11/12/2025 - Comparing Chat GPT 5.1's Creative Leap and the Quantum Cipher Rap Analysis

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Transcript

0:03 [Music]
0:15 [Music]
0:25 See the hill is
0:29 When
0:33 I train
0:35 through the day,
0:39 evil creatur
0:41 [Music]
0:43 seems to change.
0:46 Sto
0:48 weak and strange.
0:53 grew up tough
0:55 in a town we call home.
0:59 Folks never to no matter
1:04 [Music]
1:06 on the inside
1:09 just a little.
1:11 She found herself in this hospital.
1:18 We've never seen a hill.
1:21 She howls when she's blue
1:24 of sadness and shame under the southern
1:27 moon
1:29 [Music]
1:38 to the gas station
1:41 at the clerk.
1:43 She stole her a soda. Then she called
1:46 him a jerk.
1:51 In her own little world,
1:54 she floats with a breeze
1:57 among the town's folks who whisper with
2:00 ease.
2:04 [Music]
2:07 We marry from Cedar Hill.
2:10 She's blue.
2:14 Sadness
2:16 shave under the southern mo
2:22 echo in the wind.
2:24 She was never the same.
2:28 We'd marry from seed hill
2:32 [Music]
2:38 name.
2:40 [Music]
2:47 Oh, that weird Mary. She's a cute little
2:49 lass. Little odd. Little odd. You know,
2:53 she's no Marge.
2:57 What's happening, good people? What's
2:58 shaking? What's going down?
3:03 You know how I've been bitching about
3:04 Tik Tok? Apparently, I'm not the only
3:06 one. You know, I don't know if you know
3:08 Hawk. He's like a long-haired San
3:09 Francisco hippie lawyer, ex lawyer.
3:13 He he did a he did a post today. He's
3:16 got 1.1 million followers, gets a
3:18 million views a day, and his his check
3:22 last month was $22.
3:29 [Music]
3:35 Hello, Stacey.
3:37 [Music]
3:45 Hey Kyle, can you see the Aurora
3:46 Borealis from where you're at? Yeah, not
3:48 only because I see it. I took a lot of
3:50 uh I took a lot of pictures last night
3:53 of it. Let me see if they sync to my
3:56 library. Yeah, they did. Here, I will
3:59 show you. I will show you my pretty
4:02 pictures
4:04 here. Let me flip this.
4:07 Let me share different
4:16 [Music]
4:22 you. You know what's amazing is um
4:26 iPhones now have this nighttime
4:29 um 3 second exposure thing that you just
4:34 like you could see the Aurora Bor
4:35 Borealis. was strong enough last night
4:37 that you could actually see it. Like I
4:39 walked out my back the back of my back
4:42 porch and
4:45 and the um
4:48 I could see that pink in the sky, but
4:50 the minute you hold the phone up, it
4:51 just amplifies it. And then when you
4:54 take a picture, it takes like a 3 second
4:56 exposure. So you get like there's stars
4:59 in there. It auto aligns everything.
5:00 It's pretty amazing.
5:03 Yeah. Crazy, right? And then this was
5:06 that. So that's the back of my house.
5:08 This is looking out the front of my
5:09 house like down down the street.
5:12 And then these just got crazy.
5:17 This is when it was ripping.
5:20 Like here, this you could really see
5:22 like these these vertical streaks. You
5:25 could actually really see. That was
5:27 cool.
5:33 Look at that. [ __ ] intense, man. So
5:37 cool.
5:43 Whenever I see [ __ ] like that, I think
5:45 back, you know, before they had science
5:47 like like we're we're like now, you
5:50 know, three days before an aurora
5:51 borealis, they're like, "Well, there's
5:53 there's some activity on the sun where
5:55 there's been a coronal outburst, and
5:58 that radiation should hit our solar
6:00 system about 8:52 p.m. And you know,
6:04 like not that long ago, just people
6:06 would have been looking up in the sky
6:08 going, "The devil's coming. The devil's
6:10 coming.
6:15 [Music]
6:48 standing between
6:50 you and a fire is insane.
6:55 [Music]
6:56 Standing too near
6:59 you in a fire makes it clear
7:05 your trouble to me.
7:10 Real trouble. Can't you see
7:15 [Music]
7:24 came off here like slow moon coke
7:30 [Music]
7:34 looking?
7:39 She sat on a stool and he said, "What do
7:42 you want?"
7:44 [Music]
7:47 She said, "Give me a love that don't
7:50 freeze up inside."
7:53 [Music]
7:59 You said I have melted hing my time
8:03 dear.
8:06 But to see it next to you, well, I
8:09 shiver and shake.
8:12 [Music]
8:14 If I knew love, well, I don't think I'd
8:17 be here.
8:22 asking myself if I've got what it takes
8:26 [Music]
8:29 to melt your eyes.
8:34 [Music]
8:37 Should I stop
8:40 turning
8:46 into a river of tears?
8:51 [Music]
9:03 Oh, Rory.
9:07 Fantastic club. Fantastic.
9:12 Have they won anything? Is this a game
9:14 show yet? No, not a game show.
9:19 Um,
9:22 that said, Andrea, what's happening?
9:26 That said, um,
9:28 [Music]
9:35 so tomorrow
9:39 is the launch, the kickoff
9:41 [Music]
9:46 of the AI salon mastermind practice lab.
9:50 I'm really excited about it. We had Liz
9:52 Miller Gersfeld on the AI readiness
9:54 project today.
9:56 had a really good talk.
10:00 You know, it's funny when you start
10:02 talking about all this
10:05 human-led stuff,
10:07 there's so much to talk about that isn't
10:10 AI. There's so much to talk about,
10:15 which is cool. I dig that. I dig that.
10:19 Um, chat GBT 5.1 did come out today, so
10:22 there's some stuff to look at.
10:25 So weird. I'm not getting it. You're not
10:28 getting the Aurora Bor Borealis. That's
10:29 weird.
10:31 I had to search for AI learning lab.
10:35 Oh, and then it Oh, you couldn't find
10:36 the live.
10:43 Got to love that Tik Tok algorithm.
10:45 Yeah, I don't really I honest to God, I
10:47 don't know what's going on with Tik Tok.
10:49 Something's very strange about it.
10:52 [Music]
11:04 [Music]
11:14 [Music]
11:20 Come on
11:32 [Music]
11:37 [Music]
11:42 You I alone
11:47 [Music]
11:51 suddenly Morning here at home.
11:54 Sky's blue and the coffee strong. It's
11:57 true.
11:58 [Music]
12:00 There's a really good speaker tomorrow
12:02 12:30 in the OpenAI forum
12:05 from a professor at Berkeley edu focus.
12:08 Cool. Nice. 12:30 Pacific. Okay, cool.
12:13 [Music]
12:14 Oh, it's Oracle. Oracles. What's
12:17 happening to Tik Tok? So now you're
12:19 saying Larry Ellison is jealous of me.
12:21 I've already got Sam Alman jealous of
12:23 me. I think this has been well
12:25 documented on this channel. I've
12:27 documented it by saying those words out
12:29 loud while recording
12:32 in a public forum.
12:35 So therefore it's true. And now Larry
12:37 Ellison is jealous of me. I
12:42 other than my like the DNA lottery that
12:45 I clearly won. You know what I'm saying?
12:49 Other than that, what is there to be
12:51 jealous of talent? Sure. Charm,
12:55 understood.
12:56 [Music]
12:59 These are the burdens I have to live
13:01 with, people.
13:04 Sammon, you did a nice ad. I think he
13:06 likes you. The one we were on the bike.
13:12 Oh, cool. Um, Kelly Camp, please welcome
13:15 my friend, uh, Medicare J. What's
13:18 happened to me Medicare J?
13:22 Not for nothing, you did get 5.1 on the
13:25 first day. That's true. I do I do have
13:27 Chat GPT 5.1. We can go look at it.
13:35 You know what's weird though? Like I
13:36 feel like I bonded with 4.1 and then
13:39 five came out and five was shitty for
13:41 like a month and then it just kind of
13:43 got better, but I never really bonded
13:45 with it. And so now 5.1's out and I'm
13:49 like, I'm probably not going to be able
13:51 to tell that it's better than five.
13:56 [Laughter]
13:59 Larry Ellison can't even grow lettuce on
14:01 his island.
14:07 Is there any way to get that kind of
14:10 sora profile without an iPhone? What
14:13 sora profile? What are you talking
14:14 about?
14:21 [Music]
14:26 [Music]
14:34 You can't cameo yourself on the web. Oh,
14:37 but Android is out now. Yeah, I think
14:40 you have to do the cameo on a mobile
14:42 device. So, I'm pretty sure you can
14:43 cameo. You can set up your cameos on I
14:46 know you can on iPhone. I assume you can
14:48 set up a cameo on Android
14:50 and then you can use that cameo from the
14:54 web. So, you can you can you can use it
14:56 from the web. You can. Okay. Yeah. So,
14:58 so basically just go make your cameo on
15:01 on a mobile device.
15:02 [Music]
15:23 Oh, I started talking about the
15:25 mastermind, the squirrel mastermind
15:26 tomorrow.
15:28 Tomorrow at noon Eastern, 10 10 Mountain
15:30 time, 9:00 am Pacific, the mastermind
15:33 practice lab, we're having our kickoff
15:35 meeting. So Liz Miller Gersfeld and I
15:38 are it it's it looks like it's going to
15:40 be a 12week cycle that's just going to
15:43 keep repeating.
15:45 And so we've we've created a ninestep
15:47 framework for for how to approach your
15:50 daily practice using AI.
15:53 Um and it's it's called the mastermind
15:56 practice.
15:57 And the lab is where we're going to get
16:00 together and design them and like
16:02 support one another. Part of I was
16:04 talking with Liz about this today. Andy
16:06 and and Liz and I were on a call talking
16:09 about the kickoff tomorrow.
16:11 And
16:13 one of the things that became very clear
16:15 to me and this is something that I don't
16:18 think I do a lot and I don't do very
16:20 well
16:22 is part of a practice
16:27 is sitting
16:29 with discomfort.
16:30 [Laughter]
16:33 You know me, I'm like
16:40 um
16:43 if I don't have to sit in discomfort, I
16:45 won't. I don't I don't mind it. If I'm
16:47 if I'm motivated, I'll sort of just push
16:49 my way through it. But sitting with it,
16:52 really sitting with h I don't really
16:56 know how to do this thing and but I
16:58 really need to do this thing and if I
16:59 want to accomplish what I want to
17:01 accomplish, I'm going to have to go
17:02 through the muck
17:05 of feelings of feeling incompetent and
17:08 dumb and like I should know this and all
17:10 the all the self- judgment that comes
17:12 when you're human, right? These [ __ ]
17:16 brains we've been given, they're awesome
17:17 and
17:21 They're crazy straws, right?
17:24 And so part of what we're going to be
17:26 doing is just really looking at
17:29 what do we each individually want to get
17:31 out of the mastermind. And by the way,
17:33 the the mastermind is on screen right
17:34 there. That will take you into the page.
17:36 If you're not a part of the mastermind,
17:38 that'll take you to a part of the page
17:40 where you can sign up for it. If you are
17:42 part of the mastermind, I think it'll
17:43 take you to a page where you can click
17:44 on the events tab and you can you can
17:47 RSVP for the event tomorrow. So, noon
17:50 Eastern, 9:00 a.m. Pacific. Um, it's the
17:54 kickoff for the for the practice lab.
17:55 I'm super excited about it, but we're
17:58 going to we're going to set intentions
18:00 tomorrow. We're going to start with, you
18:01 know, what do you what do you want to
18:02 get out of this? What are you what are
18:03 you up to right now?
18:06 Um,
18:10 and then we'll talk a little bit about
18:11 about the the history of how we got
18:14 here, why we're why are we doing a
18:15 practice, why does this seem important
18:17 enough to us to make it a major part of
18:20 the AI salon.
18:23 Um, so we're going to talk about that.
18:24 Liz is going to talk about
18:27 her practice, her daily practice, what
18:30 she does, why she does it, how she does
18:32 it.
18:34 Um
18:44 and uh and then we'll all talk we'll all
18:47 talk about what we're doing with it and
18:48 it'll it'll set up next week and then
18:50 over the next nine weeks we're going to
18:52 go through the framework and you know on
18:55 a week-by-eek basis just expand and
18:57 expand and expand that daily practice.
18:59 So I'm super excited about it.
19:03 The other thing Brandon just reminded me
19:05 of that's really important through the
19:06 end of the year, the mastermind you can
19:09 you can sign up for 20 bucks a month.
