12/11/2025 - Taking One Song and Remixing It Into Many Genres Using Suno AI

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0:07 Sun.
0:34 Sun came up. It was another day.
0:57 Drunk give me angels.
1:03 You're on the other side.
1:07 Drunk angels.
1:13 Woohoo!
1:34 Girl, you're looking
1:38 fine tonight.
1:42 Every fellas got you in his sight.
1:49 What you doing with clown like me?
1:58 Surely one of life's little
2:01 mystery.
2:03 So tonight
2:08 stars above.
2:12 How did I ever hear your
2:18 What did I do?
2:22 What did I say
2:25 to turn your angel eyes
2:30 my way?
2:35 I'm the guy that never learned to dance.
2:44 Never even got
2:46 second glass.
2:50 What you doing with a clown like me?
2:56 Surely
2:57 one of life's little
3:00 mystery.
3:02 So tonight I ask
3:07 the stars above,
3:11 how did I
3:15 love?
3:19 >> What did I do?
3:25 What did I say
3:29 to turn your angel ass
3:33 my way?
4:11 How's everybody doing?
4:14 How is everybody
4:17 flipping doing?
4:31 I wonder what Sununo would do with a
4:33 shitty broken chord progression.
4:37 That's something worth exploring,
4:39 wouldn't you say? No one's here yet. We
4:41 can just [ __ ] around.
4:43 Um, let me do this. Let me do that so
4:46 you can see my screen. Be like, "Kyle,
4:47 we can't see the screen. Could you
4:49 please could you please adjust your your
4:51 layout so those of us on the Tik Tok can
4:54 see the
4:58 fl
5:15 All
5:26 right, that's good. That's horrible. All
5:28 right, let's get let's get pseudo on the
5:30 case here.
5:35 Site can't be reached. Uh oh. Warner
5:36 Brothers has had their way with them.
5:39 All right, now it's good. All right,
5:41 we're going to do simple.
5:43 Let's see. Song description.
5:46 Well, wait. We need Oh, we need custom.
5:48 We need audio plus audio. We're going to
5:50 record. All right. Here we go. This is
5:52 going to be so good. 8 minute limit.
5:54 We're not going to need that much time.
6:08 Storybine Automagic microphone is not
6:10 available. I don't want you to use it.
6:15 What is going on with my audio sound
6:19 settings?
6:22 Good lord. Virtual microphone.
6:27 Oh, that's output. Let's see. Input
6:31 USB. We're there. Hello. Testing.
6:35 Testing.
6:39 Play sound effects through.
6:46 Testing, testing.
6:48 No. Start over.
6:51 Testing. Testing. It's not recording.
6:54 What is going on? All right, let's
6:56 switch the microphone to
7:06 uh I am I am I am
7:09 I am flumxed people.
7:13 Sound settings.
7:15 Let's go to built-in microphone.
7:22 MacBook Pro. Hello. Test. Test. Test.
7:25 Testing. Testing. Testing. Testing.
7:28 Testing. Fine.
7:36 This is why we can't have nice things,
7:38 isn't it?
7:43 Can you hear me now? Can you hear me
7:45 now? Nope.
7:54 Yeah.
7:57 If anybody knows anyone at Apple
8:11 Uh, we would have done something fun
8:13 right there, but we can't we can't have
8:15 nice things because Apple decided that
8:17 they're going to make it easier for us.
8:19 And whenever we go to record something,
8:22 we're going to throw it over to the
8:23 telephone that's nearby, but not have it
8:26 work.
8:28 That's that's uh that's some solid
8:32 management right there. That's solid.
8:37 Mayono PDX300.
8:40 Wait. Oh no. No. MacBook Pro speakers.
8:45 Sound settings.
8:48 Input.
8:50 Mayono. Test test test.
8:53 All right. You can all hear me. You can
8:56 hear me good. Hello from Arkansas.
8:59 Welcome, welcome, welcome, welcome. I
9:02 also have it. Um,
9:04 not much difference in writing.
9:11 Yeah. I don't know if if anyone do you
9:15 It feels different, right? Like the
9:17 world's not the same,
9:19 right? You feel it. You can feel it,
9:22 right?
9:24 No, not the solar flares. Not the solar
9:27 flares.
9:29 Chat GPT 5.2 came out. Like it feels
9:32 different, right?
9:34 Can you can feel the AGI, right?
10:15 Oh, I bet I know what I need to do. I
10:17 bet I need to reload the page.
10:25 Audio record.
10:28 Testing. Testing. Can anybody hear this?
10:31 No.
10:36 All right. I don't know. I don't know.
10:45 Anti-gravity infusion.
10:55 Oh, wait. Let's Let's not do that look
10:57 and feel. We're not showing anything.
10:59 Oh, we were showing something.
11:02 Um,
11:06 hey, producer Brandon, hop up on stage
11:08 here for a second.
11:14 So, if someone wanted to come up, if we
11:16 wanted to do the thing that you talked
11:19 about, I would just have them reach out
11:21 to you.
11:23 >> Yep.
11:24 >> Okay. So, here's what we're going to do.
11:26 Producer Brandon came up with a fun
11:28 idea.
11:30 If anyone on the call wants to, if
11:32 you've got a project you're working on
11:35 or you've got, you're stuck with
11:37 something or you just want to do some
11:39 coaching,
11:40 um, how do they reach out to you? Just
11:43 DM me in the AI salon.
11:46 >> DM Brandon on the AI salon. So if if
11:49 you're on the AI salon, so you you have
11:50 to know what the AI salon is to be able
11:52 to do this. I think that's a good that's
11:53 a good details.
11:55 >> That's it's a minor detail, but I think
11:56 that's a good reason to join the AI
11:58 salon. If if you're in the AI salon, DM
12:00 Brandon
12:02 >> and what I'll do is I'll bring you up
12:04 and we'll just we'll have a conversation
12:06 and then if there's questions to answer,
12:09 cool. if we need to go play with
12:11 something and look at things and talk
12:12 about it, we can do that, too. So, if
12:14 any of you have some sort of um project
12:18 you're working on or something cool,
12:20 DM Brandon and then I'll bring you up.
12:22 We'll do we'll do this we'll do this
12:24 interactive style, right?
12:27 >> Why not?
12:28 >> All right. And while you're in there,
12:30 you can register for festivist at
12:32 afestivist.com
12:34 and submit your entry for the AI
12:39 Salons's Got Talent in the challenges
12:40 and competition section because the
12:42 deadline to submit is rapidly
12:43 approaching on Sunday.
12:45 >> Yeah, Sunday. Sunday. AI's got AI
12:47 Salon's Got Talent. Salon's Got Talent.
