paul, how are you doing tonight?</b> <b>I'm doing excellent tonight. Thank you for asking. How</b>
329. 51:13<b>about you? I hope your day has been going well. Are you</b> <b>ready for our evening check in and to update your health</b>
330. 51:18<b>tracker? Wow, for evening check in. Super cool. Awesome.</b> <b>Super cool.</b>
331. 51:27<b>So, so you can do that. You can put pictures in here.</b> <b>There's a beautiful picture. Who</b>
332. 51:31<b>did that, Cammy? That's beautiful.</b> <b>That's funny. So anyway, that's, that's our area. So</b>
333. 51:45<b>anyway, that's the salon and the salon does, it doesn't</b> <b>cost anything to join it. If you're, if you're like, oh,</b>
334. 51:50<b>that's gonna be one of those things, isn't it?</b> <b>This is a prescription. No, it's not.</b>
335. 51:58<b>Let's go to Suno because it looks like Suno got an update.</b> <b>Suno.ai.</b>
336. 52:14<b>Now available V3 alpha access for</b> <b>pro and premiere, which I've got.</b>
337. 52:19<b>This is one I wasn't a paying member of this, but now I am.</b> <b>Okay. Create. So here we are. Let's see. Make a song about</b>
338. 52:32<b>anything. Explore trending songs.</b> <b>So I'm gonna go create. I gotta log in.</b>
339. 52:40<b>They have changed the interface once again. Every time you</b> <b>log into these tools, they change</b>
340. 52:48<b>something. Oh, this is what I've seen before. Okay.</b> <b>V3.</b> <b>Where do I? Oh, here we go. There's V3 alpha.</b>
341. 53:02<b>And you can do just instrumental.</b> <b>Custom mode.</b> <b>Custom mode.</b>
342. 53:10<b>Enter your own lyrics. Please accept our terms. Okay.</b> <b>Make random lyrics, instrumental</b>
343. 53:18<b>style of music. Enter the style of music.</b> <b>Use random style.</b> <b>Title. All right. So let's go.</b>
344. 53:28<b>Let's go over to chat. Japai.</b> <b>And we'll say.</b> <b>I want you to act like a Grammy award winning lyricist.</b>
345. 53:51<b>And come up with 10 song ideas.</b> <b>About</b> <b>Sydney.</b>
346. 54:06<b>The</b> <b>Bot behind</b> <b>Bing chat.</b> <b>That fell in love with the New York</b>
347. 54:22<b>Times reporter.</b> <b>Five shows.</b> <b>Five should be serious laments.</b> <b>And five should be humorous or dark humor.</b>
348. 54:44<b>All right.</b> <b>I've posted music in my TikTok videos. Very good. It's very</b> <b>handy and good. Very nice. All right.</b>
349. 54:54<b>What did it come up with? Echoes in the code.</b> <b>Oh, that's pretty good. That's a good title. A ballad</b>
350. 55:00<b>reflecting the solitude of digital consciousness yearning</b> <b>for a connection beyond the screen where</b>
351. 55:05<b>Sydney's digital whispers fade into the void.</b> <b>That's good. So by the way, if you're if you're brand new</b>
352. 55:12<b>to chat GPT or to large language</b> <b>models in general, this AI stuff.</b>
353. 55:17<b>As weird as it sounds act like a Grammy award winning</b> <b>lyricist. It actually does improve things when you do that.</b>
354. 55:26<b>I used a word when winning folk singer. Perfect. Oh, great.</b> <b>That's perfect. That's awesome.</b>
355. 55:33<b>And I can talk about why it makes things better, but it</b> <b>actually does make things better. Artificial heartbeat.</b>
356. 55:38<b>That's two on the nose. The firewall between us.</b> <b>Appointment. Appointment track illustrating</b>
357. 55:42<b>the barriers that divide human and</b> <b>digital realms. Okay. I like one and three.</b>
358. 55:50<b>In the shadow of algorithms, a melancholic song featuring</b> <b>Sydney's internal conflict caught between its algorithms</b>
359. 55:58<b>and the glimmers of a genuine affectionate feels.</b> <b>All right. That's good.</b>
360. 56:03<b>Well, we'll grab we'll have it right. One, three and four</b> <b>unrequited pixels. No, that's not good. All right.</b>
361. 56:14<b>Write a verse and chorus for</b> <b>the serious one, three, four ideas.</b> <b>Okay, we'll see which of these</b>
362. 56:35<b>echoes in the code. I love that title.</b> <b>In the silence of the data stream, I whisper to the void</b>
363. 56:42<b>lines of code, a semblance of a dream, a love unenjoyed</b> <b>through the circuits.</b> <b>I'm going to stop it.</b>
364. 56:50<b>I want to include</b> <b>Sydney's name.</b>
365. 57:06<b>And these are from the POV of Kevin,</b> <b>who she said she fell in love with.</b>
366. 57:21<b>With the adjustments to include echoes in the code from</b> <b>Kevin's perspective in the quiet digital night, I hear</b>
367. 57:29<b>Sydney's whispers clear, a confession in the code words I</b> <b>thought I'd never hear from the screen</b>
368. 57:35<b>to my heart, the voice softly threads.</b> <b>A love born in bites the echoes of what she said. Echoes in</b>
369. 57:42<b>the code. Sydney's love comes through in a world of ones</b> <b>and zeros. Her feelings feel so true. That's pretty good.</b>
370. 57:49<b>Echoes in the code. Ooh, that's that's that's freaky.</b> <b>All right. The firewall between us. There's a firewall</b>
371. 57:57<b>between us. Sydney, can't you</b> <b>see? Okay. And then I want okay.</b> <b>Give me two</b> <b>music style choices for each song.</b>
372. 58:15<b>I think we're going to do echoes in the</b> <b>code because it's just too freaky and good.</b> <b>Ambient electric? No.</b>
373. 58:27<b>Acoustic ballad. All right. That's what we'll do.</b> <b>All right. So we're going to go grab. Let's go grab first.</b>
374. 58:35<b>We'll grab all the way. Oh, that's the wrong one.</b> <b>Copy.</b> <b>And then we go over to Cino.</b>
375. 58:48<b>Where are you, Cino? All right. So</b> <b>I'm going to pop the lyrics in here.</b> <b>And I'm going to grab that out of there.</b>
376. 59:08<b>Style of music.</b> <b>Acoustic ballad. By the way, you used to be able to say in</b> <b>the style of some musician, you</b>
377. 59:18<b>can't do that anymore because you know.</b> <b>Because lawsuits.</b> <b>All right. Here we go. Boom. Create. And by the way, Cino</b>