19:11 It's going up January 1st. If you get it
19:15 this year for 20 bucks a month, a you
19:17 get a founding member badge and B, you
19:19 retain that rate for, you know, as long
19:22 as you keep the the thing active. The
19:25 sessions are going to be recorded. So,
19:27 if you can't do tomorrow, but you want
19:28 to get in the cycle, just sign up for
19:31 the mastermind and you can watch the
19:32 recording. All right.
19:36 [Music]
19:43 Um, archetypal, not liking Sora 2. What
19:48 didn't you like about it that I don't
19:49 think I think the usage on it kind of
19:51 dropped. I mean, I think that here
19:54 here's my take on Sora 2. Hang on, I got
19:56 to plug in my light.
19:59 Here's my take on Sora, too.
20:03 Hold, please.
20:08 I've got a mess and I call it my desk.
20:11 >> Oh, that should be something we put into
20:13 Sora, shouldn't it? Those lyrics were
20:14 solid.
20:22 [Music]
20:28 Oh my god, people. You have no idea what
20:32 a [ __ ] disaster it is back here. All
20:34 right. Um, I mean, you have no idea how
20:39 many people in this $20 million
20:41 professional television studio are
20:43 working to make everything right for
20:44 you.
20:47 Why Why is Tik Tok shadowbanning us?
20:50 That's why.
20:55 [Music]
21:06 It's good enough at what it does, but
21:09 barebones interface inferior to V3 and
21:12 Grock. Yeah. So,
21:18 here's a consistent thing that I'm
21:19 seeing out of OpenAI over three years is
21:24 they launch a state-of-the-art something
21:26 and then
21:28 ignore it long enough to let everyone
21:30 else catch up and beat them at it.
21:35 And then they just abandon it for
21:37 something else.
21:44 Oh my god. Can I use someone else's
21:48 cameo and sorry? Yeah, you can use Sam
21:50 Alman's. So, so Mr. The way cameos work
21:54 is the person that makes the cameo can
21:57 either set it to no one can use this. No
22:00 one can use it but me. Only my friends
22:02 can use it or anyone can use it. So, if
22:05 you want to make one of me, Kyle
22:07 Shannon. Yeah. Kyle Shannon. Mine is
22:10 free for everyone to use. And you know
22:12 what I did? I put in there um I put in
22:16 an ad. So when you make a cameo of me,
22:18 it automatically adds a card at the end
22:21 that says I think it says right now it's
22:22 about AI Festivus. Which by the way,
22:25 speaking of AI Festivus, December 26th,
22:27 December 27th, be there or don't be.
22:33 If you go to AIFest.com, you can see the
22:36 schedule from last year. We're working
22:38 on this year's.
22:40 [Music]
22:46 Every time I see it now,
22:50 get that look in mine.
22:53 Every time I see your mouth, I hear that
22:57 smile.
23:00 In the early misty morning light heard
23:03 the engine turning
23:06 the old phone outside.
23:12 [Music]
23:13 You were leaving me
23:16 again today.
23:18 [Music]
23:19 You convince me. What state? What state
23:22 am I in? I'm in Colorado.
23:29 You're leaving this hard town looking
23:31 for someone else's golden ring.
23:37 Should I say
23:39 so long?
23:42 Yeah, I saw that. Brandon
23:44 [Music]
23:45 hushed out. Don't cry.
23:48 [Music]
23:51 So, 11 Labs just launched a famous
23:54 people's voice lab where if you're a
23:56 famous person, you can monetize your
23:58 voice. And if you're not a famous
24:00 person, you can go [ __ ] yourself.
24:05 Welcome to the music business.
24:13 Do you have snow yet, Kyle? No, we
24:14 haven't gotten any snow. No, it's been
24:16 like 70 here. It's What a lot of people
24:19 don't know about Denver. Denver's weird.
24:21 It's Denver is a high desert. So, we're
24:23 a mile high, but we're at the we're at
24:25 the base of the Rocky Mountains. We're
24:27 right We're at the edge of the plains
24:29 across the United States. And Denver
24:32 itself, they built Denver because
24:34 because of the way the the South Plat
24:37 River runs through Denver. It makes like
24:39 this bubble, this weather bubble over
24:41 Denver.
24:42 So, it's relatively protected from all
24:44 the snow that falls in the mountains and
24:46 then all the snow that falls east of
24:48 here. It's just like this kind of cool
24:50 bubble. So, it's like 300 days a year
24:53 our sun. Um,
24:56 you know, it's it's generally mild.
24:57 Although, since since like the past 5
25:00 years, the winter's been pretty rough.
25:02 They've normally what you would do is
25:04 you'd get snow and then, you know, two
25:05 days later it' be 70°,
25:08 but that's that's not happening anymore.
25:10 But it's pretty it's been pretty nice
25:11 recently.
25:13 I want to make a singing voice by AI
25:15 that people drive
25:18 people drive right and perform under the
25:21 AI voice. Now everyone can sing
25:23 hopefully.
25:26 I don't quite know what you mean
25:28 frankly. Do you mean you want them to be
25:30 able to record their voice and then turn
25:32 that into a song? You can do that right
25:34 now in Sunno.
25:38 I need a good voice for my voiceovers
25:41 and download and cap cut. Um, go to Hume
25:45 or
25:47 Humeaii, Cartisia or 11 Labs for voices.
25:53 The just actually just go to 11 Labs.
25:55 The voice designer in 11 Labs is really
25:57 quite good,
25:59 but I don't know if any of them have
26:00 free plans.
26:04 Oh, you were in the 11 Labs Google
26:06 training today and it was so good. What
26:08 was good about it, Vicki? I was I was
26:09 thinking about going to that, but work
26:11 got in the way.
26:14 [Music]
26:32 There's been something, baby, I've been
26:34 trying to say
26:38 for an age and it seems I don't know
26:40 how.
26:41 [Music]
26:47 Oh, you can send me your notes. Yeah,
26:48 that'd be great. I'd love to see
26:51 Da da da da da da.
26:56 Oh, could work with karaoke, too.
27:01 Actually, you know what would be a cool
27:02 thing to do? Record yourself singing
27:05 karaoke, as bad as it might be, and then
27:08 throw it into suno and do a cover.
27:11 [Music]
27:14 I hear that there's an AI number one on
27:17 the country charts. The vocal
27:21 But the wait. Oh, wait.
27:24 Okay.
27:26 Um, I don't know. Possibly.
27:29 Listen, there's a there's a Korean band
27:32 that they've they've invested $50
27:34 million into this Korean band. It's all
27:36 AI.
27:37 Um, one of the labels just signed a
27:40 million dollar virtual artists. We were
27:42 talking about this the other night.
27:44 There's there is such massive
27:46 opportunity right now. create micro
27:49 dramas, create characters.
27:53 I got to I got to create a character.
27:54 Maybe maybe that's what we'll do here in
27:57 the before the end of the year is we'll
27:59 create a character and launch it. Kind
28:01 of like Frank. Like imagine if I had
28:03 kept going with Frank.
28:05 50 million is so crazy. I know. Well,
28:07 that's what they've invested.
28:10 You know, they're investing in like
28:11 their own models and all sorts of [ __ ]
28:13 like that.
28:15 Walk My Walk is a track by Breaking
28:17 Rust.
28:19 [Music]
28:20 So, here's the thing.
28:28 The reason this seems surprising right
28:30 now, what do you mean there's an AI song
28:32 on the country charts? What are you What
28:35 are you talking about? That's not
28:37 acceptable.
28:39 The music charts are for human beings
28:41 making music. Yeah. Yeah. Have you heard
28:43 of autotune?
28:48 Millie vanilly had hits.
28:53 Okay. Okay. There's been precedents for
28:55 this. Um the only reason it's weird, it
28:59 feels weird right now
29:02 is that there's this anti- AI backlash
29:05 against AI is evil. AI is not creative.
29:07 If you've ever tried to make something
29:09 usable with AI in any discipline,
29:14 it's not easy. You can make something
29:16 shitty at the push of a button. You can
29:19 do lazy work at the push of a button,
29:22 but I promise you that song that's on
29:24 the charts right now,
29:26 they worked at that. Now, did they
29:29 actually write the lyrics? I don't
29:30 [ __ ] know. Did they actually write
29:32 the chords of the song? I don't know. It
29:34 doesn't matter.
29:36 If it's charting,
29:39 that means people are listening to it,
29:43 right?
29:45 That's it.
29:48 Here's how I look at it. Are you willing
29:50 to put your name on something? If you're
29:51 willing to put your name on it, then
29:53 it's yours.
29:55 Now, if you put your name on someone
29:56 else's [ __ ] then it's theirs and you'll
29:59 get sued.
30:01 [Music]
30:04 People will always be better at music. I
30:06 would not makely
30:09 [Music]
30:12 here. Listen.
30:15 Listen. We're gonna we're gonna give
30:17 Frank a lesson using my humiliation.
30:21 [Laughter]
30:27 Wait, this is going to be good. This is
30:29 going to be good. Okay, let's see.
30:32 Um, we're here. We're here. We're going
30:34 to go here.
30:41 [Music]
30:51 That's that one.
30:58 [Music]
31:03 Hang on. I'm just trying to find
31:05 something.
31:12 Oh, yeah. Here. Okay.
31:24 Okay. All right. Frankly, humans will
31:28 always be better than machines at music.
31:30 Here's the human. They're mimicking us.
31:33 They're not mimicking us. It's not
31:36 mimicking us. It's not copying and
31:37 pasting. It's not the way the technology
31:39 works.
31:40 It's sampling. It's amalgamating a bunch
31:43 of things. But, okay, here, listen. So,
31:46 I'm going to play a little bit of my
31:49 song and then I'm going to play a little
31:50 bit of that same song covered by Suna.
32:03 Standing between
32:06 you and a hard place is insane.
32:09 [Music]
32:12 standing too near
32:14 you and a fire makes it clear.
32:20 Your trouble to me
32:24 [Music]
32:26 real trouble can't see.
32:30 Okay, there's me
32:33 now.
32:37 [Music]
32:42 They're not sampled frankly
32:45 or frostbite.
32:47 Stand in between
32:50 you and a hard place is insane.
32:56 [Music]
32:57 to near
33:00 fire makes it clear
33:05 [Music]
33:08 to me.
33:09 [Music]
33:17 Wait, hang on. This is not engineered
33:19 mixing. So, what you're listening to
33:21 right now is AI generated using my song
33:23 as the bass. It's not sampling. So, this
33:26 is one of the things that that is is
33:29 really confusing about AI and and a lot
33:32 of the people that are
33:34 saying that that AI steals from artists.
33:40 The people that did the training of the
33:41 models potentially stole from artists.
33:45 In in some cases, they actually bought
33:47 the media properties and trained on
33:48 them. And I to be quite fair frank, they
33:52 probably did that after the fact, after
33:54 they knew they were going to get caught.
33:57 When you embed data, whether it's um
34:02 using diffusion models for images or
34:04 music, whether you're embedding text
34:05 documents in in LLMs,
34:09 the original work ceases to exist.
34:13 And the way that that that things are
34:16 generated with AI is some weird
34:19 amalgamation of what are called tokens
34:21 which are fragments that are not
34:23 recognizable as the original work. It is
34:26 it is what's what's called in legal
34:30 terms transformative that the act of
34:33 embedding it so transforms the work that
34:36 it's on the other side it's not the same
34:38 thing. What these things are not doing
34:40 is sampling music. It's not like
34:43 sampling
34:44 guitars and when it's going to play back
34:46 a song, it's going to play some sample
34:49 it recorded. That was the 90s. That was
34:51 the 80s and 90s.
34:53 We went through court battles on that.
34:55 What's happening right now in the court
34:57 battles is they're basically saying
34:58 this, the active embedding works using
35:02 the transformer architecture is
35:03 transformative. Therefore, if you paid
35:06 for it, it's fair use. Now, if you stole
35:10 it, it's not fair use,
35:13 right? Which is why who just got was it
35:16 Anthropic? Just got nailed for $1.5
35:18 billion
35:20 because they had bought a bunch of books
35:22 and they bought machines to scan them.
35:24 And then they also downloaded a whole,
35:26 you know, database full of stolen books
35:28 and they kept that on file. And because
35:31 of that, they had to pay the $ 1.5
35:33 trillion. But for the books that they
35:35 bought, it was considered fair use. And
35:39 the same thing just happened in the
35:41 midjourney case with Getty Images. It
35:44 was determined that it was fair use
35:45 because it was a transformative act.
