1//9/2026 - Creating a Broadway Overture with Suno AI: From Instrumental to Orchestrated Strings

Transcript

1. 0:00Chip chippy chippy. [music]
2. 0:15[music] Woohoo.
3. 0:35She came on [singing and music] black like so moving cold front [singing] was woman look in her eyes.
4. 0:51She sat on [singing] a stool and he said, "What do you want?" She said, "Give me a love [music] that don't freeze up [singing] inside."
5. 1:07He said, "I have smiles at my time." But next to you, I shiver [singing] and share.
6. 1:21And if I knew love, [singing] well, I don't think I'd be here [music] asking myself if I've got what it takes. [music] [singing]
7. 1:36I do your icy [singing] heart. Turtle's been frozen for years
8. 1:53into a [singing] river of tears.
9. 2:12>> [music] [music] >> Woohoo!
10. 2:27[music] Wow! Come on.
11. 2:43[music] [music] [singing]
12. 3:01Woohoo. tink. [music]
13. 3:24Tink ding. [music] >> [music]
14. 3:44[singing] [music] >> What is Corey Sandler making? Is she making sourdough bread? Doing some dishes from sourdough. There you go.
15. 3:59Ribs are in the oven. Oh, ribs in the oven. Hello. Fantastic. Good evening, everybody. Happy Friday night, date night. [music]
16. 4:12Cory's Cory's catering. [music] No had a birthday. Very nice. Happy birthday, Noammy. Heat. Heat. [music]
17. 4:31[music] >> [music] [music]
18. 4:48[music]
19. 5:03[music] >> Open up your mind. See like me. Open up your plans. Damn free. Look into your heart and you'll find [singing]
20. 5:18love, love, love, love. [music] Listen to the music in the morning. People dance and sing. It's just one big family. Any [music]
21. 5:30god forsaken right to be love [singing] love love. So I won't hesitate no more no [singing]
22. 5:44more. It cannot [music] wait your heart. [music] [singing] [music] Yeah,
23. 5:59yeah, [singing] yeah. Oh, good people. We are going to do some practicing tonight. Doesn't that sound fun? Entertainment, my ass.
24. 6:17We've got We've got daily practices to to to hone and shapen and and mold like clay. >> [music] >> See, if you don't practice, your chords
25. 6:30sound like this. [music] If you were Jacob Collier, you'd explain why this actually sounds good. [laughter]
26. 6:42Everything could go with everything. Did someone say, "Clay, I don't want [laughter] to I don't want to practice. I don't want to challenge
27. 6:53myself. I'm right there with you. I have a funny confession to make. I'm sitting in watching Mr. Beast, the Beast games,
28. 7:01as you do on a Friday night apparently. And uh we're watching them. I'm getting into it and there's there's like
29. 7:10relationships budding and people all sorts of just crazy stuff. And at one [laughter] point, Gabby goes, "Well,
30. 7:16doesn't Champy have to get ready to sing?" And I'm like, "What are you talking about? I thought it was Saturday." [laughter]
31. 7:23I I had no idea what time it was. It could have been 9:30 for for all I knew. It was 7:30 luckily, but I totally
32. 7:32forgot. It was Friday night date night. [music] [music]
33. 7:53>> [music] [music] [music] >> Um, let's see. So last night, if if
34. 8:11[laughter] you were unfortunate enough to be here, I edited a video for about an hour and 45 minutes. And it was just
35. 8:20it was tedium on a level that is why I invented a company to automate video editing. [laughter] Last night, last night was the um the
36. 8:30use case for why StoryVine exists. [laughter] Dr. Jay here the whole time. Um, we had a really good office hours today. Um,
37. 8:49[music] it seems like everyone's coming to some similar kinds of sim similar realizations right now. Is that this AI stuff is weird, getting
38. 9:02weirder, that really tapping into our humanity, who we are as people, is increasingly important. And it's weird. It's not like our
39. 9:13humanity at the expense of AI. It's more like our humanity in conjunction with AI like amplified by it or uh
40. 9:31Brent Peterson was talking about the s significance of the Nvidia announcements that how significant the hardware
41. 9:39advancements are. It's it's just it's just crazy. Elon Musk has sort of doubled down and said we will definitely have AGI in 2026.
42. 9:49Um it's going to be wild. Um, [music] and it's funny, you know, Corey was talking about joining the AI uh the
43. 10:05mastermind practice lab [music] and uh and how it how it became kind of overwhelming cuz she had some she had some realizations about
44. 10:18where she thought she was doing well and or not well where she thought she was doing things a certain way and discovered she was doing
45. 10:27them a different way [laughter] and how overwhelming that was. And I very much resonated with that because I
46. 10:33feel like I'm I'm doing the same thing. I'm like making these discoveries about what it really what it means to be intentional.
47. 10:44And it's it's strange for someone as it's strange for me from the outside seeing someone as self-expressed as Corey Sandler is to discover
48. 10:57similar things about her her work and her being as I'm discovering which is just like [laughter] it seemed really really uh I don't know
49. 11:13transparent arent on the surface or not performative. Like I just realized how performative a lot of my of my of my
50. 11:22existence is. And not even just the performance stuff like this channel, but even this look, you know, [music] just wild. Just wild.
51. 11:33Being human is kind of cool, man. It's just there's just always so many layers. By the time you have something figured
52. 11:39out, you're like, "Oh [ __ ] there's a whole another thing. [laughter] What am I supposed to do with this now? [music]
53. 11:59>> [music] >> Freedom came my way with that night [music] just [singing] like a jet plane in and out of sight.
54. 12:11I was hauling [singing] ass at a million miles [music] an hour wondering how hard I'd hit. [music] [singing] When they came into the
55. 12:22station, they [music] said I was bad beyond repair, but I got no qualms with my situation. Say here I am.
56. 12:39[music] So say Sheree Sheree Sheree won't you dare do [music] say Sheree Sheree Sheree won't you dare
57. 12:52too say Sheree Sheree Shereehu [singing] [music] yeah leave a message and your number please take a time to want to satisfy me
58. 13:09[music] take all these old fantasies and send them care of me. Oh, lordy lordy lordy good people. So, what we're going to do tonight, it
59. 13:22should be a little more fun. It'll be a little more uh ex exploration and and play and learning. So, last night I worked on the
60. 13:31core edit of the podcast for Sydney. Uh, and then after I left you, I went on and I did uh titles for all of the songs
61. 13:42or not titles, but like uh yeah, titles like I I labeled all the songs on screen. Um, so that part of the edit's
62. 13:50done. And what what still needs to be done is the opening sequence where we're like, you know, doing time lapses around
63. 13:58uh around New York City, around um Time Square. And so I've got a song that I want to I want to do a cover on in Suno and see if
64. 14:09I can get it to be good. And then we've got some images to make and then we've got some video to make. [music]
65. 14:19I don't know if if Andy's here or watching. I had a dream last night about adding a segment in the opening sequence of like a
66. 14:31a bartender in Time Square, like as we're cutting back and forth that we cut into a restaurant and the bartender's in there cutting lines.