12:50 Uh go to challenges and competitions.
12:53 Get your stuff in there. Make some
12:54 stuff. Make some stuff. Just go do it.
12:57 There's no restriction other than you
12:59 have to have made it with AI. All right.
13:01 Beautiful. All right.
13:05 So, we'll do that. I guess we'll go look
13:07 at chat GPT 5.2. Um, the benchmarks look
13:12 good. I I don't give too many shits
13:15 about it.
13:18 I used to get all excited this time of
13:20 year for OpenAI launches like last year.
13:25 But but
13:30 >> although Kyle, I will say I am
13:32 disappointed in Mr. Sam Alman.
13:35 >> What did you do?
13:36 >> Last year we had 12 days of shipments.
13:39 >> Yeah.
13:40 >> And today with the launch of 5.2 he says
13:43 10 years. It's a full time coming. I'm
13:45 so excited. And don't worry, we have a
13:48 few more Christmas gifts for you next
13:51 week. Said, Sam, buddy, it's Hanukkah
13:56 next week. We need eight nights of
14:00 lunch.
14:02 >> I mean, it was right there.
14:04 >> All you had to do It was right there.
14:06 Yeah, it's Yeah, that's that's that's a
14:09 wasted opportunity.
14:12 But but maybe they don't.
14:13 >> It's hard to believe that Sam has been
14:15 working for 10 years at OpenAI and this
14:20 is where we're at today.
14:24 I I will say I am happy that they
14:25 finally started doing it sequentially.
14:28 5.1 5.2. We're not doing like O's and
14:31 zeros and dashes.
14:34 So that's they've learned something in
14:36 the past 10 years.
14:39 All right, Groovy. All right. So anyway,
14:41 if anyone wants to come up on stage, DM
14:43 Brandon
14:45 uh in the in the salon and we'll bring
14:47 you up and we'll just hang out and talk
14:49 and do stuff like that. If not, then
14:50 I'll just do my normal thing. All right.
15:24 Hello.
15:32 Hello.
15:50 Yes.
15:56 Wow.
16:18 Greg Stokes, let's jam sometime.
16:21 I would be happy to.
16:24 I just I'm rather limited in my uh jam
16:28 ability,
16:31 but
16:32 Oh,
16:38 you and I here all alone.
16:43 Sunday morning here at home.
16:48 Sky's blue and the coffee strong. That's
16:51 true.
16:55 Then I open my eyes to a dream realized
17:00 in front of me.
17:05 And I haven't got a clue what in the
17:07 world is happening to me.
17:12 Think I think I'm happy
17:16 like first day of summer vacation. Happy
17:20 got to get a little rest, relaxation.
17:22 Happy
17:24 like choir on Sunday morning singing
17:27 true.
17:59 Oh. Oh, lordy lordy lordy. What are we
18:01 going to do tonight, people? Good people
18:04 of the day. Good people of the of the
18:07 Tik Tok and of the YouTube.
18:10 Um,
18:12 here's the biggest story of the day in
18:14 my opinion.
18:18 We seem to be at the same level of
18:20 guitarist. Lots of covers. Yeah. It's
18:23 like I'm I'm at the I've I've learned a
18:26 couple of decently hard songs to play
18:28 and sing and then haven't really
18:30 progressed much past that.
18:45 Is this Is this place I can rest my
18:49 forehead?
18:53 Gather my thoughts in sweet silence.
19:00 And this is a place where the feelings
19:03 aren't dead.
19:07 Running over exposure to violence.
19:11 Is this place I can slowly face. The
19:15 only one I truly can know.
19:19 These are tears from a long time ago.
19:23 Got these tears from a long time ago.
19:32 So, here's a here's a thing.
19:35 So, about 10 minutes ago, I said, "Hey,
19:37 if anyone wants to come up on stage and
19:39 just chitchat or show a project or ask
19:42 about a project or something like that,
19:44 just DM Brandon." No one's No one's DM'd
19:47 him yet.
19:48 I think we have some shy little bunnies
19:51 out there. T, are you being a shy little
19:54 bunny? Don't be a shy little bunny. You
19:56 know, I I I do this every night.
20:00 And do you think it's like it's just
20:02 like natural? It's not. So, you know,
20:08 um, one of the things that I'm learning
20:10 in the mastermind, so within the AI
20:12 salon, we've created this thing called
20:14 the AI salon mastermind practice. And
20:16 every Thursday, which today was, we we
20:18 have the AI salon practice lab
20:22 where we talk about our practi. That's
20:25 the plural of practice is practi.
20:27 Correct.
20:28 Practice.
20:32 And so we were talking about our practi
20:34 today and one of the things that
20:39 is coming up for a lot of people myself
20:42 included
20:44 is
20:45 all sorts of weird pockets where fear
20:48 shows up and I shared one last night. I
20:52 mean I shared one today about last
20:54 night. So, you know, last night, if you
20:56 were here last night, I made some cool
20:58 ads in the GenSpark designer, AI
21:01 designer, and they were really good.
21:05 What I didn't talk about in real time
21:07 was I didn't plan on going to GenSpark.
21:10 I didn't plan on going there at all. And
21:12 then just Brandon at one point, I ran
21:15 out of [ __ ] to say. And Brandon's like,
21:17 "Uh, uh, maybe you could go to Gen Spark
21:20 and look at that."
21:22 And I was like, well, I don't have
21:24 anything better to do. And I went there
21:26 and I had anxiety.
21:30 What was that about? Like, one of the
21:31 things that that doing a daily practice
21:33 around AI is doing for me, and it seems
21:36 to be doing it for everyone in the in
21:38 the program is is putting me in touch
21:42 with
21:44 like what's going on, like what's it
21:46 feel like? And so the reason I had
21:48 anxiety is because I hadn't been to
21:50 GenSpark in I don't know two months,
21:52 three months, some amount of time. And I
21:56 didn't want to look stupid is what it
21:58 came down to. So if you've got anxiety
22:01 about not coming up here because you're
22:02 like, I don't have anything to say.
22:04 Kyle's so he plays the guitar.
22:09 We're we're all, you know, human beings,
22:11 we're all just mortified that someone's
22:14 going to judge us.
22:16 So,
22:18 don't be mortified. DM Brandon, come on
22:20 up. Let's have a conversation. We can
22:22 just talk about [ __ ] too. We don't have
22:24 to do AI stuff.
22:46 Brandon said we can keep you camera off
22:48 if that helps. I do not. No, I do not
22:50 accept that. If you're going to come up
22:52 on stage, you're coming up camera
22:54 blaring with your hair. Look at Do you
22:57 see the hair that I sport on this show
23:00 on a regular basis? All right, Silver
23:02 Fox.