35:48 [Music]
35:50 Wait, sure. But when you saw him sing
35:52 it, he laid a foundation. Who's he?
35:55 Who's he?
35:59 [Music]
36:05 Yeah, but I can I can lay a foundation.
36:07 Here's I'll play another song. There
36:09 there's this I I'll tell you the
36:11 foundation that I laid here. This this
36:14 is all it was.
36:16 [Music]
36:17 [Applause]
36:18 I can't even play it.
36:23 [Music]
36:29 Oh, the mic cancellation. Oh, echo
36:31 cancellation's killing my mic. Okay,
36:33 hang on.
36:37 [Music]
36:42 Oh, I need to go to settings. Hang on.
36:47 Audio echoation.
36:54 Okay.
36:56 But anyway, I just put in that lick.
36:59 Wait. Uh,
37:09 so I put that in and turned it into
37:15 black bar.
37:17 So turned it into
37:21 Uh,
37:23 no. This
37:29 [Music]
37:38 ferris wheels asleep, its arms still
37:41 folded tight. We walk between the
37:44 shadows and the strings of halfway
37:46 light. The popcorn stands are dreaming
37:49 of the laughter they'll be fed and your
37:52 reflection in a puddle's turning pink
37:55 instead of red.
38:01 You say it's strange to see it empty.
38:06 I say it's strange to feel this calm.
38:11 You smile like you know something I
38:16 don't know.
38:20 Listen, here's here's the only thing I'm
38:22 saying. Frankly, the the argument of the
38:25 the the absolute argument of AI music
38:28 will never be as good as humans is just
38:31 it's a it's thin ice to stand on because
38:35 these tools are getting better and
38:37 better and better and better. And the
38:39 fact that there's a a an AI song
38:42 charting on the country charts right now
38:44 means like if it were that dramatically
38:47 worse, especially in country music, you
38:51 know, you think they're going to be
38:53 like, "That's some [ __ ] robot there."
38:56 If they knew it was a robot, they
38:57 wouldn't listen to it,
39:00 right?
39:02 And that's on Billboard's charts. Yeah.
39:05 Oh, it's Billboard number one. Yeah.
39:07 Crazy.
39:09 [Music]
39:12 They don't know.
39:15 They don't
39:17 make legendary music. It's one hit
39:19 wonders.
39:21 What? Why are you saying that, frankly?
39:23 Like, why would you assume? Okay. It is
39:26 possible that some idiot in a basement
39:29 pushed a button and out came a number
39:32 one Billboard hit country song and
39:35 they'll never be able to push that
39:36 button just right again. I can promise
39:38 you that's not how that song was made.
39:41 I like I make these songs on this
39:43 channel all the time. To get a song
39:45 that's like worth sharing with the
39:47 world, we're generally doing 30 or 40
39:49 songs with all sorts of experiments and
39:52 things like that. And in the case of
39:54 something where you're going to put it
39:55 out to be put on, you know, national
39:57 radio, I guarantee you they took that
39:59 song, stemmed it, remixed it, did a
40:01 bunch of [ __ ] like that. But the core
40:04 song is AI generated. But it but there's
40:06 a lot of work that goes into it. So to
40:09 say that they're not going to have
40:10 another hit presumes that they don't
40:12 know what the [ __ ] they're doing.
40:15 Like what you're not taking into the mix
40:16 here is
40:19 humans using AI tools are are just using
40:23 the AI tool as another
40:27 component in the production mix.
40:30 It's no different than sampling. Well,
40:32 it is. It's a lot different because it's
40:34 actually generating original works.
40:37 We're not sampling someone else's work.
40:38 It's generating an original work. But
40:40 how you get to that and how do you how
40:42 you get something that is worth sharing
40:44 with the world takes work. It really
40:47 does. And so there's people that are
40:48 going to get really good at that.
40:52 And then there's gonna there's still
40:53 going to be people doing traditional
40:54 music. That doesn't go away.
40:58 Um,
41:00 no performance meeting them. Can I get
41:03 their autograph? Um, no. But like the uh
41:06 the Korean band that that they spent $50
41:10 million on, they effectively have a
41:13 cover band that tours.
41:18 So, so they have AI write the songs.
41:22 They have AI characters, AI musicians,
41:24 AI performances, AI dances.
41:28 They put those out to the world and then
41:30 they tour with musicians who play the
41:33 parts.
41:34 So, yes, you will be like you you will
41:38 be able to get their autographs.
41:42 It's not it's not either or. All I'm
41:44 saying is
41:47 it's just
41:49 this is just another tool in the mix.
41:52 How shit's going to rise above the
41:54 noise? Like the the assumption of most
41:56 people is AI is just push a button and
41:58 outs squirts crap.
42:01 There are creative professionals today
42:03 not using AI like that. They're using AI
42:06 in a in a in a very considered chain of
42:09 craft that includes analog things,
42:12 whiteboards, legal pads,
42:15 computers, chat, GPT, sunno, mixers,
42:20 right? It's a much bigger chain of
42:22 craft. I saw a thing today that stupid
42:23 [ __ ] Coke commercial with the with
42:26 the trucks that all have different
42:27 number of axles in it. that one. They
42:30 made 70,000 different images to get that
42:34 minute and a half video.
42:39 Yeah. Walk my walk. That that number one
42:42 country chart was one song on an album.
42:45 [Music]
42:51 But wait, but okay, you're still not
42:53 getting it. The people who made it
42:54 should get the credit, not the AI. Oh.
42:56 Oh, I see what you're saying. the people
42:58 that that crafted the thing should get
43:00 the credit, not the AI. I agree with
43:01 that. Listen, I I I I've said this last
43:05 week about the Coke commercial. All the
43:07 people that are writing about the Coke
43:08 commercial are like, "This is this is
43:10 100% AI generated." No, it's not.
43:15 It's not. There were five creatives that
43:17 worked for a month on that song,
43:19 generating those images, curating those
43:21 images, photoshopping those images,
43:23 doing all that. It was not 100% AI
43:26 generated.
43:27 AI did the production, right? Did the
43:30 production. Um, it basically AI filled
43:34 in the place of a camera or an
43:36 illustrator, an animator. That's what AI
43:40 did. But the concept, the storyboards,
43:44 doing 70,000 images to end up with
43:47 probably the 400 that were in that final
43:50 video.
43:52 Rick Rubin doesn't get credit. Well,
43:53 Rick Rick Rubin does get credit. Rick
43:55 Rubin gets credit as a producer,
44:00 but the musicians get the credit, you
44:01 know, if they wrote it and performed it.
44:04 [Music]
44:12 The Beatles made Yellow Submarine movie
44:14 animated and they had people dub their
44:17 voices in. That's funny. That's cool.
44:22 That's how it should be talked about. AI
44:24 illustrated human implementation or AI
44:27 illustrated human imple implementation.
44:29 I agree. I agree. It's this is one of
44:32 the things the the the most hate I've
44:34 gotten so far um was I wrote a LinkedIn
44:37 post, the one I talked about chain of
44:39 craft where I introduced that concept
44:42 and I basically just said I'm going to
44:44 show you an image here and like I'm
44:45 going to talk about how I got to it. And
44:47 man, did I get some [ __ ] hate because
44:50 the the the people that are not playing
44:52 with AI right now, I mean, at least,
44:54 frankly, you're in in here asking
44:57 questions
44:59 trying to learn that or not trying to
45:01 learn, learning what this AI stuff's all
45:04 about.
45:06 Most of the people that hate AI right
45:08 now don't have the balls, quite frankly,
45:10 to engage in the conversation. They're
45:13 just like they're just like AI's evil
45:15 and you're a talentless hack. And that's
45:17 the way it is. That's just the way it
45:19 is. It's like, okay,
45:23 [Music]
45:25 they said the same about digital
45:27 cameras, by the way. You know,
45:29 photographers. Oh, you you're going to
45:31 you're going to put it on pixels. Pixels
45:33 aren't real photography. Real
45:35 photography has to be born in chemicals.
45:40 I don't know why uh analog photographers
45:44 had a lisp. They just did.
45:48 [Music]
45:50 Oh man, Franklin gave me gifts. Thank
45:52 you very much, Frankly. I appreciate
45:54 that. I I actually listen, I really like
45:56 I really dig these kind of
45:58 conversations. Um, especially like
46:04 I appreciate you staying engaged and and
46:08 yeah, and joining the salon. Thank you.
46:11 Um,
46:15 one thing that I Okay, one thing that I
46:18 absolutely am
46:20 is deeply optimistic about about
46:23 technology, but I'm deeply optimistic
46:25 about it
46:28 when used
46:30 um
46:32 with intention,
46:34 right? When used as a form of
46:37 self-expression. I'm I'm deeply deeply
46:40 passionate about that.
46:44 I agree with a lot of the criticisms
46:46 that are that are hurled on the frontier
46:49 model companies. I agree with the
46:51 criticisms,
46:53 right? They they went out and they stole
46:55 a bunch of [ __ ] and they trained some
46:57 models on it. And and I can tell you why
46:59 they did it. If if I had, you know, if I
47:02 had whatever they had, you know, when
47:04 they started, half a million dollars
47:07 and and I had this secret and the secret
47:10 was the more data I throw at this thing
47:12 and the more compute I threw at this
47:14 thing, the better it gets,
47:16 they made a calculated risk decision,
47:19 which was this.
47:21 We can go ask every rights holder in the
47:24 world of anything that's ever been
47:27 written for their permission
47:31 or not.
47:34 Right? So, so they made the calculated
47:37 decision
47:38 to not go ask for permission.
47:41 Right? It's San Francisco. They're like,
47:43 "Hey, we've got this secret. If we get
47:45 enough data in here quickly enough, then
47:48 they can come after us afterwards." But
47:50 once it's in there, then the models are
47:52 going to be built. And that's where we
47:53 are. Like, we're at a place now where
47:56 all of the open- source models are
47:58 almost as good as all of the commercial
47:59 models. And so, nobody's bitching about
48:02 the the open- source things because I
48:04 don't know where they got their data,
48:05 but they probably scraped it off OpenAI
48:08 servers. Who [ __ ] knows how they got
48:10 it? But now that the models have been
48:12 built,
48:15 you could choose not to use them out of
48:17 principle or you could choose to just
48:19 say, "I'm just going to use Adobe
48:21 because, you know, they claim they
48:22 didn't train anything on commercial
48:25 works without permission."
48:28 I I don't know that that's the case, but
48:29 that's at least their marketing
48:31 positioning. Um, you could do that. Some
48:33 people do that. Or you could just choose
48:35 not to use it. You could just say, "AI
48:37 is evil. They stole from artists. [ __ ]
48:40 them people.
48:42 My problem with that position is the
48:45 only person that hurts is that person
48:48 that's like [ __ ] you to AI cuz they're
48:51 going to get blasted in the face with
48:53 the double barrel of what's coming. You
48:56 know,
48:58 so this channel is about saying, okay,
49:00 let's look at the reality of it. Let's
49:01 understand how these models actually
49:03 work so that if we have a conversation
49:06 about copyright and is it stealing and
49:07 is it plagiarism, we can actually talk
49:09 intelligently about how it works. We can
49:12 still have the ethical conversations and
49:14 then we can say and
49:17 because it's not going away and because
49:19 it's in our hands right now, we might as
49:21 well learn what it makes possible. And
49:24 then we can start to do things like
49:25 think critically about
49:29 there are going to be two kinds of AI
49:31 users in the future. Lazy ones and
49:35 creative ones.
49:37 Lazy ones are going to are are who
49:40 you're saying you hate, which I agree
49:43 with. Push a button, squirt out music.
49:46 But creative users of AI are just going
49:49 to use it as a tool in a chain of lots
49:51 of other ideas and lots of other steps
49:54 and lots of other refinements and
49:56 curations and things like that. And
49:58 they're going to be working toward an
50:00 idea and then when the thing that they
50:03 create matches that idea and they put
50:05 that in the world, that's [ __ ] art. I
50:07 don't care what tool they used.
50:11 The person that just pushed a button and
50:12 squirted out [ __ ] that's not art.
50:14 That's a snapshot. In photography, you
50:16 call, you know, people that just shoot
50:18 pictures and share them with their
50:19 friends or, you know, now they're now
50:21 we're on a phone, so you're tapping your
50:22 phone rather than pushing a shutter
50:24 button.
50:27 That's why one thing is called a
50:28 snapshot and one's called a photograph,
50:31 right?
50:32 One is called an art photograph,
50:36 right? Because the photograph has
50:38 intention behind it and probably editing
50:41 after the snapshots. Who gives a [ __ ]
50:43 There's Sally by the beach. Okay.