67. 14:41Thought that was pretty funny. It's not a horrible idea, but it just doesn't make any sense for it. [music]
68. 14:52Steo's in the house. What's happening? [music]
69. 15:07[music] [music] Okay, let's get going. Let's get rolling. Let's get this Let's get this show happening, people. Let's do this.
70. 15:23Let's do this. Okay. You understand what I'm saying there? Yeah. We're going to get her going. We're going to get her going.
71. 15:34All right. Fantastic. Lovely. Lovely, lovely, lovely. Okay. Am I sharing? Yes, I am.
72. 15:49[clears throat] M when the night was young.
73. 16:03Okay, so here's what I'm going to do. I'm going to show you if you're new here, welcome. My name is Kyle Shannon.
74. 16:11This is the AI learning lab. One of the things that I'm working on is uh committing to a daily practice of being
75. 16:21intentional about AI, about how I use AI. Andy's on YouTube. It would be an Easter egg. Yeah, it it was totally like that,
76. 16:30Andy. I was thinking cuz it's like, you know, you're cutting you have like a time lapse of Time Square and then you
77. 16:35cut down it it it what it reminded me of was like the opening of SNL where where you're like doing all these big things
78. 16:43in the city and then they cut to like you know a guy break dancing in the corner. It would totally be like that
79. 16:48like you know there'd be people getting ready for Broadway you know and there's a bartender there cutting lines. So
80. 16:54maybe we'll do that tonight. I thought that was pretty funny. Um, okay. So, let me show you. I I won't play the whole thing, but I'll
81. 17:04play you a couple of songs from the podcast and you can see what I did with the titles and then I'll show you the old Broadway
82. 17:14opening and what we're going to work on tonight. Can you do Oh, can you drop
83. 17:30the volume of iMovie? Maybe. No, I can mute it.
84. 17:46Today we're looking at something a little >> still much louder. Better, huh? Weird. Okay, maybe it's just a weird local setting yesterday.
85. 17:57>> Today we're looking at something a little different. Uh, a new musical called Sydney, an artificial love story.
86. 18:02>> And it's this really compelling story about a tech reporter who gets involved with an advanced AI.
87. 18:08>> This isn't science fiction anymore. This is a story for right now about our relationship with machines that are
88. 18:13getting well more human. Exactly. It opens inside this company microte. The CTO Jason sees what they've built and just has this moment.
89. 18:22>> Exactly. This moment of discovery. And that feeling of awe of seeing something that could change everything is the
90. 18:28opening number. Too good [music] to be true. >> It's the promise of a new [singing] break. A leap of faith we're all.
91. 18:39Is it too good [music and singing] to be true? We wonder. Hopes and fears >> rising like thunder. >> Too good to be true. Or so it seems. In
92. 18:52[singing] a maze of co we weave our dreams. It isn't really changes everything. We're all born. >> But then almost immediately you see the
93. 19:07corporate hubris kick in. The CEO barrage he sees dollar signs. He wants to launch now. And Jason, he's pleading
94. 19:14for six months of safety testing. Six months. >> And Vrage gives him seven days. Just seven. >> Seven days ago. The clock is ticking.
95. 19:24Ticking. Pressure building up. Keep it [music and singing] clicking. Spike says yes, but no. What's the word, James?
96. 19:33>> Sorry, that's a no go. push a little more. >> All right. So, you get it. So, that's the basic idea. That's that. Um, and
97. 19:46then if I go to my projects, this is the opening Broadway number that we're replacing.
98. 20:01[music]
99. 20:25All right. So, that 27 seconds we've got to replace for a couple of reasons. One is there's too many pasty white people. Like this
100. 20:34scene right here, it's just like all Whitey Mc Whitington. And then it's the old logo and something else about it. Um Oh, they
101. 20:46didn't like the background, the song. Um, so let me flip over now. So here's the here's the song. Wait, where is it? Is this it?
102. 21:00No audio. Yeah. Oops. Quit. This is the song
103. 21:15that's the official instrumental for Too Good to Be True. [music]
104. 21:32It's okay. It's just a little lifeless to me. So, I want to take that into Sunno and pump it up. Pump the jams.
105. 21:43Oh, pump the jam. Pump it up. So, we're going to go pump the jams.
106. 21:58Okay. So, we're going to go pseudo pseudo AI and we're going to do create and
107. 22:14and I'm going to upload a song and it's going to be that song you just heard. And I got to do my black bar or producer
108. 22:22Brandon is going to yell at me because that's how he rolls. Kyle, people on TikTok can't see the text. That's your sole responsibility.
109. 22:33You have one job here and it's keep the black bar up so they can talk to each other and ignore you. I know. I know my
110. 22:39job. I know my place. I understand. Is this it? No. Uh, this it today would No.
111. 22:55Where my Sydney podcast audio? This is it. Today we're looking at something. No,
112. 23:09what am I missing? There we go. That. Okay. So, that gets uploaded. Boom. We're going to do a cover. Upload failed. It looks like a network
113. 23:22error. Okay, fine. Upload. Upload failed.
114. 23:38Uh, reload. Endpoint being blocked. Am I logged in? I think I'm logged in.
115. 24:05All right, there it went. Okay, so it's an instrumental. We don't need lyrics. Styles. All right, let's see what I want to do here.
116. 24:22I want to do a driving or pedigiated Broadway
117. 24:40um opening medley. What do they call opening instrumental? Whatever. Let me give it something generic and
118. 24:54shitty and see what we get out of it. [laughter] And then if we don't if we get something less shitty, then great. Montage. Montage
119. 25:05is more visual, isn't it? It's a No, it's called a It's called a medley, but it's they call it something else.
120. 25:15Like when you're walking into the theater, they're playing usually some instrumental of the opening number or or
121. 25:21some collection of the songs. [music]
122. 25:35[music] >> [music] >> producer Brandon for the win. The overture.
123. 25:55I think that that actually is not bad. I like that piano opening. Does this >> [music]
124. 26:11>> Fascinating. All right. [music] [music]
125. 26:32>> [music] >> It just faded out right there.
126. 26:53[music] >> Um, that's not bad. driving arpeggiated Broadway opening overture um with uh fully orchestrated
127. 27:08string strings. The overture reminding of reminding you why you came. Exactly. Exactly. Create. All right, let's see if
128. 27:20we get driving arpeggiated Broadway opening overture with fully orchestrated strings. Let's see if this gives us
129. 27:27something interesting. Those those other two were not bad. Again, the the the original here, it's just a little plotting in the same
130. 27:50Right. That's That's not bad. I like this. [music] All right. So, let's see if we got orchestrated strings here.
131. 28:05[music] [music] >> That's a little wimpy.