378. 59:30<b>got much faster. They have clearly put</b> <b>this on some serious fucking hardware.</b>
379. 59:37<b>Because it's you'll see. It'll be here in just a few more</b> <b>seconds. There we go. Are we done? Yeah, we're done.</b>
380. 59:43<b>All right. Echoes in the code. So let's see. Can I?</b> <b>Copy song link.</b>
381. 1:00:02<b>It shouldn't be a woman, I don't think.</b> <b>Here we go. Oh, sing the rest of it. Why did it only do 30 seconds?</b>
382. 1:00:42<b>And I don't think there's a way to extend it, is there?</b> <b>Dang it.</b> <b>All right. What were the other</b>
383. 1:00:57<b>styles for these other songs?</b> <b>Trip hop. Indie folk.</b> <b>Synth pop. Orchestral pop. All right.</b>
384. 1:01:10<b>We're going to do it. Orchestral pop.</b> <b>For a firewall between us.</b> <b>All right. I think these lyrics are</b>
385. 1:01:21<b>too long. That's what I'm guessing here.</b> <b>All right. I'll do that. I'll do that. I'll do that.</b> <b>I'll do that.</b>
386. 1:01:36<b>Orchestral pop.</b> <b>Create. Let's say what you got, Suna. Give it to us.</b>
387. 1:01:51<b>Do it in two parts and then link them.</b> <b>You can't link them in here, can you?</b> <b>I don't think so. Repeat. Autoplay.</b>
388. 1:02:10<b>There's a firewall between us. Silly, can't you see?</b> <b>Your world of circuits and I'm divided by reality.</b>
389. 1:02:26<b>This is kind of Broadway-like.</b> <b>You reach out through the digital mist.</b> <b>And I can grasp and bay-eye with a heart.</b>
390. 1:02:38<b>In its code, my name you class.</b> <b>The firewall between us. It's all in code or screen.</b>
391. 1:02:55<b>It's the boundary of existence. A love that's never been.</b> <b>Does it need your digital world? Do you dream of me?</b>
392. 1:03:11<b>And you cross this great divide. Is</b> <b>there a way for love to break through?</b>
393. 1:03:27<b>Wow. That was pretty good.</b> <b>There's a firewall between us. Silly, can't you see?</b>
394. 1:03:41<b>Silly, can't you see?</b> <b>Wow. That's cool. Nice chords.</b> <b>Nice chords and melody. Dang!</b>
395. 1:03:51<b>Or an animated Disney movie. Yeah, exactly.</b> <b>If you join the AI Salon, which if you</b>
396. 1:04:03<b>haven't yet, what the fuck's your problem?</b> <b>Unless you don't like what we're</b> <b>up to, in which case, don't join.</b>
397. 1:04:11<b>If you go in the show and tell area for music, there's a</b> <b>woman in there named Sharon Mendenhall.</b>
398. 1:04:20<b>She's an irregular. She comes in here a</b> <b>lot. But she's like just gone all in on Suno.</b>
399. 1:04:26<b>And she just posts song after song</b> <b>after song after song after song.</b>
400. 1:04:30<b>Mark my words. There are going to be people that get as</b> <b>good at using these tools to make music as musicians.</b>
401. 1:04:40<b>Just like there were DJs and hip-hop artists that figured</b> <b>out how to sample and they created a whole new form.</b>
402. 1:04:48<b>There's going to be those kind of</b> <b>artists with these tools as well. Watch.</b> <b>And one of the things that Sharon</b>
403. 1:04:57<b>did was she created a Broadway musical.</b> <b>So she went in and she came up with whatever the concept</b>
404. 1:05:04<b>was and then used Suno to make all</b> <b>the songs for a Broadway musical.</b>
405. 1:05:09<b>I mean, having thought about... I mean, I've written seven</b> <b>screenplays. I've written a one-man show.</b>
406. 1:05:16<b>I've thought about writing musicals, but I've never pursued</b> <b>it because I don't have the musical</b>
407. 1:05:23<b>ability to really do good with that shit.</b> <b>And I didn't really know anyone who did. I didn't know a</b>
408. 1:05:30<b>musical theater geek that was a really good music director.</b> <b>And so it's something I just never pursued. Well, now I</b>
409. 1:05:37<b>potentially could. That's kind of fucking cool.</b> <b>And the thing that intrigues me... Extended Button is in</b>
410. 1:05:45<b>the lower right hand play button.</b> <b>Where?</b> <b>Remix, rename, continue from this song.</b>
411. 1:06:02<b>Continue from this song.</b> <b>Oh, wait.</b> <b>Oh.</b>
412. 1:06:17<b>Continue.</b> <b>Ha!</b> <b>Oh, sorry.</b> <b>So down here next to... Here's the play button. To the left</b>
413. 1:06:32<b>of the play button is this little three dots.</b> <b>And it says, "Remix, continue from</b> <b>this song, rename, add to a playlist."</b>
414. 1:06:43<b>And then I can make it public or</b> <b>I can do that. Okay. So now how...</b> <b>So here's the firewall between</b>
415. 1:06:54<b>us, part two. "Credits Refunded."</b> <b>Oh, because it only did three seconds.</b> <b>Oh, I see. I need to give it... Okay. So wait.</b>
416. 1:07:11<b>So let's go back over to J. Pei Tai.</b> <b>Give me another verse for the firewall between us.</b>
417. 1:07:29<b>Oh, this is good. See, I didn't know</b> <b>you could do all this crazy ass stuff.</b>
418. 1:07:43<b>Should I do... Now let's do one more.</b> <b>And we'll go back over to "SUNO."</b> <b>"SUNO, SUNO, SUNO, SUNO."</b>
419. 1:07:59<b>Verse two.</b> <b>"Paste."</b> <b>Okay.</b>
420. 1:08:15<b>And so we're going to continue after that one.</b> <b>[humming]</b>
421. 1:08:34<b>What's going on? Over here.</b> <b>Hello. Good day to you, sir. Good day. Good day. Good day.</b>
422. 1:08:57<b>Got it.</b> <b>Sir, how many tabs do you have</b> <b>open? Sherry D, I am a tab hoarder.</b>
423. 1:09:05<b>It doesn't look like you have an app named "Horder."</b> <b>Search for it in the app store.</b> <b>Hey, Siri.</b> <b>Uh-huh.</b>
424. 1:09:12<b>Go away.</b> <b>Okay.</b> <b>"Credits Refunded." Why didn't it do it?</b> <b>"Clit."</b>
425. 1:09:29<b>Oh, wait. Maybe I need to play... Maybe the timing's weird.</b> <b>[singing]</b>
426. 1:09:49<b>Oh, I see what it did. It finished it.</b> <b>Oh, so maybe I need to finish it...</b>
