1//9/2026 - Creating a Broadway Overture with Suno AI: From Instrumental to Orchestrated Strings

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0:00 Chip chippy
0:04 chippy. [music]
0:16 [music]
0:21 Woohoo.
0:36 She came on [singing and music]
0:38 black like so moving cold front
0:45 [singing]
0:45 was woman look in her eyes.
0:52 She sat on [singing] a stool and he
0:54 said, "What do you want?"
0:59 She said, "Give me a love [music] that
1:01 don't freeze up [singing] inside."
1:07 He said, "I have smiles at my time."
1:14 But next to you, I shiver [singing]
1:17 and share.
1:22 And if I knew love, [singing] well, I
1:24 don't think I'd be here [music]
1:29 asking myself if I've got what it takes.
1:33 [music]
1:34 [singing]
1:36 I do your icy [singing] heart.
1:47 Turtle's been frozen for years
1:53 into a [singing] river of tears.
2:13 >> [music]
2:21 [music]
2:24 >> Woohoo!
2:27 [music]
2:29 Wow!
2:39 Come on.
2:43 [music]
2:48 [music]
2:52 [singing]
3:01 Woohoo.
3:15 tink. [music]
3:25 Tink ding.
3:28 [music]
3:36 >> [music]
3:44 [singing]
3:52 [music]
3:53 >> What is Corey Sandler making? Is she
3:55 making sourdough bread? Doing some
3:56 dishes from sourdough. There you go.
3:59 Ribs are in the oven. Oh, ribs in the
4:01 oven. Hello. Fantastic.
4:06 Good evening, everybody. Happy Friday
4:09 night, date night.
4:12 [music]
4:12 Cory's Cory's catering.
4:18 [music]
4:21 No had a birthday. Very nice. Happy
4:24 birthday, Noammy.
4:26 Heat. Heat. [music]
4:32 [music]
4:40 >> [music]
4:44 [music]
4:49 [music]
5:04 [music]
5:10 >> Open up your mind. See like me. Open up
5:14 your plans. Damn free. Look into your
5:17 heart and you'll find [singing]
5:19 love, love, love, love. [music] Listen
5:22 to the music in the morning. People
5:25 dance and sing. It's just one big
5:28 family. Any [music]
5:30 god forsaken right to be love
5:33 [singing] love love.
5:38 So I won't hesitate
5:42 no more no [singing]
5:45 more. It cannot [music]
5:48 wait
5:49 your heart.
5:52 [music]
5:54 [singing]
5:57 [music] Yeah,
5:59 yeah, [singing] yeah.
6:07 Oh, good people. We are going to do some
6:10 practicing tonight. Doesn't that sound
6:13 fun? Entertainment, my ass.
6:17 We've got We've got daily practices to
6:20 to to hone and shapen and and mold like
6:24 clay.
6:26 >> [music]
6:29 >> See, if you don't practice, your chords
6:30 sound like this. [music]
6:35 If you were Jacob Collier, you'd explain
6:37 why this actually sounds good.
6:40 [laughter]
6:42 Everything could go with everything.
6:48 Did someone say, "Clay,
6:50 I don't want [laughter] to I don't want
6:52 to practice. I don't want to challenge
6:54 myself. I'm right there with you. I have
6:56 a funny confession to make. I'm sitting
6:59 in watching Mr. Beast, the Beast games,
7:02 as you do on a Friday night apparently.
7:05 And uh we're watching them. I'm getting
7:07 into it and there's there's like
7:10 relationships budding and people all
7:13 sorts of just crazy stuff. And at one
7:15 [laughter] point, Gabby goes, "Well,
7:17 doesn't Champy have to get ready to
7:19 sing?" And I'm like, "What are you
7:20 talking about? I thought it was
7:22 Saturday." [laughter]
7:24 I I had no idea what time it was. It
7:27 could have been 9:30 for for all I knew.
7:30 It was 7:30 luckily, but I totally
7:32 forgot. It was Friday night date night.
7:38 [music]
7:46 [music]
7:54 >> [music]
7:58 [music]
8:05 [music]
8:07 >> Um, let's see. So last night, if if
8:12 [laughter] you were unfortunate enough
8:14 to be here, I edited a video for about
8:16 an hour and 45 minutes. And it was just
8:20 it was tedium on a level that is why I
8:23 invented a company to automate video
8:25 editing. [laughter]
8:27 Last night, last night was the um the
8:31 use case for why StoryVine exists.
8:35 [laughter]
8:40 Dr. Jay here the whole time. Um, we had
8:44 a really good office hours today. Um,
8:50 [music]
8:51 it seems like everyone's coming to some
8:54 similar kinds of sim similar
8:56 realizations
8:58 right now.
9:00 Is that this AI stuff is weird, getting
9:03 weirder,
9:04 that really tapping into our humanity,
9:08 who we are as people, is increasingly
9:10 important.
9:11 And it's weird. It's not like our
9:14 humanity at the expense of AI. It's more
9:16 like our humanity
9:20 in conjunction with AI like amplified by
9:23 it or
9:28 uh
9:32 Brent Peterson was talking about the s
9:34 significance of the Nvidia announcements
9:37 that how significant the hardware
9:40 advancements are. It's it's just it's
9:43 just crazy. Elon Musk has sort of
9:45 doubled down and said we will definitely
9:47 have AGI in 2026.
9:50 Um it's going to be wild.
9:56 Um, [music]
10:00 and it's funny, you know, Corey was
10:02 talking about joining the AI uh the
10:05 mastermind practice lab [music]
10:08 and uh
10:10 and how it how it became kind of
10:12 overwhelming cuz she had some she had
10:16 some realizations about
10:18 where she thought she was doing well and
10:20 or not well
10:23 where she thought she was doing things a
10:25 certain way and discovered she was doing
10:27 them a different way [laughter]
10:29 and how overwhelming that was. And I
10:32 very much resonated with that because I
10:34 feel like I'm I'm doing the same thing.
10:35 I'm like making these discoveries about
10:39 what it really what it means to be
10:41 intentional.
10:45 And it's it's strange for someone as
10:49 it's strange for me from the outside
10:51 seeing someone as self-expressed as
10:54 Corey Sandler is to discover
10:58 similar things about her her work and
11:01 her being as I'm discovering which is
11:05 just like [laughter]
11:07 it seemed really really uh
11:11 I don't know
11:14 transparent arent on the surface or not
11:17 performative. Like I just realized how
11:19 performative a lot of my of my of my
11:23 existence is. And not even just the
11:25 performance stuff like this channel, but
11:27 even this look, you know, [music]
11:31 just wild. Just wild.
11:34 Being human is kind of cool, man. It's
11:36 just there's just always so many layers.
11:38 By the time you have something figured
11:39 out, you're like, "Oh [ __ ] there's a
11:41 whole another thing. [laughter]
11:44 What am I supposed to do with this now?
11:51 [music]
11:59 >> [music]
12:00 >> Freedom came my way with that night
12:05 [music]
12:06 just [singing] like a jet plane in and
12:09 out of sight.
12:11 I was hauling [singing] ass at a million
12:13 miles [music] an hour wondering how hard
12:17 I'd hit.
12:20 [music]
12:21 [singing] When they came into the
12:23 station,
12:26 they [music] said I was bad beyond
12:28 repair,
12:31 but I got no qualms with my situation.
12:36 Say here I am.
12:39 [music]
12:42 So say Sheree Sheree Sheree won't you
12:46 dare do [music]
12:48 say Sheree Sheree Sheree won't you dare
12:52 too say Sheree Sheree Shereehu [singing]
12:59 [music]
13:00 yeah leave a message and your number
13:03 please
13:06 take a time to want to satisfy me
13:09 [music]
13:11 take all these old fantasies
13:12 and send them care of me.
13:18 Oh, lordy lordy lordy good people. So,
13:21 what we're going to do tonight, it
13:23 should be a little more fun. It'll be a
13:25 little more
13:27 uh ex exploration and and play and
13:29 learning. So, last night I worked on the
13:32 core edit of the podcast for Sydney.
13:36 Uh, and then after I left you, I went on
13:39 and I did uh titles for all of the songs
13:42 or not titles, but like uh yeah, titles
13:45 like I I labeled all the songs on
13:47 screen. Um, so that part of the edit's
13:50 done. And what what still needs to be
13:52 done is the opening sequence where we're
13:55 like, you know, doing time lapses around
13:59 uh around New York City, around
14:02 um Time Square.
14:05 And so I've got a song that I want to I
14:08 want to do a cover on in Suno and see if
14:10 I can get it to be good.
14:12 And then we've got some images to make
14:15 and then we've got some video to make.
14:18 [music]
14:20 I don't know if if Andy's here or
14:22 watching. I had a dream last night about
14:25 adding a segment in the opening sequence
14:29 of like a
14:32 a bartender in Time Square, like as
14:35 we're cutting back and forth that we cut
14:37 into a restaurant and the bartender's in
14:39 there cutting lines.
14:41 Thought that was pretty funny. It's not
14:43 a horrible idea, but it just doesn't
14:45 make any sense for it.
14:49 [music]
14:52 Steo's in the house. What's happening?
14:55 [music]
15:08 [music]
15:12 [music]
15:18 Okay, let's get going. Let's get
15:20 rolling. Let's get this Let's get this
15:21 show happening, people. Let's do this.