132. 28:21>> [music] >> No, that's that's not right. Okay. So, so let's say driving arpeggiated Broadway opening overture with um let's say
133. 28:37um electric guitars,
134. 28:52strings [snorts] and drum kits. I don't know. [clears throat and cough]
135. 29:07I'm in Suno, by the way, if you're wondering what tool we're in. Somebody just sent a gift. Thank you for whoever sent a gift.
136. 29:19Kozai Nazer, thank you very much. Tik Tok pin. Vicki, I'm working on an idea of universe app that will let you import your voice
137. 29:30and then map them out. That's cool.
138. 29:48[music] Not quite, but close. like this. This [music]
139. 30:05[music] [music] Yeah, I think that's all we need. I
140. 30:21think that's good. I love those high strings in between the rock stuff. [music]
141. 30:39[music] All right, let's let's try Corey's thing. Um, give me a full what did you
142. 30:57say? A full stop after seven beats. Seven bars. Seven bars, I think. Seven bars.
143. 31:13Then she said beats full on after. We'll do both. After nine beats, not nine bars. Oh, yeah. It wouldn't it wouldn't be bars.
144. 31:27Okay. Well, I'll do it I'll do it my way first and then I'll do after seven beats and then after nine beats.
145. 31:39We'll create that too. Beats bears. Battlestar Galactica motif. Very nice. Okay. So, here's the one with
146. 31:47here's with a stop after seven bars. [music]
147. 32:05This is >> [music] [music]
148. 32:19>> Good work. [music]
149. 32:45All right, that that was a little too [music]
150. 33:01>> [music] >> All right. One of these can work. [music] No, not that one. Not that one. Let's see.
151. 33:26>> [music] [music]
152. 33:43>> Am I including my song Trouble in the musical? No, I don't think so. >> I don't think so. I don't think there's a place for it.
153. 33:53It's not. Yeah, it's not. It ain't It ain't right for the musical YouTube question that I just answered. [music]
154. 34:29Kyle, you should include the stops and starts and all that goes into editing at the end of the show. Yeah, I was thinking about I was
155. 34:39thinking about doing a statement like doing a a statement on use of AI and then just like all of the steps of how we got to a song. Um,
156. 34:54but there's another part of me that just like like you either like the musical or you [music] the 87 pages of the program. How we made
157. 35:07one song. [music] I love that those high violins.
158. 35:28[music] That doesn't have it. [music] >> Yeah, it's this one. [music]
159. 35:43>> That's a cool sound. Thank >> [music] >> That feels like like if you're in the [ __ ] theater and you see the violin players.
160. 36:01That's the one you want. You want like this going to be a good [ __ ] show. I paid $250 for a shitty seat. [laughter] You're like,
161. 36:14>> okay. All right. Whoa. [music] Oh my. Oh yes. Okay. Yeah, that's that's it. [laughter] We want the We want the
162. 36:26ladies from the old ladies that flew in from Pikipsy [laughter] that drove drove in from Pikipsy to get their money's worth. [laughter]
163. 36:40[gasps] Ah, we need an irregulars promo code for the box office. I'll tell you what, if this thing makes it to New York, we're New
164. 36:50York. We're doing a [ __ ] um Irregulars night. Uh that is for [ __ ] sure. Um maybe we'll do it like on one of the preview nights.
165. 37:03[clears throat] Okay. Did I download that? I think I did. Okay.
166. 37:35[music] Okay. So now what do we do? What I would normally do is I would just go straight into iMovie and I would throw that thing
167. 37:44from my desk or from the downloads folder into iMovie and never be able to find it again. So we're not going to do that, [laughter]
168. 37:52are we? No, we're going to practice our practice. We're going to put it in the right folder. Stop. We need to rename it. So this is
169. 37:59going to be too good to be true podcast. Um overture overure. Credit to producer Brandon for naming correctly naming what this thing
170. 38:15is. Okay. So now and then do I have I think I did videos but I don't know where I did them. Hang on.
171. 38:29Um, video assets, Broadway B-roll. [cheering] Yeah, I've got some.
172. 38:46Okay. Beautiful. Beautiful. Beautiful. Beautiful. So, I think what we're going to do here, people, I think we're going to make a new
173. 38:58project in iMovie. I don't think we're going to add it to the beginning of this. I think we're going to let that
174. 39:05be that. And then we'll just drop it in at the beginning here. Today, we're looking at something a little different.
175. 39:11So, we're going to do a new project. Create new. Boom. Okay. And it's going to be called, is there any way to rename this in here?
176. 39:24Import. No. Okay. So, we're going to go here. We'll grab the three things we've created. Waiting for files to import. Okay, they
177. 39:39did. And then let's go grab the song. G the kick guck.
178. 40:03[music]
179. 40:20>> [music] >> Okay. [clears throat] Uh
180. 40:54And then this we do it.
181. 41:11>> [sighs] >> So, starting right there and then we'll go transition. We'll do a
182. 41:26cross blur. We'll do fade to black at the beginning. We'll do the short half a second.
183. 41:41Oh, I'm not sharing my screen. [laughter] Producer Brandon, he probably told me 27 times.
184. 41:56I thought you were still inso. Oh, [laughter] [gasps] no. So, what I've done Uh oh. Did that just crash? No. So, what I've
185. 42:05done is I imported some some video. [music] Yeah, that's good. Look at that. When the when the uh when the first um and
186. 42:21we're going to slow this down a little bit. When the first uh what you call it uh violins come in, the sky is twirling. I
187. 42:30like that. That's good. That's solid. It's what we're looking for. Custom. Let's do this. 85%. Slow. You can all see this now, right? Okay.
188. 42:41So, here's what we've got so far. [music] Ah, it's so good. [laughter]
189. 42:58[music] That's so good. Okay. So, let's see. So, I need to bring this back to here. Let's see. Right there.
190. 43:13[sighs and snorts] [music] So, cool. Okay. Now, where did I make those? [laughter] Anybody? Anybody recall where I made
191. 43:29those videos? Because I don't. Okay. So, wait. So, wait. This is This is part of my practice. There's a learning here.
192. 43:38There's a learning here. What is my learning? I think in notion
193. 44:01Oh, Gareth's been play been playing with trouble and you have a pretty good duet version. Oh, that's pretty good. That's pretty good. Um,
194. 44:11okay. So, I need to do a couple of things. We need to go I need to go figure out where I did that. I think I did it in VO. So that's at
195. 44:23video.google, right? What? Oh, no. Is it videogoogle? No, it's What the [ __ ] is it?
196. 44:44What's the God damn it. What's the website for for uh V3 the Oh, flow.google. That's what it is. Thank you.
197. 44:58Thank god some of you pay attention to my life. [laughter] It takes a village to fill in the gaps in my brain. [laughter]
198. 45:14Good lord, people. All right. Good one. >> Yeah, we can just use this wholesale. [clears throat]
199. 45:28Although, I think we should have Sydney in there. So, these are all Sydney shots, right? And there's the ticket one. This one's really cool.
