9/10/2025 - AI-Powered Filmmaking: Creating "The Sky Below"

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Transcript

0:00 [Music]
0:10 [Applause]
0:11 [Music]
0:17 [Music]
0:26 Wow.
0:28 Wow.
0:35 [Music]
0:39 [Applause]
0:45 [Music]
0:49 I heard there was a secret call.
0:54 Baby played and it please her love.
0:59 You don't really care for music, do you?
1:05 [Music]
1:07 >> Goes like this. The fourth, the fifth
1:11 man of call and major lift
1:15 for king composing.
1:18 Hallelujah.
1:23 Hallelujah.
1:24 [Music]
1:26 Hallelujah.
1:31 Hallelujah.
1:34 Hallelujah.
1:42 [Music]
2:01 Hey,
2:02 [Music]
2:18 I love you.
2:20 [Music]
2:26 I didn't mean to cause you a sorrow.
2:30 [Music]
2:32 Didn't mean to cause you to pain.
2:37 [Music]
2:40 All I want down to see you laughing.
2:45 All I want to see laughing in that
2:48 purple rain. Purple rain. Purple rain.
2:56 Purple rain. Purple rain.
2:59 [Music]
2:59 [Applause]
3:02 Purple rain. Purple rain.
3:10 I only want to see you laughing in a
3:13 purple rain.
3:16 >> Oh, good evening good people. What's
3:19 happening? What is shaking? What's going
3:21 down?
3:22 [Music]
4:06 [Music]
4:18 Becky Johnson.
4:20 Hello. Hello. Hello. Sharon Crawford.
4:22 It's been a year this week.
4:28 Wait, hang on. I can't. Something's
4:31 weird with my screen redraw there. Oh,
4:36 thank goodness. I needed to get off
4:38 social media.
4:39 Need some AI time to get my mind off
4:41 this week. It's been intense. Today was
4:43 intense.
4:46 [Music]
4:48 Heat. Heat.
4:52 [Music]
5:06 [Music]
5:18 [Music]
5:22 She came on him like slow moving cold
5:27 fronts.
5:31 Well, his beer was warmer than a look in
5:35 her eye.
5:37 [Music]
5:40 She sat on the stool and he said, "What
5:44 do you want?"
5:48 She said, "Give me a love that don't
5:52 freeze up inside."
5:54 [Music]
6:03 He said, "I have melted." So I'll sit my
6:07 time dear.
6:11 But to sit next to you, well, I shiver
6:15 and shake.
6:18 [Music]
6:20 And if I knew love, well, I don't think
6:24 I'd be here
6:26 [Music]
6:30 asking myself if I've got what it takes.
6:34 [Music]
6:38 I do melt your icy blue home.
6:45 [Music]
6:50 Turn what's been frozen for years
6:56 [Music]
6:57 into a river of tears.
7:01 [Music]
7:10 [Applause]
7:11 [Music]
7:13 All
7:18 right. All right. Enough. Enough with
7:22 the mediocre guitar.
7:24 I hope you're all doing well. Sad Hustle
7:27 Mimi. What's happening? Danielle.
7:32 Source. Camp's in the house. We got Joy
7:35 Party. We got Steo. We got the crew. We
7:38 have a quorum.
7:40 Uh, indeed. Indeed, it was an intense
7:43 day. Um, I've been applying extensions.
7:52 I think I need to turn on my air
7:53 conditioner. It is
7:56 I'll tell you what's weird. Denver is
7:58 not a humid place. But
8:02 the past month,
8:04 it has been humid.
8:07 Humid, I tell you.
8:13 Hello AI fam.
8:17 Wolfman Clint in the house. Thank you
8:20 for anyone giving gifts and sharing
8:22 things.
8:24 Can we talk about the rabbit today? Did
8:26 it really turn into a paper weight?
8:28 Well, we would we could talk about the
8:30 rabbit today. So, I don't know if you
8:32 saw this. Brandon and I were just
8:34 joking. Apple Apple just launched a an
8:38 innovative new phone that is orange. So
8:41 they they basically recreated the Rabbit
8:44 R1.
8:47 Um let's see. I can here's what I can
8:50 do. Here's what I will do for you for
8:52 you all good people is I will
8:57 plug in my Rapid R1
9:00 and then when it gets charged up I'll
9:02 update the operating system. So,
9:04 apparently there's a new operating
9:06 system for the Rabbit that makes it not
9:08 horrible.
9:09 Um, same hardware. They're not doing new
9:11 hardware. They're they're design's
9:13 really good. The design's really good,
9:14 but it was just not ready for prime
9:15 time. So, we can talk about it. I just
9:18 haven't played with it. Um,
9:22 it looks like 11 Labs did some has a
9:25 cool new thing out today.
9:27 Didn't Rab Rabbit just launch V2? Yeah,
9:29 they did. Wait, Apple joined the
9:32 irregulars? Yes. Yes. Apple Apple uh Tim
9:36 Cook Tim Cook is a big fan of the AI
9:39 learning lab. He's uh they're trying to
9:41 get some pointers to get their Apple
9:43 intelligence going.
9:49 Big big announcement today on Apple
9:51 Intelligence. It's still not there.
9:58 Apple are releasing Babelish in front of
10:01 the AirPods 3 Pro. Yep, that's true.
10:04 Um,
10:09 oh, what's the drink today? Good
10:11 question. Uh, coffee, iced coffee
10:17 and
10:19 a little I forget what the what the
10:21 seltzer was. This is from work,
10:25 but it's a pineapple something kombucha.
10:28 Like a little splash of kombucha and
10:30 some seltzer. cuz I know how to live. I
10:34 work at a co-working space that's got
10:36 seltzer and kombucha cuz I'm fancy.
10:39 [Laughter]
10:42 Are you suggesting you could do better
10:44 than Apple? No. No, I'm not. I'm just
10:47 suggesting that as a
10:50 20 Wait, I got my first Mac in 1987. I
10:54 have been an Appleblooded
10:56 fanboy
10:58 for decades. and the their their
11:03 staggering
11:05 um their staggering miss on AI is
11:10 mind-blowing to me. So, no, I can't do
11:13 better.
11:15 I I have one of the things that you will
11:17 discover if you watch this channel over
11:19 time is I have no qualifications.
11:22 Um
11:24 so, yeah. Um, but it it doesn't mean I
11:27 can't look at a company like Apple and
11:29 go, um, they have the [ __ ] cash. They
11:31 could have they could have invested some
11:33 of that, you know, three years ago when
11:35 everyone else did and been in the game
11:37 and they're not. And listen, I get it.
11:38 They're Apple. They come they come late
11:40 to the game and they come hard, but
11:43 shit's moving fast and I don't I don't
11:45 frankly know how they catch up. Maybe
11:46 they buy someone. So, we will see.
11:50 Fascinating.
11:51 You got your first Mac in 1988. I think
11:54 that was when I got mine. Mine was a 512
11:56 KE. It was the second Mac. It still had
12:00 the Mac that I got still had signatures
12:02 on the inside of the case. Um, and then
12:05 and then my first real Mac, the first
12:07 Mac I could do business on was uh like
12:10 desktop publishing was a Mac SE30, which
12:14 then I upgraded to a color card and a
12:17 13-inch monitor. I was [ __ ] baller.
12:21 They will buy someone. Yeah, they'll
12:23 probably buy someone. Um, it's just, you
12:27 know, you know what it is is
12:32 when Jobs put Tim Cook
12:35 in as CEO,
12:38 you know, he did it very intentionally
12:41 so that Apple would survive. He put he
12:43 put the CFO in as CEO
12:47 um because he knew no one was going to
12:49 innovate like him. And so he put in
12:51 someone who was going to have Apple
12:52 survive, which they have. They've
12:54 survived and they've done they've done
12:56 well.
12:58 Um,
13:00 but the last three years, like
13:04 not having Apple in an innovating seat
13:06 is is is a pretty big disappointment.
13:10 Um, the absolute best keyboard ever was
13:13 the one with the iMac, the Egg. Oh,
13:15 yeah. That one was really good. M series
13:18 is pretty good. running local models.
13:21 Yeah. And I I mean, quite frankly, what
13:24 would be nice I mean, here's the thing.
13:27 Apple is clearly preparing for this,
13:29 right? They've got six neural cores on
13:31 their latest on their latest iPhone
13:33 chip. Um, they've got the the liquid
13:36 they they now have liquid cooling in an
13:39 iPhone, right? their their their uh 18
13:42 Pro has liquid cooling in it and six
13:45 neural cores, which basically just means
13:47 they can run AI inference
13:51 really really well for that small a form
13:54 factor. Um, so what that what that says
13:57 to me is they're they're preparing to
13:59 have good AI and they're preparing to
14:01 have good AI that runs locally, but like
14:04 let's have it like like [ __ ] build
14:07 the models, put them out there, start
14:09 experimenting.