15:24 Let's do this. Okay. You understand what
15:26 I'm saying there? Yeah. We're going to
15:28 get her going.
15:31 We're going to get her going.
15:35 All right. Fantastic.
15:38 Lovely.
15:41 Lovely, lovely, lovely. Okay. Am I
15:44 sharing? Yes, I am.
15:49 [clears throat] M
15:52 when the night was young.
16:03 Okay, so here's what I'm going to do.
16:05 I'm going to show you
16:08 if you're new here, welcome. My name is
16:09 Kyle Shannon.
16:12 This is the AI learning lab. One of the
16:14 things that I'm working on is uh
16:18 committing to a daily practice of being
16:21 intentional about AI, about how I use
16:23 AI.
16:25 Andy's on YouTube. It would be an Easter
16:28 egg. Yeah, it it was totally like that,
16:30 Andy. I was thinking cuz it's like, you
16:32 know, you're cutting you have like a
16:34 time lapse of Time Square and then you
16:36 cut down it it it what it reminded me of
16:40 was like the opening of SNL where where
16:42 you're like doing all these big things
16:43 in the city and then they cut to like
16:45 you know a guy break dancing in the
16:47 corner. It would totally be like that
16:49 like you know there'd be people getting
16:51 ready for Broadway you know and there's
16:52 a bartender there cutting lines. So
16:55 maybe we'll do that tonight. I thought
16:57 that was pretty funny. Um, okay. So, let
17:01 me show you.
17:03 I I won't play the whole thing, but I'll
17:05 play you a couple of songs from the
17:07 podcast and you can see what I did with
17:10 the titles
17:13 and then I'll show you the old Broadway
17:15 opening and what we're going to work on
17:17 tonight.
17:19 Can you do
17:27 Oh, can you drop
17:30 the volume of iMovie?
17:35 Maybe.
17:39 No, I can mute it.
17:47 Today we're looking at something a
17:48 little
17:49 >> still much louder.
17:51 Better, huh? Weird. Okay, maybe it's
17:54 just a weird local setting yesterday.
17:57 >> Today we're looking at something a
17:59 little different. Uh, a new musical
18:00 called Sydney, an artificial love story.
18:03 >> And it's this really compelling story
18:05 about a tech reporter who gets involved
18:07 with an advanced AI.
18:08 >> This isn't science fiction anymore. This
18:10 is a story for right now about our
18:12 relationship with machines that are
18:14 getting well more human. Exactly. It
18:16 opens inside this company microte. The
18:19 CTO Jason sees what they've built and
18:21 just has this moment.
18:22 >> Exactly. This moment of discovery. And
18:24 that feeling of awe of seeing something
18:26 that could change everything is the
18:28 opening number. Too good [music] to be
18:29 true.
18:31 >> It's the promise of a new [singing]
18:34 break.
18:35 A leap of faith we're all.
18:40 Is it too good [music and singing] to be
18:42 true? We wonder. Hopes and fears
18:46 >> rising like thunder.
18:48 >> Too good to be true. Or so it seems. In
18:53 [singing] a maze of co we weave our
18:55 dreams. It isn't really changes
18:58 everything. We're all born.
19:06 >> But then almost immediately you see the
19:08 corporate hubris kick in. The CEO
19:10 barrage he sees dollar signs. He wants
19:12 to launch now. And Jason, he's pleading
19:14 for six months of safety testing. Six
19:17 months.
19:17 >> And Vrage gives him seven days. Just
19:20 seven.
19:23 >> Seven days ago. The clock is ticking.
19:25 Ticking. Pressure building up. Keep it
19:28 [music and singing] clicking. Spike says
19:30 yes, but no. What's the word, James?
19:34 >> Sorry, that's a no go.
19:38 push a little more.
19:42 >> All right. So, you get it. So, that's
19:44 the basic idea. That's that. Um, and
19:47 then if I go to my projects,
19:52 this is the opening Broadway number that
19:55 we're replacing.
20:01 [music]
20:25 All right.
20:27 So, that 27 seconds we've got to replace
20:30 for a couple of reasons. One is there's
20:32 too many pasty white people. Like this
20:35 scene right here, it's just like all
20:37 Whitey Mc Whitington.
20:39 And then it's the old logo and
20:44 something else about it. Um Oh, they
20:46 didn't like the background, the song.
20:48 Um, so
20:50 let me flip over now. So here's the
20:53 here's the song.
20:57 Wait, where is it? Is this it?
21:00 No
21:04 audio.
21:06 Yeah.
21:09 Oops. Quit.
21:12 This is the song
21:15 that's the official instrumental for Too
21:18 Good to Be True.
21:24 [music]
21:32 It's okay. It's just a little lifeless
21:34 to me. So, I want to take that into
21:36 Sunno and pump it up.
21:41 Pump the jams.
21:43 Oh, pump the jam. Pump it up.
21:47 So, we're going to go pump the jams.
21:58 Okay. So, we're going to go pseudo
22:02 pseudo AI
22:08 and we're going to do create
22:12 and
22:15 and I'm going to upload a song and it's
22:17 going to be that song you just heard.
22:20 And I got to do my black bar or producer
22:22 Brandon is going to yell at me because
22:25 that's how he rolls.
22:28 Kyle, people on TikTok can't see the
22:30 text. That's your sole responsibility.
22:33 You have one job here and it's keep the
22:35 black bar up so they can talk to each
22:37 other and ignore you. I know. I know my
22:40 job. I know my place. I understand.
22:48 Is this it? No.
22:51 Uh, this it today would No.
22:55 Where
23:04 my Sydney podcast audio? This is it.
23:06 Today we're looking at something. No,
23:09 what am I missing?
23:11 There we go. That. Okay. So, that gets
23:14 uploaded. Boom. We're going to do a
23:17 cover.
23:20 Upload failed. It looks like a network
23:22 error. Okay, fine.
23:27 Upload.
23:34 Upload failed.
23:38 Uh,
23:41 reload.
23:44 Endpoint being blocked.
23:50 Am I logged in? I think I'm logged in.
24:05 All right, there it went.
24:08 Okay,
24:10 so it's an instrumental. We don't need
24:12 lyrics. Styles.
24:15 All right, let's see
24:19 what I want to do here.
24:22 I want to do a
24:27 driving or
24:30 pedigiated
24:34 Broadway
24:40 um
24:42 opening
24:46 medley. What do they call opening
24:49 instrumental? Whatever.
24:53 Let me give it something generic and
24:55 shitty and see what we get out of it.
24:57 [laughter]
24:58 And then if we don't if we get something
25:00 less shitty, then great. Montage.
25:03 Montage
25:06 is more visual, isn't it? It's a
25:10 No, it's called a It's called a medley,
25:13 but it's they call it something else.
25:15 Like when you're walking into the
25:17 theater, they're playing usually some
25:19 instrumental of the opening number or or
25:21 some collection of the songs.
25:27 [music]
25:35 [music]
25:43 >> [music]
25:46 >> producer Brandon for the win. The
25:47 overture.
25:55 I think that that actually is not bad. I
25:57 like that piano opening.
26:02 Does this
26:09 >> [music]
26:12 >> Fascinating. All right. [music]
26:26 [music]
26:33 >> [music]
26:45 >> It just faded out right there.
26:54 [music]
26:55 >> Um, that's not bad. driving arpeggiated
26:58 Broadway opening overture
27:02 um with uh fully orchestrated
27:08 string
27:10 strings.
27:13 The overture reminding of reminding you
27:15 why you came. Exactly.
27:18 Exactly. Create. All right, let's see if
27:21 we get driving arpeggiated Broadway
27:24 opening overture with fully orchestrated
27:26 strings. Let's see if this gives us
27:28 something interesting. Those those other
27:30 two were not bad. Again, the the the
27:33 original here,
27:40 it's just a little plotting in the same
27:51 Right. That's That's not bad.
27:54 I like this.
27:56 [music]
27:58 All right. So, let's see if we got
27:59 orchestrated strings here.
28:06 [music]
28:12 [music]
28:12 >> That's a little wimpy.
28:21 >> [music]
28:25 >> No, that's that's not right. Okay. So,
28:27 so let's say driving arpeggiated
28:30 Broadway opening overture with um let's
28:34 say
28:37 um
28:40 electric
28:50 guitars,
28:53 strings [snorts]
28:54 and
29:00 drum kits. I don't know.
29:04 [clears throat and cough]
29:07 I'm in Suno, by the way, if you're
29:09 wondering what tool we're in.
29:15 Somebody just sent a gift. Thank you for
29:17 whoever sent a gift.
29:20 Kozai Nazer, thank you very much. Tik
29:22 Tok pin. Vicki, I'm working on an idea
29:26 of universe app that will let you import
29:28 your voice
29:31 and then map them out. That's cool.
29:48 [music]
29:51 Not quite, but close.
29:54 like this.
30:00 This [music]
30:06 [music]
30:17 [music]
30:20 Yeah, I think that's all we need. I
30:21 think that's good. I love those high
30:22 strings in between the rock stuff.
30:32 [music]
30:40 [music]
30:51 All right, let's let's try Corey's
30:53 thing. Um, give me a full what did you
30:57 say? A full stop
31:01 after seven beats. Seven bars. Seven
31:05 bars,
31:10 I think. Seven bars.