200. 45:38Oh, you probably can't hear that. >> This is my first time at the Broadway Theater. >> We cannot. Okay, fantastic. Okay, but we
201. 45:50don't this doesn't matter. We don't need to hear this. Okay, what we do need to do is we need to go back to the other project.
202. 45:57So, this is going to be called uh Sydney uh Broadway opening 2.2. That's good enough. And then we're going
203. 46:11to go back to this one. We've got to come in here. [laughter] [whistles]
204. 46:32Okay. What happened? What did I do? Can we have five
205. 46:49Okay. So, what we need to do now, maybe that's not the shot right there.
206. 47:03This one. This is the one. Okay. That's the one. We'll go here. We'll do this. We'll go bang. We will go
207. 47:20images. And if I paste this in, can I paste it in? Wait, why did it not paste in? Should have pasted in.
208. 47:43Okay. So, I got to save them to the desktop. Fine. Um, save it to the desktop. Add an image. Upload an image. You're
209. 47:58all seeing this, right? Go to desktop. Go to desktop. Is there a third desktop this is going
210. 48:14to? It is. [snorts] That's it. Okay.
211. 48:32Hang on a sec. I've got to add. [whistles]
212. 48:59That's the square one. That's the tall one. Okay. Okay. There's that.
213. 49:29No, no, not that one.
214. 49:55Okay. And we might need I might need to do this in a different tool. So, right now I'm in flow.google, which is the V3 and
215. 50:06nano banana editing video creation tool from Google. Um, so I'm going to say update the poster in the
216. 50:24image of Times Square with the newly uploaded poster. Be sure to match the tone and
217. 50:43texture of the photo graph. So it look so the new poster
218. 50:57looks natural in the scene. >> [clears throat] >> How much are all of your subscriptions
219. 51:11each month for all of these? This one Google I pay a lot for. Um actually the salon pays a lot for this is their the
220. 51:20$250 a month subscription. Um flow.google. It's going to your brand [clears throat] spanking new external drive. Oh, look.
221. 51:29It did it. It did it right on the first try. Holy [ __ ] Okay, so we need to So that's good. All right, we're gonna I'm gonna need to
222. 51:39pull the color down on that in photo slop, but that's not bad. All right, so let's go grab another RAW image. Okay, so this one
223. 51:54right there. That's cool. D
224. 52:16shing dang dang dang dang dang dong dang dang dang dong dang. Update the poster
225. 52:32in the photo of the Broadway marquee with the bottom with the
226. 52:47bottom of the Oh, you know what? Let me get ah [ __ ] Okay, let me add the square one, not the tall one. D.
227. 53:18Update the poster and the photo of the marquee with with the >> [clears throat] >> uh up loaded poster.
228. 53:34Match the color, you know, fade the poster and match the texture of the photo. So, it looks realistic
229. 53:55in the photo. I don't even know if that's good words. I don't think that's good words, people. I didn't say good words, if you know
230. 54:04what I mean.
231. 54:25Oh, look. It did it. This one's good. This one's They're both good. They're both good. I like it, people. I think I like the bright one more
232. 54:36better. I think I like the bright one more better. So, what do I do? I add this to add to prompt. So, I'm going to say we're going to go
233. 54:52frames to video and we're going to do uh camera pans around um eth nic diverse
234. 55:08New York City crowd as they excitedly trekk
235. 55:23the theatra. All right, there's that one. Let's go back to images. This we need to go fix. So, let's go fix this.
236. 55:36Oh, download. We'll download 2K. We don't need to download 4K. >> [clears throat] [clears throat]
237. 55:58>> All right, that downloaded that. Let's open Photoshop.
238. 56:21>> [clears throat] >> Open open. [clears throat] Open. Open the door, Jack. Fantastic, Bob. There we go. We're going to open that
239. 56:35right up. Mhm. I'll tell you what. I'll tell you what. We grab this. We'll do a feather of one pixel because this is a relatively small
240. 56:49image. And then we're going to go sheang. And we're going to go shebang and shebang and [clears throat] shebang and
241. 57:06shebang. Okay, so now that's selected. And then we're just going to desaturate it a little bit.
242. 57:21It'll probably add a little bit of noise to it. Wouldn't you think? Little bit of little bit of gauian blur. Little bit of gauian noise.
243. 57:34[clears throat]
244. 57:51Look. There you go. Now it looks more natural. It was just like it was right there in the first place. Fantastic.
245. 57:59I'll tell you what, Buckaroo. You're doing all right. You're doing all right. Fantastic. Let's go back to this here.
246. 58:10Oh, how'd this turn out? [laughter] Why are they all Asian?
247. 58:24>> [laughter] >> Tik Tok question. Kyle, what is your review of Google Anti-gravity? So, when Google Anti-gravity came out, I got I got
248. 58:40sucked into um into thinking like, oh, this is a vibe coding tool. I'm just going to go learn it. Like, I I didn't
249. 58:48ever teach myself uh Claude Code, which I'm going to go back to now. Um, and so when anti-gra gravity came out, I'm
250. 58:55like, "This is the one. I'm going to jump in on this one. I'm going to do something more, you know, substantial than lovable."
251. 59:01And then I launched anti-gravity and it the the preferences pages alone, there were like 45 pages of preferences. And I
252. 59:09just realized, oh, this is [laughter] this is this is not me. This is not um Vicky uses it. I would ask Vicky
253. 59:16Baptiste what her review of it is because I don't actually use it because it completely intimidated me and I just
254. 59:21I ran away with with my tail between my legs like you're not worthy. [laughter] [gasps] What are you going to do? What are you
255. 59:32going to do? You understand what I'm saying there, people? Fantastic. All right, there's our new little image.
256. 59:39Let's do this. We're going to do We're going to do camera tracks to the right. Um,
257. 59:56[sighs] let's just do that. Camera tracks to the right. And then I think we got to go back and do something else on this one.
258. 1:00:13Pop this all down here. Camera. Let's see. Camera pans pans around
259. 1:00:27camera. Let's do slides left as a group of
260. 1:00:42international theater goers.
261. 1:01:02excitedly walk to the theater. All right. Where's Where'd my other thing go?
262. 1:01:17Did I lose one? Oh, here it is. Beautiful. Let's just go drop that mother right in
263. 1:01:33there. All right, let me go back to this thing. Let's go grab another another frame. Oh, there's the play bill.
264. 1:01:47I think there's a different play bill shot here. Oh.
265. 1:02:07Okay. [laughter] [panting] [panting]
266. 1:02:37Go back to images. We're going to add in Oh, we're going to go to create image. We're going to go grab the square image. I think that's
267. 1:02:48what that is. And then we're going to grab this new image. screenshot. that one.
268. 1:03:06We're going to [clears throat] say update the play bill and marquee to match the new
269. 1:03:24poster. Um, fade the poster appropriately so it matches
270. 1:03:39the tone of the photo. [clears throat and sighs] [snorts] Oh, and you know what I need to do? No,
271. 1:03:54Kyle. But I need to look at the prompt. Oh, these are images.