23:04 I'm shy. I'm a shy little bunny who's
23:06 lying in bed. No one wants to see this
23:08 right now. That's really good. Yeah.
23:12 So, A, you're a shy little bunny. B, you
23:14 might already be in bed. And you you
23:16 could be both. Silverf Fox is a She's a
23:18 double threat.
23:20 Shy little bunny and in bed. Not
23:23 presentable. That's good. I like it.
23:29 Oh, man. I just thought it would be
23:31 cool. And listen, I I just I know I just
23:33 sprung this on you tonight. It's like,
23:35 well, there's no time to prepare. I I
23:38 you know I need to prepare a topic to
23:40 discuss with Kyle. If I were brought up
23:42 on stage, I would have to have some
23:43 talking points. No, you don't.
23:50 Um,
24:02 I met my baby at the F club underneath
24:06 the time cafe on the corner of life and
24:10 four street late one Wednesday.
24:14 Is that right? No.
24:17 Uh,
24:19 she offered me uh something. I said,
24:21 "Baby, not a chance. I could go for a
24:24 tall ginger ale. How about we just
24:26 dance?" We did the boom shaboom, the
24:29 dody mocha, and the nitty-gritty. We did
24:32 the hoochie coo, the lazy ballerina.
24:35 Baby made me feel like I'm a California
24:36 dreamer. Yeah.
24:41 Oh yeah.
24:49 Is there any way to use MidJourney for
24:52 free? Andrea, yes. We covered this last
24:56 night. We covered it two weeks ago. Um,
25:00 yes. Follow me. Follow me. Do you
25:04 remember the game Oddworld? Follow me.
25:07 Um, Oddworld was a cool game in the 90s,
25:11 man. It was so cool.
25:14 We're gonna go to MetaMa.ai.
25:18 And you're like, "Wait a wait a minute
25:20 there, Mr. Shannon. Isn't that Mark
25:22 Zuckerberg's company, the Meta company?
25:26 I don't support his practices." Well, I
25:28 don't either, but he gives you free
25:30 midjourney. So, you come here and then
25:32 on the left hand side, you go to create.
25:34 You can also just prompt it and tell it
25:36 to make an image. But if you go to
25:38 create,
25:40 it flips you into a creative
25:43 interface.
25:45 And it's good. This is a really good
25:49 interface. And it's it's really um
25:54 it's a good interface. It It is That's
25:57 the one bad thing is you can't scroll up
26:00 and down.
26:05 Jogo
26:13 down down.
26:26 Um, this is all it's all midjourney. And
26:28 if you're like, "But Kyle, how do we
26:30 know it's midjourney?" Are you sure it's
26:32 midjourney? Yes. Watch Tik Tok question.
26:36 My god, the mediocrity continues.
26:42 The mediocrity of what? My guitar
26:44 playing.
26:53 I just play for the dog.
27:08 down. Um, so let me show you a cool
27:11 thing you can do here on um
27:15 on meta. So if you come here, you close
27:18 that down
27:20 and
27:22 you can, if we flip over to MidJourney
27:25 itself, if you go to the Midjourney
27:27 site,
27:28 this is um these are all style
27:32 references. So we can take some really
27:33 specific style reference here.
27:37 Let's say this one's good. Um this black
27:41 and white one, that's pretty good. So,
27:43 we'll grab that number
27:47 and then we can head over to meta
27:57 and then we can click on the aesthetics
28:00 tab and there's a little code box here.
28:03 You can put the code in and then you can
28:06 just say something like um
28:10 what did you say? The mediocrity
28:11 continues. Let's do that as a prompt.
28:14 The mediocrity
28:17 continues.
28:20 Let's make something horrible. Well,
28:23 let's make something nearly horrible
28:27 for for our fine guests. Oh, and I
28:30 didn't put in I didn't put in the uh
28:34 um where's the Did that generate
28:37 something?
28:40 photorealistic cinematic.
28:43 Why did that not go? Um, the mediocrity
28:48 continues.
28:51 Oh, yeah. The aesthetics are here. Okay.
28:53 Yeah, that was it. It was there.
29:00 Why is that not working? It was working
29:02 last night.
29:04 I have a feeling my browser has done
29:06 [ __ ] to bed. The mediocrity
29:10 continues.
29:25 Nope, that's not working. I think my
29:28 browser has done crapped out.
29:55 But I'm able to do some stuff from my
29:57 phone.
29:59 Found out last night. Really need to go
30:01 to the PC.
30:26 There's a little teapot, short and
30:29 stout.
30:32 There is my handle. There is my spout.
30:36 Carrying on.
30:51 Some people just need to be miserable.
30:56 Can you show me how to make something
30:57 with the mood board I built?
31:00 Start with how I find my code. Yes, we
31:03 could do that. Cindy [ __ ]
31:06 let's go do that. Let's go over to
31:08 Midjourney. I think MidJourney is going
31:10 to work, but um my my browser seems to
31:14 be in a bad state. Oh, wait. Oh, I'm not
31:17 sharing. Um okay. So
31:22 in Midjourney,
31:25 they used to be under the
31:27 personalization tab, mood boards, but
31:29 they now have their own tab. So you can
31:31 go to personalize. So, personalization
31:34 is just like if if you've uh if you've
31:38 used personalization,
31:42 the way you set it up is it gives you
31:44 two images and and you you either select
31:47 the one on the left, the one on the
31:49 right. Um or you hit number I'm I'm on
31:51 the numeric keypad. So, one is left, two
31:55 is right, and three is skip. So, I'll go
31:57 two here. I'll go two here. I'll go two
32:02 here.
32:05 Two here. I probably shouldn't have done
32:06 that. Two. I don't know why I like all
32:08 the twos. I'm going to skip that. I
32:10 don't like either. I like one there.
32:13 Like one there. I like two there. So,
32:16 you just do that. So, as you're as
32:17 you're grading these things, it's
32:19 building a personality for you. So, you
32:21 can turn personalization on and off. So,
32:23 that's a thing to do. Go to
32:25 personalization. You can turn it on or
32:27 off. And then that's that. Now, mood
32:29 boards are similar except what you do
32:32 with a mood board is you upload a
32:35 specific pile of images,
32:38 right?
32:39 And let's see if I go back to the main
32:42 mood board thing. Let's see if I select
32:46 this. Let me get rid of this.
33:00 Af from Gallow uh using prompt. There we
33:03 go. Okay. Okay. So, here's how you do
33:05 it. Um
33:07 Cindy, you go into
33:11 is that copy?