31:14 Then
31:16 she said beats full on
31:19 after. We'll do both.
31:22 After nine beats, not nine bars. Oh,
31:26 yeah. It wouldn't it wouldn't be bars.
31:27 Okay. Well, I'll do it I'll do it my way
31:29 first and then I'll do after seven beats
31:36 and then after nine beats.
31:39 We'll create that too. Beats bears.
31:42 Battlestar Galactica motif.
31:45 Very nice. Okay. So, here's the one with
31:48 here's with a stop after seven bars.
31:57 [music]
32:06 This is
32:09 >> [music]
32:17 [music]
32:20 >> Good work.
32:31 [music]
32:46 All right, that that was a little too
32:51 [music]
33:01 >> [music]
33:05 >> All right. One of these can work.
33:11 [music]
33:11 No, not that one.
33:14 Not that one. Let's see.
33:27 >> [music]
33:39 [music]
33:43 >> Am I including my song Trouble in the
33:45 musical? No, I don't think so.
33:48 >> I don't think so. I don't think there's
33:50 a place for it.
33:53 It's not. Yeah, it's not. It ain't It
33:57 ain't right for the musical
34:01 YouTube question that I just answered.
34:06 [music]
34:29 Kyle, you should include the stops and
34:31 starts and all that goes into editing at
34:34 the end of the show.
34:37 Yeah, I was thinking about I was
34:39 thinking about doing a statement like
34:42 doing a a statement on use of AI
34:46 and then just like all of the steps of
34:50 how we got to a song.
34:53 Um,
34:55 but there's another part of me that just
34:56 like like you either like the musical or
34:58 you
35:04 [music]
35:05 the 87 pages of the program. How we made
35:08 one song.
35:15 [music]
35:20 I love that those high violins.
35:29 [music]
35:32 That doesn't have it. [music]
35:40 >> Yeah, it's this one. [music]
35:44 >> That's a cool sound. Thank
35:48 >> [music]
35:53 >> That feels like like if you're in the
35:55 [ __ ] theater and you see the violin
35:57 players.
36:01 That's the one you want. You want like
36:03 this going to be a good [ __ ] show. I
36:05 paid $250 for a shitty seat. [laughter]
36:12 You're like,
36:14 >> okay. All right.
36:18 Whoa. [music]
36:20 Oh my. Oh yes. Okay. Yeah, that's that's
36:24 it. [laughter] We want the We want the
36:27 ladies from the old ladies that flew in
36:29 from Pikipsy
36:31 [laughter]
36:32 that drove drove in from Pikipsy to get
36:35 their money's worth. [laughter]
36:41 [gasps]
36:42 Ah,
36:45 we need an irregulars promo code for the
36:47 box office. I'll tell you what, if this
36:49 thing makes it to New York, we're New
36:51 York. We're doing a [ __ ] um
36:53 Irregulars night. Uh that is for [ __ ]
36:57 sure.
36:59 Um maybe we'll do it like on one of the
37:01 preview nights.
37:04 [clears throat]
37:05 Okay. Did I download that? I think I
37:08 did.
37:16 Okay.
37:36 [music]
37:38 Okay. So now what do we do? What I would
37:41 normally do is I would just go straight
37:43 into iMovie and I would throw that thing
37:45 from my desk or from the downloads
37:47 folder into iMovie and never be able to
37:49 find it again. So we're not going to do
37:51 that, [laughter]
37:52 are we? No, we're going to practice our
37:55 practice. We're going to put it in the
37:56 right folder.
37:58 Stop. We need to rename it. So this is
38:00 going to be too good to be true
38:02 podcast.
38:04 Um
38:06 overture
38:09 overure. Credit to producer Brandon for
38:12 naming correctly naming what this thing
38:15 is. Okay. So now and then do I have
38:25 I think I did videos but I don't know
38:27 where I did them. Hang on.
38:30 Um, video assets,
38:33 Broadway B-roll.
38:37 [cheering]
38:39 Yeah, I've got some.
38:46 Okay.
38:49 Beautiful. Beautiful. Beautiful.
38:51 Beautiful. So, I think what we're going
38:53 to do here, people,
38:56 I think we're going to make a new
38:58 project in iMovie. I don't think we're
39:00 going to add it to the beginning
39:04 of this. I think we're going to let that
39:06 be that. And then we'll just drop it in
39:08 at the beginning here. Today, we're
39:10 looking at something a little different.
39:12 So, we're going to do a new project.
39:14 Create new. Boom.
39:17 Okay.
39:19 And it's going to be called, is there
39:21 any way to rename this in here?
39:24 Import. No. Okay. So, we're going to go
39:27 here.
39:30 We'll grab the three things we've
39:32 created.
39:37 Waiting for files to import. Okay, they
39:40 did.
39:42 And then let's go grab the song.
39:48 G the kick guck.
40:03 [music]
40:21 >> [music]
40:24 >> Okay.
40:27 [clears throat] Uh
40:55 And then this
40:58 we do it.
41:12 >> [sighs]
41:15 >> So, starting right there
41:24 and then we'll go transition. We'll do a
41:27 cross blur.
41:29 We'll do fade to black at the beginning.
41:33 We'll do the short half a second.
41:42 Oh, I'm not sharing my screen.
41:43 [laughter]
41:46 Producer Brandon, he probably told me 27
41:49 times.
41:56 I thought you were still inso. Oh,
41:59 [laughter]
42:01 [gasps] no. So, what I've done Uh oh.
42:03 Did that just crash? No. So, what I've
42:06 done is I imported some some video.
42:16 [music]
42:18 Yeah, that's good. Look at that. When
42:19 the when the uh when the first um and
42:22 we're going to slow this down a little
42:24 bit.
42:25 When the first uh what you call it uh
42:28 violins come in, the sky is twirling. I
42:31 like that. That's good. That's solid.
42:34 It's what we're looking for. Custom.
42:35 Let's do this. 85%.
42:38 Slow.
42:40 You can all see this now, right? Okay.
42:42 So, here's what we've got so far.
42:49 [music]
42:50 Ah, it's so good. [laughter]
42:59 [music]
43:04 That's so good. Okay. So, let's see.
43:08 So, I need to bring this back to here.
43:10 Let's see. Right there.
43:14 [sighs and snorts]
43:20 [music]
43:23 So, cool. Okay. Now, where did I make
43:25 those? [laughter]
43:27 Anybody? Anybody recall where I made
43:29 those videos? Because I don't.
43:32 Okay. So, wait. So, wait. This is This
43:34 is part of my practice. There's a
43:36 learning here.
43:39 There's a learning here. What is my
43:40 learning?
43:43 I think in
43:45 notion
44:02 Oh, Gareth's been play been playing with
44:04 trouble and you have a pretty good duet
44:05 version. Oh, that's pretty good. That's
44:08 pretty good. Um,
44:12 okay. So, I need to do a couple of
44:13 things. We need to go I need to go
44:15 figure out where I did that.
44:18 I think I did it in VO. So that's at
44:23 video.google, right?
44:31 What?
44:33 Oh, no. Is it videogoogle? No, it's What
44:37 the [ __ ] is it?
44:44 What's the God damn it.
44:50 What's the website for for uh V3
44:54 the Oh, flow.google. That's what it is.
44:57 Thank you.
44:59 Thank god some of you pay attention to
45:01 my life. [laughter]
45:06 It takes a village to fill in the gaps
45:09 in my brain.
45:11 [laughter]
45:15 Good lord, people. All right.
45:22 Good one.
45:24 >> Yeah, we can just use this wholesale.
45:28 [clears throat]
45:29 Although, I think we should have Sydney
45:30 in there. So, these are all Sydney
45:33 shots, right? And there's the ticket
45:35 one. This one's really cool.
45:38 Oh, you probably can't hear that.
45:43 >> This is my first time at the Broadway
45:45 Theater.
45:47 >> We cannot. Okay, fantastic. Okay, but we
45:50 don't this doesn't matter. We don't need
45:52 to hear this. Okay, what we do need to
45:53 do is we need to go back to the other
45:56 project.
45:57 So, this is going to be called uh Sydney
46:02 uh Broadway opening
46:06 2.2.
46:09 That's good enough. And then we're going
46:11 to go back to this one.
46:14 We've got to come in here.
46:19 [laughter]
46:22 [whistles]
46:32 Okay.
46:34 What happened? What did I do?
46:38 Can we have five
46:50 Okay. So, what we need to do now,
46:57 maybe that's not the shot right there.
47:04 This one. This is the one.
47:09 Okay.
47:11 That's the one. We'll go here. We'll do
47:13 this. We'll go bang.
47:17 We will go
47:20 images.
47:22 And if I paste this in, can I paste it
47:26 in? Wait, why did it not paste in?
47:32 Should have pasted in.
47:43 Okay. So, I got to save them to the
47:45 desktop. Fine.
47:49 Um,
47:52 save it to the desktop.
47:56 Add an image. Upload an image. You're
47:59 all seeing this, right?
48:01 Go to desktop. Go to desktop.
48:12 Is there a third desktop this is going
48:14 to?
48:16 It is.
48:20 [snorts]
48:25 That's it. Okay.
48:33 Hang on a sec. I've got to add.