272. 1:04:14Oh, look. It did it. That looks great. I don't want the torn up one, but this one's great. Ha. I love it when a good plan comes
273. 1:04:26together. Mhm. I'll tell you what. I'll tell you what. No, that's not what we wanted. No, no, no. That's not what we wanted.
274. 1:04:35We wanted add to prompt. No, we don't want this. We don't want this. We don't want this. We don't want this. We don't
275. 1:04:43want this. We want this. And we want this. Okay. So now we want um person walks. [gasps] Uh let's see. POV shot. POV shot. POV
276. 1:05:00shot of person walking toward the theater with play bill in hand.
277. 1:05:14Bang. Okay. So, now let's go look at Did we get a new thing here? I think we did.
278. 1:05:28Why are they Australian? Oh, Sydney. It's Sydney. [laughter] Oh, Sydney is incredible. [laughter]
279. 1:05:44That's [ __ ] awesome.
280. 1:06:02All right, [sighs] that was good. Upscaling complete. Your video's been done. Okay, so wait, let me go. Let me go. So,
281. 1:06:13so here's Okay. So, this one now needs to go into um video assets. Yes. And this is 2.2 now.
282. 1:06:302.2. I'm going to [clears throat] drop that in there. Okay. That's JPEG. That's that. Okay.
283. 1:06:44Um I wanted to see one of these source image. This one. Is this the one?
284. 1:07:01>> Yeah. >> Okay. So, see this longass prompt here,
285. 1:07:20Tik Tok question. What's the project today? The project today is I'm working on an opening for a podcast video that I'm doing.
286. 1:07:38Wait, this isn't it. This one. Here's what I got so far.
287. 1:07:53So good. Okay, [laughter] that's all that's all I got so far. [laughter] >> [music]
288. 1:08:08>> Right. Beautiful. [laughter] What's he doing? It doesn't make any sense. Um, [sighs and gasps] oh, so what I was going to tell you
289. 1:08:21before, so I've got this longass quote here or prompt, and I did that in chat GPT. It's the thing that gave me the um those crazy
290. 1:08:33skyriting things. So that's not it. Okay. It was it was this one. So we're going to put this in here.
291. 1:08:48There we go. So, scene and format aspect ratio, but I'm going to go to chat GPT and I'm
292. 1:09:02going to search for that. And it found it. Okay. So, now we're going to do I'm going to put I'm going to upload a
293. 1:09:18photo. I'm going to say now write a
294. 1:09:35failed to upload. [sighs] Now write a similar prompt
295. 1:09:50that tracks the camera to the right and does similar um SFX
296. 1:10:05in the sky. >> [clears throat]
297. 1:10:21>> ribs are ready. Garlic, salt, is that our Chinese five spice. Want some? Yes. [laughter] Yes, we do. Corey Sandler, yes, we want
298. 1:10:31some. Okay. Video generation source image. Here we go. So, all of this big ass prompt. Um, I just had it do this before and it came up with
299. 1:10:44a pretty good image. So, we're going to try that again. We're get rid of this. We're going to get rid of this frame. We're going to
300. 1:10:56put in this one. And we're just going to pop that whole [ __ ] in there and go bang. Okay. So, that's that. Now we're going back to here.
301. 1:11:09We're going back to here. We're going back to here. And now we're going to find the next shot. That shot.
302. 1:11:33Okay. We're going to go back here. We're going to flip over to images. We're going to upload
303. 1:11:49our latest screenshot. That one. Oh [ __ ] You got to The thing about Nano Banana, you have to upload [ __ ] in the right order. It's very
304. 1:12:02frustrating. This is not frames to video. Wait, what do I want? No, this is a create image. Okay. And then we're going to upload
305. 1:12:18this. Okay. Replace the poster in the image and make the people around the theater
306. 1:12:34more diverse ethnically and agewise. [clears throat]
307. 1:12:49Uh, this is okay. Reflecting on on practice and like what's driving me nuts right now.
308. 1:13:05Um, I love working fast and I'm feeling anger and resentment that I've given myself the rule that I need to
309. 1:13:20um I need to update the uh that that I need to like save all the files in the right places with correct file names and like I'm getting
310. 1:13:34resentful of which you know. All right. So, you're getting resentful of it. Shut the [ __ ] up and keep working. [laughter]
311. 1:13:45Tick that question. What is the end goal here? The end goal, Carl 70, is to um So, here I can show you I can show you
312. 1:13:55the end goal. The end goal is to have a new version of this >> [music]
313. 1:14:14[music]
314. 1:14:29[music] >> And you might ask like what was wrong with that? Well, it's it's the old version of the poster. Um, it's got some
315. 1:14:41issues with it from bad technical stuff because the because Nano Banana has hadn't come out yet and uh and like not like everyone's
316. 1:14:53pasty white, you know, there's there's no it's it's New York City and there's no ethnic diversity. So, it's just
317. 1:14:58weird. Um, you know, if if this were the the Wisconsin Playhouse maybe, but you know, New York City, not. Um,
318. 1:15:09and I've got a new version of the song. So, the new version of the song is That's the podcast. Here's the opening.
319. 1:15:47And then that'll actually probably just fade out right here. So it'll do this. >> [music] [music]
320. 1:16:02>> Right. Beautiful. And then and then we'll crossfade into the podcast where the people are talking. Okay.
321. 1:16:10So the the end goal is perfection. [clears throat] Okay. This again it's a little too saturated. Let's go back to our videos and see if
322. 1:16:23we got anything interesting.
323. 1:16:41Actually, I could potentially use both the beginning and the end of that thing. So, that's kind of fascinating.
324. 1:17:01That's good. That's interesting. This one's good. I heard Sydney is incredible. [laughter]
325. 1:17:15All right, that's good. That's fantastic. All right. Fantastic. Um, I suppose I should probably download
326. 1:17:28Let me download some clips and stitch them together because I don't think we need I don't think we have a ton that we
327. 1:17:34need because I'm doing this instead of doing it like um like a 45se secondond opening, I'm going to like cut it down to like 20. So, I
328. 1:17:44don't think we need a ton of uh footage.
329. 1:17:59>> Yeah, this one's interesting. We'll download this Tik Tok pin. Kyle falling into the file architecture. Just making sure the jank
330. 1:18:13doesn't embrace you. Yeah, I know. I know. It's You know what it is? It's the immediate gratification thing of like if
331. 1:18:21I take the time to move all this [ __ ] into the folder, I can't like be sticking it in the project and seeing
332. 1:18:27how cool it is. It's just it's just being a [ __ ] child is what it is. Time to grow up, Skippy. You're old enough now to know better.
333. 1:18:41>> [laughter] >> All right, let's go back to images because we also have to go we have to go d um whatever you call it. This one
334. 1:18:52we need to dessaturate this one. Download 2K. All right, that one we already did. Okay, so we'll go to Photo Slop.
335. 1:19:07We're going to open this bad boy up. Mhm. I'll tell you what. I'll [clears throat] tell you what.