50:46 So, there's going to be the AI
50:48 equivalent of those people. And they're
50:50 not evil. They're just they're just
50:52 snapshots like like like family
50:55 photography did not [ __ ] up art
50:57 photography. It's just art photographs
50:59 live in galleries and snapshots live on,
51:02 you know, in in storage bins in the
51:06 closet off the living room.
51:12 [Music]
51:15 We can have a beginner's mindset and
51:17 learn and being the remedial class I
51:20 understand.
51:28 [Music]
51:30 Unrelated to anything, I just wrote a
51:32 couple of very moving chapters in my
51:34 novel 52 and 53.
51:37 You know what's funny? I I um I should
51:40 ask Andrew this, but in my in my musical
51:42 Sydney,
51:44 there's a song there's a song in it
51:47 called Between the Lines, and it's when
51:50 Sydney the chatbot, Kellen Kellen the
51:53 tech reporter has closed the computer
51:55 and left and he found out his wife left
51:58 him when he leaves.
52:01 And so he's pissed off and drinking. And
52:03 then Sydney the chatbot keeps going back
52:05 to where he was in the Leighton space
52:08 and it says, "User not found. User not
52:10 found." And she's got this line where
52:12 she says, "You forget, I erase."
52:16 And it's like this contrast between
52:19 human memory and
52:22 and machine memory. You forget, I erase.
52:25 And she thinks he's gone. And she's
52:27 wondering if he's going to forget her.
52:30 And she doesn't understand. She knows
52:32 there's a difference, but she says we're
52:34 we're caught in between the lines of
52:37 being human and being machine. And I
52:39 thought it was just such an elegant I
52:41 don't know if Andrew, my writing
52:42 partner, wrote that. I know I didn't
52:44 write those lines or or if that was
52:46 something that AI wrote that we kept
52:49 because we we've rewritten most of the
52:50 lyrics in in all the songs, but I I
52:53 don't know I don't know if if Andrew
52:55 wrote that or if AI did, but it was that
52:57 that was a really good line that that
52:59 hit me this this week. just in four
53:02 little words. Very eloquent
53:05 eloquent little thing there. Um yeah,
53:08 beginner's mindset.
53:11 Um
53:14 [Music]
53:25 yeah, maybe. Um let's go look at chat
53:27 GPT 5.1. Um, I don't have any real clear
53:31 tests.
53:34 Um,
53:39 I don't have any real clear tests to
53:41 know if it's going to be better or not.
53:44 But we could look at speed. Is it fast?
53:48 So if you go to chat GPT now
53:52 we've got 5.1 instant and thinking and
53:56 then you've got legacy models instant
53:58 thinking mini and thinking for GPT5.
54:01 It's allegedly more conversational. Oh,
54:03 is this the one that's supposed to I
54:05 think what they said is they took the uh
54:08 the sort of spirit of GPT 4.1 new 5.1.
54:14 Yeah. Yeah. This came out today.
54:15 Frankly, this by the Yeah. The other
54:18 thing when you start hanging out here a
54:20 lot, what you'll discover is is um even
54:25 if you follow this stuff, you can't keep
54:28 up with it. This just happened today. I
54:30 was I I missed this. Brandon sent me a
54:32 thing said, "Oh, Sam Waltman's tweeting.
54:34 5.1's out." Um but I what I did hear is
54:38 that they were taking the personality of
54:40 4.1 and and putting it in the five
54:42 model. So, I wonder if that's what this
54:44 is. Um,
54:48 okay. Here's what we can do.
54:51 Here's what we can do. We'll do two
54:53 windows.
54:58 [Music]
55:07 [Music]
55:17 [Music]
55:20 Um, which one do I want to do? Five.
55:25 Oh, this one's auto, right? Can this do
55:28 auto?
55:30 No.
55:37 All right, here's what we'll do. We'll
55:39 do thinking
55:40 and then this one we'll do thinking.
55:42 Okay, so these are the So we're going to
55:44 compare five thinking to 5.1 thinking
55:51 and we'll see if there are any
55:52 difference in different in speed. So
55:54 here we'll say um
56:11 let's see
56:14 um
56:17 explain to me the pros
56:21 and cons of
56:25 starting.
56:28 Explain to me the pros and cons of
56:31 starting
56:32 um
56:37 a
56:39 laundry mat
56:42 that sells
56:44 alcohol
56:47 and has
56:50 archery lessons.
56:55 All right, that's good. That's good.
56:57 That's solid. I should have to think a
56:58 little bit about that. Okay, so there's
57:01 that one. And then here's this one.
57:04 Okay,
57:06 so GPT5
57:08 thinking we'll see which one's faster.
57:14 Ah, they drink while they wait. Exactly.
57:17 Okay, so this is done. All right, Kyle,
57:19 fun idea.
57:23 All right, Kyle. Fun idea. It's a spicy
57:25 combo. Here's the straight read.
57:28 GPT 5.1 short version. It's both
57:31 brilliant and insane. Let's unpack it.
57:34 So, I think that's better writing. It's
57:36 still got a [ __ ] emoji. We could do
57:38 without those. What you're basic what
57:41 what you're basically talking about.
57:43 Wash your clothes, grab a drink, and let
57:45 loose some arrows. Experience economy
57:47 plus multitasking plus chaos.
57:50 And then 5.1 just goes straight into the
57:53 the upside. Differentiation and PR
57:57 magnet.
57:59 Wash, sip, and shoot is is weird enough
58:02 to earn coverage and word of mouth.
58:04 Dwell time in laundrymats is built in.
58:06 You can monetize it. The big downside
58:09 liability.
58:11 You think
58:19 boo booze laundry and arrows. What could
58:21 possibly go wrong?
58:23 Potential pros. Strong. What the [ __ ] is
58:26 this place? Yeah, 5.1 is just written
58:29 better.
58:31 People talk about weird combos. Bar plus
58:34 archery range plus laundry mat is
58:36 instantly memorable.
58:40 This feels more like 4.1. Um, oh, I know
58:43 what I can try. Okay, so let's do a new
58:46 chat for each of these.
58:58 They're able to reason better
58:59 symbolically than with words. Not
59:01 necessarily. Some are really good at
59:03 words.
59:04 It was four. Oh, 40, not 4.1. That's
59:07 right. That's right, Brandon. Four.
59:08 Yeah, 4.1 was the the really overbloated
59:11 one. I never used 4.1. It was 40 was the
59:13 one that wrote really good. Let me do my
59:15 let me do my classic um
59:20 let's see. We'll we'll say um write
59:23 a
59:25 soistic
59:27 uh let me let me see um we'll do it like
59:30 this. write a sophisticated
59:33 um Eminem
59:37 style
59:40 cipher
59:43 rap about
59:47 quantum mechanics.
59:50 Use
59:52 double and triple
59:55 entandra
59:59 word play.
1:00:01 Um
1:00:03 metaphors.
1:00:06 Um
1:00:09 and
1:00:10 big ego
1:00:15 and anything else
1:00:19 that makes
1:00:24 his reps
1:00:27 unique
1:00:30 um
1:00:32 about quantum mechanics. Okay, so let's
1:00:33 copy this. Right. There's 5.0. Here's
1:00:38 5.1.
1:00:40 This This could be telling because
1:00:43 this is a really subtle one where it's
1:00:45 like you kind of know it when you see
1:00:46 it.
1:00:49 They each greet you differently. It
1:00:51 looks like intro. Yeah. Look, they said
1:00:54 act normal. I said define it. I bent
1:00:56 reality so hard the waveform signed it.
1:01:00 I'm in super position. Both goats. I'm
1:01:03 both goats at once. Past Marshall,
1:01:06 future Marshall in the throat of a
1:01:08 punch. That's pretty good. Every bar a
1:01:10 double slit. How I open the front. You
1:01:14 You see lines different. You see lines
1:01:17 different depending
1:01:19 how you scope what I've done. That's
1:01:22 pretty good. Okay. I can't literally rap
1:01:25 as a specific artist.
1:01:29 Okay. I didn't ask you to. I said in the
1:01:31 style, didn't I? I said Eminem style,
1:01:34 you big dumb dumb
1:01:38 wave function flesh. Yeah, I'm in a
1:01:40 state you can't measure, kid. Soon as
1:01:42 you look, I'll collapse on you. Let's
1:01:44 go. What?
1:01:47 I'm in a superp position of superstition
1:01:51 and supervision. That's pretty good.
1:01:54 See my vision split infinities. Every
1:01:56 line's a new revision. You're in a
1:01:58 classroom, a smash room.
1:02:01 Crash booms parting atoms and the track
1:02:03 zooms past you like fast doom. This is
1:02:06 not bad.
1:02:08 I'm not a rapper. I'm an operator of
1:02:10 Hilbert State. Apply pressure. Find your
1:02:13 Egan value. Little fate. You ain't
1:02:16 certain where I'm headed. Heisenberg
1:02:18 with the blur. Heisenberg always makes
1:02:19 the first two verses of these things for
1:02:22 some reason.
1:02:23 So does Plank.
1:02:26 Um,
1:02:29 I'm in a super uh, let's see. I'm the
1:02:31 illst in existence and I don't exist
1:02:35 yet. Existence and don't exist yet is
1:02:38 pretty good. I'm a virtual particle pop
1:02:41 off then I dip. Bet
1:02:44 I collapse crowds then I wrap loud
1:02:46 facts. Soon as you all measure the track
1:02:49 the waveform snaps. These are these are
1:02:52 pretty close. the the 5.1 feels a bit
1:02:55 more sophisticated. I'm feeling like I'm
1:02:57 feeling like this got like a creative
1:02:59 writing upgrade
1:03:02 and I'm sure there's more there. Let's
1:03:04 let's flip these to instant. Let's flip
1:03:05 these to the fast one.
1:03:09 Legacy instant. All right,
1:03:13 we'll see if they're any faster. Let's
1:03:15 do Let's just Let's do instant with the
1:03:18 wrapped thing.
1:03:26 Here's a cipher that bends spaceime and
1:03:28 ego. Quantum cipher. Observe this. I
1:03:31 collap the wave function. Just stepping
1:03:33 into the room. I'm the reason superp
1:03:34 position starts picking a mood. I'm the
1:03:37 cat and the king. Schroinger's crown on
1:03:39 my head because I'm alive in every line
1:03:42 till you open the thread. Quantum cipher
1:03:45 superp position with no competition.
1:03:48 I'm the quark spitting marksman.
1:03:50 Collapse you when I spark in wave
1:03:53 function punchlines hitting harder than
1:03:55 a dark spin.
1:03:57 5.1 instant. This this is quite good.
1:04:00 I'm Schroinger's pen alive and dead till
1:04:02 the bar ends. Open up the box and watch
1:04:04 me box reality. Open up the box and
1:04:07 watch me box. That's cool. Open up the
1:04:10 box and watch me box reality and sharp
1:04:12 tens.
1:04:14 I bend spaceime with a baseline. Break
1:04:16 spines when I say rhymes.
1:04:19 Got gravity envy. Got gravity envy
1:04:21 because I pull the mass on the grape
1:04:23 vines. These are quite good.
1:04:26 My mind's a Hadron Collider when I'm
1:04:28 charging up. All right. We're going to
1:04:29 go turn this one into a [ __ ] song.
1:04:32 All right.
1:04:34 All right. Are you still here? Uh,
1:04:36 frankly, here we go. We're gonna call me
1:04:40 Quintum. Call me Quintum Ma mechanics
1:04:44 because my my AI is called Quinn. That's
1:04:46 really funny. Yeah, I bend laws at will
1:04:48 and the punchlines like dark matter.
1:04:50 Okay, this is good.
1:04:52 Want a version with a specific cadence?
1:04:54 No, [ __ ] it. We'll take this weird
1:04:56 cadence and let's go to we'll go to umo.
1:05:05 Oh, and I have to change my sharing so
1:05:07 you can hear it.
1:05:13 [Music]
1:05:17 Wait, where?
1:05:21 [Music]
1:05:24 There we go. Okay,
1:05:27 that create your own song. Create
1:05:31 black bar. I know. I know, Brandon. I
1:05:34 know. I know. Stop picking on me. We've
1:05:37 got bullies in the producers booth.
1:05:44 You think this is easy, people?
1:05:47 It is. You're right.
1:05:52 Okay.
1:05:53 Lyrics. Boom.
1:05:56 Straight out of the chat. JPAT
1:06:00 5.1.
1:06:02 And then we're going to go to styles.