14:10 So, you know, we'll see. We will say we
14:14 will say we will say we will say enough
14:16 about Apple. Um, I had the first one. I
14:20 still have the carrying case, not the
14:22 Mac. I had the the one Mac that I wish I
14:25 hadn't sold. I had the 20th anniversary
14:27 Mac. The one that was like the spaceship
14:29 looking thing. That was really cool.
14:33 Just as well. I'm tired seeing your
14:34 phone has dropped charging until it
14:37 cools down. Oh,
14:39 that's why they have the liquid cooling
14:40 in there so you can run it on your
14:42 dashboard of your car in Bluetooth mode
14:45 without it exploding.
14:47 Yeah, I I melt my phone down all the
14:49 time. I have it on the like the magnetic
14:51 phone holder on the dashboard and if
14:53 it's sunny out, man, that thing just
14:55 fries.
15:09 Goo Google AI
15:12 Google AI coming to to iPhones soon.
15:15 Maybe maybe we'll see. We'll see. Rumor
15:19 is they're going to buy Perplexity, but
15:20 I don't know that Perplexity
15:23 has enough tech to make that that
15:26 worthwhile, but who knows?
15:29 Um,
15:31 I want to get back to So, last night we
15:33 were making a movie. If anyone Does
15:34 anyone have any questions? Anybody have
15:36 any questions, thoughts? Oh, let me
15:37 switch my smitch smitch my cameras.
15:42 Smitch my cameras in my models here.
15:46 I signed up for perplexity free year
15:49 with PayPal. That should be fun. Good.
15:51 Awesome. Hey, Robert Rossy. Uh what's up
15:54 producer
15:55 >> Brandon? That was that wasn't a joke. So
15:58 Gemma Gemma's model uh 3N is now
16:02 available on the Android Play Store for
16:04 ondevice internet free speech, text, and
16:07 image input.
16:09 >> Um and the open local AI assistants are
16:12 coming to everyone. They're going to be
16:14 first released uh through like open uh
16:18 open what is it called
16:21 um open source in GitHub
16:24 >> and then streaming audio and iOS app is
16:27 coming soon for the Google AI edge
16:28 gallery.
16:30 H
16:30 >> Google is taking their ondevice models
16:33 in Gemma to Apple the world
16:37 >> to Apple.
16:38 >> That's pretty smart. Google Google
16:41 outing Apple on their own devices.
16:47 >> And I thought I saw something with Apple
16:49 talking to Claude too in the mix.
16:52 >> Anthropic makes more sense to me.
16:54 Anthropic, you know, you you get some
16:56 some ex open AI founders. That makes
16:58 sense to me.
16:59 Um, I mean, Perplexity is no slouch.
17:03 They're they're doing good work there
17:04 and they've raised a decent amount of
17:05 money, but I I wouldn't consider
17:07 Perplexity a core frontier model
17:09 company. Uh, Anthropic is
17:13 um,
17:14 >> so cool. Groovy.
17:17 Hello. Regulars. All right. All right.
17:20 All right. All right. So, so here's what
17:22 we're gonna do. I I wanted to uh I'm I'm
17:27 working on a new a new value um for the
17:30 AI salon.
17:32 Um
17:34 and if you're here, you'll get a sneak
17:36 peek of it tonight. But I I just wanted
17:38 to show you something.
17:42 [Music]
17:45 So,
17:47 so I went into midjourney
17:50 and
17:54 the new value is create excellence
17:58 and I went into midJourney and I put in
18:01 our AI salon mood board and I wanted to
18:05 create
18:09 a values image for create excellence.
18:13 And so like that's one I don't really
18:15 like the image and that doesn't look
18:17 like an excellent sign and it's not
18:18 spelled right. And then just
18:21 every single one
18:25 it just it can't spell it at all. That
18:29 that that one didn't even try.
18:32 Misspell typo typo typo typo. Uh
18:38 excellence sort of a little there.
18:42 create excellence.
18:44 So if you're going to have something
18:45 like create excellence, like at a
18:47 minimum, it should be spelled right,
18:49 even even in the janky world of AI,
18:52 right?
18:56 So then I just got pissed off because
18:58 I'm like, for one thing, MidJourney
19:00 should have their [ __ ] together with
19:01 with putting words on graphics. Um,
19:06 everyone else can do it. They should be
19:07 able to do that. What I did was I took
19:10 it over to uh Gemini
19:13 and and I just said um am I sharing my
19:18 screen? No, I'm not. Hang on. I went
19:20 over to Gemini and I uploaded the image
19:23 that didn't have any create excellence
19:25 on it. I said aspect ratio 16 by9. Add
19:29 the words create excellence in the same
19:31 style and it created this. But it's a
19:35 little too clean and it's got clean
19:36 edges. And so I said,
19:40 "Give me
19:42 rougher edges and like, you know,
19:45 distress the text a little bit." So, I
19:47 just thought I would share that, you
19:51 know, part of the chain of craft, part
19:53 of the chain of intent of getting some
19:56 decent work out of these models might
19:58 include just recognizing,
20:02 you know, I can start in midjourney for
20:03 the basic look and feel of the brand and
20:06 then I can jump over to Gemini and fix
20:10 some [ __ ] or I could have gone over to
20:13 probably could have gone to OpenAI that
20:15 probably would would have Okay. But I
20:17 can't get 16 by9 out of that. Probably
20:19 could have gone to ideoggram, right? Or
20:22 idoggram, however they say that. Um, so
20:24 I thought that was kind of fun. All
20:27 right. Um, I I So what we're going to do
20:31 here, so if you were here last night,
20:35 we made a whole bunch of video files.
20:41 And so we're going to go make some more
20:44 of these fishies.
20:51 because we're going to make us a movie
20:52 tonight. We're going to go make us a
20:54 song and we're going to go make us a
20:55 movie.
20:58 Creative excellence in spelling. Create
21:00 excellence in spelling. Yeah, exactly.
21:02 Perplexity is number two behind chat
21:04 GPT. Really?
21:06 Google deal is announced. Which Google
21:08 deal?
21:11 Yep. That's where mine sits.
21:18 Oh, in your dashboard. What's the Google
21:21 deal?
21:28 Yeah, I'm intentionally using the
21:29 bubble. Just trying something new.
21:34 I like the little circle.
21:37 All right, so here's our thing. So, just
21:39 keep swimming is the prompt. Source
21:41 camp's here. Source Camp gave us that
21:43 prompt. There's the SREF.
21:46 And then I'm going to go dash
21:48 R for repeat. I'm going to do six. So,
21:52 we're going to do six sets of these
21:53 things. I think we're at 150. We'll go
21:56 to We'll go wacky. We'll go to 250.
22:00 All right. So, now we're going to make
22:01 some more vid some more images. And then
22:03 we'll make some more videos and then
22:05 we'll go
22:09 we'll go make some some movie action.
22:12 Google with Apple.
22:19 Google Apple.
22:35 Oh, actually the one thing that that
22:36 Apple did did launch is the shoulder
22:40 strap lanyard for the iPhone. I thought
22:42 that was pretty funny.
22:49 I don't see I don't see the news item
22:52 tab. Yeah, I don't see the news item.
23:03 There's the six neural cores and the A19
23:05 Pro.
23:14 I don't see it.
23:16 Oh, checking the news in the salon.
23:18 Rick, did you put it in the salon?
23:28 No.
23:36 All right. Whatever. All right. Let's go
23:38 back here. Let's go look at our fishies.
23:43 Okay. New fishies. Oh, I like it. We're
23:45 going to go We did We did high motion.
23:48 Oops. Let me share my tab. Uh, we did
23:50 high motion last time, so we're going to
23:51 do low motion this time.
23:54 Yeah, we'll do that one for sure. We'll
23:57 do that one for sure.
24:01 We've got one like that.
24:04 Do that one. We'll do that one.
24:08 We'll do that one. That one is going to
24:10 be cool. We'll do that one.
24:14 No. No.
24:17 Yeah. Maybe.
24:20 Yes.
24:24 Yes.
24:26 No. Yes.
24:30 Like what's the difference between
24:31 that's a no and that's a yes?
24:36 I don't know. That one looks better.
24:40 She's got a hat on. She gets a render
24:42 cuz she's got a hat. Oh, that's a
24:44 definite.
24:47 No,
24:49 maybe that one. Maybe that one. Maybe
24:53 that one. Definitely that one. All
24:57 right, I'm up to 17. I'm gonna get I'm
24:59 gonna get blasted here. One too many.
25:04 All right, last one. Ah, your job was
25:06 not submitted. Damn it. Okay, fine.
25:10 Fine, you bast.