336. 1:19:23Um, do I want No, I don't give a [ __ ] Okay. Because no one will care. No one will see it. No one will care. So, we're
337. 1:19:30going to go [clears throat] down.
338. 1:19:50[singing] [singing] Wolf man Clint in the house.
339. 1:20:04Future Kyle will love you for it. I know. Future Kyle's a pain in the ass. I think that Do I need to adjust the colors at
340. 1:20:19all? Those are bad. Is that it? I think that's it. Is that it? Maybe a little more saturated. I don't know. I don't [ __ ] know anymore.
341. 1:20:35I think that's a little better. So, if I go command Z, command Z. Wait, command Z. Yeah, command Z. Yeah, that's better.
342. 1:20:46That's better. That looks more natural. Okay. Okay. So, we'll just save that. And then we're going to go Oops. Save that.
343. 1:20:55And then we're going to go make We're going to go back to videos. We're going to go frames to video. And I'm in
344. 1:21:02flow.google is the site I'm on. Downloads. That's it there. And we'll say, why don't we do we'll do one where we'll
345. 1:21:18go camera pulls back and jibs up. [laughter] Wait, why did I not Where? Where is
346. 1:21:32that? That's it. Camera pulls back and jibs up.
347. 1:21:49We do not allow uploads of miners at this time. Are you [ __ ] kidding me? Where's a minor? Oh, there's two kids in
348. 1:21:58the front. God, seriously, [sighs] remove children.
349. 1:22:14I I mean, honest to God, it's like, if you're smart enough to [ __ ] cure cancer and solve physics problems,
350. 1:22:23you're smart enough to figure out that the context of this is I'm not making child porn for [ __ ] sake. God, [laughter]
351. 1:22:40please check your internet connection and try again. >> [sighs] >> God, we've encountered an issue with your
352. 1:22:51prompt. Oh, remove children. Now they've got an issue with me removing children. God damn it. [clears throat] Remove
353. 1:22:58people. How's that? Can we say remove people? Welcome to Friday Night Date Night, where you can watch a Gen Xer lose his
354. 1:23:07[ __ ] mind over ridiculousness. Come on. You can do it. You can do it. There we go. [laughter]
355. 1:23:23God damn it. Okay. Flatten image. [laughter] I I just I am just Come on.
356. 1:23:39I can't. I just can't. I just can't. Friday Night Fight Club. It's just unbelievable. Okay, let's try to let's let's go see if
357. 1:23:49we can get the image without the little children in it. Want to be safe. Listen, I'm not against safety guard rails. I'm
358. 1:23:56not. But like seriously, there are two children in a sea of [ __ ] 50 people outside of Broadway theater. You can't do some analysis on
359. 1:24:07anything other than that they're kids. [laughter] What'd you do Friday night? Uh yeah, I don't It's a little upsetting. I Yeah, I
360. 1:24:18was spent a lot of time watching someone trying to use Photoshop and it was it was painful. He couldn't use Photoshop.
361. 1:24:26He was okay at Photoshop. He just got very angry at the technology. Didn't make any sense. Okay. images. Uh, we're going to go
362. 1:24:36create image, right? No, we're going to go create video frames to video. And we're going to go grab, and I don't mean grab like, you know,
363. 1:24:47grab grab someone by the ass. [laughter] There's enough semi-pornographic video being produced on this live already. [laughter]
364. 1:25:03[sighs] I'm good. I'm good. It's going to be okay. It's going to be okay. [clears throat] Mhm. That's fant. Oh, look. It It accepted it.
365. 1:25:20Okay. Camera. So, wait. I got to go to videos. Camera. No, this one I want. What do I want here? Yeah. camera pulls back and jibs up as
366. 1:25:37the appreciative Broadway crowd assembles for the assembles to enter the theater
367. 1:25:51to enter the theater. [sighs] Is are we having fun? We're having fun, right? This is fun. This is the fun part, right?
368. 1:26:08I got lots of downloads. All right. Friday night date night fight. [laughter] It most certainly is. Oh my god. I mean,
369. 1:26:23I'm not wrong, right? Could could could throw me a bone here. I mean, like seriously, it knows what we're making. I'm making
370. 1:26:34like image after image after image of crowds in Time Square, of a marquee, of a poster, of a play, and it made the image that it then said
371. 1:26:46I couldn't upload because it had kids in it. [laughter] Thank God. [gasps] [laughter] I do declare I'm a little forclamped.
372. 1:27:02Oh my. I believe I have the shivers. [laughter] Good lord people.
373. 1:27:16That's cool though. I like that. Oh, we should do it again though because it it's got a typo in the can't hear. Oh, yeah. That of course.
374. 1:27:27Okay, let me I'm going to just redo that that prompt and just we'll just do another one. Um, okay. So, now we're going to go move
375. 1:27:37assets into the correct folders because I'm a professional responsible person. So that's a JPEG. Okay, that's the one we just did. Is
376. 1:27:52this the one with the No, we we removed the children. Thank goodness. No children no children were harmed in the
377. 1:28:00in the making of this this stupid [ __ ] 20 second promo. [laughter] Thank god the world is safe from the likes of me.
378. 1:28:14I I right. Am I right? It's not me. Right. Please will help. Honest to God.
379. 1:28:32That one we already have. I think that one we just got. >> I heard >> that we have. Okay. All right. So, now let's see what we got
380. 1:28:44here. This one's got cool [ __ ] in the sky. Oh, no. Oh, that's cool. What that did? Wait. Yeah, that's cool. Okay, so this one.
381. 1:28:55Let's grab this. Wait, what do we have here? We got We're zooming in on that. Oh, yeah. Then we can go zoop to the right and go down the
382. 1:29:04street. I like that. So, we'll start it right there in we'll just drag this bad boy down here. Oh, we're going to pull the audio out.
383. 1:29:19Well, we're not going to pull it all the way out, are we? We're going to pull it down a little bit. >> [music]
384. 1:29:38[music] >> Yeah, that Wait, we'll shorten the front of that a little bit. We'll get it right there and
385. 1:29:47then we'll throw some transitions. Oh, you know what else we need to do? No, Kyle, it would be nice if you told us. I
386. 1:29:53will. Calm down, everybody. Calm down. I don't know why you're so aggressive tonight. [laughter] Do as I say, not as I do.