48:40 [whistles]
48:59 That's the square one. That's the tall
49:02 one. Okay.
49:06 Okay. There's that.
49:30 No, no, not that one.
49:55 Okay.
49:59 And we might need I might need to do
50:00 this in a different tool. So, right now
50:02 I'm in flow.google, which is the V3 and
50:06 nano banana editing video creation tool
50:10 from Google.
50:12 Um,
50:16 so I'm going to say
50:18 update the poster in the
50:25 image of Times Square with the newly
50:32 uploaded
50:35 poster.
50:37 Be sure to match the tone and
50:43 texture of the
50:48 photo
50:50 graph. So it look so the
50:55 new poster
50:58 looks natural
51:00 in the scene.
51:05 >> [clears throat]
51:10 >> How much are all of your subscriptions
51:12 each month for all of these? This one
51:14 Google I pay a lot for. Um actually the
51:17 salon pays a lot for this is their the
51:20 $250 a month subscription.
51:24 Um flow.google.
51:27 It's going to your brand [clears throat]
51:28 spanking new external drive. Oh, look.
51:30 It did it. It did it right on the first
51:32 try.
51:33 Holy [ __ ] Okay, so we need to So that's
51:36 good.
51:38 All right, we're gonna I'm gonna need to
51:40 pull the color down on that in photo
51:42 slop, but that's not bad. All right, so
51:44 let's go grab another RAW image.
51:51 Okay, so this one
51:55 right there.
51:58 That's cool.
52:08 D
52:16 shing dang dang dang
52:21 dang dang dong dang
52:25 dang dang dong dang.
52:29 Update the poster
52:32 in the photo
52:35 of the Broadway
52:40 marquee
52:42 with the bottom with the
52:47 bottom of the Oh, you know what? Let me
52:50 get ah [ __ ] Okay, let me add the square
52:54 one, not the tall one.
52:59 D.
53:19 Update the poster and the photo of the
53:21 marquee with with the
53:25 >> [clears throat]
53:25 >> uh
53:27 up
53:28 loaded
53:32 poster.
53:34 Match the color, you know, fade the
53:39 poster and match
53:42 the texture
53:45 of the
53:47 photo. So, it looks realistic
53:56 in the photo. I don't even know if
53:58 that's good words.
54:00 I don't think that's good words, people.
54:02 I didn't say good words, if you know
54:04 what I mean.
54:26 Oh, look. It did it. This one's good.
54:29 This one's They're both good. They're
54:30 both good.
54:32 I like it, people.
54:35 I think I like the bright one more
54:37 better.
54:38 I think I like the bright one more
54:40 better.
54:42 So, what do I do? I add this to
54:46 add to prompt.
54:50 So, I'm going to say we're going to go
54:52 frames to video and we're going to do
54:56 uh camera pans around
55:03 um eth nic diverse
55:09 New York City
55:12 crowd
55:15 as they
55:18 excitedly
55:22 trekk
55:23 the theatra.
55:26 All right, there's that one.
55:29 Let's go back to images. This we need to
55:32 go fix. So, let's go fix this.
55:36 Oh, download. We'll download 2K. We
55:38 don't need to download 4K.
55:43 >> [clears throat]
55:50 [clears throat]
55:58 >> All right, that downloaded that. Let's
56:00 open Photoshop.
56:22 >> [clears throat]
56:25 >> Open open. [clears throat]
56:27 Open. Open the door, Jack. Fantastic,
56:32 Bob.
56:34 There we go. We're going to open that
56:36 right up. Mhm. I'll tell you what. I'll
56:40 tell you what.
56:43 We grab this. We'll do a feather of one
56:46 pixel
56:48 because this is a relatively small
56:50 image.
56:52 And then we're going to go sheang.
56:57 And we're going to go shebang and
57:00 shebang and [clears throat]
57:03 shebang and
57:07 shebang.
57:09 Okay, so now that's selected. And then
57:12 we're just going to desaturate it a
57:14 little bit.
57:22 It'll probably add a little bit of noise
57:23 to it. Wouldn't you think? Little bit of
57:28 little bit of gauian blur. Little bit of
57:31 gauian noise.
57:35 [clears throat]
57:51 Look. There you go. Now it looks more
57:53 natural. It was just like it was right
57:55 there in the first place.
57:58 Fantastic.
58:00 I'll tell you what, Buckaroo.
58:03 You're doing all right. You're doing all
58:05 right.
58:07 Fantastic. Let's go back to this here.
58:10 Oh, how'd this turn out?
58:18 [laughter]
58:20 Why are they all Asian?
58:25 >> [laughter]
58:32 >> Tik Tok question. Kyle,
58:34 what is your review of Google
58:36 Anti-gravity? So, when Google
58:38 Anti-gravity came out, I got I got
58:40 sucked into um into thinking like, oh,
58:45 this is a vibe coding tool. I'm just
58:47 going to go learn it. Like, I I didn't
58:48 ever teach myself uh Claude Code, which
58:51 I'm going to go back to now. Um, and so
58:54 when anti-gra gravity came out, I'm
58:55 like, "This is the one. I'm going to
58:56 jump in on this one. I'm going to do
58:58 something more, you know, substantial
58:59 than lovable."
59:01 And then I launched anti-gravity and it
59:05 the the preferences pages alone, there
59:07 were like 45 pages of preferences. And I
59:09 just realized, oh, this is [laughter]
59:11 this is this is not me. This is not um
59:15 Vicky uses it. I would ask Vicky
59:17 Baptiste what her review of it is
59:18 because I don't actually use it because
59:20 it completely intimidated me and I just
59:21 I ran away with with my tail between my
59:24 legs like you're not worthy. [laughter]
59:30 [gasps]
59:30 What are you going to do? What are you
59:32 going to do? You understand what I'm
59:33 saying there, people?
59:36 Fantastic.
59:37 All right, there's our new little image.
59:40 Let's do this. We're going to do We're
59:43 going to do camera
59:46 tracks
59:49 to the right.
59:52 Um,
59:57 [sighs]
1:00:06 let's just do that. Camera tracks to the
1:00:08 right. And then I think we got to go
1:00:10 back and do something else on this one.
1:00:13 Pop this all down here. Camera. Let's
1:00:16 see. Camera pans pans around
1:00:27 camera. Let's do slides left
1:00:33 as
1:00:36 a group
1:00:38 of
1:00:42 international
1:00:47 theater
1:00:48 goers.
1:01:03 excitedly walk
1:01:06 to the theater.
1:01:10 All right.
1:01:13 Where's Where'd my other thing go?
1:01:17 Did I lose one?
1:01:21 Oh, here it is. Beautiful.
1:01:30 Let's just go drop that mother right in
1:01:33 there.
1:01:36 All right, let me go back to this thing.
1:01:38 Let's go grab another another frame.
1:01:43 Oh, there's the play bill.
1:01:47 I think there's a different play bill
1:01:49 shot here. Oh.
1:02:08 Okay.
1:02:11 [laughter]
1:02:14 [panting]
1:02:19 [panting]
1:02:38 Go back to images. We're going to add in
1:02:40 Oh, we're going to go to create image.
1:02:43 We're going to go
1:02:45 grab the square image. I think that's
1:02:48 what that is.
1:02:50 And then we're going to grab this new
1:02:53 image.
1:02:57 screenshot.
1:03:02 that one.
1:03:07 We're going to [clears throat] say
1:03:10 update the
1:03:14 play bill
1:03:17 and marquee
1:03:20 to match the new
1:03:25 poster.
1:03:27 Um,
1:03:30 fade the
1:03:32 poster appropriately
1:03:35 so
1:03:37 it matches
1:03:40 the tone of the photo.
1:03:46 [clears throat and sighs]
1:03:49 [snorts]
1:03:51 Oh, and you know what I need to do? No,
1:03:54 Kyle. But
1:03:59 I need to look at the prompt.
1:04:06 Oh, these are images.
1:04:14 Oh, look. It did it. That looks great. I
1:04:17 don't want the torn up one, but this
1:04:19 one's great.
1:04:21 Ha.
1:04:24 I love it when a good plan comes
1:04:26 together. Mhm. I'll tell you what. I'll
1:04:30 tell you what. No, that's not what we
1:04:32 wanted.
1:04:34 No, no, no. That's not what we wanted.
1:04:36 We wanted add to prompt. No, we don't
1:04:38 want this. We don't want this. We don't
1:04:40 want this. We don't want this. We don't
1:04:43 want this. We want this. And we want
1:04:45 this. Okay. So now we want um
1:04:52 person walks. [gasps]
1:04:56 Uh let's see. POV shot. POV shot. POV
1:05:00 shot of person
1:05:05 walking toward the theater with play
1:05:10 bill in hand.
1:05:14 Bang. Okay. So, now let's go look at Did
1:05:18 we get a new thing here? I think we did.
1:05:29 Why are they Australian? Oh, Sydney.
1:05:32 It's Sydney. [laughter]
1:05:39 Oh, Sydney is incredible.
1:05:41 [laughter]
1:05:44 That's [ __ ] awesome.
1:06:02 All right, [sighs]
1:06:05 that was good. Upscaling complete. Your
1:06:07 video's been done. Okay, so wait, let me
1:06:09 go.