33:14 Rename view creations create. What's
33:16 that? That's copy. Okay. Okay. Yeah,
33:18 their their their interface here is a
33:20 little shitty. Okay. So, so if we want
33:23 to do something like this is a really
33:26 specific one that we did for the AI
33:28 readiness project, right? So, this is I
33:31 think these are images that Vicky
33:32 Baptist put together. And so, if we want
33:35 to do things that look like those images
33:37 out on this level, I can click on the
33:40 little copy, the little copy icon right
33:43 at the bottom here, and that will copy
33:46 it into my prompt.
33:49 Let's see. right up here. It's
33:51 underneath the live the live label
33:53 there. But
33:56 parking lot. Uh
34:00 do you guys know how guys make the
34:02 covers for old music without copyright
34:04 on Sunno?
34:08 Um I don't know what you mean without
34:10 copyright.
34:13 You can just upload a song and it'll
34:15 make a song. Okay. Okay. So anyway, so
34:17 now I've got that d-p
34:19 I've got that code in there. So that's
34:21 your mood boat mood board code. And
34:24 what's [ __ ] up about midjourney is I'm
34:26 going to put in here, what was it? Um,
34:29 the mediocrity continues. The mediocrity
34:37 continues. I don't know why that's
34:39 cracking me up tonight. Probably because
34:41 it's true.
34:46 Mediocrity continues. Um, all right. So,
34:50 I'm going to generate that. And now, if
34:53 I come out here to create,
34:57 the mood board is
35:00 over here to the side,
35:03 but they change it. So, so when you when
35:06 you first put a mood board in from the
35:08 mood board page, it's got a big long
35:11 code and then when it actually makes the
35:13 image, it changes that big long code
35:15 into a name. And in this case, it's AI
35:18 readiness.
35:19 So, if I want to reuse the AI readiness
35:22 mood board code, I click on it and now
35:24 it gives me a short a short code. So,
35:28 there's three different names for mood
35:30 boards. But anyway, here's the, you
35:32 know, here's images generated from the
35:34 mediocrity continues.
35:37 I think that one's pretty good. Her eyes
35:39 are a little weird and offc center.
35:41 That's kind of a solid mediocre image,
35:45 right? Cindy [ __ ] does that answer your
35:48 question?
35:55 Oh, yes. Except we're not using this
35:57 mood board anymore for the AI readiness
35:59 project. Yeah, but we we still on the on
36:01 the podcast we still have these graphics
36:03 in there cuz I just haven't changed them
36:04 out. Covers cover old songs without
36:08 violating copyright
36:12 on the OG song. Well, I think if you
36:15 cover a song,
36:17 if you cover a song
36:21 and you perform it, technically you owe
36:24 money, right? Like technically like all
36:28 that Martin Ston and John Hyatt [ __ ]
36:30 that I sing I should be paying for. I
36:33 assume I think like it's a performance
36:37 royalty, right?
36:40 I forget how that works, but you know, I
36:42 don't have a big enough audience that
36:44 they would give a [ __ ] I think it's
36:46 kind of the same thing with Sunno. You
36:48 just upload a song to it and tell it to
36:50 make a cover. Um,
36:57 I know I can I can show you. Um, we'll
37:00 go here.
37:11 So, I did a whole album.
37:16 Um,
37:24 what did I do? What did I do? Weird
37:26 Mary.
37:29 Um,
37:31 oh, no. You know what? What one I'll
37:32 show you is um
37:35 uh uh uh uh trouble
37:40 trouble trouble trouble trouble trouble
37:44 trouble.
38:04 Okay. So, let me share this. So, this
38:07 you'll you'll hear this is a song. This
38:09 is a song that I wrote and this is a
38:11 really crappy recording of it where I
38:13 was just trying to get the song. This is
38:15 this is like like a voice me
38:22 standing between
38:25 you and a hard place is insane.
38:31 Standing too near
38:34 you in a fire makes it clear.
38:39 All right. So, decently horrible, but
38:42 you know, decent song. Um, so now I'm
38:46 just going to go remix and edit. And
38:48 then I'll go cover. And so it's got my
38:52 recording in there now. And then there's
38:54 my little lyrics. And then here's the
38:56 style. So let's see. It's got band
39:00 medieval metal. Let's do it as a
39:02 medieval metal song.
39:05 Let's continue the the uh parade of
39:08 mediocrity.
39:10 Um
39:11 and comedy rap. Medieval metal and
39:14 comedy rap. Let's see what we get.
39:19 And that's it. That's that's basically
39:21 what you do. So, you upload a song, you
39:23 pick a genre, and then uh and then
39:26 you're off to the races. Um in terms of
39:29 if you're if you're violating someone
39:30 else's copyright, that's on you. just
39:33 because you can do it. Um, now
39:37 if you make like a country version of a
39:39 hit song, is is someone going to come
39:41 after you? They may or may not. You
39:43 might get cease and desisted.
39:46 Um,
39:48 but I don't know that there's a way to
39:50 do it and not violate their copyright
39:52 because it's their song.
40:07 Standing between
40:10 you and a hard place is insane.
40:16 standing too near
40:20 you and a fire makes it clear
40:26 your trouble to me.
40:30 All right, that's not good. Let me do
40:31 advanced
40:34 advanced options because we want to make
40:36 it not sound so much like the original.
40:39 So, we're going to go style influence is
40:42 86%.
40:43 Weirdness
40:45 70%.
40:46 Audio influence, we're going to lower
40:49 that to 15%.
40:51 And then let's do let's do some other
40:54 style. Let's see. That medieval metal
40:57 was crap.
40:59 Club vibes. Classic rock. Offbeat and
41:03 mystic and grime.
41:08 That's good. create.
41:13 I'm now an hour closer. Yay. No more
41:15 East Coast time. Oh, that's great. Yeah,
41:18 I I don't really I I didn't really take
41:22 the East Coast into effect when I
41:24 decided to do do these shows. I didn't
41:26 think anyone was going to come hang out
41:27 on these shows quite quite honestly. So,
41:58 I'm running with you.
42:01 You and I are places insane.
42:08 Standing to near
42:11 you and a fire makes it clear
42:20 to me.
42:25 Real trouble. Can't you see?
42:31 Leaning
42:33 smelling
42:35 your perfume scares me.
42:41 Leaning away.
42:45 It feels stronger every day.
42:52 Real trouble for you.
42:59 Real trouble. Can't you see?
43:09 >> That's crazy.
43:30 What's that drummer's name? There's a
43:32 kid drummer there. There's There's a
43:34 kid. There's like this 16-year-old
43:37 drummer and this 17-year-old keyboarder.
43:40 She's she's a woman. He's He's a boy.