25:14 [Music]
25:20 if you don't know what I'm doing.
25:23 So, last night
25:26 I I had I shouted out for a prompt for
25:29 Midjourney, like some esoteric prompt,
25:31 and Kelly Camp came up with just keep
25:34 swimming. And then we went to, if you go
25:38 to the explore tab in Midjourney,
25:40 they've got this thing called styles.
25:44 And so, I just clicked on a random
25:46 style. You can click on the random
25:48 button in the upper left here. And then
25:50 we just scrolled down and just did test
25:53 renders of just keep swimming on a whole
25:56 bunch of different styles. And we came
25:58 up with one style that was pretty cool,
26:00 but it was I don't know, it was a little
26:01 somber and depressing and the videos
26:04 didn't look all that good. And then we
26:06 did this we we did this light blue one
26:08 and it had these really cool images and
26:10 then we turned them into videos and they
26:12 all look great.
26:14 And so we're just continuing to make
26:17 some of those
26:24 and then we're going to just go stick
26:26 them all together in a video.
26:30 No online Bloomberg.
26:33 All right, let's go. Let's go. Look.
26:37 Bloomberg.
26:45 [Music]
26:49 I don't I'm not signed in.
26:52 I don't have a I don't have a Bloomberg
26:53 account. I can't, Rick. I can't.
26:58 That That requires me having login
27:02 subscription management.
27:05 Do you get the AI headache?
27:08 I've never heard that term.
27:12 And wait, what's your name? Ameiliano.
27:15 Um, cool name. I um But yeah, I have
27:22 I have and I don't know if it's the same
27:24 for you. Like the AI headache for me is
27:31 I'm operating at this kind of ideiation
27:34 level for much longer stretches where
27:38 where I'm dumping all of the tactical
27:40 [ __ ] down to the LLM and I'm just living
27:43 up in sort of concept land
27:48 9 to5 free posts.
27:52 If Can you just post a link to it, Rick,
27:54 in the AI salon news? Oh, that's kind of
27:57 cool. This one's This guy's doing a um
28:01 a butterfly. That's kind of cool.
28:09 That's very cool.
28:12 If you've ever been out on the ocean and
28:14 and seen a big fish
28:17 do come up to the surface like that but
28:19 never break the water. That's such a
28:21 cool thing to see.
28:24 Ungated story Reuters.
28:31 Oh, it's a power revamped
28:34 Apple talks.
28:38 So Apple's in talks to use Gemini. All
28:41 right. Well, they've been in talks for
28:43 ever with all sorts of different
28:45 companies. Wake me up when they actually
28:48 [ __ ] do something.
28:53 All right, that's not it. So, we're
28:55 going to just take the one that's just
28:58 the ripple.
29:00 All right. Very cool.
29:08 That's cool.
29:11 Except he's on top of the water.
29:37 I think that one's pretty groovy.
29:45 All right, I need you to start thinking
29:47 about. So, these are the kind of images
29:49 that we're we're going to be putting
29:51 music to. I need descriptions. Like, we
29:55 could do some sort of Philip Glassy kind
29:56 of thing.
30:04 or whatever. Like, give me an idea.
30:09 That's kind of cool. You had the bubbles
30:11 go up.
30:20 All right, that's the one. That's pretty
30:23 groovy.
30:25 Wow, look at that. That's gorgeous.
30:36 It's got weird camera angles.
30:43 All right, that's the one.
30:52 Hans Zimmer,
30:55 I appreciate this page. Thank you for
30:58 sharing. Thanks for hanging out, man. I
31:01 appreciate anyone who hangs out here.
31:04 Um,
31:06 at the top of the hour, I think we need
31:07 to bring that back. Bring what back?
31:18 Cuz to think the mind can't process all
31:20 the info fast enough. Yeah. You you know
31:22 you know what's funny Ameiliano is I
31:25 feel like like the AI headache
31:28 I feel my brain changing. I feel my
31:32 brain changing and and I think it's in a
31:34 good way but it it it does have to do
31:36 with
31:39 processing more ideas faster. And it's
31:42 you know the the [ __ ] up thing about
31:44 what everyone says oh if you use AI
31:46 you're not you know it's going to kill
31:47 your creative thinking. Well, if you use
31:49 AI without creative, without critical
31:52 thinking, yes.
31:54 But if you actually use AI with critical
31:57 thinking, it amplifies it.
32:00 Um, and so you have to deal with more
32:03 and make more choices. Um,
32:07 but I also noticed that I get a lot more
32:08 positive reinforcement from AI. Oh, that
32:12 one's cool.
32:19 No. All right. It was the first one.
32:24 Look at this one. Let me zoom in on it
32:26 for you.
32:30 That's cool, right?
32:48 Okay, cool. Got it.
32:57 That's weird. No,
33:01 this one's just might be a No.
33:04 Yeah, these are all just weird.
33:07 It just doesn't look flowy.
33:21 That's a no. That's a no. That's a no.
33:25 That's a no.
33:27 Wow. We got a [ __ ] pile of duds here.
33:40 That was kind of cool.
33:42 Oh,
33:44 I like that.
33:48 So, is it that one or that one?
33:54 I think it's I think it's
33:59 that one.
34:02 Fish MMA. That's the name of Oh, that's
34:05 the name of the song. You got the name
34:07 of the song. Fish Mmations. It's good. I
34:10 like it.
34:12 Winner Jeff Flanigan with the name of
34:14 the song.
34:18 Escaping through the aqueduct,
34:29 right? You already have critical
34:31 thinking from your years lived. Exactly.
34:36 I always think of a harp to get flow.
34:38 Maybe with flute. Okay. Harp, flute,
34:41 Han, Zimmer.
34:43 What is this? Is this one not rendering?
34:47 What's going on here?
34:55 All right, we'll come back to this.
34:56 Let's go. Let's go make some fish music.
34:59 So, we're going to go to create.
35:04 We're going to do instrumental.
35:07 So, we're going to turn instrumental on
35:10 song description.
35:13 We're going to do
35:16 flowing.
35:18 Oh, then wait. The song's going to be
35:19 called
35:21 Wait, why can I not custom? Okay.
35:25 Instrumental.
35:28 Oh, instrumental
35:31 styles. Um,
35:35 cinematic
35:39 inspired
35:42 by Hans
35:45 Zimmer.
35:48 Tabs, tabs, tabs. Yes. Yes. Yes.
35:51 Cinematic inspired by Han Zimmer.
35:53 Flowing.
35:56 Eclectic
35:59 harps.
36:03 and flutes
36:07 swimming
36:09 together.
36:12 And then the title is
36:16 fish mmations.
36:27 Why? Why is that spell drunk?
36:31 Oh, murmmorations. Merations.
36:35 [Music]
36:38 Merations.
36:41 Yes. Okay.
36:43 Murmmorations
36:45 swimming together.
36:52 Um,
36:59 constant movement.
37:04 All right, here we go.
37:07 Create. By the way, if you're new here,
37:09 what I'm in right now is SNO. S U N O.
37:14 And I just described some what I would
37:17 consider a really crappy prompt.
37:22 And Sununo tends to be not sucky.
37:26 Oh, here's advanced options. What do I
37:28 miss?
37:31 Weirdness. We'll put that higher.
37:35 Create.
37:38 All right, here we go.
37:44 [Music]
37:55 [Applause]
37:57 [Music]
38:00 Okay, it's got to be legato with with
38:03 let's see cinematic
38:07 um
38:08 legato
38:11 swells
38:15 of
38:17 deep string.
38:22 Inspired by Han Zimmer. Flowing eclectic
38:25 harps.
38:27 Harps and flutes
38:32 swimming together
38:35 in harmony.
38:38 Constant motion.
38:40 All right.
38:44 Create a couple of those.
38:48 [Laughter]
38:59 Side hustle. Mimi. I remember when I
39:01 advocated for raccoons. That was pretty
39:03 funny. That was a funny night.
39:09 This is kind of cool. It's still a
39:10 little too staccato.
39:22 Little too sleepy.
39:27 This could be This could work.
39:36 [Music]
39:44 [Music]
39:49 This feels a little Disney. I think I
39:51 might take out the Han Zimmer. It's a
39:54 little It's a little precious.
39:59 [Music]
40:08 Let me go. Let me go. Inspired by Philip
40:10 Glass or Jeffrey Reio.
40:17 How do you spell Jeffrey? Jeffrey Reio.
40:20 Hang on.
40:36 Godfrey Reio, American director.
40:44 We go minim minimalist
40:48 classical
40:50 composers.
40:52 Actually, let's just do that. Let's go
40:54 back here. So, let's just go. Okay. Um,
40:58 I'll just go minimalist
41:04 classical
41:16 fairy tale revolution was thinking about
41:18 fish mm murmmorations last night.