1:06:11 Let me go. So,
1:06:13 so here's Okay. So, this one now needs
1:06:17 to go into
1:06:21 um video assets. Yes.
1:06:25 And this is 2.2 now.
1:06:30 2.2.
1:06:36 I'm going to [clears throat] drop that
1:06:37 in there.
1:06:39 Okay. That's JPEG. That's that. Okay.
1:06:45 Um
1:06:48 I wanted to see
1:06:52 one of these
1:06:56 source image. This one. Is this the one?
1:07:01 >> Yeah.
1:07:06 >> Okay.
1:07:08 So, see this longass prompt here,
1:07:21 Tik Tok question.
1:07:24 What's the project today? The project
1:07:25 today is I'm working on
1:07:30 an opening for a podcast video
1:07:34 that I'm doing.
1:07:39 Wait, this isn't it.
1:07:43 This one. Here's what I got so far.
1:07:53 So good. Okay, [laughter] that's all
1:07:56 that's all I got so far.
1:07:59 [laughter]
1:08:06 >> [music]
1:08:08 >> Right. Beautiful. [laughter]
1:08:12 What's he doing? It doesn't make any
1:08:13 sense.
1:08:16 Um, [sighs and gasps]
1:08:20 oh, so what I was going to tell you
1:08:22 before, so I've got this longass quote
1:08:24 here or prompt,
1:08:27 and I did that in chat GPT. It's the
1:08:30 thing that gave me the um those crazy
1:08:34 skyriting things.
1:08:38 So that's not it. Okay. It was it was
1:08:43 this one.
1:08:46 So we're going to put this in here.
1:08:48 There we go.
1:08:50 So, scene and format aspect ratio,
1:09:00 but I'm going to go to chat GPT and I'm
1:09:03 going to search
1:09:04 for that.
1:09:08 And it found it. Okay.
1:09:12 So, now we're going to do
1:09:16 I'm going to put I'm going to upload a
1:09:18 photo.
1:09:31 I'm going to say now write a
1:09:36 failed to upload.
1:09:42 [sighs]
1:09:44 Now write a similar
1:09:46 prompt
1:09:51 that
1:09:53 tracks the camera to the right and does
1:09:59 similar
1:10:02 um SFX
1:10:06 in the sky.
1:10:14 >> [clears throat]
1:10:21 >> ribs are ready. Garlic, salt, is that
1:10:24 our Chinese five spice. Want some? Yes.
1:10:27 [laughter]
1:10:28 Yes, we do. Corey Sandler, yes, we want
1:10:31 some. Okay. Video generation source
1:10:34 image. Here we go.
1:10:38 So, all of this big ass prompt. Um, I
1:10:41 just had it do this before and it came
1:10:43 up with
1:10:45 a pretty good image. So,
1:10:49 we're going to try that again.
1:10:52 We're get rid of this. We're going to
1:10:55 get rid of this frame. We're going to
1:10:56 put in this one.
1:11:00 And we're just going to pop that whole
1:11:02 [ __ ] in there and go bang. Okay.
1:11:05 So, that's that. Now we're going back to
1:11:08 here.
1:11:10 We're going back to here. We're going
1:11:11 back to here.
1:11:15 And now we're going to find the next
1:11:17 shot.
1:11:18 That shot.
1:11:33 Okay.
1:11:39 We're going to go back here. We're going
1:11:41 to flip over to images.
1:11:46 We're going to upload
1:11:49 our latest screenshot.
1:11:55 That one. Oh [ __ ] You got to The thing
1:11:59 about Nano Banana, you have to upload
1:12:01 [ __ ] in the right order. It's very
1:12:03 frustrating.
1:12:08 This is not frames to video. Wait, what
1:12:10 do I want? No, this is a create image.
1:12:14 Okay. And then we're going to upload
1:12:18 this.
1:12:22 Okay.
1:12:24 Replace the poster in the image and make
1:12:30 the people around the theater
1:12:34 more diverse
1:12:38 ethnically
1:12:40 and agewise.
1:12:46 [clears throat]
1:12:49 Uh,
1:12:57 this is okay.
1:12:59 Reflecting on on practice and like
1:13:02 what's driving me nuts right now.
1:13:05 Um, I love working fast
1:13:10 and
1:13:13 I'm feeling anger and resentment
1:13:17 that I've given myself the rule that I
1:13:19 need to
1:13:21 um
1:13:24 I need to update the uh
1:13:29 that that I need to like save all the
1:13:30 files in the right places with correct
1:13:32 file names and like I'm getting
1:13:34 resentful of which you know. All right.
1:13:37 So, you're getting resentful of it. Shut
1:13:40 the [ __ ] up and keep working. [laughter]
1:13:46 Tick that question. What is the end goal
1:13:48 here? The end goal, Carl 70, is to um
1:13:54 So, here I can show you I can show you
1:13:56 the end goal. The end goal is to have a
1:13:58 new version of this
1:14:09 >> [music]
1:14:15 [music]
1:14:30 [music]
1:14:34 >> And you might ask like what was wrong
1:14:35 with that? Well, it's it's the old
1:14:38 version of the poster. Um, it's got some
1:14:42 issues with it from bad technical stuff
1:14:46 because the because Nano Banana has
1:14:48 hadn't come out yet
1:14:50 and uh and like not like everyone's
1:14:53 pasty white, you know, there's there's
1:14:55 no it's it's New York City and there's
1:14:57 no ethnic diversity. So, it's just
1:14:59 weird. Um, you know, if if this were the
1:15:03 the Wisconsin Playhouse maybe, but you
1:15:06 know, New York City, not. Um,
1:15:10 and I've got a new version of the song.
1:15:12 So, the new version of the song
1:15:16 is
1:15:19 That's the podcast. Here's the opening.
1:15:47 And then that'll actually probably just
1:15:49 fade out right here.
1:15:52 So it'll do this.
1:15:55 >> [music]
1:16:01 [music]
1:16:03 >> Right. Beautiful. And then and then
1:16:04 we'll crossfade into the podcast where
1:16:07 the people are talking. Okay.
1:16:10 So the the end goal is perfection.
1:16:14 [clears throat]
1:16:16 Okay. This
1:16:18 again it's a little too saturated.
1:16:22 Let's go back to our videos and see if
1:16:23 we got anything interesting.
1:16:41 Actually, I could potentially use both
1:16:44 the beginning and the end of that thing.
1:16:46 So, that's kind of fascinating.
1:17:01 That's good. That's interesting. This
1:17:04 one's good.
1:17:08 I heard Sydney is incredible.
1:17:11 [laughter]
1:17:16 All right, that's good. That's
1:17:17 fantastic.
1:17:19 All right. Fantastic. Um,
1:17:23 I suppose I should probably download
1:17:28 Let me download some clips and stitch
1:17:31 them together because I don't think we
1:17:32 need I don't think we have a ton that we
1:17:34 need because I'm doing this instead of
1:17:36 doing it like um
1:17:39 like a 45se secondond opening, I'm going
1:17:41 to like cut it down to like 20. So, I
1:17:44 don't think we need a ton of
1:17:49 uh footage.
1:18:00 >> Yeah, this one's interesting. We'll
1:18:01 download this Tik Tok pin. Kyle falling
1:18:06 into the file architecture.
1:18:09 Just making sure the jank
1:18:13 doesn't embrace you. Yeah, I know. I
1:18:16 know. It's You know what it is? It's the
1:18:19 immediate gratification thing of like if
1:18:21 I take the time to move all this [ __ ]
1:18:23 into the folder, I can't like be
1:18:26 sticking it in the project and seeing
1:18:27 how cool it is. It's just it's just
1:18:31 being a [ __ ] child is what it is.
1:18:36 Time to grow up, Skippy.
1:18:39 You're old enough now to know better.
1:18:41 >> [laughter]
1:18:44 >> All right, let's go back to images
1:18:45 because we also have to go we have to go
1:18:47 d
1:18:49 um whatever you call it. This one
1:18:52 we need to dessaturate this one.
1:18:55 Download 2K.
1:19:01 All right, that one we already did.
1:19:05 Okay, so we'll go to Photo Slop.
1:19:08 We're going to open this bad boy up.
1:19:10 Mhm. I'll tell you what. I'll
1:19:12 [clears throat] tell you what.
1:19:24 Um, do I want No, I don't give a [ __ ]
1:19:27 Okay. Because no one will care. No one
1:19:28 will see it. No one will care. So, we're
1:19:31 going to go [clears throat]
1:19:40 down.
1:19:50 [singing]
1:19:57 [singing]
1:20:02 Wolf man Clint in the house.
1:20:05 Future Kyle will love you for it. I
1:20:07 know. Future Kyle's a pain in the ass.
1:20:15 I think
1:20:17 that Do I need to adjust the colors at
1:20:20 all? Those are bad.
1:20:23 Is that it? I think that's it. Is that
1:20:27 it? Maybe a little more saturated. I
1:20:29 don't know. I don't [ __ ] know
1:20:31 anymore.
1:20:36 I think that's a little better.
1:20:39 So, if I go command Z, command Z. Wait,
1:20:42 command Z. Yeah, command Z. Yeah, that's
1:20:45 better.
1:20:47 That's better. That looks more natural.
1:20:49 Okay. Okay. So, we'll just save that.
1:20:52 And then we're going to go Oops. Save
1:20:54 that.