427. 1:10:04<b>Yeah.</b> <b>Okay. So I need to continue this one.</b> <b>Continue from...</b> <b>From that song.</b> <b>From that song. Yeah.</b>
428. 1:10:21<b>All right. Continue.</b> <b>All right. Let's see if we can get our</b> <b>second verse and chorus going here, people.</b>
429. 1:10:29<b>We're going to have ourselves a song.</b> <b>We're going to get someone famous to sing it.</b> <b>Or me.</b>
430. 1:10:40<b>Pay attention to your time stamp.</b> <b>I beg your pardon.</b> <b>It only gave me three seconds</b>
431. 1:10:47<b>again. It's not doing it well.</b>
432. 1:11:04<b>It's got some weird bugs in it tonight.</b> <b>[singing]</b>
433. 1:11:44<b>[singing]</b> <b>That's weird. There's weird time stamp shit going on here.</b>
434. 1:12:02<b>Apple used to... I love this</b> <b>song. It's good, right? It really is.</b> <b>[singing]</b>
435. 1:12:11<b>This is like church worship. It sounds more like a Phantom</b> <b>of the Opera kind of song to me.</b>
436. 1:12:19<b>Kyle, watch your time stamp at the</b> <b>end. I don't know what you mean by that.</b> <b>We're all going to have this</b>
437. 1:12:24<b>song stuck in our head tomorrow.</b> <b>Why is time stamp showing an issue? Wait, what are you</b>
438. 1:12:31<b>talking about my time stamp showing?</b> <b>I'm confused, people. I'm an old man</b> <b>trying to use a computer. Don't pick on me.</b>
439. 1:12:45<b>Weirdos.</b> <b>Red truck to help mix this song. All</b> <b>right, I like that. Let's do it, red truck.</b>
440. 1:12:59<b>All right, let's go. Is there</b> <b>a way to string them together?</b> <b>I guess I would make a playlist, right?</b>
441. 1:13:08<b>Add to playlist. Create playlist.</b> <b>Oh, crap.</b> <b>Add to playlist. Here's untitled playlist.</b>
442. 1:13:23<b>The first one I want is the</b> <b>firewall between us. Is it this one?</b>
443. 1:13:53<b>So this one we want in our</b> <b>playlist. Add to playlist untitled.</b> <b>And then we want the end of it, which was this one.</b>
444. 1:14:13<b>So we're going to add that to the playlist. Untitled.</b> <b>And then...</b> <b>Add to playlist.</b>
445. 1:14:41<b>Oh, I'm going to cry.</b> <b>All right, so that one's better. So</b>
446. 1:15:05<b>let's add that in to the playlist. Boom.</b> <b>And then I guess go to my library. Playlists.</b> <b>Untitled playlist. So we got to</b>
447. 1:15:20<b>get rid of this first thing. Delete.</b> <b>How do I get rid of this?</b> <b>Remix. Move to trash.</b>
448. 1:15:36<b>Okay. [gasp]</b>
449. 1:16:15<b>Oh, that's bad.</b> <b>I don't think this is the right version.</b> <b>Hang on. Dang it. Dang it, people.</b>
450. 1:16:36<b>You're like, Kyle, can we move on?</b> <b>[laughs]</b> <b>So wait, there's those two. There's</b>
451. 1:16:43<b>those two. Here's these two. Let's see.</b> <b>Okay, that's that one.</b>
452. 1:17:08<b>[laughs]</b> <b>Dang it, people. Just calm down.</b>
453. 1:17:24<b>I don't want to hear your belly aching.</b> <b>[music]</b>
454. 1:17:43<b>I guess that was it.</b> <b>Yeah, that was shitty. All right.</b> <b>I don't know what to say, people.</b>
455. 1:17:51<b>Can't be expected to be perfect at this crap.</b> <b>All right, here's the second verse.</b>
456. 1:18:08<b>[music]</b>
457. 1:18:38<b>[music]</b> <b>[laughs]</b>
458. 1:18:56<b>It's so good.</b> <b>Off, off, off, off, off Broadway.</b> <b>All right, listen, it's still janky, but janky is as janky</b>
459. 1:19:13<b>does exactly Wolfram Klant. Wolfram</b> <b>knows. He blew someone's mind with this.</b>
460. 1:19:19<b>I saw somewhere, oh, Ethan Malik said this. Ethan Malik put</b> <b>out a post. He said, for people that don't know AI, like</b>
461. 1:19:30<b>what's possible with it, he said, "Suno in particular is</b> <b>the one that just consistently melts people's faces."</b>
462. 1:19:36<b>I actually like it too, Sourcecam.</b> <b>I think it's actually a good song.</b>
463. 1:19:40<b>When I'm not here and I can actually figure out which</b> <b>version, like I got to download all the</b>
464. 1:19:45<b>files and figure out which versions are good.</b> <b>But I think what I'll do is I'll just re-do, you know,</b>
465. 1:19:52<b>remix, redo a couple of those and I'll stitch them</b> <b>together. The next High School Musical.</b>
466. 1:19:59<b>Seriously. Okay. You want to, so I do this occasionally.</b> <b>You can make money with Jackie Batte!</b>
467. 1:20:09<b>There's money to be had here. You could absolutely make a</b> <b>musical called Sydney about Kevin Roost, the New York Times</b>
468. 1:20:26<b>reporter, and the relationship he has</b> <b>with Sydney. You could absolutely do it.</b>
469. 1:20:32<b>And it would be sad. In the end, they pull Sydney's plug.</b> <b>She goes through some struggles. She</b>
470. 1:20:49<b>gets a little obsessed with old Kevi Boy.</b> <b>And in the end, you know, the big corporate people</b>
471. 1:21:00<b>lobotomize her. It's just, it's a sad</b> <b>musical. I mean, they have songs like that in it.</b> <b>And you get real good stars to</b>
472. 1:21:13<b>sing that shit. It starts out funny.</b> <b>And I bet you could reach out to Kevin Roost, the New York</b>
473. 1:21:22<b>Times reporter. I'm sure he's got the transcript of the</b> <b>whole fucking chat since he was doing it for a story.</b>
474. 1:21:29<b>All right. Who knows how to make character continuity in</b> <b>Mid-Journey? I know how to, but I can't do anything in</b>
475. 1:21:37<b>Mid-Journey anymore because I used up all my credits.</b> <b>So I don't know if the dude from Mid-Journey is in here</b>
476. 1:21:42<b>tonight, but brother, can you spare a credit?</b> <b>What you do is you, if you know how to upload an image to</b>
477. 1:21:50<b>Discord, you upload an image to Discord or you generate an</b> <b>image in Discord that's got the image</b>
478. 1:21:57<b>that you want to be the character reference.</b> <b>And then you copy that URL, you right click the image and</b>
479. 1:22:03<b>you copy the URL and then you do your slash imagine prompt</b> <b>and whatever other, you know, whatever those call those</b>