41:20 Amazing.
41:22 Very cool.
41:26 Maybe some sitar
41:28 more cowbell.
41:32 And I know you weren't joking. Just
41:34 struck me as funny.
41:44 Hobo.
41:45 [Music]
41:50 Heat. Heat.
41:58 [Music]
42:08 [Music]
42:32 Okay, we're going to try something else
42:33 here.
42:39 Um,
42:42 I want you
42:44 to write
42:48 a set
42:50 of minimalist
42:54 surreal
42:57 song lyrics
43:01 about
43:02 fish murmurations.
43:06 Merations
43:09 where you never mention
43:12 the word
43:15 fish,
43:17 river,
43:22 ocean
43:24 or water.
43:27 I want
43:28 the imagery
43:32 to lead
43:34 and
43:35 don't be [ __ ] obvious.
43:41 We'll do we'll do thinking mini. We'll
43:43 see how it does and then we'll compare
43:45 that to uh 40
43:50 circular soundsscapes where primal drums
43:52 meet shimmering ether. All right, we'll
43:54 try that one. That's just weird enough,
43:57 Rick, that I'll try it. Silver commas
44:00 breathing out of the dark. Slow
44:02 punctuation across the night. Okay,
44:03 that's fine. Let's go to 40 and say,
44:07 "Try again."
44:13 They arrive like thoughts too shy for
44:15 words. A thousand eyelids blinking in
44:17 sink. Spilled silver from a crooked
44:20 bowl. Learning the air like it's a new
44:22 god. No wings, no feet, no questions
44:25 asked. Just the ache of knowing where to
44:28 turn,
44:32 then silence. All right, that one's
44:34 weird. Let's take weird lyrics.
44:37 Oh, and it's called The Sky Below, which
44:40 is kind of what these images look like.
44:42 That's pretty good. Okay, this is good.
44:46 Um, share this tab.
44:50 We're going to add lyrics. We're going
44:51 to turn off instrumental. We're going to
44:52 pop our lyrics in there that are weird,
44:56 which we asked for.
44:59 And then
45:02 circular
45:06 circular
45:08 minimalist
45:11 classical soundscapes
45:16 where
45:18 primal drums. See, I think the primal
45:20 drums are going to make it too
45:24 uh too not not legato, not lyrical
45:28 enough.
45:29 Circular minimalist
45:32 where primal drums
45:36 meet
45:38 shimmering
45:41 ether
45:43 in a lyrical dance.
45:46 Okay, that's good. That sound right.
45:48 Sure. Fine. All right. Female. We're
45:51 going to have a female. Do we want
45:53 weirdness up or down? I think we want I
45:56 don't know.
45:59 We're going. We're going.
46:19 [Music]
46:32 Yeah.
46:34 [Music]
46:45 [Music]
46:50 This is cool.
46:56 [Music]
47:06 [Music]
47:17 [Applause]
47:22 [Music]
47:30 All right, Vicki just killed it. Sorry.
47:32 Sounds like Kate Bush, Withering
47:34 Heights. Fine. It was nice.
47:40 [Music]
47:43 Oh, yes. Sorry. Yes. Wait, hang on.
47:46 Silver Fox with the win. Just
47:49 Sometimes you got to listen to Silver
47:52 Fox. It's I've we've said it here
47:54 before. We've said it a thousand times.
47:59 If Silver Fox is here and she's offering
48:01 the words, you you follow her lead.
48:05 Okay.
48:13 And what was the what was the uh what
48:16 was that one title? The sky the sky
48:18 below.
48:22 Where where did we get that? Where where
48:24 was that? Oh, that was the name of that
48:26 song, right?
48:28 Yeah. The sky below. Okay. So, it's
48:30 going to be called the sky below. Okay.
48:33 We just got to figure out which image we
48:34 want to pull from.
49:12 I think it's got to be one of these ones
49:14 with the dude
49:17 and this and the fish school. All right,
49:19 this is the one. So, we're going to take
49:20 this image. We're going to go to chat
49:22 GPT.
49:24 We're going to say we're going to we're
49:25 going to upload the image. Uh, let me
49:28 share my tab.
49:30 Failed to upload. Fine. New chat. Paste.
49:36 Okay.
49:43 Tell me the story here.
49:48 Tell me in
49:53 minimalist
49:56 oporadic
50:00 song lyrics
50:05 that never mention the obvious.
50:19 write me.
50:23 Let's just let's just leave it at that.
50:33 Alone on glass, no pulse beneath, a
50:36 shadow waits
50:38 without a name.
50:48 Oh, this is kind of cool. So, let's
50:52 Oh, wait. Let me get Let me copy these.
50:55 Minimalist oporetic song for a single
50:58 voice.
51:02 This going to make a longer song than we
51:03 have, but that's all right. Share this
51:05 tab. Go back up here. Paste this in.
51:11 So, we're going to go.
51:23 So, I'm just putting these things in
51:25 square brackets.
51:27 It's cool little descriptions. The
51:29 stirring sudden crescendo. Airy strings
51:32 rise above.
51:34 Wait, why?
51:37 Okay.
51:39 There's that. Oops.
51:43 What's going on?
51:47 Okay.
52:19 Okay, that's that circular minimus
52:22 classical landscape soundsscapes
52:29 where
52:32 a primal voice
52:38 Inspired
52:42 by songs
52:45 from
52:46 liquid days.
52:52 All right.
52:54 Create.
53:01 This is sunno. Yes. This is sunno. So,
53:03 suno,
53:05 welcome.
53:09 [Music]
53:13 Oh, we should change the title. What's
53:15 it called? The sky below,
53:18 right?
53:21 Where's my title?
53:30 Oh, here.
53:40 All right, here we go.
53:49 Alone on glass.
53:53 No pulse beneath.
53:57 A shadow waits
54:01 without a name.
54:05 A shimmer shift
54:08 than many more.
54:11 Like thoughts of born
54:15 and never caught.
54:18 They turn as one, but not for you. They
54:26 answer nothing
54:28 yet. They move
54:32 left
54:34 right.
54:36 Not yours to go.
54:41 [Music]
54:50 That one's cool.
54:52 [Music]
55:08 Alone on glass.
55:14 No pulse
55:16 beneath.
55:18 >> A little boring.
55:21 [Music]
55:30 Let's let's call it let's see um
55:34 circular minimalist classical
55:36 soundscapes
55:39 with pulsing
55:43 cellos.
55:47 Let's get some cellos in here, baby.
55:50 [Music]
55:59 Alone on glass.
56:09 Alone on glass.
56:14 No pulse beneath
56:17 [Music]
56:19 a shadow way.
56:22 Without
56:24 a name,
56:27 [Music]
56:33 the shimmer shifts
56:37 many more.
56:40 Like thoughts have born
56:44 and never caught.
56:47 They turn as one,
56:51 but not for you.
56:54 They answer nothing.
56:58 Yet they move
57:01 [Music]
57:02 [Applause]
57:03 [Music]
57:17 alone
57:19 on glass.
57:23 No pause
57:25 beneath
57:28 a shadow
57:31 wait
57:34 without
57:35 a
57:38 [Music]
57:42 shimmer sh
57:49 [Music]
57:51 alone on glass.
57:55 No pulse beneath
57:59 a shadow.
58:02 I don't know. I don't know which one. I
58:03 kind of like this top one.
58:09 >> Champ doesn't sing to classical music.
58:12 Sometimes to pianos, always to guitars.
58:18 [Music]
58:25 Oh, I know what we can try. Let's see.
58:27 Instead of minimalist classical
58:29 landscapes, we'll do
58:33 um
58:36 classical
58:42 rock
58:44 guitar opera.
58:58 Side hustle Mimi is out.
59:02 I know this this music this music is not
59:06 conducive to staying awake. I'll give
59:08 you that. But we have beautiful lyrical
59:10 images. We got to match them, man.
59:13 Well, this is good.
59:16 on glass.
59:18 [Music]
59:23 >> I love that deep a shadow.
59:28 [Music]
59:36 This might get champion
59:41 [Music]
59:45 like thoughts have born and never core.
59:53 They turn as one
59:57 but not for you.
1:00:00 They answer nothing.
1:00:04 Yet they move
1:00:12 right,
1:00:13 not
1:00:16 [Music]
1:00:28 [Music]
1:00:40 alone.
1:00:42 [Music]
1:00:49 >> All right, we just got to make a
1:00:51 decision. I think I am going to go with
1:00:58 [Music]
1:01:13 alone on glass.
1:01:17 No pulseeneath.
1:01:20 >> Yeah, I'm gonna go with this one because
1:01:21 it doesn't take too long for it to get
1:01:23 started. All right. So,
1:01:27 let's download that bad boy. MP3 audio.