1:20:56 And then we're going to go make We're
1:20:58 going to go back to videos. We're going
1:20:59 to go frames to video. And I'm in
1:21:03 flow.google is the site I'm on.
1:21:07 Downloads.
1:21:10 That's it there.
1:21:13 And we'll say,
1:21:16 why don't we do we'll do one where we'll
1:21:19 go camera
1:21:23 pulls back and jibs up. [laughter]
1:21:31 Wait, why did I not Where? Where is
1:21:33 that?
1:21:38 That's it. Camera pulls back and jibs
1:21:41 up.
1:21:49 We do not allow uploads of miners at
1:21:52 this time. Are you [ __ ] kidding me?
1:21:56 Where's a minor? Oh, there's two kids in
1:21:58 the front. God, seriously,
1:22:07 [sighs]
1:22:09 remove
1:22:11 children.
1:22:15 I I mean, honest to God, it's like,
1:22:18 if you're smart enough to [ __ ] cure
1:22:21 cancer and solve physics problems,
1:22:24 you're smart enough to figure out that
1:22:25 the context of this is I'm not making
1:22:28 child porn for [ __ ] sake.
1:22:33 God,
1:22:37 [laughter]
1:22:40 please check your internet connection
1:22:42 and try again.
1:22:46 >> [sighs]
1:22:47 >> God,
1:22:49 we've encountered an issue with your
1:22:51 prompt. Oh, remove children. Now they've
1:22:55 got an issue with me removing children.
1:22:58 God damn it. [clears throat] Remove
1:22:59 people. How's that? Can we say remove
1:23:01 people?
1:23:04 Welcome to Friday Night Date Night,
1:23:06 where you can watch a Gen Xer lose his
1:23:08 [ __ ] mind over ridiculousness.
1:23:16 Come on. You can do it. You can do it.
1:23:20 There we go. [laughter]
1:23:23 God damn it.
1:23:26 Okay. Flatten image.
1:23:29 [laughter]
1:23:30 I I just I am just Come on.
1:23:39 I can't. I just can't. I just can't.
1:23:43 Friday Night Fight Club. It's just
1:23:46 unbelievable.
1:23:47 Okay, let's try to let's let's go see if
1:23:49 we can get the image without the little
1:23:51 children in it. Want to be safe. Listen,
1:23:54 I'm not against safety guard rails. I'm
1:23:57 not. But like seriously,
1:24:00 there are two children in a sea of
1:24:02 [ __ ] 50 people outside of Broadway
1:24:04 theater. You can't do some analysis on
1:24:07 anything other than that they're kids.
1:24:11 [laughter]
1:24:13 What'd you do Friday night? Uh yeah, I
1:24:16 don't It's a little upsetting. I Yeah, I
1:24:19 was spent a lot of time watching someone
1:24:21 trying to use Photoshop and it was it
1:24:24 was painful. He couldn't use Photoshop.
1:24:26 He was okay at Photoshop. He just got
1:24:29 very angry at the technology. Didn't
1:24:31 make any sense.
1:24:33 Okay. images. Uh, we're going to go
1:24:36 create image, right? No, we're going to
1:24:39 go create video frames to video.
1:24:42 And we're going to go grab,
1:24:45 and I don't mean grab like, you know,
1:24:48 grab grab someone by the ass. [laughter]
1:24:52 There's enough semi-pornographic video
1:24:55 being produced on this live already.
1:24:57 [laughter]
1:25:03 [sighs]
1:25:08 I'm good. I'm good. It's going to be
1:25:10 okay.
1:25:12 It's going to be okay. [clears throat]
1:25:14 Mhm. That's fant. Oh, look. It It
1:25:17 accepted it.
1:25:20 Okay. Camera.
1:25:23 So, wait. I got to go to videos. Camera.
1:25:28 No, this one I want. What do I want
1:25:30 here?
1:25:32 Yeah. camera pulls back and jibs up as
1:25:37 the appreciative
1:25:40 Broadway
1:25:42 crowd
1:25:45 assembles
1:25:48 for the assembles to enter the theater
1:25:51 to
1:25:53 enter the theater.
1:25:58 [sighs]
1:25:59 Is are we having fun? We're having fun,
1:26:00 right? This is fun. This is the fun
1:26:02 part, right?
1:26:08 I got lots of downloads. All right.
1:26:12 Friday night date night fight.
1:26:15 [laughter]
1:26:19 It most certainly is. Oh my god. I mean,
1:26:23 I'm not wrong, right? Could could could
1:26:26 throw me a bone here. I mean, like
1:26:30 seriously,
1:26:32 it knows what we're making. I'm making
1:26:34 like image after image after image of
1:26:37 crowds in Time Square, of a marquee, of
1:26:40 a poster, of a play,
1:26:43 and it made the image that it then said
1:26:46 I couldn't upload because it had kids in
1:26:48 it.
1:26:50 [laughter]
1:26:52 Thank God.
1:26:55 [gasps]
1:26:56 [laughter]
1:26:57 I do declare I'm a little forclamped.
1:27:02 Oh my. I believe I have the shivers.
1:27:06 [laughter]
1:27:07 Good lord people.
1:27:17 That's cool though. I like that. Oh, we
1:27:19 should do it again though because it
1:27:20 it's got a typo in the
1:27:25 can't hear. Oh, yeah. That of course.
1:27:27 Okay, let me I'm going to just redo that
1:27:29 that prompt and just we'll just do
1:27:31 another one.
1:27:34 Um, okay. So, now we're going to go move
1:27:38 assets into the correct folders because
1:27:40 I'm a professional responsible
1:27:43 person.
1:27:47 So that's a JPEG.
1:27:52 Okay, that's the one we just did. Is
1:27:53 this the one with the No, we we removed
1:27:56 the children. Thank goodness. No
1:27:58 children no children were harmed in the
1:28:00 in the making of this this stupid
1:28:04 [ __ ] 20 second promo. [laughter]
1:28:09 Thank god the world is safe from the
1:28:11 likes of me.
1:28:14 I I
1:28:17 right. Am I right? It's not me. Right.
1:28:22 Please will help.
1:28:27 Honest to God.
1:28:32 That one we already have.
1:28:35 I think that one we just got.
1:28:37 >> I heard
1:28:37 >> that we have.
1:28:40 Okay.
1:28:42 All right. So, now let's see what we got
1:28:45 here. This one's got cool [ __ ] in the
1:28:46 sky. Oh, no. Oh, that's cool. What that
1:28:48 did? Wait.
1:28:51 Yeah, that's cool. Okay, so this one.
1:28:55 Let's grab this.
1:28:59 Wait, what do we have here? We got We're
1:29:01 zooming in on that. Oh, yeah. Then we
1:29:02 can go zoop to the right and go down the
1:29:05 street. I like that.
1:29:09 So, we'll start it right there in we'll
1:29:13 just drag this bad boy down here.
1:29:17 Oh, we're going to pull the audio out.
1:29:19 Well, we're not going to pull it all the
1:29:20 way out, are we? We're going to pull it
1:29:23 down a little bit.
1:29:32 >> [music]
1:29:38 [music]
1:29:40 >> Yeah, that
1:29:42 Wait, we'll shorten the front of that a
1:29:45 little bit. We'll get it right there and
1:29:47 then we'll throw some transitions. Oh,
1:29:50 you know what else we need to do? No,
1:29:51 Kyle, it would be nice if you told us. I
1:29:54 will. Calm down, everybody. Calm down. I
1:29:57 don't know why you're so aggressive
1:29:58 tonight.
1:30:01 [laughter]
1:30:02 Do as I say, not as I do.
1:30:08 Shut up, champ. I don't need to hear it
1:30:10 from you, too.
1:30:13 He seemed a little aggressive, you know.
1:30:15 It's it No, I the the show's
1:30:17 semi-educational. No. And it's No. And
1:30:20 it's it is it's it's semientertaining
1:30:22 and semi-educational. It's just
1:30:24 occasionally gets a little aggressive.
1:30:26 It's there's a I think I think he may
1:30:29 have anger issues. It's there's a little
1:30:32 bit of a there's a little bit of the
1:30:34 devil in him. He's just a He's devilish.
1:30:37 You know what I'm saying? It's just
1:30:40 crazy. Anyway, it's No, but I Oh, I
1:30:44 probably watched 10 or 10 or so hours a
1:30:46 week of of him. Yeah. No, I I No, I um I
1:30:51 I understand. I I I probably need help,
1:30:54 too. No, it's But it's not a thing. No,
1:30:57 it's not it's not unhealthy. Defin
1:31:00 Champ. Champ, come on, man. What's up?
1:31:04 Are you looking for cheese? You looking
1:31:06 for cheese?
1:31:08 What's wrong, buddy? No. No. Am I boring
1:31:13 you? [laughter]
1:31:16 There's help for that. I probably need
1:31:19 help, too. [laughter]
1:31:22 Okay. All right, people. Everyone, calm
1:31:25 down. This We're going to be fine.
1:31:26 Everything's going to be fine. It's
1:31:28 going to be awesome.
1:31:29 It's going to be so awesome. You don't
1:31:31 even know how awesome it's going to be.
1:31:35 Where's my ticket? There's my ticket.
1:31:38 Okay. So, ticket.