43:43 They're young young people. And she
43:46 plays these crazy jazz chords. And he
43:49 plays drums that sound just like this.
43:51 Anybody know his name?
44:00 Standing between
44:03 you and the heart and seeing
44:10 the air
44:12 and the fire makes it clear.
44:18 You're trouble to me.
44:24 >> Real trouble. Can't you seem
44:34 scare me
44:37 crazy? It's going to drive me crazy
44:38 until I can figure out his name. Hang
44:40 on. Chat GPT can tell us. This is how
44:43 this is how we're going to use the new
44:45 crazy new model from OpenAI is we're
44:47 going to use it in place of Google.
44:53 Um let's see. Okay, we'll go to um chat
44:59 jeep
45:03 tab. Yes, thank you. Our latest model
45:06 improvements in writing, coding and
45:08 reasoning. Um, who is are the
45:14 um
45:16 young
45:18 teens
45:21 jazz,
45:23 piano, and
45:26 drum duo that make
45:30 music on YouTube.
45:36 Um, he's got
45:40 long
45:43 hair
45:45 over his eyes
45:47 and drums
45:51 in syncopated
45:54 strange rhythms.
46:06 Do me and J D Beck. That's them. You all
46:10 heard these two.
46:13 You'll see.
46:16 Um,
46:18 Doy and JD Beck.
46:32 Let's see.
46:58 Um, well bet. Yes. Um, recording would
47:01 be faster than typing except my
47:03 microphone setup is all screwed up. I I
47:05 think my my Chrome browser has crashed
47:08 even though it's still running, but my
47:10 audio uh routing is all [ __ ] up. So, I
47:12 can't I can't do text to speech unless I
47:15 restart everything. And I'm lazy.
47:24 See, he's drumming like that.
47:27 Listen to this.
47:36 It feels stronger.
47:43 You're trouble to me.
47:48 Real trouble.
47:50 >> That's cool. All right, I'm going to
47:51 keep offbeat
47:53 and I'm going to go acoustic music. So,
47:55 this is offbeat and acoustic music. This
47:58 is probably going to sound kind of like
48:01 the original is my guess with some weird
48:04 syncupation.
48:11 Oh, no need to apologize. You're
48:13 absolutely correct. I should do voice to
48:15 text.
48:18 But but there's something there's
48:20 something about saying the letters
48:21 really slowly while you're typing them,
48:23 including the typos. Oh, I screwed that
48:25 up. That's I think people really enjoy
48:29 watching someone type slowly,
48:31 inaccurately.
48:34 At least that's what I'm that's what I'm
48:35 going for.
48:41 >> Oh, like this.
48:48 Standing between
48:51 you and a hard place is insane.
48:57 Standing too near
49:00 you and the fire makes it clear.
49:06 You're trouble to me.
49:11 Real trouble. Can't you see?
49:17 Leaning in close,
49:20 smelling your perfume scares me most.
49:26 leaning away. Hey,
49:28 it feels stronger every day.
49:34 Your trouble can't
49:40 real.
49:46 >> All right. I I'm digging this offbeat
49:48 thing. I'm gonna do offbeat 12 string
49:51 guitar, four-part vocal harmonies. So,
49:53 we're gonna do we're gonna do Crosby
49:55 Steels's Nash and Young combined with
49:57 Doy and JD Beck.
50:12 >> All right, let's do Here's the new one.
50:15 Silverf Fox, few years ago typos drove
50:17 me crazy, but but then AI cured you.
50:20 Yeah, exactly. You really just don't
50:22 need to worry about typos anymore.
50:25 Can you add fedo singer? Sure.
50:30 F a singer.
50:34 We'll do that one too.
50:41 >> Oh yeah.
50:45 Oh yeah. Yeah.
50:49 Standing between
50:52 you and a hard place is insane.
50:56 Oh, standing to near
51:00 you and a fire makes it clear.
51:06 Your trouble to me.
51:12 Real trouble. Can't you see?
51:17 Oh
51:19 yeah. Leaning and glow. Yeah.
51:34 >> That's cool.
51:52 When I hear [ __ ] like this, what what
51:55 rattles around my brain is people that
51:58 are like, "Hey, I can't be creative.
52:00 It's just the next token prediction.
52:07 Huh.
52:09 D
52:22 standing between
52:25 you and the hard place is insane.
52:31 >> This is cool. Yeah, this is
52:34 Luna.
52:35 Lunazo.
52:37 Wait,
52:39 Luna Zamaro Creative. Cool name. Luna
52:43 Zamaro. Like it. Beautiful.
52:46 >> Standing near
52:49 the fire makes it clear.
52:55 Your trouble to me.
53:00 Real trouble. Can't you see?
53:06 Leaning in close,
53:09 smelling your perfume scared me most
53:15 away.
53:17 I feel stronger every day.
53:23 Your trouble to me.
53:29 >> Real trouble. Can't you see?
53:34 sitting by you.
53:37 I feel it. Can you feel it, too?
53:41 >> You know, you know what would be [ __ ]
53:43 cool? I I don't have the attention span
53:45 for it, but like take a song like this
53:48 and just every day release release a
53:51 different cover of it for a year.
53:56 have 365 versions cuz there's like four
54:00 or five versions of this just tonight
54:02 that I'm like those are pretty bitching.
54:04 Um, okay. Here's the one with the what
54:06 is it called? Ludo Lo. Wait, Fedo. Fedo
54:09 singer. Fedo. Fat.
54:14 Uh, Mary. Mary, is there a way to
54:16 download this song
54:19 the way you did it, Kyle? You mean is
54:22 there a way to download my
54:25 I want to send it to a friend. You mean
54:28 the original the original crappy
54:30 recording? I think I have this set up.
54:37 Yeah. If you go into any one of
54:41 Do I have any of these published?
54:48 Um filters
54:50 public.
55:03 I don't have any of these public, but
55:06 what I can do
55:08 is I can publish a couple of them. I'll
55:10 publish a couple of them right now.
55:13 Um,
55:18 all right. Let's listen to the Fedo
55:19 singer version.
55:36 Hey,
55:58 that's weird.
56:08 Hey,
56:16 standing between
56:19 you and a hard place is insane.
56:24 Standing too near.
56:27 You in the fire makes it clear.
56:33 Your trouble to me.
56:38 Real trouble. Can you see?
56:43 Leaning in close.
56:46 Smelling your perfume scares me most.
56:51 leaning away.
56:54 >> It feels stronger,
56:57 isn't it?
56:59 You're trouble to me.
57:04 Real trouble. Can't you see
57:10 by you?
57:17 >> All right, this one's cool. I'll publish
57:18 this one. Let's see. Publish. Publish.