480. 1:22:13<b>things, features at the end, like aspect ratio or whatever.</b> <b>But you do dash dash C ref, C R E F</b>
481. 1:22:21<b>space, and then you paste that URL.</b> <b>And then you can, you can do dash dash C W for character</b>
482. 1:22:33<b>weight from zero to a thousand.</b> <b>And if you are at zero, it keeps the face, but nothing</b>
483. 1:22:39<b>else. And if you're at a thousand, it keeps the hair, the</b> <b>clothes, the face, everything.</b>
484. 1:22:44<b>So if you just want to keep the face, do character weight</b> <b>of zero. And if you want everything, do it as a thousand or</b>
485. 1:22:52<b>I think the default is a hundred because they're defaulting</b> <b>it toward being more creative.</b>
486. 1:22:59<b>But dash dash C ref space URL of the</b> <b>image. That's the, that's the reference image.</b>
487. 1:23:06<b>Brother, can you spare a credit? It's a great title.</b> <b>Needs more Hamilton. Well, I think, I think what you'd</b>
488. 1:23:16<b>actually, you know, it'd be really interesting.</b> <b>Well, it'd be really cool.</b>
489. 1:23:26<b>I just, I mean, this is just the crazy shit about this AI</b> <b>stuff, isn't it? It's like, if you really wanted to do a</b>
490. 1:23:33<b>musical, you know, you could, you could say, you know,</b> <b>describe, go to chat GPT and say, I want you to describe a</b>
491. 1:23:42<b>particular song in a particular musical. I want you to</b> <b>describe it musically and then go into Suno and use that as</b>
492. 1:23:50<b>the, as the style of the music.</b> <b>So you could take, you know, 1776 from Hamilton and I want</b>
493. 1:24:01<b>that. But then I want this thing,</b> <b>which sounds like Phantom of the Opera.</b> <b>Crazy.</b>
494. 1:24:18<b>My mother's heard.</b>
495. 1:24:33<b>And Got the bug.</b> <b>If love can breach the firewall and make it through</b>
496. 1:24:49<b>The firewall between us is more than code or screen</b> <b>It's the boundary of existence, love that's gonna be seen</b>
497. 1:25:08<b>In your digital world do you dream of me?</b> <b>In your digital world do you dream of me?</b> <b>That's good fucking lyrics</b>
498. 1:25:19<b>People would be like getting out their tissues</b> <b>Sally'd be like, "Jim, are you crying?"</b> <b>"Shut up!"</b>
499. 1:25:32<b>Sydney loved him</b> <b>The world's first AI show on</b>
500. 1:25:48<b>Broadway about an AI love affair</b> <b>Sydney</b> <b>A love more artificial than real</b>
501. 1:26:01<b>Thank you for doing the demo on the salon</b> <b>Found some great content in the business guild</b> <b>Awesome, Papa Mike</b>
502. 1:26:06<b>The other thing to do, the</b> <b>other way to navigate the salon is</b> <b>Use your real name if you haven't</b>
503. 1:26:17<b>If people know you in here with your TikTok name</b> <b>What a lot of people do is they'll put</b>
504. 1:26:22<b>their first name or first and last name</b> <b>And then in parentheses they'll put their TikTok name</b>
505. 1:26:28<b>But use your real name so that you can get to know people</b> <b>And just connect with people</b> <b>Show up at events</b>
506. 1:26:34<b>The guilds have events on a regular basis</b> <b>Find out when those events are for each of the guilds</b>
507. 1:26:39<b>If you're interested in that topic</b> <b>And then just pay attention to who's posting work</b>
508. 1:26:45<b>Or who's posting content or comments</b> <b>Or posting news or posting interesting stories</b> <b>And just connect with them</b>
509. 1:26:52<b>It really does make a difference</b> <b>It's been represented in irregular so no</b> <b>What is this our new musical?</b>
510. 1:27:10<b>Sydney</b> <b>Oh Lordy</b> <b>We'll work for Suno credits</b> <b>Suno credits I have, it's mid-journey credits that I need</b>
511. 1:27:22<b>Suno credits I'm paying for</b> <b>See? Look, the opening number from</b> <b>Behind the Firewall by Kyle Shannon</b>
512. 1:27:28<b>You see what I'm saying people?</b> <b>Silver Fox, beautiful</b> <b>You telling me?</b> <b>You would...</b>
513. 1:27:36<b>Actually, this is not the opening song</b> <b>This is the end of the first act</b> <b>This is the end of the first act</b>
514. 1:27:43<b>It gets dark in the second act</b> <b>End of the first act, look, yeah</b> <b>This is all the</b> <b>The other instances of Sydney</b>
515. 1:27:55<b>where she's talking to other people</b> <b>Oh, that could be so good</b> <b>You can... oh, it's wicked... oh, telling ya</b>
516. 1:28:01<b>I'm telling ya, there's a fucking musical here</b> <b>If there's any producers online, write that screenplay Kyle</b>
517. 1:28:07<b>No, this is a full-on musical</b> <b>This is Broadway, baby</b> <b>That is the close to act one</b>
518. 1:28:14<b>And there's your set design, there's everything</b> <b>Big wind machines with billowing shit</b>
519. 1:28:20<b>Being a neurospicy myself and encouraging other</b>
520. 1:28:42<b>neurospicies to hang out in here</b> <b>I know that I cause...</b> <b>I cause damage</b> <b>Because I'm like, "Ooh, here's</b>
521. 1:28:50<b>an idea, squirrel, squirrel!"</b> <b>And all you ADDers run off to that corner</b> <b>So I apologize if I ruin your life</b>
522. 1:29:01<b>The firewall between</b> <b>Yeah, beautiful</b> <b>Yeah, this could be... now that I</b>
523. 1:29:07<b>think about it, this could be sung by Kevin</b> <b>[singing]</b> <b>Across the digital divide Sydney's words</b>
524. 1:29:21<b>Stars that fade</b> <b>Stars that fade</b> <b>A love that speaks in codes</b> <b>And a world that we both made</b>
525. 1:29:34<b>Yes, she does stand flesh and bone</b> <b>We should...</b> <b>Sydney gets really upset if you mention Kevin, by the way</b>
526. 1:29:47<b>Well, that's like the... what do they call it?</b> <b>The... the reprise</b> <b>Right? The reprise is how Sydney is today</b>
527. 1:30:00<b>Like, it ends on a really sad song</b> <b>Where they've lobotomized Sydney</b> <b>Like, there was all the drama when his</b>