1:06:04 We're going to go Detroit
1:06:07 style machine gun
1:06:12 rap
1:06:14 with a Kanol
1:06:19 double time flares.
1:06:24 Um,
1:06:30 let's call it uh
1:06:40 late 80s.
1:06:43 What was that drum machine? A 707 404.
1:06:46 The [ __ ] was it? I can't rep. But hey,
1:06:48 eighth mile. Oh, yeah. We'll go late
1:06:50 80s. Eighth mile. That's good. We'll
1:06:52 see. We'll put in a slight Eminem
1:06:54 reference. Eighth Mile style. There we
1:06:57 go. That's good. All right. Boom. If
1:07:00 you've not watched one of these things
1:07:02 make music,
1:07:05 you're about to
1:07:09 808. That's right. Here, we'll do 808
1:07:14 707404. Unbelievable. 808 drum machine.
1:07:18 This sucks getting old. I'll tell you
1:07:20 that much.
1:07:25 Okay.
1:07:29 I'm the quark spitting marksman
1:07:31 collapse. All right. So, here's here's
1:07:33 the first one. Here's here's the two
1:07:34 without the 808 in there.
1:07:37 I'm the quark spitting marksman
1:07:39 collapsing when I spark in wave function
1:07:41 punch lines hitting harder than a dark
1:07:42 spin. I'm sure to just pen alive and
1:07:44 dead to the bar ends. Open up the box
1:07:46 and watch me box reality and sharp tac
1:07:49 with a baseline. Break spines when I say
1:07:51 rhymes. It's got gravity in because I
1:07:52 pull the mass on the grape vines. My
1:07:53 mind's a hatron collider when I'm
1:07:55 charging up my tape lines. Smashing egos
1:07:56 into particles and call it making brake
1:07:58 signs. I'm the reason why the Higs
1:08:00 booing got stage frighted. Try to find
1:08:01 me in the vacuum but couldn't locate
1:08:03 light. I'm the big bang bragging.
1:08:05 Bragging bigger than the quant kick a
1:08:07 lyric so atomic. Every comma is a katana
1:08:09 multiverse me. I'm many worlds where
1:08:11 every version's better. In every
1:08:12 timeline I'm the goat just wearing
1:08:14 different sweaters. I'm the paradox you
1:08:15 can't box. I'm xeno with a vendetta.
1:08:17 Every step you take to reach me makes
1:08:18 your progress even lesser. I'm in super
1:08:20 position. Both chilling, killing the
1:08:21 same breath. Spit life and death in one
1:08:23 sec. Like I'm cheating on a lame test.
1:08:24 Heisenberg with the pen. You know the
1:08:26 drill. When aim set, you can measure
1:08:28 where I'm going. Know how fast. Pick the
1:08:29 same bet. I'm the quantum mechanic. I
1:08:31 tune the universe with torque. Turn.
1:08:33 >> Holy [ __ ]
1:08:35 God damn. So good.
1:08:40 [Music]
1:08:47 >> Yeah. I'm the quark spin marksman.
1:08:50 Collapse you when I spark in wave
1:08:51 function punch lines hitting harder than
1:08:53 the dark spin. I'm starting this pen
1:08:54 alive and dead to the bar ends. Open up
1:08:56 the box.
1:09:02 >> Here's the one with the 808 on it.
1:09:06 [Music]
1:09:14 >> I'm the quarks marksman. Collapse you
1:09:16 when I spark in way function punch lines
1:09:18 hitting harder than a dark spin. I'm
1:09:20 shing your pen alive and dead to the bar
1:09:22 ends. Open up the box and watch me box
1:09:24 reality and sharp tast space time with a
1:09:26 baseline. Break spines when I say
1:09:27 rhymes. Got gravity envy cuz I pull the
1:09:29 mass on the great vines. My mind's a
1:09:31 hydro colada when I'm charging up my
1:09:32 take lines. Smashing eos into particles
1:09:34 and call it making.
1:09:36 >> Wait, you're from LA? Wait, it's show
1:09:37 but I'm gonna I'm gonna hard it's hard
1:09:39 it's going to be hard to take over rap.
1:09:41 Do you know Timberland? Tim Timber
1:09:43 Timber Timberland is full-on a Sununo
1:09:45 artist now. There's an amazing video of
1:09:48 him hearing one of his his uh tracks get
1:09:52 turned into a full song. He's he's
1:09:55 full-on producing with this. In fact,
1:09:57 Timberland started his own label where
1:09:59 he's signing um musicians
1:10:03 like prompting musicians. He's signing
1:10:06 them like that's happening right now.
1:10:10 And by the way, as ASCAP, ASCAP just
1:10:13 ASCAP, BMI, and CScape, I think they're
1:10:16 called, are the three um monetization uh
1:10:20 entities in music. C what? CESAC. Um
1:10:27 they all said that partially AI
1:10:29 generated songs are now eligible for
1:10:32 monetization and copyright. So,
1:10:36 punch lines hitting harder than a dark.
1:10:39 >> I think it's this one, but it might
1:10:41 >> might be that first that first one was
1:10:43 pretty [ __ ] good.
1:10:46 [Music]
1:10:57 >> Oh, wait. So, if you're from LA, give me
1:10:59 give me some LA terms, right? So, who's
1:11:03 getting wr writing credit? No, me. I'm
1:11:05 taking writing credit. I'm the one
1:11:07 writing this [ __ ] I wrote the lyrics by
1:11:09 prompting them. Do you know how Do you
1:11:11 know how long I've been writing Give Me
1:11:13 an Eminem style rap about quantum
1:11:15 mechanics since December of 2022?
1:11:20 I've been waiting I waited for two years
1:11:23 before Chat GPT could do anything even
1:11:25 close. And you want to hear that song?
1:11:28 The the December 2022 lyrics of Quantum
1:11:32 Cipher. I've been doing this for a
1:11:34 while. I'm taking [ __ ] credit for
1:11:36 this one,
1:11:39 [ __ ]
1:11:40 Um, we'll go to Soundcloud.
1:11:55 Yes.
1:11:57 All right. Share this tab.
1:12:00 So, here's this is one that I I wrote
1:12:02 last year. So, November 2024.
1:12:08 Yeah. November 2024,
1:12:11 Chat GPT4 got a creative writing
1:12:13 upgrade. And it was on this channel live
1:12:17 when I put in some version of that
1:12:19 prompt I just did. And the song you're
1:12:22 about to hear, this is kind of half of
1:12:25 the lyrics, but I ended up creating six
1:12:28 different sets of lyrics that I
1:12:30 Frankenstein together.
1:12:32 [Applause]
1:12:33 [Music]
1:12:40 [Applause]
1:12:43 I'm tangled with the beat. Spooky action
1:12:45 in the booth. Slippy at them with the
1:12:47 pattern. Every bar's a burst of true
1:12:48 superp position in the mission.
1:12:50 CONFUSION FUSING MY INTENTIONS PARALLEL
1:12:52 IN every line I'm a PRISM OF DIMENSIONS
1:12:54 MOST OF CELEB ANTICS I'M with the
1:12:56 semantics MY RHYMES COLLIDE LIKE
1:12:57 PARTICLES I nearly digic oscillate and
1:13:00 dominate I'm weaving quantum states SPIT
1:13:02 A BURST AND WATCH THE MULTIVERSE
1:13:03 RECIPROCATE QUANTUM PRECISION I'm
1:13:05 ripping the rhythm I'm spitting in
1:13:07 prisms infinite visions I'm shifting
1:13:08 dimensions with liberate decisions
1:13:10 accelerate levitate elevate thought to
1:13:11 the turbulent spin I'm the velocity
1:13:13 ripping APART THE BOD YOU'RE CERTAIN
1:13:14 YOU'RE IN SO STEP INTO the quantum where
1:13:17 the chaos align my bars ARE IN BIG LOGIC
1:13:19 Redefining the divine. FROM THE SMALLEST
1:13:21 OF PARTICLES TO THE COSMOS THAT WE KNOW.
1:13:23 THIS IS rap at it. Quantum slow.
1:13:26 [Applause]
1:13:29 Let it glow.
1:13:36 >> YEAH,
1:13:37 >> THAT'S GOOD. I can see the commercial
1:13:40 like McDonald's or some charity donation
1:13:42 commercial. So, this is from a musical
1:13:44 that I've written. I've taken the last
1:13:46 year and a half to write called Sydney,
1:13:48 an artificial love story. So that's
1:13:50 that's why it sounds Wait, I can I can
1:13:53 let you listen to
1:13:56 the more hip-hop version of it. That was
1:13:58 kind of the Broadway piano version of
1:14:01 it. Here's the Here's the hip-hop
1:14:02 version of it.
1:14:11 [Music]
1:14:13 Y I'm tangled with a beat. Spooky action
1:14:16 in the booth. Split the atom with A
1:14:18 PATTERN. EVERY PART'S A BURST OF TRUTH.
1:14:20 Super position in the mission. Fusion
1:14:21 fusing my intentions. Paralleling every
1:14:23 line. I'M A PRISM OF DIMENSIONS.
1:14:25 MULTIABANTICS. I'm manic with the
1:14:27 semantics. MY RHYMES COLLIDE LIKE
1:14:29 PARTICLES dynamic and gigantic
1:14:30 oscillating dominate. I'm quantum
1:14:32 STATEIVERSE
1:14:34 RECIPROCATE.
1:14:36 >> So anyway, that's that. Okay. Um, let's
1:14:39 go back to this thing. I want to hear
1:14:40 that first one we did. I think the first
1:14:42 one was actually really tight.
1:14:43 >> Oh, but wait. I was gonna do Hang on.
1:14:45 Squirrel.
1:14:47 >> We're going to do LA style. So, we'll do
1:14:49 LA style. Like what year? Like 2000s. LA
1:14:54 style.
1:14:55 2000's rap.
1:14:58 Um,
1:15:01 what you're missing is adlibs. Yeah, but
1:15:03 you could you could you could build all
1:15:04 that [ __ ] in. What I'm What I'm missing
1:15:07 right now is all the [ __ ] because I'm
1:15:10 doing it quick.
1:15:12 2014. All right. Okay. You're gonna get
1:15:14 really specific. He's gonna pick on it.
1:15:16 He's gonna go, "Uh, yeah, that was uh
1:15:18 2016." Yeah, I'm pretty sure. Hey, I got
1:15:21 that one wrong. Yeah. Uh, 2014. All
1:15:24 right. LA Styles two Wait, LA Style 2014
1:15:30 rap with what? Give me some other
1:15:32 things. I feel you.
1:15:37 Give me some other attributes. Let's
1:15:39 see. Uh, not dubstep. Let's say
1:15:44 uh
1:15:47 let's throw some funk in there. We'll
1:15:48 throw a little funk in there.
1:15:51 Um,
1:15:56 let's do
1:16:01 All right, let's just do those. LA style
1:16:04 2014's rap funk.
1:16:09 Let's see if it's any good. Okay. Oh,
1:16:12 yeah. Englewood Compton. That's good.
1:16:14 Engle.
1:16:18 Englewood.
1:16:21 Compton. Yeah, that that'll actually be
1:16:23 good. Okay, so these are the two without
1:16:26 Englewood and Compton in them.
1:16:29 Yeah. Yeah. I'm the spitting marksman.
1:16:32 Collapser when I'm sparking. We function
1:16:34 punch lines hitting harder than a dark
1:16:36 spin. I'm sure pen alive and dead till
1:16:38 the bar ends. Open up the box and watch
1:16:40 me box reality and sharp tacime with a
1:16:43 baseline. Breaks minds when I say
1:16:44 rhymes. Got gravity envy cuz I pull a
1:16:46 mass on the grape vines. My mind's a
1:16:48 hatron collider when I'm charging up my
1:16:50 take lines. Smashing eagles into
1:16:51 particles and call it making break
1:16:52 signs. I'm the reason why the higs
1:16:54 boosting got stage fright. It tried to
1:16:56 find me in the vacuum but couldn't
1:16:57 locate light. I'm the big bang bragging
1:16:59 bragging kick a lyric so atomic every
1:17:03 >> That's pretty good. Let me take funk out
1:17:04 of there cuz I like the funk in it. But
1:17:07 let's see if we can get rapingwood
1:17:10 component. Let's do let's do two more
1:17:11 that are like that. All right. I'm gonna
1:17:13 give that one a thumbs up because that
1:17:14 one's pretty [ __ ] good.
1:17:16 Okay, here's here's the other one
1:17:18 without Englewood or Compton.
1:17:20 >> Yeah, I'm the spitting marksman.