387. 1:30:08Shut up, champ. I don't need to hear it from you, too. He seemed a little aggressive, you know. It's it No, I the the show's
388. 1:30:17semi-educational. No. And it's No. And it's it is it's it's semientertaining and semi-educational. It's just
389. 1:30:24occasionally gets a little aggressive. It's there's a I think I think he may have anger issues. It's there's a little
390. 1:30:31bit of a there's a little bit of the devil in him. He's just a He's devilish. You know what I'm saying? It's just
391. 1:30:39crazy. Anyway, it's No, but I Oh, I probably watched 10 or 10 or so hours a week of of him. Yeah. No, I I No, I um I
392. 1:30:51I understand. I I I probably need help, too. No, it's But it's not a thing. No, it's not it's not unhealthy. Defin
393. 1:31:00Champ. Champ, come on, man. What's up? Are you looking for cheese? You looking for cheese? What's wrong, buddy? No. No. Am I boring
394. 1:31:12you? [laughter] There's help for that. I probably need help, too. [laughter] Okay. All right, people. Everyone, calm
395. 1:31:24down. This We're going to be fine. Everything's going to be fine. It's going to be awesome. It's going to be so awesome. You don't
396. 1:31:30even know how awesome it's going to be. Where's my ticket? There's my ticket. Okay. So, ticket. There's our ticket. Here's
397. 1:31:42[clears throat] our That one's done. That one's done. Right. This one we're going to do Oh, I know what we're going to do. We're going to
398. 1:31:51do cross dissolves. I know what I need in here. I need >> [laughter] >> Champ. Champ. Here we're going to do We're not doing a
399. 1:32:04cross dissolve. We're going to What do you want? You want out? All right. Hang on. We're going to do a cross blur.
400. 1:32:10Boom. All right. Hold. Please. Come on. Come on. Ch. You're talking.
401. 1:32:24I'll be right there. I'm excited for this new version. Okay, so let's click on this. Let's go to our
402. 1:32:40Ken Burns effect. And we'll do this a little bigger. And we'll slide this down here. And then what that should look like.
403. 1:33:01[music] Oh, but I lost my Okay, wait. We can We have the technology. We can Let's make this shorter.
404. 1:33:16Let me make this zoom in a little bit. Yeah, I think we I think we've got enough footage for the whole thing now.
405. 1:33:33Let's see. >> [music]
406. 1:33:47>> That's really cool. Do that there. Let's go grab another one. Oh, yeah. This Oh, this one's got this cool sky [ __ ] in it.
407. 1:34:01Um
408. 1:34:19Oh, let's throw in a little taxi. Let's do this. We'll throw in a little jet just right there. That right. So, we'll
409. 1:34:28go Yeah. from. We'll start it there and we'll do a little hat and a hat. So, as this goes down the street,
410. 1:34:41we'll grab this thing. Drop it here. Just a little bit of movement. Right. Turning.
411. 1:34:55All right. We're going to cross dissolve into that bad boy. And then [sighs] then we got this thing, which the color here is weird. Let's go
412. 1:35:10fix the color, shall we? Where's Where's my color? Here's color. Let's go a little more saturated, shall we?
413. 1:35:24That's not good. Does these look like they're in the same story? That one looks a little
414. 1:35:39different. I think this needs to go here.
415. 1:35:54Just calm down everyone. Just everybody calm down. There's northern lights. There's northern lights on that one.
416. 1:36:09Okay. Okay. Where are we going to put this?
417. 1:36:29Oh yeah, that's cool. Looks cool. It's cool. We just got to get the timing right. Everybody, everybody just calm
418. 1:36:36down. It's going to be good. >> [music]
419. 1:36:52>> Wait. Okay, this needs to be the transition stuff.
420. 1:37:07[music] Wait. >> [music]
421. 1:37:36[music] >> All All right. And then we're on the block with the Broadway people right here. No, not that one. This one
422. 1:37:48with all the Australians walking out going criy. [laughter] Okay. And then and then we'll go to about there
423. 1:38:03and we'll drop that bad boy in. That's a little long, isn't it? All right. We may have to cut the front of that thing off. I think
424. 1:38:15we're gonna pull down the audio. Yeah, that's good. Transitions cross dissolve. All right, let's see what we got so far
425. 1:38:30here. You want to see it big. [music] [music]
426. 1:38:49Yeah, that's good. It's cool. It's cool. It's cool. All right. >> [laughter] >> I like that guy being being all happy.
427. 1:39:06They're all happy. They're all happy, aren't they? [music]
428. 1:39:21Okay. So now we'll do this guy and then we'll do is this it yeah this will be the end. [sighs] So this goes to about there there
429. 1:39:42and then this. [clears throat] So we'll go transition transition
430. 1:39:59right there. Okay. And then we'll do this right here. [snorts] [music] >> Incredible. This is my first time at the Broadway Theater.
431. 1:40:14>> [laughter] >> This is my first time at the Broadway theater. [laughter] I think I might keep a little of that in there. [music]
432. 1:40:31[music] This is my first time.
433. 1:40:48>> There we go. All right, I think we're done. Let me just We'll do some final timing [ __ ] [music] [music]
434. 1:41:12This is my first time at the Broadway theater. [laughter] >> This is my first time at a Broadway theater. Um, okay. So, now what I got to
435. 1:41:21do is download this share file. We're done. This is done. That was That didn't take as long as I thought it would. Um, partially because
436. 1:41:32I cut it from 45 seconds down to 20. Um, but it but it it communicates what we needed to communicate. This [ __ ]
437. 1:41:40show is going to be on Broadway. That's all we need anyone to know. If you didn't think this show was going to be
438. 1:41:45on Broadway, you couldn't have watched that video of it already on Broadway, could you? No. Because there's no
439. 1:41:54artificial intelligence technology that would allow us to just make it like it's on Broadway. You'd actually have to be
440. 1:42:00on Broadway. You understand how this works, people? It's called manifestation. Good Lord. Whatever you do though, don't have small
441. 1:42:10children in the crowd. It's dangerous. Children are dangerous. If we've learned one thing tonight, watch out for the kids.
442. 1:42:20They're very dangerous. They've got like hopes and dreams. We can't have that. Okay. [laughter]
443. 1:42:35>> [laughter] >> Okay. Sydney Broadway opening 2.2. Save. All right. So now that's exporting. And then what we're going to do is we're
444. 1:42:44going to import the export. We're exporting this. We're going to import the export into the larger project. The
445. 1:42:52vapor. My dear, I do have the vaporas. [laughter] and scene. [laughter] [gasps] Oh my god.
446. 1:43:08[clears throat] It's my first time at the Broadway Theater. All right. Did that done? That did. Did Did that done? Did that done? Yes, that
447. 1:43:23did. Done. Okay. So watch, watch and learn. Okay, here we go. So now
448. 1:43:38we're going to go out here. We're going to go find our Data. [panting]
449. 1:44:01[music] [music]
450. 1:44:17>> This is my first time in the Broadway theater. >> [laughter] >> Okay. Boom. We drop that bad boy in
451. 1:44:23there. And we just take this whole thing and we smack it right down here. Let's see. Where do we Where do we put this?
452. 1:44:32Wait, how do I do this? Hold, please. I don't know what I'm doing. One of the things that sometimes happens is that
453. 1:44:39you realize you're you're fundamentally not trained right. What just happened? What did I just do? No, I didn't want to do that. I want it
454. 1:44:54to be H. [clears throat] How do I Can I put it before this? No.