1:01:30 Okay. So, we have a song. Now, let's go
1:01:33 back to
1:01:36 what's this called? Midjourney.
1:01:40 Get our final images. Those we were nose
1:01:43 on. Those we were nose on.
1:02:00 All right, we'll get that one.
1:02:12 Hey, Corey Sandler, we're making a
1:02:14 movie.
1:02:16 You could put the fish to any music and
1:02:18 it' work. Really? Yeah, that's true. I
1:02:20 just wanted something that that has the
1:02:22 emotional feel of these things.
1:02:26 That one's kind of cool.
1:02:42 Kind of haunting. Haunting and weird.
1:02:46 All right. Oh, nice. All
1:03:04 right, that one's a little odd, but
1:03:06 we'll take it.
1:03:11 Oh, that one's cool.
1:03:31 I think we'll go with that one. It's
1:03:33 weird. Weird is good.
1:03:43 That's pretty beautiful.
1:03:45 Guy turns into a fish.
1:04:05 All right, it's this one. All right,
1:04:08 that one.
1:04:19 That's gorgeous. They're just standing
1:04:21 there. Love that. There they're walking.
1:04:25 No, they look like [ __ ]
1:04:28 Okay, so this one where they're just
1:04:29 standing there.
1:04:32 All right.
1:04:34 You can't have your people look like
1:04:35 [ __ ]
1:04:38 All right. Here's a fish swimming with
1:04:39 fish.
1:04:41 That one's kind of gorgeous.
1:04:43 That's not That's not That's not okay.
1:04:47 So, just that one. Beautiful.
1:04:50 Download. Is this it? Are we out? Are we
1:04:53 done? Yep.
1:04:56 Right. Yes. Okay. So, now
1:05:07 G.
1:05:14 Okay. iMovie.
1:05:22 Wait, why?
1:05:24 What is up with Apple's operating system
1:05:27 lately?
1:05:36 And if you're if you're going to throw
1:05:38 shade at me for using iMovie, tough.
1:05:41 [Laughter]
1:05:45 Don't you have a professional video
1:05:47 company? Yeah, I do. I hate video
1:05:49 editing so much. I started a company to
1:05:51 automate it 13 years ago. Leave me
1:05:54 alone.
1:06:00 That that is the harsh [ __ ] truth of
1:06:03 it all.
1:06:04 All right, we're going to make a movie
1:06:09 now. We're going to go grab some media.
1:06:12 So, we've got downloads desktop.
1:06:16 Where's our song?
1:06:19 Oh, here it is.
1:06:22 Okay.
1:06:24 So, that goes in. We'll just drop that
1:06:27 straight in the timeline.
1:06:32 Or we won't. Yeah, we will.
1:06:36 Okay,
1:06:39 there's that. Now, let's go get some
1:06:41 action.
1:07:10 Oh, wait. Okay, everybody watching, am I
1:07:14 doing the right thing here? I got to I
1:07:15 got to put on uh black bar. Sorry about
1:07:18 that. Someone keep me honest here.
1:07:21 Everything good?
1:07:24 All right. So, we're gonna make
1:07:30 a black background.
1:07:35 But we shouldn't start with black,
1:07:36 should we? No.
1:08:10 All right, let's go find some cool [ __ ]
1:08:12 in the music. Let's see.
1:08:17 That's a later one. That one's kind of
1:08:19 cool. Drop that in.
1:08:33 Wait, this doesn't seem like enough
1:08:35 clips, does it?
1:08:37 Do I have more?
1:08:43 Maybe it is. All right, whatever.
1:08:47 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
1:08:54 17 18 19. And here we go. 1 2 3 4 5 6 7
1:08:59 8 9 10 11 12 13
1:09:03 14 15 16 17 18 19 Yeah, there should be
1:09:06 more here. What's going on?
1:09:13 Did I not get all the upper ones?
1:09:22 Whatever. All right.
1:09:43 They
1:09:45 as
1:09:47 [Music]
1:09:56 You know what we don't have in here? We
1:09:57 don't have the gold ones. We don't have
1:10:00 silver fox's gold ones. Why aren't they
1:10:01 in here?
1:10:04 There's the red ones. There's the gold
1:10:06 ones.
1:10:12 Oh, they're in here. Okay. So, we'll do
1:10:14 them later.
1:10:18 They turn as one but not for you. They
1:10:27 nothing.
1:10:30 [Music]
1:10:35 >> All right. So, that's where that one
1:10:36 should be. So, let's go get maybe this.
1:10:39 Throw that in there.
1:10:42 We'll throw another one in. We'll do
1:10:44 this one.
1:10:47 All right.
1:10:49 [Applause]
1:10:50 [Music]
1:10:55 >> For you. They answer nothing.
1:11:02 [Music]
1:11:09 >> All right. Um, yeah. I don't know why
1:11:12 it's not importing all of the things we
1:11:14 need, but whatever.
1:11:18 Do I already have that one? I don't
1:11:19 think so.
1:11:22 I could number all these
1:11:25 and like actually pay attention. That
1:11:27 one we've already got the boat guy.
1:11:30 We've already got, right? Yes.
1:11:33 Okay. Do we have this one? No, we don't
1:11:35 have that one.
1:11:40 Yeah, we're going to run out for the
1:11:42 whole song.
1:11:50 Did we have the block people? Yeah, we
1:11:53 did. We used that. Did we use this? We
1:11:55 used that. We used that.
1:12:02 Did we use
1:12:07 that? Yeah, we used that at the
1:12:08 beginning, right? Yeah.
1:12:12 So, let's get rid of that.
1:12:14 We'll throw in the golden fish
1:12:23 that we've got there.
1:12:28 I think we've got everything. All right.
1:12:30 So, let's throw in some transitions.
1:12:33 Cross dissolves.
1:12:35 There's probably a easier way to do
1:12:37 this. And if you know it, just shut up.
1:12:40 [Laughter]
1:12:45 Oh, we can put this at the beginning,
1:12:46 too. Cross dissolve that bad boy in.
1:13:05 [Music]
1:13:07 We'll throw that there. We'll throw in
1:13:10 a black background there. All right.
1:13:17 [Music]
1:13:21 Okay. Ready people? You ready for our
1:13:24 our rough cut?
1:13:38 [Music]
1:13:42 Alone on glass.
1:13:46 No pulse beneath
1:13:50 a shadow
1:13:53 without a name.
1:13:58 A shimmer shift
1:14:01 than any more
1:14:03 like thoughts of
1:14:07 and never.
1:14:11 They turn as one but not for you. They
1:14:18 answer nothing.
1:14:21 Yet they move
1:14:25 left
1:14:27 right.
1:14:28 Not yours to go.
1:14:33 [Music]
1:14:39 Oh, wait. Okay, hang on.
1:14:42 So, that was really cool.
1:14:45 So, we can take this one and slow it
1:14:48 down.
1:14:52 We'll go slow. That makes it 10%. We'll
1:14:55 go 25% slower. 50% slower.
1:15:00 And then we maybe shorten this one. Oh,
1:15:02 no. That's the shark. We like that one.
1:15:05 Let's shorten
1:15:07 this one
1:15:13 so that we get
1:15:19 [Music]
1:15:34 horizon.
1:15:38 All right, I guess we should go make
1:15:39 more, right? But what's why am I missing
1:15:42 media? Why is it not importing some of
1:15:44 these things?
1:15:46 All right, let's go look. Do we have
1:15:47 this one? Yes, we have this one. I don't
1:15:50 think we have that one.
1:15:56 I don't think we have that one.
1:15:58 Can I drop this in here?
1:16:11 Oh, we don't have the turtle.
1:16:15 All right. Oh, I see what's happening
1:16:17 here. I don't think we have any of
1:16:18 these. Okay, this is good. That one we
1:16:22 have. That one. We have
1:16:26 that one. We have
1:16:30 I don't think we have that one.
1:16:34 Maybe we do
1:16:36 that one. We don't have for sure.
1:16:42 That one we have
1:16:45 that we have. That we have. Okay.
1:16:52 Don't think we have that.
1:16:55 Maybe we did. Whatever.
1:17:04 I think we could reuse that one.
1:17:11 Grab that one if we don't have it. We
1:17:13 have it.
1:17:22 We could probably reuse some of these. I
1:17:24 mean, who the [ __ ] going to know?
1:17:27 You know, you reused that one there. I
1:17:29 think that was lazy film making. Just
1:17:32 putting out that AI slop. As far as I
1:17:35 can tell, there's nothing creative going
1:17:37 on here. Nothing at all.
1:17:41 Why don't you people should be napping.
1:17:44 Why you're not napping is beyond me.
1:17:48 This is exhausting.
1:17:50 You call this entertainment. This is not
1:17:53 entertainment.