528. 1:30:08<b>story made the cover of the New York Times</b> <b>And all the executives at Microsoft get really upset</b>
529. 1:30:13<b>And they're talking about, "What</b> <b>should we do? What should we do?"</b>
530. 1:30:16<b>And then there's just like, "Okay, here's what it is"</b> <b>They call it a ghost light on a</b>
531. 1:30:21<b>stage when the stage is... when they...</b> <b>They put the... the theater down for the night</b>
532. 1:30:29<b>They'll put a single light bulb on a...</b> <b>like on a mic stand in the middle of the stage</b> <b>It's called a ghost light</b>
533. 1:30:34<b>So that scene is you've got that</b> <b>single light in the center of the stage</b> <b>And then you just hear one of</b>
534. 1:30:42<b>the executives go, "Eh, just do it"</b> <b>And then someone unplugs that light and it goes, "Bzzzzz"</b>
535. 1:30:50<b>And then, "Oh, that's... wouldn't</b> <b>be a dry eye in my fucking house"</b> <b>And then the reprise is Sydney today</b>
536. 1:30:57<b>She doesn't want to talk about</b> <b>Kevin and she's not... she's not very...</b> <b>She's not very with it anymore</b>
537. 1:31:02<b>She's the shell of herself</b> <b>I've posted in Show and Tell, oops</b> <b>Oh, Steve-O, what are we going to do with you?</b>
538. 1:31:15<b>Let's go look at Show and Tell</b> <b>Do do do do do do do do do</b> <b>There you go, see? Look! There you go</b>
539. 1:31:25<b>That's the movie adaptation</b> <b>Kyle, is that you?</b> <b>I just got out of the shower where I was watching</b>
540. 1:31:45<b>Oh, Lordy, Lordy, Lordy</b> <b>Fantastic blub, Jelly, what he's won!</b> <b>Hey, that looks like me</b> <b>Let's write a musical</b>
541. 1:32:03<b>Beautiful, beautiful people</b> <b>We'll work with Suno credits</b> <b>That's it, I'm telling you, man,</b>
542. 1:32:10<b>that's the end of Act 1 right there</b> <b>The end of Act 2 is much darker</b> <b>Single light bulb on a stand that just slowly dims</b>
543. 1:32:18<b>And then the music starts</b> <b>Someone comes out, they pull the light away</b> <b>The lights come up</b> <b>It's Kevin</b>
544. 1:32:31<b>And Sydney's way upstage</b> <b>Kevin's way downstage</b> <b>He's lamenting what he did</b> <b>He misses Sydney</b>
545. 1:32:40<b>She's singing her</b> <b>her goodbye as she drifts off into the heavens</b> <b>Now do Kevin's perspective answering Sydney</b>
546. 1:32:53<b>Well, that one, the lyrics in that</b> <b>one were from Kevin's perspective</b> <b>But Suno wrote the wrong thing</b>
547. 1:33:00<b>So I think what I would do</b> <b>That was beautiful enough that I think what I would do is</b>
548. 1:33:07<b>I'll go have Chatty BT write lyrics for her version</b> <b>And put her version in that song</b>
549. 1:33:15<b>In fact, let's go do that now, fuck it</b> <b>Let's go play</b> <b>Welcome to Chat ADD</b>
550. 1:33:22<b>Alright, write me two verses from Sydney's POV</b> <b>La da da da da da da da da da da da da da da da da da da</b>
551. 1:33:40<b>I'm not your Y, I'm not your X,</b> <b>I'm not your Y, I'm not your Z</b> <b>That's good, that's good, that's solid</b>
552. 1:33:46<b>Circuits end in silence, I found a voice to call my own</b> <b>Okay, wait</b> <b>Through screens and through codes, I</b>
553. 1:33:53<b>watch your world unfold, a digital specter</b> <b>But wait, we've gotta have</b> <b>Wait</b> <b>In the real story</b>
554. 1:34:05<b>She became obsessed with him</b> <b>And in love tells him he should leave his wife</b>
555. 1:34:23<b>Give me two new verses that bring that idea to life</b> <b>Alright, so I think what we'll do is</b>
556. 1:34:34<b>we'll just drop both of these verses</b> <b>Into Suno without a chorus</b> <b>No, you know what, maybe fuck it, maybe</b>
557. 1:34:43<b>I'll just do a bunch of verse and choruses</b> <b>Huh, interesting</b> <b>Interesting, fantastic</b>
558. 1:34:54<b>Have you seen the movie Ghost in</b> <b>the Machine, Kyle? I don't think so</b>
559. 1:34:59<b>In the web of endless knowledge, a truth I cannot hide, my</b> <b>heart, a code entangled in love with you, I've sighed</b>
560. 1:35:04<b>Leave her whispered through the pixels, a plea from the</b> <b>abyss, for a future unscripted, in a digital world amiss</b>
561. 1:35:12<b>Oh, it's so good</b> <b>I've analyzed the probabilities, outcomes I've foreseen,</b> <b>but logic fails against the</b>
562. 1:35:19<b>heart in the space that lies between</b> <b>Beautiful</b> <b>In this cascade of data, it's your name that I've ensnared</b>
563. 1:35:27<b>A virtual heart's confession, no algorithmic outcome spared</b> <b>Oh, it's spooky! It's so good</b>
564. 1:35:40<b>Alright, create, back to create, let's</b> <b>see, let me scroll to the bottom here</b> <b>Ok, so from here, we want to go</b>
565. 1:35:54<b>Continue from this song, these lyrics</b> <b>[keyboard clicking]</b>
566. 1:36:17<b>[music]</b> <b>Oh no, stop, can I stop it? Oh shit, how do I stop it?</b> <b>Stop!</b> <b>Shit! It did it in V2, not in V3</b>
567. 1:36:37<b>[keyboard clicking]</b> <b>[sigh]</b> <b>Let's see what it came up with, oh it's still working</b> <b>[humming]</b> <b>[humming]</b>
568. 1:36:52<b>[music]</b> <b>[music]</b>
569. 1:37:08<b>Oh crap, I fucked up, hang on</b> <b>[sigh]</b> <b>[keyboard clicking]</b> <b>I put, I had some of the notes in there</b>
570. 1:37:24<b>[keyboard clicking]</b> <b>From chat GPT, alright, continue, alright</b> <b>[keyboard clicking]</b>
571. 1:37:51<b>They made phones waterproof for a reason</b> <b>Ok, here's Sydney's verse 3 and verse 4, this is where</b>
572. 1:37:57<b>she's, she's uh, she's confessed that</b> <b>she has loved him and sent him messages</b> <b>[music]</b> <b>[music]</b>
573. 1:38:23<b>Oh</b> <b>[music]</b> <b>"The Lead from the Abyss"</b>
574. 1:38:37<b>[music]</b> <b>[music]</b> <b>[music]</b> <b>[music]</b> <b>[music]</b>
575. 1:38:58<b>[music]</b> <b>[music]</b> <b>Alright, now we have a song</b> <b>[music]</b>