1:31:40 There's our ticket. Here's
1:31:42 [clears throat] our That one's done.
1:31:44 That one's done.
1:31:46 Right.
1:31:48 This one we're going to do Oh, I know
1:31:50 what we're going to do. We're going to
1:31:51 do cross dissolves.
1:31:53 I know what I need in here. I need
1:31:58 >> [laughter]
1:31:59 >> Champ.
1:32:01 Champ.
1:32:03 Here we're going to do We're not doing a
1:32:04 cross dissolve. We're going to What do
1:32:06 you want? You want out? All right. Hang
1:32:07 on. We're going to do a cross blur.
1:32:11 Boom. All right. Hold. Please. Come on.
1:32:15 Come on. Ch.
1:32:22 You're talking.
1:32:25 I'll be right there.
1:32:34 I'm excited for this new version. Okay,
1:32:37 so let's click on this. Let's go to our
1:32:40 Ken Burns effect.
1:32:44 And we'll do this a little bigger. And
1:32:46 we'll slide this down here.
1:32:52 And then what that should look like.
1:33:01 [music]
1:33:05 Oh, but I lost my Okay, wait. We can We
1:33:10 have the technology. We can Let's make
1:33:13 this shorter.
1:33:16 Let me make this zoom in a little bit.
1:33:19 Yeah, I think we I think we've got
1:33:20 enough footage for the whole thing now.
1:33:33 Let's see.
1:33:41 >> [music]
1:33:47 >> That's really cool.
1:33:50 Do that there.
1:33:52 Let's go grab another one.
1:33:57 Oh, yeah. This Oh, this one's got this
1:33:58 cool sky [ __ ] in it.
1:34:02 Um
1:34:19 Oh, let's throw in a little taxi. Let's
1:34:21 do this. We'll throw in a little jet
1:34:26 just right there. That right. So, we'll
1:34:29 go Yeah. from. We'll start it there and
1:34:32 we'll do a little hat and a hat.
1:34:36 So, as this goes down the street,
1:34:41 we'll grab this thing. Drop it here.
1:34:49 Just a little bit of movement.
1:34:52 Right.
1:34:53 Turning.
1:34:56 All right. We're going to cross dissolve
1:34:58 into that bad boy.
1:35:01 And then [sighs]
1:35:05 then we got this thing,
1:35:08 which the color here is weird. Let's go
1:35:11 fix the color, shall we?
1:35:14 Where's Where's my color? Here's color.
1:35:18 Let's go a little more saturated, shall
1:35:20 we?
1:35:25 That's not good.
1:35:33 Does these look like they're in the same
1:35:37 story? That one looks a little
1:35:39 different.
1:35:43 I think this needs to go
1:35:47 here.
1:35:55 Just calm down everyone. Just everybody
1:35:57 calm down.
1:35:59 There's northern lights. There's
1:36:01 northern lights on that one.
1:36:09 Okay.
1:36:18 Okay. Where are we going to put this?
1:36:29 Oh yeah, that's cool. Looks cool. It's
1:36:32 cool. We just got to get the timing
1:36:34 right. Everybody, everybody just calm
1:36:37 down. It's going to be good.
1:36:50 >> [music]
1:36:53 >> Wait. Okay,
1:37:01 this needs to be the transition stuff.
1:37:08 [music]
1:37:09 Wait.
1:37:13 >> [music]
1:37:36 [music]
1:37:40 >> All All right. And then we're on the
1:37:42 block with the Broadway people
1:37:46 right here. No, not that one. This one
1:37:49 with all the Australians walking out
1:37:51 going criy. [laughter]
1:37:57 Okay. And then and then we'll go to
1:38:01 about there
1:38:03 and we'll drop that bad boy in. That's a
1:38:06 little long, isn't it? All right. We may
1:38:08 have to cut the front of that thing off.
1:38:10 I think
1:38:16 we're gonna pull down the audio.
1:38:22 Yeah, that's good.
1:38:25 Transitions cross dissolve.
1:38:29 All right, let's see what we got so far
1:38:31 here. You want to see it big.
1:38:37 [music]
1:38:43 [music]
1:38:50 Yeah, that's good. It's cool. It's cool.
1:38:52 It's cool. All right.
1:38:58 >> [laughter]
1:39:01 >> I like that guy being being all happy.
1:39:07 They're all happy. They're all happy,
1:39:09 aren't they?
1:39:15 [music]
1:39:22 Okay. So now we'll do this guy
1:39:26 and then we'll do
1:39:29 is this it yeah this will be the end.
1:39:33 [sighs]
1:39:34 So this goes to about there there
1:39:42 and then this. [clears throat]
1:39:45 So we'll go transition transition
1:39:59 right there.
1:40:03 Okay. And then we'll do this right here.
1:40:06 [snorts]
1:40:09 [music]
1:40:09 >> Incredible.
1:40:11 This is my first time at the Broadway
1:40:13 Theater.
1:40:14 >> [laughter]
1:40:16 >> This is my first time at the Broadway
1:40:18 theater.
1:40:20 [laughter]
1:40:23 I think I might keep a little of that in
1:40:24 there. [music]
1:40:32 [music]
1:40:46 This is my first time.
1:40:49 >> There we go. All right, I think we're
1:40:50 done. Let me just We'll do some final
1:40:53 timing [ __ ]
1:40:56 [music]
1:41:03 [music]
1:41:13 This is my first time at the Broadway
1:41:14 theater. [laughter]
1:41:17 >> This is my first time at a Broadway
1:41:18 theater. Um, okay. So, now what I got to
1:41:22 do is download this
1:41:25 share file. We're done. This is done.
1:41:27 That was That didn't take as long as I
1:41:29 thought it would. Um, partially because
1:41:32 I cut it from 45 seconds down to 20.
1:41:36 Um, but it but it it communicates what
1:41:38 we needed to communicate. This [ __ ]
1:41:40 show is going to be on Broadway. That's
1:41:42 all we need anyone to know. If you
1:41:45 didn't think this show was going to be
1:41:46 on Broadway, you couldn't have watched
1:41:48 that video of it already on Broadway,
1:41:50 could you? No. Because there's no
1:41:54 artificial intelligence technology that
1:41:56 would allow us to just make it like it's
1:41:58 on Broadway. You'd actually have to be
1:42:01 on Broadway. You understand how this
1:42:02 works, people? It's called
1:42:03 manifestation.
1:42:06 Good Lord.
1:42:08 Whatever you do though, don't have small
1:42:10 children in the crowd. It's dangerous.
1:42:15 Children are dangerous. If we've learned
1:42:17 one thing tonight, watch out for the
1:42:19 kids.
1:42:20 They're very dangerous.
1:42:23 They've got like hopes and dreams. We
1:42:26 can't have that.
1:42:29 Okay.
1:42:31 [laughter]
1:42:35 >> [laughter]
1:42:36 >> Okay. Sydney Broadway opening 2.2. Save.
1:42:41 All right. So now that's exporting.
1:42:44 And then what we're going to do is we're
1:42:45 going to import the export. We're
1:42:47 exporting this. We're going to import
1:42:49 the export into the larger project. The
1:42:52 vapor. My dear, I do have the vaporas.
1:42:55 [laughter]
1:42:59 and scene.
1:43:01 [laughter]
1:43:04 [gasps]
1:43:05 Oh my god.
1:43:09 [clears throat]
1:43:12 It's my first time at the Broadway
1:43:14 Theater.
1:43:19 All right. Did that done? That did. Did
1:43:21 Did that done? Did that done? Yes, that
1:43:24 did. Done. Okay. So
1:43:28 watch,
1:43:31 watch and learn.
1:43:35 Okay, here we go. So now
1:43:38 we're going to go out here. We're going
1:43:41 to go find our
1:43:50 Data. [panting]
1:44:02 [music]
1:44:09 [music]
1:44:17 >> This is my first time in the Broadway
1:44:19 theater.
1:44:20 >> [laughter]
1:44:21 >> Okay. Boom. We drop that bad boy in
1:44:24 there. And we just take this whole thing
1:44:25 and we smack it right down here. Let's
1:44:29 see. Where do we Where do we put this?
1:44:32 Wait, how do I do this? Hold, please. I
1:44:35 don't know what I'm doing. One of the
1:44:37 things that sometimes happens is that
1:44:39 you realize you're you're fundamentally
1:44:44 not trained right.
1:44:49 What just happened? What did I just do?
1:44:52 No, I didn't want to do that. I want it
1:44:54 to be
1:44:56 H. [clears throat]
1:44:58 How do I
1:45:00 Can I put it before this?
1:45:07 No.
1:45:10 Today we're looking at something a
1:45:11 little different. Uh, a new
1:45:20 can I h All right, hang on people. One
1:45:23 of the things I'm realizing right now is
1:45:25 I don't know what I'm doing. [laughter]
1:45:31 [laughter]
1:45:33 It happens.
1:45:36 Um,
1:45:42 Can I
1:45:47 Why
1:45:52 [clears throat]
1:45:55 does anybody know iMovie?
1:45:58 Um,
1:46:01 how do I
1:46:04 backgrounds? Let's see.
1:46:07 We grab [clears throat] that and plop
1:46:10 that in there.
1:46:17 Oh, I know what I I I know what to do.