1:17:57 Okay,
1:17:58 let's drop a couple of more of these bad
1:18:01 Larry's in there, shall we? We'll do
1:18:04 that one.
1:18:08 That we have. That we have.
1:18:11 We got it. I think we have that one.
1:18:15 That we don't. That we don't.
1:18:20 Okay, that we don't have
1:18:25 turtle. We have we don't have
1:18:31 that. We have
1:18:37 that. We might have
1:18:41 this. We might have
1:18:44 this. We might have
1:18:56 [Music]
1:19:16 River
1:19:20 beyond command. It pulls, it falls,
1:19:26 it vanishes.
1:19:32 Are you the eye
1:19:35 [Music]
1:19:36 or the echo?
1:19:41 [Music]
1:19:43 Are you the hush
1:19:47 or the hol?
1:19:51 [Music]
1:19:54 >> We need more. Damn it.
1:20:03 Oh, Vicki can't live without iMovie.
1:20:05 Good. I'm glad I'm not the only one.
1:20:10 Oh my god. What time is it? It's getting
1:20:13 to be time. Should we go make How many
1:20:15 more minutes do I need? I need
1:20:20 I'm at 153.
1:20:24 Let's see.
1:20:28 Oh, I know what I can do.
1:20:32 All right, that one's slow enough.
1:20:36 That one's too fast. So, let's slow this
1:20:38 one down. I know how to I I know I know
1:20:41 what we're doing here.
1:20:47 We're going to go boom.
1:20:50 We're go slow. 25%.
1:20:54 [Music]
1:20:58 >> Alone.
1:20:59 [Music]
1:21:05 >> That's too slow. 10%
1:21:11 >> alone
1:21:13 [Music]
1:21:21 15
1:21:26 [Music]
1:21:28 shimmer shifts
1:21:30 and many more
1:21:33 like salt
1:21:38 [Music]
1:21:43 Um, I wonder if iMovie will render those
1:21:47 extra frames in. I bet it will
1:21:51 slow.
1:21:55 That's good.
1:21:58 That we could slow down.
1:22:02 This reminds me of when I was writing
1:22:04 screenplays
1:22:05 and you Oh, we're almost done. Oh, this
1:22:08 is good. All right. Okay, this is good.
1:22:11 All right,
1:22:14 we just need to extend a couple of more
1:22:20 oneneath.
1:22:27 A shadow waits
1:22:30 without a name.
1:22:33 [Music]
1:22:35 A shimmer shift
1:22:38 than any more
1:22:40 like thoughts of
1:22:44 and never caught.
1:22:48 They turn as one but not for you.
1:22:55 They
1:22:56 [Music]
1:22:57 >> hang on. I'm confused.
1:23:01 [Music]
1:23:03 >> Hello.
1:23:05 >> That's 10%.
1:23:10 So, let me do this at 90%.
1:23:16 Ah, okay. I get it. I was confused. 70%.
1:23:25 Hello.
1:23:30 [Music]
1:23:32 Hello.
1:23:35 >> So that's custom 70.
1:23:38 That's custom 50. So we'll do this at
1:23:40 custom 70.
1:23:42 All right. We'll do this at custom 70.
1:23:46 80 is fine.
1:23:50 We'll do this at custom
1:23:54 90.
1:23:56 All right. How we doing at the end of
1:23:57 the timeline here?
1:24:00 Oh, we're close, people.
1:24:03 Let's slow down on Silver Fox's golden
1:24:07 fish.
1:24:09 >> Yeah, let's slow these bad Larry's down
1:24:12 to 80.
1:24:15 And then let's slow the red fish down.
1:24:17 How are the red fish?
1:24:18 [Music]
1:24:22 Yeah, we want to see them longer. Let's
1:24:23 do them at 80.
1:24:30 All right, that should put us close to
1:24:34 the end.
1:24:41 Turtle could go slower.
1:24:45 70.
1:24:52 [Music]
1:24:58 >> Oh, something's going on here.
1:25:04 [Music]
1:25:17 Something's weird with timing.
1:25:24 [Music]
1:25:42 All
1:25:56 [Music]
1:26:07 right, I get what's going on here.
1:26:09 Whatever. We're just going to fade this
1:26:10 thing out. That's what we're going to
1:26:12 do.
1:26:13 [Music]
1:26:25 They never speak.
1:26:33 [Music]
1:26:38 >> Yeah, there's something weird. I've got
1:26:39 some sort of weird ass bug. I don't like
1:26:43 it.
1:26:47 But
1:26:49 and so yeah, now I've got a [ __ ] fade
1:26:51 out that's the whole song long, which is
1:26:53 weird.
1:26:55 I got buggy software, people.
1:26:58 I don't like buggy software.
1:27:03 You riding in the boogie today?
1:27:07 You guys You guys going down to the
1:27:09 mall?
1:27:11 [Music]
1:27:16 They call.
1:27:18 [Music]
1:27:23 [Music]
1:27:27 >> All right, let's see.
1:27:30 Can we make that three seconds? No.
1:27:34 Never have quite understood that shitty
1:27:37 thing.
1:27:39 No. All right, whatever.
1:27:42 Um, let's make this longer.
1:27:54 [Music]
1:28:00 All right.
1:28:02 The [ __ ] is going on with that thing?
1:28:09 Did Did I screw something up up here?
1:28:16 Um,
1:28:22 [Music]
1:28:31 anybody know how to use iMovie?
1:28:36 Hey Vicki, I need help.
1:28:41 Oh, I wonder if I had it. Maybe I had it
1:28:43 in a non-m music track.
1:28:48 Yeah, it's just weird. It's just It's
1:28:50 like not going past the end of the
1:28:53 thing. Um,
1:28:55 let me quit and restart.
1:28:58 Sorry, I was rescuing the cat from
1:28:59 behind the couch.
1:29:04 iMovie.
1:29:06 All right, let's see.
1:29:11 Okay. Oh yeah, this is all [ __ ] up.
1:29:20 Still [ __ ] up. Bizarre.
1:29:30 8.4 minute black thing. Okay.
1:29:36 Okay. Now we're Now we at least have
1:29:40 some semblance of reality.
1:29:58 Hello.
1:29:59 [Music]
1:30:02 >> All right. backgrounds
1:30:06 black.
1:30:08 Let's go grab the end of this thing.
1:30:12 Oh, you know what might be easier? Yes,
1:30:15 that's a good idea. Whoever had it. That
1:30:18 would be me. I had the idea. I had the
1:30:20 idea. It's a good idea. The The idea I
1:30:22 had is really good. What we're going to
1:30:24 do is we're going to chop off the front
1:30:26 of this bad boy. Oh, although we kind of
1:30:28 lose the
1:30:30 [Music]
1:30:32 >> Where could we start it? Let's see.
1:30:41 So, I need like another minute out of
1:30:44 it. Like that much.
1:30:50 [Music]
1:30:53 >> That sounds like it's starting in the
1:30:54 middle.
1:31:02 Nah, you can't we can't you got to start
1:31:06 it at the beginning. You can't you can't
1:31:09 rip off the people.
1:31:12 What I really need to do is make a [ __ ]
1:31:13 ton more fishy videos, but I'm bored.
1:31:18 This is Welcome to ADD, people. You
1:31:20 think this is [ __ ] easy? It's It's
1:31:23 not that hard.
1:31:25 [Music]
1:31:28 All right, let's throw a title on here.
1:31:30 Title.
1:31:32 Let's see.
1:32:03 All right, we'll do this one.
1:32:16 What's this called? The sky below,
1:32:18 right?
1:32:29 [Music]
1:32:33 Can I reposition this? Anybody know how
1:32:36 to use this [ __ ]
1:32:42 [Music]
1:32:45 Screw you all. I I told you he didn't
1:32:48 have any qualifications. You know, I
1:32:50 came here to the AI learning lab
1:32:52 expecting some learning and and what I
1:32:54 get is someone who has clearly never
1:32:56 used software before. Uh I don't know if
1:32:58 you noticed, but he's a little older. Uh
1:33:01 you know, it's it's the boomer
1:33:03 generation as far as I can tell.
1:33:11 It's exhausting people.
1:33:20 alone.
1:33:22 [Music]
1:33:23 >> All right.
1:33:26 [Applause]
1:33:28 [Laughter]
1:33:35 La
1:33:43 the hol
1:33:46 [Music]
1:33:57 they
1:34:01 seek.
1:34:06 Oh, maybe I could do this and then do
1:34:09 this and then can I do?
1:34:12 No.
1:34:18 Oops. Oh, right. You can do that,
1:34:23 right?
1:34:29 [Music]
1:34:40 Yes.
1:34:59 They come
1:35:02 [Music]
1:35:04 speak.
1:35:07 [Music]
1:35:19 That's where it should end.
1:35:22 [Music]
1:35:25 All right.