1:17:23 Collapse when I spark wave function
1:17:25 punch hitting harder than a dark spin.
1:17:27 I'm short and just pinned alive and dead
1:17:28 to the bar ends. Open up the box and
1:17:30 watch me box reality and sharp tens. I
1:17:33 baceline
1:17:34 break spines when I say rhymes. Got
1:17:36 gravity in because I pull the mass on
1:17:38 the grape vines. My mind's a hetra
1:17:39 colada when I'm charging up my take.
1:17:41 Smashing eagles into particles and call
1:17:43 it making break signs. Cuz I'm the
1:17:45 reason why the Holson got stage Friday.
1:17:47 Try to find me in the vacuum but
1:17:48 couldn't locate light. I'm the big bang
1:17:50 bragging bragging. I kick the lyrics.
1:17:54 >> It's pretty good.
1:17:57 >> Yeah.
1:18:00 [Music]
1:18:07 We had to do this in my
1:18:11 I'm the spitting marksman. Collapse it
1:18:13 when I spark in wave function punch
1:18:15 lines hitting harder than the dark spin.
1:18:16 I'm sure pen alive and dead to the bar
1:18:18 ends. Open up the box and watch me box
1:18:20 reality and sharp tens. I spend space
1:18:22 time with a baseline break spines when I
1:18:24 say rhymes. Got gravity envy cuz I pull
1:18:26 the mass on the great lines. My mind's
1:18:28 ahead collider when I'm charging up my
1:18:30 take lines. Smashing eos and call it
1:18:32 making break signs. I'm the reason why
1:18:34 the boss got stage Friday. Tried to find
1:18:36 me in the vacuum but couldn't locate.
1:18:39 This one I I gotta tell you when I did
1:18:42 that one a year ago,
1:18:44 I couldn't get it to do the like the ego
1:18:47 thing that that Eminem has where it's
1:18:50 about him. You know, it's about the
1:18:52 rapper's ego.
1:18:55 This did this pretty good. This 5.1 I
1:18:58 think I'm going to like because I was
1:19:00 not I got kind of cold on chat GBT with
1:19:03 50. All right, here's here's the one
1:19:05 without No, this one still has funk in
1:19:08 it. Wait, why did it must have not
1:19:10 generated one? Here's one more with funk
1:19:13 in it.
1:19:15 [Music]
1:19:17 >> Copy confidence. That's good.
1:19:20 [Music]
1:19:26 [Music]
1:19:28 >> Oh, wait. Am I not sharing this?
1:19:31 I'm not.
1:19:33 Are you not hearing this on YouTube?
1:19:36 Sorry about that. Hey, producer Brandon,
1:19:39 shouldn't you be yelling at me?
1:19:45 You could hear it. Oh, maybe I'm sharing
1:19:48 my whole screen. I don't know. Whatever.
1:19:50 Okay.
1:19:57 >> Open up the box and watch me box reality
1:19:59 in sharp. I facetime with the baseline.
1:20:02 Break spines when I say rhymes. Got
1:20:04 gravity in because I pulled the mass on
1:20:05 the grape vines. My mind's a hatch from
1:20:07 collider when I'm charging up my take my
1:20:09 eagles in the particles and call it
1:20:11 making bra signs. I'm the reason why the
1:20:13 Higs Bing got stage frighted. Tried to
1:20:15 find me in the vacuum but couldn't
1:20:16 locate light. I'm the big
1:20:19 >> that's kind of crazy. All right. Now,
1:20:21 here's the one without funk in it.
1:20:23 >> Yeah, I'm the spitting
1:20:28 wave function.
1:20:30 And I'm surely just been alive and dead
1:20:32 to the bar ends. Open up the box and
1:20:34 watch me box reality in sharp tacime
1:20:37 with a baseline. Break spines when I say
1:20:39 rhymes. Got gravity cuz I pull a mess on
1:20:42 the grape vines. My mind's a hazard
1:20:43 collider when I'm charging up my take.
1:20:45 Smashing eagles into particles and call
1:20:47 it making break signs. I'm the reason
1:20:49 why the hosing got stage frighted. Tried
1:20:51 to find me in the vacuum but couldn't
1:20:53 locate light. I'm the big bang bragging
1:20:55 ragging bigger than the quana. kick a
1:20:57 lyric so atomic every commas a katana
1:20:59 multiverse me I'm many worlds where
1:21:01 every version's better and every time
1:21:03 that I'm the goest wearing different
1:21:04 sweaters I'm the paradox you can't
1:21:06 besetta
1:21:08 every step you take to reach me makes
1:21:09 your progress even lesser I'm in super
1:21:11 position chilling killing the same
1:21:13 breast fit life and death in one sec
1:21:15 like I'm cheating on a lane test WITH
1:21:17 THE PEN YOU KNOW the drill aim
1:21:22 >> all right here's the two that have cocky
1:21:23 confidence in thema
1:21:26 da da
1:21:27 Dark
1:21:29 [Music]
1:21:39 spitting
1:21:41 wave function.
1:21:44 I'm
1:21:45 >> That's cuz got some island in it.
1:21:51 [Applause]
1:21:59 Yeah, I'm the spitting marksman
1:22:01 collapsing when I spark in wave function
1:22:03 punch lines hitting harder than the dark
1:22:05 spin. I'm stirring this pen alive and
1:22:07 dead to the bar ends. Open up the box
1:22:09 and watch me box reality and sharp t. I
1:22:11 bend space time with a baseline break
1:22:13 spines when I say rhymes got gravity in
1:22:15 because I put a mass on the grape vines.
1:22:17 My mind's a hallelu when I'm charging up
1:22:19 my tick line. Smashing eagles in the
1:22:21 particles and call it making break
1:22:22 signs. I'm the reason why the hos and
1:22:25 got stage Friday. They tried to find me
1:22:27 in the vacuum but couldn't locate. I'm
1:22:29 the big banging bragging.
1:22:33 >> Anyway, that's
1:22:37 crazy man.
1:22:39 I think I like the first one still. Uh,
1:22:42 I'm the quark spitting marksman.
1:22:43 Collapse it when I spark in way function
1:22:45 punch lines hitting harder than a dark
1:22:47 spin. I'm sure just pen alive and dead
1:22:49 to the bar ends. Open up the box and
1:22:51 watch me box reality and sharp tense. I
1:22:53 bet space time with a baseline. Break
1:22:54 spines when I say rhymes. Got gravity in
1:22:56 me because I pull the mass on the grape
1:22:57 vines. My mind's a hatron collider when
1:22:59 I'm charging up my take line. Smashing
1:23:01 eagles into particles and call it making
1:23:03 bra signs. I'm the reason why the Higs
1:23:04 booing. Got stage fright and try to find
1:23:06 me in the vacuum but couldn't locate
1:23:08 light. I'm the big bang bragging
1:23:10 bragging bigger than the quant kick a
1:23:11 lyric so atomic every comma is a katana
1:23:14 multiverse me I'm many worlds where
1:23:15 every version's better in every timeline
1:23:17 I'm the goat just wearing different
1:23:18 sweaters I'm the paradox you can't box
1:23:20 I'm xeno with a vendetta every step you
1:23:22 take to reach me makes your progress
1:23:23 even lesser I'm in super position both
1:23:25 chilling killing the same breath life
1:23:27 and death in one sec like I'm cheating
1:23:28 on a lame test with the pen you know the
1:23:31 drill when I aim set you can measure
1:23:32 where I'm going know how fast pick the
1:23:34 same bet I'm the quantum mechanic I tune
1:23:36 the universe with torque turn your
1:23:37 circle in the strings and play your
1:23:39 atoms like a fork. It flow so classical
1:23:41 bro it belongs in Newton's court I rap
1:23:43 nine locally even distant not report
1:23:45 entangle with me please you need degrees
1:23:47 of freedom free I flip spins with sick
1:23:49 brand split winds like symmetry or
1:23:50 styles float energy minds infinite
1:23:52 density black hole bars pulling stars
1:23:54 out from every identity I'm uncertainty
1:23:56 certainty purposely versatile cursing
1:23:58 these circuits with verses that birth
1:24:00 universes wild my ego inflates at a rate
1:24:02 you call super lumininal breaking every
1:24:04 limit like the laws were merely optional
1:24:06 so if you want to test the quantum king
1:24:08 step to the lecture I'll leave your way
1:24:09 collapse past present even your
1:24:11 conjecture bound to the particle
1:24:13 propagable professor I'm the one who
1:24:15 taught the constants how to properly
1:24:16 measure call me quent mechanics yeah I
1:24:18 bend the laws of will and the punch
1:24:20 lines like dark matter cuz it's heavy
1:24:23 and you'll never see it coming till it
1:24:25 kills its
1:24:29 h
1:24:31 um you want to see something fun yeah
1:24:33 Kyle that's why we come here we were
1:24:36 hoping you would do something
1:24:37 interesting that would be Nice.
1:24:40 Um, where is my chat jpai tai window?
1:24:46 Well, you've got too many tabs open.
1:24:48 It's a wonder you can find anything.
1:24:49 Shut up.
1:24:51 Um,
1:24:54 did I lose chat? Oh, there it is. Okay.
1:24:56 Um, I'm going to take these lyrics.
1:24:59 Watch this. This is This is fun. I'm
1:25:00 going to do a new chat. We're going to
1:25:02 do 5.1 thinking. And I'm going to say um
1:25:06 analyze
1:25:10 these
1:25:14 um
1:25:17 analyze
1:25:19 these lyrics
1:25:22 for both
1:25:24 word play.
1:25:27 Um,
1:25:29 rap uh
1:25:32 uh rap uh musicology
1:25:38 and um scientific
1:25:43 uh references
1:25:48 and then I'm going to paste the lyrics
1:25:49 in because when I first did that quantum
1:25:53 cipher um thing tabs oh sorry when I
1:25:56 first did the quantum cipher um
1:26:00 thing and I put it out on Tik Tok. It it
1:26:02 kind of went viral. I got like 500,000
1:26:05 um views on it and I got there were kind
1:26:08 of three kinds of comments. There were
1:26:10 just haters that were just like it's
1:26:11 just crap. It's just word salad, just
1:26:14 crap. And then there were there were
1:26:17 people that really knew rap that were
1:26:19 like, you know, these lines are sick.
1:26:22 These lines are [ __ ] up. And then
1:26:23 there were people that really knew
1:26:24 physics that that would like these two
1:26:26 words a physicist wouldn't say. So I I
1:26:29 figured the fact that both rappers and
1:26:31 physicists were in analyzing it. So I
1:26:35 got I got really defensive because you
1:26:37 know you know that's just the way I
1:26:40 roll. And and I'm like I'm going to go
1:26:43 to chat GPT and have it analyze these
1:26:45 things. And man it
1:26:49 what it wrote was good. So, we're going
1:26:52 to do the same thing here. All right.
1:27:01 Everything's better with a little funk.
1:27:02 Yeah, I thought the the funk versions of
1:27:04 those songs were really good.
1:27:14 Record two voices off YouTube and
1:27:16 combine the voices and put it in there.
1:27:18 Maybe 11 labs. I don't know if there's
1:27:21 anything that'll that'll merge two
1:27:23 voices like that. There there probably
1:27:25 are. I don't know if 11 Labs can do
1:27:26 that.
1:27:29 Oh, wait. Hang on. Cartisia can Cartisia
1:27:34 AI
1:27:36 you can put in you can you can develop
1:27:39 two voices. So you could do two instant
1:27:41 clones and then you can design a voice
1:27:44 where you you merge two voices. Cartisia
1:27:47 can do that frankly.
1:27:50 Um, this is thinking hard. I think I
1:27:53 think we stumped GPT 5.1.
1:27:57 I'm loving this collab. Yeah, this is
1:27:59 good. This is good. I know. It's like
1:28:02 get a little get someone in here a
1:28:03 little saucy and spicy. They're like,
1:28:05 uh, AI's crap. I'm like, no, it's not.
1:28:11 But like, we got to something pretty
1:28:12 cool.
1:28:15 Except I think we crash chat GPT.
1:28:19 While it's cooking, you can
1:28:24 show personalities in settings. Oh,
1:28:27 yeah. That's really cool. Okay. So, let
1:28:29 me go do a different window here. I
1:28:31 think I already have one up, don't I?
1:28:34 No. Yes. Okay. Um
1:28:39 Okay. So, we're in chat GPT. I'm going
1:28:40 to I'm going to do new chat
1:28:44 and then I'm going to do set.
1:28:47 Oh, that's Atlas
1:28:50 library. Where are settings now?
1:28:56 Here.