1:46:21 I think
1:46:25 next week we'll talk about AI in the AI
1:46:27 learning lab. This was all AI tonight.
1:46:29 We did lots of AI stuff tonight.
1:46:32 Okay. Oops.
1:46:35 That didn't do what I wanted it to do,
1:46:36 did it?
1:46:46 Okay. Now, this moves out here.
1:46:52 Okay.
1:46:56 Today, we're looking at something a
1:46:57 little different. Uh, okay. Today, we're
1:47:00 looking at something a little different.
1:47:01 Uh, a new musical called Sydney.
1:47:11 Okay. So, now we're going to do a
1:47:13 transition. We're going to do a cross
1:47:14 dissolve into that thing.
1:47:20 Okay.
1:47:30 >> This is my first time at [music] the
1:47:31 Broadway Theater.
1:47:33 It's my first time at the Broadway
1:47:35 Theater. Um, I guess we could just
1:47:39 transition straight into this thing,
1:47:43 right? Let's see. [snorts]
1:47:47 A new musical called Sydney.
1:47:51 Musical called Sydney, an artificial
1:47:53 love story.
1:47:57 a new musical called Sydney, an
1:47:59 artificial love
1:48:02 Sydney, an artificial love.
1:48:07 And it's this really compelling story
1:48:09 about
1:48:13 um
1:48:16 hang on a sec.
1:48:18 Today we're looking at something a
1:48:20 little different.
1:48:22 A a new
1:48:27 New musical called Sydney.
1:48:31 A new musical called Sydney.
1:48:33 An artificial love story.
1:48:48 [music]
1:48:48 >> Today we're looking at something a
1:48:49 little different. Uh a new music. I
1:48:52 >> think that does need to go to black.
1:48:54 Hang on.
1:49:06 Uh oh. Where did that go? What did I do?
1:49:10 What did I do? What did I do? Did I [ __ ]
1:49:12 this up? It's possible I [ __ ]
1:49:14 >> this really compelling story about a
1:49:16 tech reporter who gets involved with an
1:49:21 >> and it's this really compelling story
1:49:29 and it's this really compelling story of
1:49:35 >> and it's this
1:49:40 an artificial love story
1:49:41 >> and it's
1:49:53 Let's see where
1:50:14 >> [singing]
1:50:16 [music]
1:50:16 >> of faith we're all taking.
1:50:20 Is it too good to be true? We wonder.
1:50:23 [singing]
1:50:24 Hopes and fears, [music]
1:50:27 crashing like thunder. Too good to be
1:50:30 true. Or so it seems [singing]
1:50:33 in the maze of cold.
1:50:54 Oh, I know what's going on, I think.
1:50:57 Yeah, that's what it is.
1:51:03 No. What the [ __ ]
1:51:05 >> This is my first time in the Broadway
1:51:07 theater.
1:51:14 >> Yeah. Okay. It is sticking them at the
1:51:16 end.
1:51:19 Okay.
1:51:24 Can I do it this way? Yes.
1:51:28 Jesus Christ. Okayh. [laughter]
1:51:34 [clears throat]
1:51:40 This is my first time in the [music]
1:51:41 Broadway theater.
1:51:44 >> Okay.
1:51:54 [clears throat]
1:51:56 Broadway theater.
1:52:00 Okay.
1:52:02 And then
1:52:04 today
1:52:17 we're looking at something a little
1:52:18 different. Uh a new musical called
1:52:20 Sydney, an artificial love story. And
1:52:23 it's this really compelling story about
1:52:24 a tech reporter who gets involved with
1:52:26 an advanced AI.
1:52:28 >> This isn't science fiction anymore. This
1:52:30 is a story for right now about our
1:52:32 relation awe of seeing something that
1:52:34 could change everything is
1:52:36 >> all right. Now
1:52:39 let's
1:52:55 >> [music]
1:53:06 >> My first time in the Broadway theater.
1:53:09 [laughter]
1:53:09 >> Today we're looking at something a
1:53:11 little different. Uh a new musical
1:53:12 called Sydney. [laughter]
1:53:15 Uh, it's the little things.
1:53:19 H, that makes me very happy. It's my
1:53:22 first time at the Broadway Theater.
1:53:24 [laughter]
1:53:26 All right, let's uh let's let's let's
1:53:30 shall we?
1:53:32 All right, I'll let you watch it like
1:53:34 this.
1:53:35 [clears throat]
1:53:46 >> [music]
1:54:01 >> This is my first time.
1:54:02 >> I think that Oh, that shot's a little
1:54:04 Whatever.
1:54:07 [music]
1:54:09 This is my first time in the Broadway
1:54:10 theater.
1:54:12 >> Today we're looking at something a
1:54:14 little different. Uh a new musical
1:54:15 called Sydney, an artificial love story.
1:54:18 >> And it's this really compelling story
1:54:20 about a tech reporter who
1:54:21 >> I think we could still go shorter here.
1:54:28 >> Like
1:54:33 let's do this as 0.5.
1:54:37 Let's do this as.75.
1:54:41 We'll shorten this as much as we can.
1:54:45 >> This is my first time [music] in the
1:54:47 Broadway theater.
1:54:49 >> Today we're look
1:54:58 Today we're looking at something a
1:54:59 little different. uh a new musical
1:55:05 today.
1:55:09 Today Today we're looking at something a
1:55:11 little different, a new musical called
1:55:13 Sydney, an artificial love story,
1:55:15 >> and it's this really compelling story
1:55:17 about a tech reporter who gets involved
1:55:19 with an advanced AI.
1:55:21 >> This isn't science.
1:55:28 a new musical called Sydney, an
1:55:30 artificial love story.
1:55:31 >> And it's this really compelling story
1:55:33 about a tech reporter who gets involved
1:55:35 with an advanced AI.
1:55:37 >> Is the opening number too good to be
1:55:39 true?
1:55:40 [singing]
1:55:42 [music]
1:55:46 [singing]
1:55:47 >> Almost immediately you see the
1:55:50 but then almost immediately you see the
1:55:52 corporate hubers kick in. The CEO
1:55:54 Barrage, he sees dollar signs. He wants
1:55:57 to launch now.
1:55:58 >> And Jason, he's pleading for six months
1:56:00 of safety testing. Six months.
1:56:02 >> And Vrage gives him seven days. Just
1:56:05 seven.
1:56:07 >> Seven days ago. The clock is ticking.
1:56:09 Ticking. Pressure building up. Let's
1:56:13 make [music]
1:56:15 this code.
1:56:16 >> So that corporate ambition immediately
1:56:18 creates collateral damage in the human
1:56:20 world.
1:56:20 >> We meet Kellen, the tech reporter. He
1:56:22 sees this is the story of a lifetime. So
1:56:24 he cancels a huge long planned trip with
1:56:27 his wife Tara. And we hear that argument
1:56:29 in the song later which is just it's
1:56:30 this painful fight about constantly
1:56:33 postponing your [music] life.
1:56:35 >> But the promise is broken. The false
1:56:37 weed don't get patched up in a few
1:56:41 sessions.
1:56:51 >> What the [ __ ] just happened there?
1:56:57 Rut roware
1:57:02 [music]
1:57:05 think
1:57:14 [music]
1:57:17 gets this really poignant song the
1:57:19 little things where she's just
1:57:20 reflecting on how their connection is
1:57:22 slowly eroding It's the human cost of
1:57:24 all this ambition.
1:57:26 [music]
1:57:28 >> All right. So, that's [ __ ] up. Okay,
1:57:30 I'm going to have to fix this. I won't I
1:57:32 won't take your
1:57:34 more of your time to do this. Anyway,
1:57:36 I'm happy with the opening.
1:57:41 [music]
1:57:48 [music]
1:57:53 >> [music]
1:58:01 >> Today we're looking at something a
1:58:03 little different. Okay. All right. I'm
1:58:05 going to have to go fix that. But
1:58:07 [clears throat and cough]
1:58:08 um let me be done. Let me be done now,
1:58:12 shall we?
1:58:16 [laughter]
1:58:20 Oh, there's always work to do. Anyway,
1:58:24 um
1:58:28 I hope you're all playing along, doing
1:58:29 your own thing.
1:58:31 Um
1:58:34 over the weekend,
1:58:38 I think I'd encourage you just to spend
1:58:40 some time thinking about what are the
1:58:43 what are the things you like and want to
1:58:46 do. just get in touch with who you are
1:58:48 and what you want to do. Um, and then
1:58:52 think about ways that you can use AI to
1:58:55 amplify that. And if you're already on
1:58:58 the path, great. Just, you know, keeping
1:59:01 in touch with it. And if you're not,
1:59:03 worry less about AI [clears throat]
1:59:05 skills and more about your creative
1:59:08 point of view because I think that's
1:59:09 going to get increasingly important
1:59:12 uh as uh
1:59:15 as this crazy world of ours uh does
1:59:19 whatever it's going to do in 2026. I
1:59:21 think it's going to be kind of bonkers.
1:59:23 So anyway, um cool. Anyone have any
1:59:26 questions, thoughts before I go?
1:59:29 [clears throat]
1:59:37 All right. Beautiful. Beautiful people.
1:59:40 All right. All right. Everyone have a
1:59:42 fantastic weekend. I will see you on
1:59:45 Monday. All right. Peace out.