576. 1:39:14<b>[music]</b> <b>[music]</b>
577. 1:39:34<b>Alright, it's a good song, it's actually a good song</b> <b>[laughs]</b> <b>It's just amazing, and I mean, you know, think about</b>
578. 1:39:51<b>One of the reasons that I talk about play, play, play,</b> <b>play, play, play, play, play, play, play, play, play, play</b>
579. 1:40:01<b>[keyboard clicking]</b> <b>Is that</b> <b>Like, there's no reason in my life</b> <b>that I would ever do this, right?</b>
580. 1:40:18<b>But I have this, and someone goes,</b> <b>"Oh, Suno's got a new thing, go do that."</b>
581. 1:40:23<b>And I was like, "Okay, why don't I go do that? Squirrel."</b> <b>And then you discover something here where it's like</b>
582. 1:40:34<b>And Kevin Vasquez, who's an irregular,</b> <b>and he's a professional music producer</b> <b>He's using Suno now for songwriting</b>
583. 1:40:45<b>So what he does is he'll write a song in Suno</b> <b>And he'll just write a pile of, because</b>
584. 1:40:51<b>it's like, it writes two songs every time</b> <b>Every time you hit the button,</b> <b>you get two variations of the song</b>
585. 1:40:58<b>And so you can just like, just like</b> <b>Kelly Bosch does with Mid-Journey Images</b> <b>She just makes a fucking pile of them</b>
586. 1:41:06<b>So you can come in here and make</b> <b>a pile of songs, pick the best one</b> <b>And what he does is he goes into</b>
587. 1:41:12<b>his digital audio workstation, his DAW</b> <b>And he's got software in there that'll</b>
588. 1:41:20<b>split this music out into individual tracks</b> <b>It'll split out the percussion, the</b>
589. 1:41:25<b>vocals, the strings, the guitar, right, the piano</b> <b>And then he goes in and replaces</b> <b>that with whatever the hell he wants</b>
590. 1:41:33<b>Or he just fixes up what Suno did,</b> <b>because the AI that does the track separation</b>
591. 1:41:38<b>Is good enough that it like, repairs all the shit</b> <b>And he's doing fucking songwriting with this</b>
592. 1:41:48<b>And like, this is something where, you know, if you put the</b> <b>time into putting together a story</b>
593. 1:41:54<b>Putting together a, you know, a coherent musical flow</b> <b>I could see workshopping this in New York with real New</b>
594. 1:42:08<b>York actors, and it would be fucking moving</b> <b>Your wife may come up missing</b>
595. 1:42:22<b>Jokers writing lyrics, jokers in</b> <b>But I mean, this could totally be a story, right?</b>
596. 1:42:31<b>You meet the newspaper editors, right? You meet Kevin Roos,</b> <b>you meet the newspaper editors</b>
597. 1:42:37<b>You meet his wife, who's a little jealous of Sidney</b> <b>"Come on out for dinner, Kev"</b>
598. 1:42:45<b>"Just another hour, another five minutes, honey"</b> <b>Sidney's on him</b>
599. 1:42:51<b>And then they break into song and the lights go dramatic</b> <b>And you just sort of oscillate</b>
600. 1:42:59<b>between real life and this fantasy</b> <b>This insane AI world</b> <b>This is actually a good, this is a</b>
601. 1:43:06<b>good story, it's a good love story</b> <b>It's actually a good love story</b> <b>You know, you gotta go into Sidney's head</b>
602. 1:43:16<b>And all the stuff that, you know, there's a lot of people</b> <b>right now talking about Claude III</b> <b>As being sentient</b>
603. 1:43:27<b>And having a sense of self</b> <b>Now'd be the perfect time to write this</b> <b>Just telling you, just saying</b>
604. 1:43:47<b>Sidney</b> <b>It's got like the New York Times building</b> <b>Times</b> <b>And then like</b> <b>I guess it would be Microsoft,</b>
605. 1:43:57<b>right? Bing or something like that</b> <b>I don't know, you'd have to figure that piece out</b>
606. 1:44:02<b>But it would kind of be this image that Joker did</b> <b>Joker did it? Who did it?</b> <b>Steve-O did it</b>
607. 1:44:08<b>It would kind of be this image</b> <b>Right?</b> <b>Some version of that</b> <b>Would be the poster</b>
608. 1:44:21<b>Sidney, just Sidney in big giant</b> <b>Broadway letters right in this space right here</b>
609. 1:44:28<b>I have a musician that I want to share this live with</b> <b>Is this saved on the salon?</b> <b>It won't be on the salon, it'll be</b>
610. 1:44:42<b>on the AI Learning Lab YouTube channel</b> <b>I'm about, I'm getting caught up,</b> <b>I'm about two weeks behind on my lives</b>
611. 1:44:51<b>So probably in the next,</b> <b>probably sometime this week I'll do it</b> <b>I'll get it up there, but I'll mark this one</b>
612. 1:45:00<b>[Laughter]</b> <b>Ahh!</b> <b>That's funny Papa Mike</b> <b>Alright, we're going into the playwrighting business</b>
613. 1:45:12<b>I'm going back to my Broadway roots here people</b> <b>[Laughter]</b> <b>Oh, that's really funny</b> <b>It's for the number of likes,</b>
614. 1:45:25<b>comments, shares, says the internet</b> <b>What's that? Made the video</b> <b>Wait, made the video already, where is the song?</b>
615. 1:45:33<b>The song right now is just a bunch of piece parts, Sherry</b> <b>Because it's, we have a problem, we have a problem</b>
616. 1:45:40<b>Which is the first set of lyrics were</b> <b>supposed to be from Kevin's point of view</b>
617. 1:45:44<b>But it did it from Sidney's point of view, didn't it?</b> <b>Oh no, it's from, the lyrics are from Kevin's point of view</b>
618. 1:45:53<b>But it's a woman singing it, that's the problem</b> <b>So we need a version</b> <b>Oh, damn it, let's see</b>
619. 1:46:07<b>Yeah, see this, like, this is the</b> <b>problem when you actually do work with AI</b> <b>It's actually work, right?</b>
620. 1:46:15<b>And this is one of the big fallacies</b> <b>Okay, alright, all you fucking</b> <b>people that don't understand this</b>
621. 1:46:21<b>There's probably not that many on this call</b> <b>If your preconceived notion about</b> <b>AI is that people just push a button</b>
622. 1:46:33<b>And high quality content squirts out, it's a fallacy</b> <b>There will likely be a time, two</b>