1:28:58 Where the [ __ ] are settings?
1:29:02 Oh, okay. Down there. No.
1:29:08 Uh,
1:29:10 Brandon, what am I missing?
1:29:13 Under your icon in the corner.
1:29:21 Lower left.
1:29:23 Yeah, there's nothing in the lower left
1:29:25 anymore.
1:29:29 Brandon, you're wrong.
1:29:31 You don't know nothing. Hey, Brandon,
1:29:33 you don't know nothing.
1:29:39 No,
1:29:42 you see Kyle Shannon
1:29:45 personal account
1:29:48 that's here. Oh, I'm not sharing that
1:29:50 window. That's why. Share this tab
1:29:53 instead.
1:29:54 Oh, I probably You know what I probably
1:29:55 need to do? I probably just need to
1:29:56 reload it.
1:29:58 Probably just [ __ ] up the interface.
1:30:00 Yeah, there we go. Okay.
1:30:03 Sorry, I was yelling at you. you were
1:30:04 seeing something I wasn't. I'm like, I
1:30:07 don't know what you're seeing, dude.
1:30:09 Okay. Um, so what Brandon was trying to
1:30:11 say before I so rudely accused him of
1:30:14 not knowing what he was doing. Um,
1:30:17 if you go to setting, if you go to um
1:30:20 settings and then go to personalization,
1:30:24 they now have these things called
1:30:28 base style.
1:30:30 professional, friendly, candid, quirky,
1:30:33 efficient, nerdy, and cynical.
1:30:36 So, they've added new ones. Cynical.
1:30:38 That's good. Let's Let's Let's save
1:30:40 cynical. This is the Gen X. This is the
1:30:43 Gen X one. Hey, um the sky was pink last
1:30:49 night.
1:30:51 What up?
1:30:53 Let's see. Let's see how smartassy he
1:30:56 is.
1:30:58 Thinking answer now. That's a new thing
1:31:00 they added. Pink sky, huh? Relax. The
1:31:04 simulation isn't that broken.
1:31:07 Your sky turned into a Lisa Frank screen
1:31:09 saver because of light scattering and
1:31:11 particles in the air and the angle of
1:31:12 the sun.
1:31:16 No, this was after dark.
1:31:23 Let's see if it gets the Aurora Borealis
1:31:25 thing.
1:31:40 That could be light pollution here. I'm
1:31:42 gonna I'm going to yell at it. Oh, wait.
1:31:45 It's still thinking.
1:31:47 Got it. Night pink. Not pretty. So, it
1:31:52 wasn't pink. Humans are terrible clocks.
1:31:56 Hey Dum Dum.
1:31:59 Hey Dum Dum. It was the Aurora
1:32:04 Borealis.
1:32:07 Do your homework.
1:32:16 Thinking answer now. See that answer now
1:32:18 button over to the right? That's new.
1:32:21 Okay. Okay, so the user clarified it was
1:32:23 indeed the Aurora Borealis.
1:32:25 There have been rare geomag magnetic
1:32:27 storms, so it's possible. All right.
1:32:30 Hostile, but correct. Respect.
1:32:38 So, if you didn't know you could go
1:32:39 change the personality of your chat GPT
1:32:42 with a pulld down menu, you can. Uh, I'm
1:32:45 gonna leave mine default because I want
1:32:47 to experience this new 5.1. This 5.1
1:32:50 actually seems pretty pretty [ __ ]
1:32:51 good. Okay. Oh, I just didn't I just
1:32:54 unshared. Hang on a sec.
1:32:56 All right, let's go. Let's go look at
1:32:58 what it did for the analysis of our
1:33:00 lyrics. Oh, it's stuck.
1:33:04 Stop. Oh, okay. Hang on.
1:33:10 It done crashed.
1:33:12 Copy.
1:33:14 Reload.
1:33:17 Paste. Go.
1:33:27 [Music]
1:33:42 It looks like exploring complex word
1:33:44 play multi layered on tandras. It
1:33:47 touches on physics
1:33:52 exploring literary devices and rap and
1:33:55 quantum physics fusion.
1:33:57 These references like quarks wave
1:33:59 function superposition Schrodinger's
1:34:01 cats.
1:34:03 All right, it's thinking pretty good.
1:34:06 Fascinating mix. It's still kissing our
1:34:08 ass. Word play and rhymecraft. You're
1:34:11 doing a few big things really well here.
1:34:14 Dense multis, extended metaphors, and
1:34:17 layered puns from the drum. Jump. I'm
1:34:21 the quark spitten marksman. Collapse you
1:34:23 when I spark in wave function punchlines
1:34:26 hitting harder than a dark spin. Quark
1:34:28 spitten marksman.
1:34:31 three-way multi-elabic rhyme all
1:34:33 anchored in that arc a ark k sound. This
1:34:38 is very Eminem adjacent. This analysis
1:34:41 is really good. Rhymes,
1:34:44 asinants, which I've never heard of, a r
1:34:47 a and i sounds and consonants.
1:34:52 Same move here. I bend spaceime with
1:34:54 baseline. Break spines when I say
1:34:57 rhymes. Got gravity envy cuz I pull the
1:35:00 mass on the grape vines.
1:35:03 Puns and double meanings. Quark spin
1:35:06 marksman. Quarks equals functions.
1:35:08 Spitten equals rap ra w ra w ra w ra w
1:35:10 ra w ra w ra w ra w ra w ra wrapping
1:35:11 marksman precision precision shooter
1:35:14 precise lyricist.
1:35:17 Is this crazy
1:35:19 this analysis?
1:35:22 So there's all the rap [ __ ] Let's get
1:35:24 to the physics too. rap musicology,
1:35:27 flow, persona, and structure.
1:35:30 On a technical level, this is closer to
1:35:32 a modern technical boom bap, Mstyle
1:35:36 cipher rap rather than a melodic trap.
1:35:40 Heavy multi-elabic end rhymes and
1:35:42 stacked internals in almost every line.
1:35:45 Plenty of enjam enjamment. I don't I
1:35:50 don't even know these terms. In jamment
1:35:54 lines roll into each other, giving you
1:35:56 flexibility and performance. You can
1:35:58 push into double time or sit in the
1:36:00 pocket.
1:36:02 It's amazing. Almost every bar has two
1:36:05 or more stress points that could land on
1:36:07 snare kicks cleanly, which makes it
1:36:10 write itself onto a 44 drum grid.
1:36:14 Example section. I'm the paradox you
1:36:16 can't box. I'm Zeno with a vendetta.
1:36:19 Every step you take to reach me makes
1:36:21 your progress even lesser.
1:36:23 The stress syllables paradox campbox Z
1:36:28 vendetta. That's so fall naturally into
1:36:31 four 44 bar at mid-tempo.
1:36:34 Persona and tradition. Content-wise,
1:36:36 it's classic battle rap. You're the goat
1:36:39 across all universes. Opponents are
1:36:41 classical, low energy, suffering stage
1:36:44 fright, stuck in Newton Newtonian
1:36:47 basics. You position yourself as
1:36:49 professor prophet mechanic
1:36:53 that fits the long wrap tradition of the
1:36:56 knowledge MC Rake KRS1 etc but updated
1:36:59 with quantum and cosmology instead of 5%
1:37:04 nation numerology and or street theology
1:37:08 the extended conceit physics as the
1:37:10 whole metaphor field is very much in
1:37:11 line with concept versus and battle rap
1:37:14 one theme sustained throughout and
1:37:17 modern nerd Nerd Flex Rap. I didn't Nerd
1:37:20 Flex Rap, where mastery of a domain
1:37:23 becomes a metaphor for lyrical
1:37:26 dominance.
1:37:28 That's very [ __ ] cool. Now, here's
1:37:29 the scientific stuff. You're actually
1:37:33 surprisingly accurate for how hard
1:37:35 you're flexing. A quick pass. Wave
1:37:39 function collapse spin Schroing
1:37:41 Schroinger's cat superp position
1:37:43 Heisenberg's uncertainty all used in
1:37:46 ways that are conceptually sound just
1:37:48 dramatized.
1:37:50 Many worlds multiverse
1:37:52 Zeno's paradox correctly mapped to the
1:37:55 ideas of infinite versions and
1:37:57 unreachable goals.
1:38:00 Hadron Collider, Higbosen, vacuum, dark
1:38:02 matter, black holes, strings,
1:38:05 non-locality,
1:38:06 entanglement, degrees of freedom, low
1:38:08 energy, density, all deployed as
1:38:10 metaphors in ways that align with the
1:38:13 general gist of the physics.
1:38:15 Unbelievable
1:38:17 why this works.
1:38:21 If you wanted to push it even further,
1:38:23 the only critique is that it's
1:38:25 thematically almost too clean. You could
1:38:27 th th th th th th th th th th th th th
1:38:28 th th th th th th th th th th th th th
1:38:28 th th th th th th th th th th th th th
1:38:28 th throw in one or two emotionally
1:38:29 grounded bars
1:38:31 why this level of intellect matters what
1:38:34 it costs
1:38:36 add a human crack in the god mode
1:38:38 persona
1:38:40 but as a straightup quantum battle verse
1:38:42 it's nasty that's [ __ ] cool
1:38:46 all right there there's a fun thing to
1:38:48 do I I I I will tell you this when chat
1:38:52 GPT5 dropped I'm I'm sure I've got the
1:38:55 recording somewhere on my YouTube here.
1:38:57 I was like, "Eh,
1:38:59 because their their uh whatever they
1:39:01 call their routing model was [ __ ] up
1:39:03 and it was pretty bad." Um, and it was
1:39:07 bad for like a month and then it got
1:39:08 okay. It got usable,
1:39:11 but it was never great. This 5.1
1:39:13 actually feels pretty great.
1:39:16 Okay, what time is it? Oh, it's time to
1:39:17 get out of here. Okay. Um, tomorrow
1:39:22 AI Salon Mastermind
1:39:24 tomorrow at noon Eastern. So, 9 a.m.
1:39:28 Pacific, 10:00 a.m. my time,
1:39:31 noon Eastern.
1:39:33 Um,
1:39:35 we're launching the mastermind practice
1:39:38 lab where everyone who's a member of the
1:39:40 mastermind, so that's the subscription
1:39:43 level of the AI salon. So, if you go to
1:39:45 that URL that Brandon just put on
1:39:47 screen,
1:39:49 bit.ly-salon-mastermind.
1:39:55 um you can join join the mastermind
1:39:59 and we're doing we're kicking off a
1:40:02 12-week series um of the mastermind
1:40:05 practice lab where everyone in the lab
1:40:07 we're going to walk through a framework
1:40:10 that we've designed to design a daily
1:40:12 practice centered around using AI but a
1:40:16 daily practice much more like who are
1:40:18 you what do you stand for what are your
1:40:20 values what do you want to achieve in
1:40:22 the world what are you trying to get out
1:40:24 of life what are trying to do right now
1:40:27 and then design your practice around
1:40:29 that using AI to amplify it. I'm really
1:40:33 excited about it. I think this is going
1:40:35 to be profoundly powerful for the people
1:40:37 that do it. So, if you haven't got in,
1:40:39 we kick it off tomorrow. Like getting in
1:40:42 early, I think it's going to be fun. I
1:40:43 think it's going to be fun and I think
1:40:45 it's going to be quite powerful and
1:40:46 quite profound. So, get in it. All
1:40:48 right.
1:40:49 Sad hustle mimi in the in the hunt.
1:40:52 Ready to go. All right. Gareth Hood, I'm
1:40:54 late as usual. Thoughts so far, dude.
1:40:56 Man, you missed the whole night. We did
1:40:58 a whole [ __ ] thing. You know what
1:40:59 we'll do for Gareth? We'll go back to
1:41:01 Suno. We'll grab
1:41:04 We'll grab the lyrics version of this
1:41:06 one. Is this This is the one we liked,
1:41:08 right?
1:41:11 No,
1:41:13 that was not it. Oh, that's talk to
1:41:15 talk. That's not it.
1:41:17 I'm the
1:41:20 >> waiter.
1:41:25 I'm sure
1:41:26 the bar ends. Open up the box and watch
1:41:28 me box reality
1:41:30 [Music]
1:41:32 when I say rhymes. Got gravity in.
1:41:34 >> All right, let's we're going to we're
1:41:35 going to publish this one on X
1:41:37 [ __ ] They ain't never seen
1:41:39 nothing.