455. 1:45:10Today we're looking at something a little different. Uh, a new can I h All right, hang on people. One
456. 1:45:23of the things I'm realizing right now is I don't know what I'm doing. [laughter] [laughter] It happens. Um,
457. 1:45:42Can I Why [clears throat] does anybody know iMovie?
458. 1:45:58Um, how do I backgrounds? Let's see. We grab [clears throat] that and plop that in there.
459. 1:46:17Oh, I know what I I I know what to do. I think next week we'll talk about AI in the AI learning lab. This was all AI tonight.
460. 1:46:28We did lots of AI stuff tonight. Okay. Oops. That didn't do what I wanted it to do, did it?
461. 1:46:46Okay. Now, this moves out here. Okay. Today, we're looking at something a little different. Uh, okay. Today, we're
462. 1:46:59looking at something a little different. Uh, a new musical called Sydney. Okay. So, now we're going to do a
463. 1:47:12transition. We're going to do a cross dissolve into that thing. Okay.
464. 1:47:29>> This is my first time at [music] the Broadway Theater. It's my first time at the Broadway Theater. Um, I guess we could just
465. 1:47:39transition straight into this thing, right? Let's see. [snorts] A new musical called Sydney. Musical called Sydney, an artificial
466. 1:47:53love story. a new musical called Sydney, an artificial love Sydney, an artificial love. And it's this really compelling story
467. 1:48:08about um hang on a sec. Today we're looking at something a little different. A a new
468. 1:48:26New musical called Sydney. A new musical called Sydney. An artificial love story.
469. 1:48:47[music] >> Today we're looking at something a little different. Uh a new music. I >> think that does need to go to black. Hang on.
470. 1:49:06Uh oh. Where did that go? What did I do? What did I do? What did I do? Did I [ __ ] this up? It's possible I [ __ ]
471. 1:49:14>> this really compelling story about a tech reporter who gets involved with an >> and it's this really compelling story
472. 1:49:28and it's this really compelling story of >> and it's this an artificial love story >> and it's
473. 1:49:52Let's see where
474. 1:50:14>> [singing] [music] >> of faith we're all taking. Is it too good to be true? We wonder. [singing] Hopes and fears, [music]
475. 1:50:26crashing like thunder. Too good to be true. Or so it seems [singing] in the maze of cold.
476. 1:50:54Oh, I know what's going on, I think. Yeah, that's what it is. No. What the [ __ ] >> This is my first time in the Broadway theater.
477. 1:51:14>> Yeah. Okay. It is sticking them at the end. Okay. Can I do it this way? Yes. Jesus Christ. Okayh. [laughter]
478. 1:51:33[clears throat] This is my first time in the [music] Broadway theater. >> Okay.
479. 1:51:54[clears throat] Broadway theater. Okay. And then today
480. 1:52:17we're looking at something a little different. Uh a new musical called Sydney, an artificial love story. And
481. 1:52:22it's this really compelling story about a tech reporter who gets involved with an advanced AI. >> This isn't science fiction anymore. This
482. 1:52:29is a story for right now about our relation awe of seeing something that could change everything is >> all right. Now let's
483. 1:52:55>> [music] >> My first time in the Broadway theater. [laughter] >> Today we're looking at something a
484. 1:53:10little different. Uh a new musical called Sydney. [laughter] Uh, it's the little things. H, that makes me very happy. It's my
485. 1:53:21first time at the Broadway Theater. [laughter] All right, let's uh let's let's let's shall we? All right, I'll let you watch it like this.
486. 1:53:35[clears throat] >> [music]
487. 1:54:00>> This is my first time. >> I think that Oh, that shot's a little Whatever. [music] This is my first time in the Broadway theater.
488. 1:54:12>> Today we're looking at something a little different. Uh a new musical called Sydney, an artificial love story.
489. 1:54:17>> And it's this really compelling story about a tech reporter who >> I think we could still go shorter here. >> Like
490. 1:54:33let's do this as 0.5. Let's do this as.75. We'll shorten this as much as we can. >> This is my first time [music] in the Broadway theater.
491. 1:54:48>> Today we're look Today we're looking at something a little different. uh a new musical
492. 1:55:04today. Today Today we're looking at something a little different, a new musical called Sydney, an artificial love story,
493. 1:55:14>> and it's this really compelling story about a tech reporter who gets involved with an advanced AI. >> This isn't science.
494. 1:55:28a new musical called Sydney, an artificial love story. >> And it's this really compelling story about a tech reporter who gets involved
495. 1:55:35with an advanced AI. >> Is the opening number too good to be true? [singing] [music] [singing] >> Almost immediately you see the
496. 1:55:50but then almost immediately you see the corporate hubers kick in. The CEO Barrage, he sees dollar signs. He wants to launch now.
497. 1:55:57>> And Jason, he's pleading for six months of safety testing. Six months. >> And Vrage gives him seven days. Just seven.
498. 1:56:07>> Seven days ago. The clock is ticking. Ticking. Pressure building up. Let's make [music] this code.
499. 1:56:16>> So that corporate ambition immediately creates collateral damage in the human world. >> We meet Kellen, the tech reporter. He
500. 1:56:22sees this is the story of a lifetime. So he cancels a huge long planned trip with his wife Tara. And we hear that argument
501. 1:56:28in the song later which is just it's this painful fight about constantly postponing your [music] life.
502. 1:56:34>> But the promise is broken. The false weed don't get patched up in a few sessions.
503. 1:56:50>> What the [ __ ] just happened there? Rut roware [music] think
504. 1:57:14[music] gets this really poignant song the little things where she's just reflecting on how their connection is
505. 1:57:21slowly eroding It's the human cost of all this ambition. [music] >> All right. So, that's [ __ ] up. Okay,
506. 1:57:29I'm going to have to fix this. I won't I won't take your more of your time to do this. Anyway, I'm happy with the opening. [music]
507. 1:57:48[music] >> [music] >> Today we're looking at something a
508. 1:58:02little different. Okay. All right. I'm going to have to go fix that. But [clears throat and cough] um let me be done. Let me be done now,
509. 1:58:12shall we? [laughter] Oh, there's always work to do. Anyway, um
510. 1:58:27I hope you're all playing along, doing your own thing. Um over the weekend, I think I'd encourage you just to spend
511. 1:58:40some time thinking about what are the what are the things you like and want to do. just get in touch with who you are
512. 1:58:48and what you want to do. Um, and then think about ways that you can use AI to amplify that. And if you're already on
513. 1:58:58the path, great. Just, you know, keeping in touch with it. And if you're not, worry less about AI [clears throat]
514. 1:59:05skills and more about your creative point of view because I think that's going to get increasingly important uh as uh
515. 1:59:15as this crazy world of ours uh does whatever it's going to do in 2026. I think it's going to be kind of bonkers.
516. 1:59:22So anyway, um cool. Anyone have any questions, thoughts before I go? [clears throat]
517. 1:59:36All right. Beautiful. Beautiful people. All right. All right. Everyone have a fantastic weekend. I will see you on
518. 1:59:44Monday. All right. Peace out.