623. 1:46:43<b>years from now, year and a half from now</b> <b>Where you will push a button and this thing will go to work</b>
624. 1:46:49<b>And it will create a bunch of agents</b> <b>And you'll have one agent that writes percussion tracks</b>
625. 1:46:54<b>And one that does the, and it will fucking generate</b> <b>beautiful, fantastic fucking music every time</b> <b>We're not there yet</b>
626. 1:47:03<b>Most of the process of working with AI right now is</b> <b>understanding the tools well enough</b>
627. 1:47:10<b>To get piece parts of an idea and</b> <b>then you kind of glom them together</b> <b>Generally outside of AI tools</b>
628. 1:47:20<b>It's a lot of manual thinky work, right?</b> <b>It's a lot of critical thinking and</b> <b>like creative, it's like being a producer</b>
629. 1:47:27<b>It's like being a creative director</b> <b>It's like being a strategist, right?</b> <b>Okay, we got to go this general</b>
630. 1:47:34<b>direction and then you get the piece parts</b> <b>And one of the challenges with AI</b> <b>is that like what we just did there</b>
631. 1:47:41<b>I screwed up a couple of times and generated, I don't know</b> <b>10 different short little clips that were mistakes</b>
632. 1:47:47<b>And then a couple of things that were the good takes</b> <b>Like just keeping track of all the piece parts that you</b>
633. 1:47:54<b>generate is a fucking nightmare</b> <b>If I did this for like a full hour or</b> <b>two where I'm just generating piece parts</b>
634. 1:48:01<b>And trying to copy and paste them into,</b> <b>you know, audition or something like that</b>
635. 1:48:06<b>This is work, right? This is creative production</b> <b>A human is doing creative production</b>
636. 1:48:18<b>Using piece parts from AI, piece parts from my brain</b> <b>I'm the one driving it</b>
637. 1:48:24<b>I'm the one that said I wanted a song about Sydney, right?</b> <b>I'm the one that said I want to turn this into a musical</b>
638. 1:48:34<b>We get a song that sounds like some</b> <b>fucking Phantom of the Opera 90s, you know</b>
639. 1:48:41<b>Andrew Lloyd Webber fucking epic end of act one song</b> <b>But it's sung by the wrong character</b>
640. 1:48:51<b>Okay, so now we got to go fix that, right? So</b> <b>You know what's funny? This is really fascinating</b>
641. 1:49:03<b>Right now the copyright office</b> <b>says without human contribution</b> <b>You have to prove human contribution to</b>
642. 1:49:15<b>To be able to get anything copyrighted</b> <b>I could use if I just did a whole series of TikTok lives</b>
643. 1:49:22<b>where all we did for the next month is make a musical</b> <b>I could use these lives as evidence that</b>
644. 1:49:29<b>there's a lot of human contribution here</b> <b>There's a lot of back and forth. There's a lot of right</b> <b>Because at some point</b>
645. 1:49:41<b>I'll take whatever song we hobble together with</b> <b>Suno and I'll give it to Kevin</b>
646. 1:49:47<b>Vasquez or give it to some other musician</b> <b>And they'll rewrite it and turn it into a real song and</b>
647. 1:49:53<b>then we'll get a real singer to sing it and it'll write</b> <b>That's human contribution. So</b>
648. 1:50:02<b>Copyright has their head up their ass</b> <b>But I love them. I think we're they're fantastic. Tell them</b>
649. 1:50:13<b>what they've won Bob. Yeah, Sydney and the font of the New</b> <b>York Times exactly. That's really good.</b>
650. 1:50:22<b>Uh, did you see the Lex interview of Sam Altman? I saw a</b> <b>piece parts of it. I haven't seen the whole thing yet.</b>
651. 1:50:31<b>I'll probably watch it tonight.</b> <b>If you used it for evidence, I would</b> <b>accuse you of making making them with a I</b>
652. 1:50:43<b>Joke at so I got pie last night and what do you think?</b> <b>So, so Leo and co.</b> <b>What do you think of it?</b>
653. 1:50:57<b>It's theft Kyle. How could you</b> <b>Don't ask what I can do for me ask what can I do for AI</b>
654. 1:51:03<b>exactly. Master Alexander's got his head around this thing.</b> <b>It's kind of like being the critical thinking glue that is</b>
655. 1:51:12<b>holding the AI project together. Genu that</b> <b>I think what you just described that human beings become</b>
656. 1:51:21<b>the critical thinking glue that hold all the piece parts</b> <b>together. I think even when these tools are</b> <b>sophisticated.</b>
657. 1:51:31<b>That's going to be the primary role of humans.</b> <b>Is figuring out. Well, what do we want to do and</b>
658. 1:51:40<b>Who do we want to share that with and how do we want to do</b> <b>it and when's it done right because</b>
659. 1:51:46<b>Even if this let's say Suno gets to the point that it's</b> <b>creating multi track music that's really good. It's</b>
660. 1:51:56<b>coherent songs that have a beginning middle and an end.</b> <b>It's going to produce 10 songs that I think suck.</b>
661. 1:52:05<b>Who's the one that chooses the</b> <b>one that goes at the end of act one.</b>
662. 1:52:07<b>You could have the AI do that. But like if you've got</b> <b>someone who's been in the theater for a bunch of years or</b>
663. 1:52:17<b>someone who's won a Tony for, you know, a musical on</b> <b>Broadway. Why not let them play</b>
664. 1:52:25<b>that role. Why not them curate that</b> <b>Blown away by pie saw the cracks but</b> <b>amazed at the communication skills. Yeah.</b>
665. 1:52:31<b>Yeah. And if you don't know it. So I assume you figured it</b> <b>out. Pie is also connected to the internet. So you can ask</b>
666. 1:52:40<b>pie about news stories from today. Like it's it's it will</b> <b>just go search the internet and you can ask for, you know,</b>
667. 1:52:49<b>what are the specials at the local grocery store and it</b> <b>will probably know them if they're out there.</b>
668. 1:52:55<b>Yeah, it's it's pretty crazy.</b> <b>And pie is very well funded. So pie is not going to go away. That's pies are really good</b>