57:23 And then more options. So, show remix.
57:29 Yes.
57:31 Show the original song that this was
57:33 remixed from.
57:37 I think that's right.
57:40 Publish.
57:47 D.
57:49 So if I click this
58:05 Yeah, that's the original. Okay, so the
58:07 original's in there with all of these
58:08 that I that I'll I'll publish a few of
58:10 these right now. Um, which one did I
58:14 like?
58:17 Yeah. Yeah.
58:30 >> So if you search for trouble 2,
58:34 it's 101725.
58:37 10 colon 17 col2 25.
58:42 um I guess is when I when I uploaded
58:44 this original
58:57 Standing between
59:00 you and the hard places is insane.
59:06 Standing too near
59:09 you when the fire makes it clear.
59:15 Your trouble to me.
59:20 Real trouble. Can't you see?
59:26 Leaning in close,
59:28 smelling your perfume scared me most.
59:41 >> All right, that one's worth sharing. So,
59:44 publish.
59:46 Turn on the remix options. So, the
59:49 original's there.
59:53 D.
1:00:07 >> Hey, brother 52. We have not played with
1:00:09 Chad GBT 5.2 yet.
1:00:20 >> I don't like that one.
1:00:31 Standing between
1:00:34 you and a hard place is insane.
1:00:40 Standing too near
1:00:43 you and the fire makes it clear
1:00:49 your trouble to me.
1:00:54 Real trouble. Can't you see?
1:01:00 Leaning in close,
1:01:03 smelling your perfume scares me most.
1:01:08 Leaning away.
1:01:11 It feels strong every day.
1:01:17 Your trouble can't me.
1:01:24 the Mystic Grimes one. Yeah. Okay, I'll
1:01:25 do those. So, here's the Mystic Grimes
1:01:27 one. Well, that was one of them.
1:01:50 Yeah, these are kill.
1:02:05 >> That was not quite right.
1:02:32 standing between
1:02:35 you and the hard places in me.
1:02:41 standing till Yeah.
1:02:44 Doing the fire makes it clear
1:02:52 to me.
1:02:56 Real trouble. Can't you see?
1:03:02 Leaning in close broken
1:03:05 smelling your perfume scare me.
1:03:14 >> This that would be a good song for a
1:03:16 Kelly Bosch video, wouldn't it? All
1:03:17 right, so let me publish this one. This
1:03:19 one's pretty cool. Show the remix. The
1:03:22 original
1:03:26 publishing published.
1:03:28 All right, let's see.
1:03:33 That was comedy rap. These were not
1:03:34 good.
1:03:36 Nah,
1:03:38 let's do Offbeat Mystic Grime. I want to
1:03:42 do a couple of more of these. Um,
1:03:45 Offbeat Mystic Grime.
1:04:03 weirdness. Uh, let's do weirdness down a
1:04:06 little bit. Style influence
1:04:09 high. Let's do audio influence to 40%.
1:04:13 So,
1:04:15 this should sound more like the
1:04:16 original, but still keep some of that
1:04:18 quirky weirdness without it getting too
1:04:19 weird. But, who knows? I did several
1:04:23 versions of a song.
1:04:25 one carnival circus vibe, the other one
1:04:28 R&B female soul. Cool.
1:04:31 I mean, you know, it's funny if you
1:04:34 think about
1:04:38 the the rap
1:04:41 that AI music is getting from the music
1:04:43 community that hates it is like, "Oh,
1:04:47 this is just lazy." But like I'm a
1:04:49 songwriter and if I can take if I can
1:04:52 take the seed of an idea and I can
1:04:54 explore it in 16 different versions in
1:04:58 15 minutes and then let that inspire me
1:05:02 to write
1:05:04 new songs because of that or I I don't
1:05:07 know put them out in different ways like
1:05:08 I I don't I don't get other than the
1:05:12 fact that people aren't using it. People
1:05:14 that say that AI isn't creative and
1:05:16 can't be part of a creative chain of
1:05:18 craft. I don't get it at all.
1:05:25 Do you care if we play with the song?
1:05:27 No. I made it so you can remix it. Mix
1:05:29 away.
1:05:32 Just here here's here's the agreement,
1:05:34 Gareth. If you do a remix of my song and
1:05:37 you make money off it, give me a cut.
1:05:50 That is definitely
1:06:01 standing between
1:06:04 you and a hard place.
1:06:08 >> Nice.
1:06:10 Standing too near.
1:06:13 You in a fight. Makes it clear.
1:06:20 You're trouble to me.
1:06:26 No trouble. Can you see?
1:06:32 Leaning in close.
1:06:35 >> Smelling your perfume scares me most.
1:06:40 That was cool.
1:07:07 No, no, no. All right, we'll publish
1:07:10 this one because it's cool.
1:07:12 Show remix origin. Did I say that they
1:07:15 could remix it? Allow remix. Yeah,
1:07:17 that's turned on.
1:07:19 Mix away, kids.
1:07:23 Um, did I publish that this
1:07:39 down
1:07:44 your trouble to
1:07:50 real trouble. Didn't I make I'm pretty
1:07:52 sure in in my other workspace that I
1:07:55 made a trouble album. Didn't I make a
1:07:59 whole album of trouble covers?
1:08:02 I'm pretty sure I did. No. Uh oh.
1:08:05 Trouble.
1:08:07 Trouble. No.
1:08:12 Huh?
1:08:21 Hang on. I am I am confused. I'm pretty
1:08:23 sure I did a whole Oh, that's the big
1:08:25 news. By the way, there is a giant news
1:08:28 story today that we haven't talked
1:08:30 about.
1:08:35 And it's not OpenAI's 5.2.
1:08:38 Um, let's see. Trouble
1:08:42 covers
1:09:01 What did I do covers of? Do anybody
1:09:03 remember what song I I did a whole album
1:09:05 of one night in here? I thought it was
1:09:08 that song, but I don't remember.
1:09:11 You know, having having ADHD is
1:09:14 exhausting. Oh, it was the taxi song.
1:09:18 Wait, no. Was it to kill you for a
1:09:21 dollar?
1:09:23 Did I do a whole I did a whole album of
1:09:25 that.
1:09:29 That and Weird Mary. Maybe it was Weird
1:09:32 Mary. I don't know.
1:09:34 Um, let's see. Media
1:09:56 Those are my favorite pictures.
1:09:59 I took that picture in Boulder, I don't
1:10:03 know, 10 years ago.
1:10:05 Those two little birds behind it here,
1:10:09 you can't even see it, are magpies. And
1:10:11 magpies are big birds. That's a big
1:10:13 golden eagle.