1:35:30 Tic tac pin. End with the surface
1:35:33 ripples.
1:35:36 Yeah, I think you're right. I do think
1:35:39 you are correct. When you're correct,
1:35:40 you're correct.
1:35:44 Yes. Yes.
1:35:47 Silver Fox always paying attention to
1:35:49 the creative.
1:35:52 Pay attention to what Silverf Fox pays
1:35:54 attention to. She will not lead you
1:35:56 wrong. Except I don't know how to move
1:35:58 this. Ah, here we go.
1:36:05 Do I put it here? Yeah. And then go
1:36:07 here. Yeah. Okay. And then go here.
1:36:13 And then see what I [ __ ] up back here.
1:36:16 More like thoughts of born
1:36:21 and never
1:36:24 they not.
1:36:37 >> Good call.
1:36:40 Good call. All right,
1:36:44 let me throw in my
1:36:47 self-promotion at the end here
1:37:04 by
1:37:06 Kyle Shannon.
1:37:13 I wish I knew how to move that in the
1:37:16 frame, but you know what are you going
1:37:18 to do?
1:37:20 Well, you could learn to use the
1:37:22 software.
1:37:25 I could
1:37:28 120.
1:37:33 All right, let's export this bad boy.
1:37:36 This bad Larry. share file.
1:37:41 If only you had a large language model,
1:37:42 you could ask. Yeah, I don't feel like
1:37:44 learning. That would require learning. I
1:37:47 don't want to learn. Next
1:37:51 desktop, the sky below.
1:37:55 All right, we're going to put this out
1:37:57 in the world, people. What time is it?
1:37:59 Perfect time.
1:38:03 So, I don't know if you're paying
1:38:04 attention tonight, but
1:38:07 in what, two onehour sessions,
1:38:11 so if you put in,
1:38:15 if you wanted to really tell a story,
1:38:20 make like a two and a half, three minute
1:38:21 story. You wanted to really tell a
1:38:23 story, you could do it in a weekend.
1:38:26 You could do it in a weekend.
1:38:29 Click on the purple text block to change
1:38:31 the placement.
1:38:35 Click on the purple text block.
1:38:44 No,
1:38:47 maybe
1:38:54 [Music]
1:39:03 Yes.
1:39:14 I can't move it. It's not clicking. No,
1:39:17 don't drag the block. There should be a
1:39:20 control to change the placement.
1:39:23 I know there should be.
1:39:29 I I agree with you. I don't disagree
1:39:32 that there should be a control
1:39:36 reset. I wonder if there's a lock button
1:39:37 here. Is it locked?
1:39:46 Oops.
1:39:51 Oh, wait.
1:39:53 No,
1:39:58 I don't know. I don't [ __ ] know,
1:40:00 people. Is this thing exporting? Did I
1:40:03 say export?
1:40:06 Did it export desktop?
1:40:14 All right, we got a we got a video.
1:40:16 Okay, we got a video. What are we doing,
1:40:18 everybody? Okay. Is everybody okay? In
1:40:20 the preview window. Hard to tell. I'm
1:40:23 not at the computer. Yeah, it was in the
1:40:24 preview window. I click on the purple
1:40:26 block. I see the thing there. I click on
1:40:30 it.
1:40:32 It makes it editable in text, but then
1:40:34 there's nothing. There's no control
1:40:36 handle anywhere. Wait. Option.
1:40:39 Ah. Option.
1:40:43 No.
1:40:45 No.
1:40:49 Controlclick.
1:40:52 No. I don't know. Doesn't [ __ ]
1:40:55 matter. Okay,
1:40:57 we're already exported. We're done. When
1:40:59 the text is highlighted,
1:41:02 that that block should be movable. I
1:41:04 don't disagree.
1:41:13 No, it just I I I I I got I got nothing.
1:41:20 But I don't care. Okay, quit iMovie.
1:41:23 Boom. We're done. We We have We have
1:41:26 self-expressed. That was our goal
1:41:28 tonight is to get some self-expression
1:41:30 out there. This is going to be called
1:41:32 the sky below
1:41:37 and irregulars
1:41:42 production
1:41:46 from the AI.
1:41:54 Let's do it from the AI salon from the
1:41:58 learn the let's see
1:42:00 in a regular production
1:42:06 in conjunction this is this is good in
1:42:09 conjunction
1:42:12 uh in uh partnership
1:42:16 partnership
1:42:20 with
1:42:22 the AI I learning lab.
1:42:37 Brought to you by
1:42:49 [Laughter]
1:42:53 That's pretty funny.
1:42:55 Okay. The sky below.
1:42:59 All right. So, here's here's my request.
1:43:01 As always, go to my Twitter channel
1:43:05 in partnership.
1:43:07 Go to my Twitter channel and find you're
1:43:10 going to see this post here shortly.
1:43:13 This is going to take us 14 hours for
1:43:16 Twitter to actually upload the video
1:43:18 without crapping out on us.
1:43:21 Partnership spelling. Got it. In
1:43:23 partnership with the AI learning lab in
1:43:25 a regulars production.
1:43:28 We'll put a regular. No, we'll just
1:43:30 leave a regulars like it is in a
1:43:32 regulars production.
1:43:36 Lowercase P in partnership with the AI
1:43:38 learning lab brought to you by
1:43:42 by the AI salon. That's good. It's it's
1:43:45 good solid branding. All right. Error.
1:43:47 There's a surprise
1:43:49 post.
1:43:51 We'll see if we can get this thing to
1:43:52 upload.
1:43:58 Okay. So, what do we do? What do we do
1:44:01 when it's not working? We change the
1:44:03 format
1:44:04 from MP4 to. Why?
1:44:08 Because Elon Musk can launch and catch a
1:44:11 rocket with chopsticks, but he can't
1:44:13 [ __ ] get his video upload service to
1:44:16 [ __ ] work.
1:44:22 Thanks, Elon.
1:44:25 We will land on Mars before I can
1:44:27 reliably upload a video to your stupid
1:44:29 [ __ ] service.
1:44:31 Bitter. You betcha.
1:44:37 Welcome to Gen X Whining. I'm your host,
1:44:40 Kyle Shannon. I'll be complaining about
1:44:43 anything I talk about tonight.
1:44:55 Wait.
1:44:57 Place the cursor over the first letter.
1:45:00 Press press option
1:45:04 and re turn repeatedly to nudge down.
1:45:08 You've got to be [ __ ] kidding me. Are
1:45:10 you lying to me? I'm not I'm not I'm not
1:45:12 going to do it. If that's the actual
1:45:15 interface to nudge a title on screen,
1:45:19 cursor over the first letter, press
1:45:21 option and repeatedly and press return
1:45:25 repeatedly to nudge down. I will not do
1:45:27 that. I will never do that. Never.
1:45:31 Except if Elon Musk's little shitty
1:45:35 little chat service here doesn't work.
1:45:36 2% 6% 10% 11
1:45:42 13 10 It's going to error out right
1:45:45 there. Error.
1:45:48 You got to be [ __ ] kidding me.
1:45:55 Fabiana, all good. Kyle says, "Thanks."
1:45:59 Um, anybody know how to upload something
1:46:01 to Twitter?
1:46:03 Don't budge on the nudge, Kyle. Does
1:46:06 anybody have any any hints for how to do
1:46:10 this?
1:46:12 I You know what? I bet I I I know what I
1:46:14 need to do. Watch this. This going to
1:46:16 [ __ ] work.
1:46:18 I'm going to go to
1:46:22 I'm gonna take the original. I'm gonna
1:46:23 do this on mobile.
1:46:28 Share
1:46:30 airdrop
1:46:32 my phone
1:46:35 sending
1:46:37 using an agent. Yeah, no [ __ ]
1:46:42 All right, then I'm going to come here.
1:46:43 Airrop complete. I'm going to copy this.
1:46:48 Copy
1:46:51 uh Twitter or Tik Tok. I'll be back.
1:46:59 Plus,
1:47:03 oh [ __ ] I can't paste. Why is Why is
1:47:07 paste not working from my Mac to my
1:47:09 phone? God damn it.
1:47:18 I I really I really don't like Elon Musk
1:47:22 right now. Well, I don't like him all
1:47:24 that much in general,
1:47:27 douche. and
1:47:32 and
1:47:34 irregulars
1:47:38 production
1:47:42 in
1:47:45 partnership
1:47:48 with
1:47:51 AI
1:47:53 learning
1:47:55 lab.
1:48:01 brought
1:48:04 to you
1:48:06 by
1:48:08 at the AI
1:48:12 salon.
1:48:15 Okay.
1:48:28 Okay, we're going to add the movie. Here
1:48:31 it is.
1:48:33 Done.
1:48:35 Add
1:48:37 post.