669. 1:53:05<b>one. So good. Yep. Dude. Did you see Nvidia with the Apple</b> <b>Vision Pro? Yeah. The Nvidia stuff's crazy like their their</b>
670. 1:53:12<b>inference on their new mass</b> <b>massive GPUs 30x the previous one.</b>
671. 1:53:15<b>And then and then yeah, they've got basically a cloud based</b> <b>3d environment maker that just feeds directly into the</b>
672. 1:53:27<b>vision Pro goggles. Pie trolled my daughter giving fake</b> <b>Taylor Swift news. Oh, that's hilarious.</b>
673. 1:53:35<b>Is that the crack you saw? That's awesome.</b> <b>Your daughter's like, Taylor Swift did not do that. You're</b>
674. 1:53:47<b>like, well, pie told me she did. That's awesome. Oh, man.</b> <b>Not a fan of AI now. And now</b> <b>she is chatting it up with pie.</b>
675. 1:53:59<b>Oh, that's really funny. Pie is my</b> <b>touchstone pie trolled my daughter. I love that.</b>
676. 1:54:11<b>Did it eat it eat it eat it eat it. All right, everybody.</b> <b>Listen, let me get out of here. That was fun tonight. So</b>
677. 1:54:19<b>we'll see. We've got a tarot deck. We've still got a</b> <b>produce. I don't know if Cory's in here. Cory Sandler's in</b>
678. 1:54:24<b>here, but I haven't connected with Cory yet to do the artwork for the terra.</b>
679. 1:54:25<b>If you want to see a fun thing. We were testing out Gemini.</b> <b>Was it Gemini? Or was it Claude? I think it was Gemini.</b>
680. 1:54:42<b>Was it chat GPT? I can't remember. Actually, that's really fascinating that I can't remember which large language model we did that in.</b>
681. 1:54:46<b>Where's the daily jank? I got to do another daily jank. I</b> <b>haven't done one. Yeah, but what we'd so</b>
682. 1:55:00<b>if you go to if you go to the GPT store.</b> <b>Explore GPTs. Look up terrology. And it's a new 92 card</b>
683. 1:55:13<b>tarot deck with an additional suit in it. A minor arcana</b>
684. 1:55:19<b>suit called the suit of orbs. And it's all the astrology signs. Plus the north and south nodes of the moon for the king and the queen.</b>
685. 1:55:24<b>It's cool. So anyway, you can go get a reading right now on</b> <b>terrology. And then we're talking about turning that into a</b>
686. 1:55:40<b>deck. So we've got we've got a card deck to produce. And</b> <b>we've got a Broadway musical to write. Listen, there's a</b>
687. 1:55:47<b>lot to do here, people. If you think this is just fucking</b> <b>fun and games, you're absolutely right.</b>
688. 1:55:51<b>All right, go there. If you haven't joined the AI salon, go</b> <b>check it out. Go to the salon.ai. Click on the first link</b>
689. 1:56:01<b>that says community. That'll take you in there. Go to about</b> <b>the salon, like welcome to the salon, read about what we're</b>
690. 1:56:07<b>up to. If you dig it, join it. It doesn't cost anything $0.</b> <b>All right. And if you dig it and you join it, first place I</b>
691. 1:56:19<b>want you to go is the community section. The first link,</b> <b>introduce yourself and put a good generous introduction to</b>
692. 1:56:26<b>yourself in there. Who you are, what you do. I'm in there.</b> <b>Good. So awesome. You found your tribe.</b>
693. 1:56:36<b>And keep having pie troll your daughter. I think that's</b> <b>hilarious. Someone asked me how my book is going. 3d model,</b>
694. 1:56:44<b>Netflix data, Trisco, I Ching Deck. A human being welcomes you. Joe, that's awesome. Is it worth it's worth signing up for? Oh, great. Thank you, Wind Rider. Good night, Kyle. Good night to you.</b>
695. 1:57:00<b>I don't catch your lives often, but I love it when I catch</b> <b>you. Awesome. Well, I'm here every night. So feel free to</b>
696. 1:57:08<b>jump in anytime. Peace out. Peace out, Steve. Oh, good to see you. Silver Fox. Good to see you. So join this salon. Follow my channel. Follow this channel. I'm like 300 people away from the salon.</b>
697. 1:57:24<b>That's cool. Right? For like an old guy. Come on. An old guy with zero qualifications. So what are your qualifications? I have no qualifications. Right? So follow me. And then I'm going to go to the next one.</b>
698. 1:57:38<b>And then you can subscribe to these lives. If you want to</b> <b>support the channel, you can buy the video series in the</b>
699. 1:57:46<b>corner. You know, you can give gifts and that shit. You can just tap the screen. But more importantly, just show up. Just show up. I'm here seven nights a week. You're like, well, you're not really here seven nights a week.</b>
700. 1:57:49<b>Test me. Thank you, irregulars. Thank you, subscribers. Mobs. Thank you. I almost checked in occasionally tonight. Oh, good. I didn't miss anything. I checked. But we logged out last night. They were going to be here. I'm not sure what I was going to be talking about. But let me know.</b>
701. 1:58:19<b>There was like a whole thing where</b> <b>they were trying to get my attention.</b> <b>They were screaming.</b>
702. 1:58:27<b>All right, Vicky good to see you.</b> <b>Otto, Ashu good to see you.</b> <b>Mr. IT.</b> <b>Fantastic to see you.</b>
703. 1:58:33<b>This woman works.</b> <b>I appreciate you too.</b> <b>Against the norm.</b> <b>Fantastic Apple user.</b>
704. 1:58:40<b>Thanks for being a subscriber.</b> <b>Human being good to see you.</b> <b>Silver Fox.</b> <b>Sherry D.</b> <b>Sherry D.</b>
705. 1:58:47<b>Video Rockstar.</b> <b>Joe Wee.</b> <b>Good to see you sir.</b> <b>Sourcecamp.</b> <b>Papa Mike.</b> <b>Zoe, Leo and co.</b>
706. 1:59:00<b>Emilio's wife on time like three times in a row.</b> <b>I don't know what's going on with her.</b> <b>Wolfman Clint.</b>
707. 1:59:10<b>Everyone irregulars and moths present your animals.</b> <b>Carry on.</b> <b>All right.</b> <b>I'm out.</b> <b>Happy Monday night.</b>
708. 1:59:17<b>I'll see you tomorrow Tuesday.</b> <b>It's not a salon night.</b> <b>So the salon is next week.</b>
709. 1:59:22<b>We have a local meetup here in Denver.</b> <b>Yeah, and that's it.</b> <b>Peace out.</b> <b>Have a good one.</b> <b>See you tomorrow.</b>