1:10:15 A juvenile golden eagle sitting on that
1:10:18 burnout tree.
1:10:32 All
1:10:47 right. I don't know what's going on
1:10:48 there. Um, all right. Let's see. Let's
1:10:52 go look at the news. The important news
1:10:55 of the day.
1:10:57 Disney.
1:11:00 Disney
1:11:03 invested a billion dollars into open AI.
1:11:11 Disney is essentially turning fan
1:11:13 creativity into massive free R&D
1:11:16 department.
1:11:19 Every prompt with Disney IP and Sora
1:11:21 becomes a signal about what people
1:11:23 actually want to see these characters
1:11:25 do.
1:11:27 Um, let's see. Where's the
1:11:31 uh
1:11:35 Why did he not link to the [ __ ]
1:11:38 story?
1:11:39 Come on, Nick St. Pierre. That's
1:11:41 [ __ ]
1:11:45 Did this person link to the story? No.
1:11:50 Oh my god. What is with Tik Tok? Are
1:11:53 people just dicks? Is there I can't I
1:11:56 can't have anyone get off my post
1:11:58 because then I wouldn't get all the
1:12:00 engagement. I wouldn't get the clicks.
1:12:03 Jesus Lord,
1:12:06 people are exhausting.
1:12:11 Bitter. You betcha.
1:12:22 Disney me
1:12:46 that had a link and the link
1:12:47 disappeared. What the [ __ ] is going on?
1:12:50 Maybe this is me.
1:12:54 Yeah, my hyperlinks are disappearing. I
1:12:56 think my browser's done hosed.
1:13:01 Yeah.
1:13:03 Anyway, they invested a billion dollars.
1:13:06 So, you're going to be able to take all
1:13:07 those Marvel movies and Disney
1:13:10 characters and generate
1:13:14 Sora videos with Disney characters in
1:13:16 them. This is something that I've I I
1:13:19 called this two years ago. I called this
1:13:21 two years ago. If you've been here for
1:13:22 two years, first of all, you're [ __ ]
1:13:25 weird. We're not weird. We're irregular.
1:13:28 You're weird.
1:13:30 Second of all,
1:13:32 um I I said
1:13:36 you you are not going to possibly be
1:13:38 able to chase everyone down that's using
1:13:40 AI to copy your IP.
1:13:44 So, so the current copyright model is is
1:13:47 you produce stuff and then once it's
1:13:49 produced, you police it, right? And you
1:13:52 you get paid on the output side. You get
1:13:54 paid on distribution. Well, in a world
1:13:57 where everyone can copy everything
1:13:59 instantly,
1:14:01 chasing down a billion people who are
1:14:04 copying your IP just isn't practical.
1:14:06 But what if
1:14:08 you could get paid on the on the
1:14:10 generation side?
1:14:12 This is what Disney's doing. I think
1:14:14 this is a huge, huge deal. This is
1:14:17 recognition to me that copyright is, you
1:14:21 know, will companies like Disney still
1:14:24 fight like hell for every
1:14:27 penny that they can? Yes. But this is a
1:14:30 really big indication that the game is
1:14:32 changing.
1:14:34 Isn't using Disney characters copyright
1:14:36 protected? Well, yes. Yes, it absolutely
1:14:40 is. But them cutting a deal, they're
1:14:43 basically saying, "We give you
1:14:44 permission to generate, you know, things
1:14:47 with our likeness." I assume part of the
1:14:50 user uh the terms of service are going
1:14:54 to be you can use this so long as you
1:14:56 don't make money on it. If you make
1:14:58 money on it, then we have to cut some
1:15:00 sort of deal is is what I'm assuming.
1:15:02 But I don't know. I haven't I haven't uh
1:15:04 read the whole article yet.
1:15:07 Uh
1:15:10 Korea Upscale just made in great detail
1:15:14 one of my characters naked.
1:15:19 Kyle said copyright was dead years ago.
1:15:22 I have a whole business idea based
1:15:24 around postcopyright a postcopyright
1:15:26 world.
1:15:28 Um, your hair looks different. Yeah, it
1:15:31 does. It's I don't know. I don't have
1:15:32 enough product in it or I have too much.
1:15:35 Best not to use any of it.
1:15:38 Why is it best not to use any of it?
1:15:44 Listen, here here's the here's the deal.
1:15:47 You can be bitter about the fact that
1:15:50 these models were trained
1:15:54 unethically.
1:15:57 They were.
1:15:59 But
1:16:01 there's a couple of things happening.
1:16:03 We're not putting we're not putting the
1:16:07 the horse back in the barn. The horse is
1:16:08 out of the barn, right? The technolog is
1:16:10 out and the technology has been out long
1:16:13 enough now that there are derivative
1:16:16 models now based on synthesized data. So
1:16:20 they're they're technically not trained
1:16:21 on any of the copywritten work anymore.
1:16:24 It's all it's all synthesized data that
1:16:25 was generated from that. But but they do
1:16:28 they call it copyright washing. Um, they
1:16:31 can generate whole models now that that
1:16:33 are not trained on on any of that stuff.
1:16:36 I don't want the copyright hassle. Oh,
1:16:38 yeah. That that I understand. Why not to
1:16:41 use it? I'll use Suno, but I won't use
1:16:43 anything that looks like Disney. Well,
1:16:45 but what's cool about what they're
1:16:46 doing, what what Disney's doing is
1:16:48 they're saying, "Use RIP. We're
1:16:50 licensing it to you." Now, you you're
1:16:52 going to have to we're going to all have
1:16:53 to understand what it looks like to
1:16:55 actually do that. Um, but I think it's a
1:16:58 really smart move on their part.
1:17:01 Now, who do they actually sue if they're
1:17:03 going to go after someone? You know, I
1:17:05 assume it's someone who makes, you know,
1:17:08 a Mickey Mouse porno
1:17:11 and sells it, right? Because I think you
1:17:13 could make a Mickey Mouse porno and call
1:17:15 it parody, but if you sell it, probably
1:17:18 not. I don't know. I don't I don't know.
1:17:20 I don't know. I don't know. It's crazy,
1:17:22 man. We're living in crazy ass times.
1:17:27 Almost all the medicine was built on e
1:17:29 on ethical actions. Yeah, we're going to
1:17:32 use it though.
1:17:34 Yeah, listen, I like I don't have like I
1:17:37 absolutely agree that that how these
1:17:40 models were trained is problematic. I
1:17:42 absolutely agree with that. I also know
1:17:45 that if any of the model making
1:17:47 companies had asked permission, we
1:17:50 wouldn't have AI.