1:48:46 Did it post?
1:48:48 I think it posted. Is it posting? Did it
1:48:50 post? Oh, sending post.
1:48:58 No, it's not working.
1:49:01 Wait, wait. Might be working.
1:49:07 Hang on, Tik Tok. I'm coming.
1:49:17 Brandon did not abandon me. I'm
1:49:19 uploading. I'm uploading the video on
1:49:22 mobile
1:49:25 because I realize that desktop is
1:49:27 probably just broken.
1:49:32 It's almost done.
1:49:45 Come on, you can do it.
1:49:53 sent. Okay.
1:49:57 All right. All right. Tik Tok, I'm back.
1:49:59 Calm down. We migrated to YouTube again.
1:50:03 There's pausing but not pausing. Okay.
1:50:06 He's trying to upload on mobile. Yes.
1:50:08 Kind of the opposite of the salon. You
1:50:10 can't upload
1:50:12 from mobile to the AI salon. Yeah. What?
1:50:15 Whatever. Okay. So, if you go to my
1:50:17 account now,
1:50:19 Kyle Shannon, you should see
1:50:23 Oh, let me change my I'll change my
1:50:25 sharing, but watch our little video live
1:50:27 on the internet.
1:50:29 Stop sharing there. Start sharing here.
1:50:31 Start sharing here. Start sharing here.
1:50:34 Share.
1:50:36 And then look at this.
1:50:42 Alone on glass.
1:50:47 No pulse beneath.
1:50:51 A shadow wait
1:50:54 without a name.
1:50:59 A shimmer shift
1:51:02 than many more.
1:51:04 Like thoughts of born
1:51:08 and never caught.
1:51:12 They turn as one, but not for you. They
1:51:19 answer nothing
1:51:22 yet. They move
1:51:26 left
1:51:28 right.
1:51:29 Not yours to go.
1:51:36 Rhythm
1:51:47 [Music]
1:51:52 red
1:51:54 beyond command. It pulls,
1:51:59 it falls,
1:52:01 it vanishes.
1:52:07 Are you the eye
1:52:11 or the echo?
1:52:15 [Music]
1:52:18 Are you the hush
1:52:22 or the hollow?
1:52:28 They come not close.
1:52:32 They never speak
1:52:35 yet.
1:52:37 [Music]
1:52:41 >> All right, that was a little long on my
1:52:44 name, but whatever. Okay. Um, yes,
1:52:46 Silverf Fox. I'll upload this to uh
1:52:50 YouTube.
1:52:52 Um, let me go add in some some tags in
1:52:56 here. Oh, I can't edit it now. Are you
1:52:58 serious?
1:53:00 I can't edit it because I did it on
1:53:03 mobile. Is that
1:53:05 really? That's what you're telling me?
1:53:09 Apparently,
1:53:12 can I edit it over? Hang on.
1:53:22 I can edit the post here. All right.
1:53:26 So, who should I Brandon? Who should I
1:53:29 tag in this? I'll do Scoilizer.
1:53:31 And then I should do midjourney.
1:53:43 Does Midjourney have a tag? They do,
1:53:45 right?
1:53:50 Midjourney.
1:53:55 All right. at Sama
1:54:08 at
1:54:09 SeaWorld. That's pretty funny.
1:54:17 That's SeaWorld.
1:54:19 There we go. All right.
1:54:23 Okay.
1:54:26 Love.
1:54:28 [Music]
1:54:41 [Music]
1:54:49 All right, let me go just I'll do it now
1:54:51 so I don't forget. I'll go to
1:54:55 YouTube Studio.
1:54:57 [Music]
1:54:58 I'm going to do create upload video.
1:55:03 What you going to do?
1:55:06 Right.
1:55:12 The sky below.
1:55:16 A dream.
1:55:21 Dreams of
1:55:30 Aquatic
1:55:32 murmmorations
1:55:39 made live
1:55:42 in AI learning lab. 8
1:55:50 10
1:55:52 25.
1:55:55 Uh, uploading the video. We're going to
1:55:58 go special episodes.
1:56:02 I should probably make a playlist for
1:56:05 music videos, shouldn't I?
1:56:08 Not made for kids.
1:56:10 Monetization, we'll leave off.
1:56:18 And then we'll go public. We'll go
1:56:21 publish.
1:56:24 Video uploading.
1:56:26 Fine. It's uploaded. Video processing.
1:56:29 Fine. All right, that's in there.
1:56:35 910.
1:56:38 That's pretty damn cool. Yeah, it's
1:56:39 pretty cool, right?
1:56:42 That's a pretty cool little little
1:56:43 action.
1:56:45 Alone on glass.
1:56:49 No pulse beneath.
1:56:53 A shadow wait
1:56:57 without a name.
1:57:01 A shimmer shift
1:57:04 than many more.
1:57:07 Like thoughts of born
1:57:10 and never caught.
1:57:14 They turn as one but not for you. They
1:57:21 answer nothing
1:57:24 yet. They move
1:57:28 left
1:57:30 right.
1:57:32 Not yours to go.
1:57:38 [Music]
1:57:49 [Music]
1:57:53 Rhythm red
1:57:56 beyond command. It pulls, it falls,
1:58:03 it vanishes.
1:58:09 Are you the eye?
1:58:12 >> All right, people. Um, I fixed the
1:58:14 YouTube date. If you would be so kind,
1:58:17 go boost this thing on X for me.
1:58:21 And, uh, yeah. All right. So today
1:58:27 is Thursday, right? Wednesday.
1:58:30 Wednesday. I did this last week. Today's
1:58:33 Wednesday, so tomorrow's Thursday. Do me
1:58:35 a favor. If you've got the YouTube app,
1:58:40 go to the AI Learning Lab channel, which
1:58:43 is LearningLab-AI
1:58:45 on YouTube.
1:58:47 Go find that video
1:58:50 and you can do three hypes a week. And
1:58:53 so what you do is you go to that video
1:58:55 and then I think it's in the upper right
1:58:56 hand corner or lower right hand corner
1:58:59 there's some sort of hype button.
1:59:01 Anybody know? I think producer Brandon
1:59:03 might know.
1:59:07 Lower
1:59:10 lower right.
1:59:13 So in your YouTube app learning lab-ai
1:59:19 find this video. should be like the
1:59:21 latest one up there. I think it's live.
1:59:23 Let's see if it's live. Let's go check
1:59:25 quick.
1:59:27 YouTube link video. Visit the link.
1:59:31 Yes, it's live.
1:59:36 All right. And go hype that video which
1:59:38 hypes my channel. And if you haven't
1:59:40 subscribed, [ __ ] subscribe.
1:59:42 The hell are you waiting for? We were we
1:59:45 actually waiting for a written written
1:59:47 invitation. We didn't know if we had
1:59:48 permission to actually subscribe to the
1:59:51 channel. We we uh we're I would consider
1:59:54 ourselves what we would call lurkers. We
1:59:56 we uh we certainly enjoy the content. Uh
1:59:59 you know, I I I mean, sure, we're here
2:00:01 every night, but I subscribing just felt
2:00:03 like a commitment. Uh a little too much
2:00:06 of a commitment. You know, just I don't
2:00:08 really know you that well and didn't
2:00:09 want to didn't want to be forward. So uh
2:00:12 just if you could send us that
2:00:13 permission uh peri per permission
2:00:15 certificate in triplicate of course that
2:00:18 would be fantastic. Yeah. Yeah. Yeah.
2:00:21 Then we'll then we'll get right on the
2:00:23 uh the application process to subscribe
2:00:26 to your YouTube channel once of course
2:00:28 we've secured the permissions from the
2:00:30 other stakeholders involved. That'd be
2:00:33 fantastic. All right. Yeah. No, but
2:00:35 really love the work you're doing. Just
2:00:37 keep showing up. That's what they say,
2:00:39 don't they? It's like the lotto. You got
2:00:41 to play to win.
2:00:47 All right. Good night.
2:00:52 Check the date on the live. Check the
2:00:55 date on the live.
2:00:58 I did on the other one. I did. I checked
2:00:59 it. I fixed it.
2:01:01 >> No, today's the uh September 10th, not
2:01:04 August.
2:01:06 >> Yeah, I know. I fixed it
2:01:09 >> on this live on this broadcast.
2:01:12 >> Oh, on this live.
2:01:14 Yeah, if that's wrong.
2:01:17 Sorry.
2:01:19 I don't Is that fixable? I don't know if
2:01:21 that's fixable.
2:01:23 Love it. The flow is spot on. Oh, that's
2:01:25 great.
2:01:25 >> We'll fix it in post.
2:01:26 >> We'll fix it in post. All right. All
2:01:28 right, everybody. Have a good night.
2:01:29 I'll see you tomorrow at 8. Bye-bye.