1:17:53 We just wouldn't. like it's,
1:17:56 you know, there's the there's the
1:17:58 library/muse
1:18:00 argument of of all this work that that
1:18:03 basically all work that was out in the
1:18:05 public is for the public good and
1:18:07 there's there's a greater good here.
1:18:09 That's what the tech bros would argue,
1:18:10 right? And I I think there's an argument
1:18:12 for that. There's also an argument for
1:18:14 you stole my work, you [ __ ] [ __ ]
1:18:17 But you know it if they took my song
1:18:20 Trouble and that made it into a training
1:18:21 set somewhere and then someone prompted
1:18:24 up a song and then it sounded a little
1:18:26 bit like Trouble. Figuring out like what
1:18:29 grain of sugar
1:18:32 is is in that slice of cake is
1:18:35 essentially impossible because the way
1:18:37 they embed these the way they embed the
1:18:40 data the original files cease to exist.
1:18:43 they turn into tokens into these little
1:18:45 fragments that are all over the place.
1:18:47 So,
1:18:50 I think I think what's going to happen
1:18:52 is you're just going to have a series of
1:18:53 lawsuits
1:18:55 against the big companies like Anthropic
1:18:57 just settled for $1.5 billion
1:19:01 um for the books that they stole that
1:19:04 they trained their stuff on. They also
1:19:05 bought a bunch of books. Um, and
1:19:09 that's not copyright infringement
1:19:10 because the the work of encoding it of
1:19:13 embedding those books into tokens is
1:19:16 transformative. Therefore, it's fair
1:19:18 use. But you have to buy the original
1:19:19 books. And they had some that they
1:19:21 bought and some that they didn't. And so
1:19:23 the $ 1.5 billion settlements on the one
1:19:25 they didn't. Um, anyway. Yeah.
1:19:33 Disney. Yes. Pay us 1 million to use our
1:19:35 Mickey. Well, Disney paid Open AI a
1:19:39 billion.
1:19:41 You misunderstand me. I don't mind AI.
1:19:43 Oh, just won't use copyright stuff. I
1:19:45 think that's pretty smart. I like I I
1:19:48 think I think every artist has to figure
1:19:51 out where their boundaries are. Um Kenny
1:19:54 Freriedman's a creative director that I
1:19:55 really like. Um, and he,
1:19:59 you know, he basically has a rule that
1:20:01 he won't use any artist's name in
1:20:05 prompting. Um, which I think is good.
1:20:08 No, no authors, no bands, musicians,
1:20:11 visual artists. He won't use any of
1:20:13 their names. He'll describe what they
1:20:14 do, but won't use their names. I'm so
1:20:17 wiped out. Good night, everyone. I'm
1:20:18 right there with you, Side Hustle Mimi.
1:20:20 I'm I'm I'm cooked. Um, I'm going to get
1:20:23 out of here. It's Yeah, it's it's about
1:20:25 time. It's about time. It's a little
1:20:27 early, but that's all right. People are
1:20:29 inspired by everything around used like
1:20:32 little tokens. AI is being trained and
1:20:34 inspired by everything around us, but is
1:20:36 able to do it faster. Exactly. Okay. So,
1:20:41 couple of things. AI Festivus. If you've
1:20:44 not registered for AIFest,
1:20:46 go to AIFestivous.com.
1:20:49 Scroll to the bottom and register. It's
1:20:51 free. It's free. And we've got a BOGO
1:20:54 going on right now. Buy one get one
1:20:56 free. If you go to AI Festivus, you buy
1:20:59 one for free and then we'll give you a
1:21:02 second one for also free.
1:21:05 It's like a super killer deal.
1:21:08 Now, you're not going to be able to
1:21:11 watch the the replay, but you're in
1:21:13 luck. We've got a deluxe replay bundle
1:21:17 that Ann Murphy put together. So, if you
1:21:19 want to watch the replay of Festivus,
1:21:21 which you're going to want to, we did a
1:21:23 speaker call today and we went over all
1:21:25 the all the different talks. It's pretty
1:21:27 amazing. It's going to be an amazing
1:21:29 couple of days.
1:21:31 And I'll tell you, here's a here's a fun
1:21:33 fact. This is really cool.
1:21:36 There are by far more women presenting
1:21:39 than men. And part of that's the
1:21:42 influence of she leads AI, but part of
1:21:43 that's also just the influence of um
1:21:47 women got their got their applications
1:21:49 in faster than men because men are
1:21:52 stupid.
1:21:57 Okay? So go to festivist.com,
1:21:59 look at the sponsorship stuff. There's a
1:22:01 little thing there where you can help
1:22:02 promote Festivus. We give you a whole
1:22:04 pile of graphics you can go use and
1:22:06 share around with the world. So go do
1:22:08 that. Um, tomorrow I've got office
1:22:10 hours. So, at 11:00 a.m. Mountain time
1:22:13 on LinkedIn, um, if you go to the AI
1:22:16 Salon, there's a link there that's got
1:22:18 the the URL um, for the AI Salon office
1:22:22 hours and meet and greet.
1:22:26 And then to night, as always, is Friday
1:22:29 night date night where you are requested
1:22:35 to come with your nachos and
1:22:39 a dirty microwave heated hot pocket if
1:22:42 at all possible.
1:22:44 Okay,
1:22:46 I'm picking ear wax out of my earbud.
1:22:50 I don't know why I just shared that
1:22:51 detail.
1:22:56 Let's clip Let's clip that one, Brandon.
1:23:00 Let's get that one out on social media.
1:23:02 I just picked ear wax out of my earbud.
1:23:07 Get that guy an Emmy
1:23:13 on it. Oh my god. All right, everybody.
1:23:17 Uh, it was a low-key night tonight. I'm
1:23:20 glad we kind of did the uh
1:23:23 those crazy versions of Trouble with the
1:23:25 offbeat syncopated drum stuff. It's
1:23:27 really cool.
1:23:29 Oh, my eye is itchy. I'm sure it's not
1:23:32 bugs.
1:23:35 Okay, Groovy. Groovy. Groovy. Groovy.
1:23:39 Groovy. Groovy.
1:23:41 So, tomorrow will be normal time. Um,
1:23:48 I think that's it. Still waiting on some
1:23:50 DMs. Um, yeah. So, listen, how we got 24
1:23:53 people in here for tomorrow. If any of
1:23:55 you want to come up on stage, um, just
1:23:58 think about it. Come with a project
1:23:59 tomorrow. We'll we'll we'll hang out.
1:24:01 We'll we'll do a little hang if anyone
1:24:02 wants to do a hangout. Okay. All right,
1:24:04 groovy man. Have a good night and I will
1:24:06 see you on Friday night. Day night.