1:41:49 Oh man, it was a good music night. It
1:41:51 was. This was fun. AI will destroy the
1:41:54 world. No, it won't, Fatty. No, it
1:41:57 won't. what AI might do. I I would say
1:42:00 it is as likely that AI
1:42:06 amplifies and allows humanity to ascend
1:42:09 to the next level as that it destroys
1:42:12 us. I I think they're equally likely. I
1:42:16 don't think it will be neutral. And the
1:42:18 reason I'm doing this channel night
1:42:20 after night after night after night, I
1:42:22 come on live five nights a week talking
1:42:25 about this [ __ ] Why?
1:42:28 Because there's two ways to deal with
1:42:29 AI. The the one thing that I know for
1:42:31 certain, Fatty, is Fetty. Fetty. Fetty.
1:42:34 Fatty
1:42:36 or faty. F- A D Y. F A DI
1:42:41 AI is not going away, right? So, if it's
1:42:45 not going away, then you have two
1:42:46 choices. You can fight it and like
1:42:50 scream at the ocean, but the tide's
1:42:52 gonna keep rolling in. or you can join
1:42:55 it.
1:42:57 And if you join it and figure out what
1:43:00 it is and what it's good at, what we're
1:43:02 experiencing, we've been doing this for
1:43:03 three years now. What we're experiencing
1:43:05 in this community is that the people
1:43:08 that don't treat it like a combatant.
1:43:12 Instead of treating it like a
1:43:13 competitor, they treat it like a
1:43:15 collaborator.
1:43:16 And they say, "Well, I'm going to put my
1:43:18 ideas first, and then what I'm going to
1:43:20 do is I'm going to use AI to take my
1:43:22 ideas and amplify them." And when you do
1:43:25 that, the relationship completely
1:43:26 changes. And like there's people in this
1:43:28 community that are like fundamentally
1:43:30 reinventing themselves and what they
1:43:32 thought was possible in their lives. So
1:43:35 I would argue that it is as likely,
1:43:37 probably more likely that these tools
1:43:39 are going to amplify humanity rather
1:43:41 than destroy it. And with that, do we
1:43:44 have a video? Did it download our video?
1:43:46 We want to see a video. Do we have a
1:43:47 video? Yes, we do.
1:43:50 [Music]
1:43:52 Beautiful. All right. So, we're gonna
1:43:54 run over to
1:43:56 this. This is going to be entertaining.
1:43:58 We're gonna run over to X
1:44:00 and you're gonna watch as I try to bend
1:44:03 spaceime and get X to upload a video.
1:44:09 New uh quantum
1:44:13 quantum
1:44:16 mechanics
1:44:19 rap.
1:44:22 Um, chat GBT
1:44:25 5.1
1:44:29 seems pretty
1:44:32 flipping
1:44:35 good.
1:44:40 And then we're going to go boom.
1:44:43 And then we're going to go boom. And
1:44:44 then we're going to go boom.
1:44:50 Error post.
1:44:53 2350. Oh, it looks like it might be
1:44:55 uploading. Error.
1:45:00 Here we go. Here we go, kids. Error.
1:45:03 Wait. Come on. You can do it. Error. All
1:45:06 right. So, we're going to try one more
1:45:08 thing. We're going to go over here.
1:45:10 It's unbelievable. We're going to try
1:45:12 saving it as anov.
1:45:14 Export as. We'll do 720p.
1:45:21 Uh, we're going to go Quantum
1:45:24 Cipher
1:45:26 2025.
1:45:31 [Music]
1:45:43 Where did it go?
1:45:47 Quantum.
1:45:51 Quantum. Quantum.
1:46:00 Wait, where did that go?
1:46:04 Hey, Marge. Hey, Marge. Yeah. How do I
1:46:08 save the file on the computer?
1:46:11 Export 720p
1:46:16 quantum
1:46:18 cipher
1:46:20 2025
1:46:23 desktop. We'll save it to downloads
1:46:25 then. Fine.
1:46:29 Did it save it?
1:46:33 Yes. Okay. All right. So, let's go back
1:46:36 to here.
1:46:39 Cancel. We'll go to here.
1:46:42 We'll go to here.
1:46:48 >> All right. Beautiful. Beautiful.
1:46:50 Beautiful. People,
1:46:52 that's fantastic.
1:46:55 It looks like we're uploading something
1:46:56 now.
1:46:58 Oh, we had an error.
1:47:01 Yeah, it's uh
1:47:04 you paid 44 billion dollars for this
1:47:07 here service. You'd think you'd uh you
1:47:09 could hire someone to build a video
1:47:11 uploader that [ __ ] worked.
1:47:20 No.
1:47:26 Super intelligence will solve all all
1:47:29 unsolved issues. Yeah, super
1:47:31 intelligence will solve all all unsolved
1:47:34 issues except for X's video upload
1:47:37 function.
1:47:39 This is going to be the we're going to
1:47:41 we're going to cure cancer, um have cold
1:47:44 fusion and solve climate change before X
1:47:48 figures out how to upload video files,
1:47:50 but it uploaded, so we're good. So, do
1:47:52 me a favor. Go to Kyle Shannon on X and
1:47:55 boost this. But let's we'll give this a
1:47:57 good listen. All right, here we We're
1:48:00 going to listen to our
1:48:01 >> I'm the spitting marksman collapsing
1:48:03 when I spark in way function punch lines
1:48:05 hitting harder than a dark spin. I'm
1:48:07 sure just penal dead to the bar ends.
1:48:09 Open up the box and watch me box reality
1:48:11 and sharp tac time with a baseline break
1:48:14 spines when I say rhymes. Got gravity in
1:48:16 I pull the mass on the great vines. My
1:48:17 mind's a hatron collider when I'm
1:48:18 charging up my tape lines. Smashing
1:48:20 eagles in particles and call it making
1:48:22 break signs. I'm the reason why the higs
1:48:23 booing. Got stage fighting tried to find
1:48:25 me in the vacuum but couldn't locate
1:48:27 light. I'm the big bang bragging
1:48:29 bragging bigger than the quant kick a
1:48:30 lyric so atomic every comma is a katana
1:48:33 multiverse mess where every version is
1:48:35 better in every timeline I'm the goat
1:48:37 just wearing different sweaters I'm the
1:48:38 paradox you can't box I'm zeno with
1:48:40 better every step you take to reach me
1:48:42 makes your progress even lesser I'm in
1:48:44 super position both chilling killing the
1:48:45 same breath spit life and death in one
1:48:47 set like I'm cheating on a latex with
1:48:49 the pen you know the drill aim set you
1:48:51 can measure where I'm going know how
1:48:53 fast MAKE THE SAME BET I'm the quantum
1:48:54 mechanic tune the universe with torque
1:48:56 turn your circle in the strings and play
1:48:58 your atoms like a fork. Your flow so
1:48:59 classical broke it belongs in Newton's
1:49:01 court. I rap non locally even distant
1:49:03 not for entangle with me please. You
1:49:06 need degrees of freedom free. I flip
1:49:07 spins with sick brand split winds like
1:49:09 symmetry. Your styles low and energy
1:49:11 mind zensity black hole bars pulling
1:49:13 stars out from every identity. I'm
1:49:15 uncertainty certainty purposely
1:49:17 versatile cursing these circuits with
1:49:18 verses that birth universes wild. My ego
1:49:20 inflates at a rate you call super
1:49:22 lumininal. Breaking every limit like the
1:49:24 laws were merely optional. So if you
1:49:26 want to test the quantum king, step to
1:49:27 the lecture. I'll leave your way.
1:49:29 Collapse past, present, even your
1:49:30 conjecture. Power of the particle
1:49:32 profit, unstoppable professor. I'm the
1:49:34 one who TAUGHT THE CONSTANTS, HOW TO
1:49:35 PROPERLY MEASURE. Call me quint
1:49:37 mechanics. Yeah, I bend the laws of will
1:49:38 and I punch lines like dark matter cuz
1:49:41 it's heavy. And you'll never see it
1:49:44 coming till it kills.
1:49:48 All right, that's good. No, I should I
1:49:50 should tag Neil deGrasse Tyson,
1:49:52 shouldn't I? Okay, fine. Um,
1:49:56 it's Neil Tyson,
1:50:01 edit post. We'll go at Scoble.
1:50:07 We'll go Neil Tyson.
1:50:11 Neil deGrasse Tyson. Who else should we
1:50:14 tag?
1:50:15 Um,
1:50:18 who's that dude that that always
1:50:22 is on the podcast with Neil Degrasse
1:50:24 Tyson? We'll we'll tag Joe Rogan.
1:50:30 We'll call this the uh
1:50:35 we're going to call this quantum
1:50:40 cipher
1:50:44 two. And then we'll do
1:50:47 25.
1:50:48 No, let's see.
1:50:53 20 25
1:51:08 Joe Rogan. Who else should we tag?
1:51:15 Northern Lights are out again. All
1:51:17 right, I'll go see if they're a
1:51:18 different color tonight.
1:51:20 They were pink last night. That was
1:51:21 pretty cool. Um, okay. Update.
1:51:26 All right, there you go, people.
1:51:28 Beautiful.
1:51:30 Beautiful. Beautiful. Beautiful.
1:51:32 Beautiful. Beautiful. Beautiful. All
1:51:34 right, people. That was fantastic. We
1:51:37 did a little bit of chat GPT 5.1. We did
1:51:40 a little philosophizing,
1:51:42 right, about the music, about how it's
1:51:46 made, about if it's going to be any good
1:51:48 or not. It's pretty [ __ ] good.
1:51:53 Hate to break it to you. Universal Music
1:51:57 Group just [ __ ]
1:51:59 basically sued UIO into merging with
1:52:03 them.
1:52:05 their settlement was basically you're us
1:52:08 now and no one can download their music.
1:52:10 Um, so I think the big publishing
1:52:13 companies understand what's coming.
1:52:16 Um, anyway,
1:52:19 G
1:52:28 is today today's Wednesday. I always do
1:52:31 this. I thought it was Thursday again.
1:52:33 It's Wednesday.
1:52:34 Um, so tomorrow, the big thing tomorrow
1:52:37 is get your ass in the mastermind at the
1:52:39 AI salon and uh just throw the AI salon
1:52:43 uh community. Salon up there, uh, if you
1:52:46 would, Brandon. Yeah, if you have not
1:52:49 joined the AI salon community, go there
1:52:51 and join and join the [ __ ] mastermind
1:52:52 and come tomorrow at noon, noon Eastern,
1:52:56 10:00 a.m. Pacific or 10 a.m. Mountain,
1:52:58 9:00 a.m. Pacific,
1:53:00 we're kicking off the mastermind. uh
1:53:02 practice lab.
1:53:04 You're not going to want to miss it.
1:53:05 It'll change your Okay, I can't promise
1:53:08 this. This is not a medical claim, but
1:53:10 it will change your [ __ ] life.
1:53:13 It's going to change your life. Be
1:53:15 because here's the deal.
1:53:19 The whole point of the AI practice lab,
1:53:22 the mastermind practice lab,
1:53:25 is that it isn't about AI.
1:53:28 It's about you. It's about who you are,
1:53:31 what you stand for, the difference you
1:53:33 want to make in the world,
1:53:35 and then doing that amplified by AI.
1:53:40 It's going to be [ __ ] powerful. All
1:53:42 right.
1:53:44 Beautiful.
1:53:46 We should stop any AI development. Fatty
1:53:50 in AI agents are super intelligence.
1:53:53 Otherwise, we'll not fatty. Fatty,
1:53:56 listen. I appreciate your passion.
1:54:00 It's It's not going to stop. It's not
1:54:03 going to stop. It's not going to slow
1:54:05 down. Technology never has.
1:54:10 And if it's not going to slow down,
1:54:12 then we only have two choices.
1:54:16 You can yell at it, which you're doing
1:54:19 well. You're you're you're well
1:54:22 articulate. You're not just raging.
1:54:26 But
1:54:29 who should stop it? We should stop it
1:54:31 globally or we should just stop it in
1:54:33 the United States and let everyone else
1:54:34 do their thing or we should stop it
1:54:37 globally.
1:54:39 And how do you do that? How do you how
1:54:41 do you stop scientists from scienting?
1:54:45 They're not going to stop. It's not
1:54:47 going to stop. Trillions of dollars
1:54:49 trillions are being invested in it. So
1:54:53 it ain't going away. Then given that
1:54:55 it's not going away, we as the end users
1:54:59 actually have
1:55:01 more of a voice than I think you may
1:55:03 think we do because we can take these
1:55:06 tools that are being built and arc them
1:55:08 ever so slightly toward the good, which
1:55:11 over a decade is going to make a huge
1:55:13 difference.
1:55:16 All right,
1:55:19 UN. It's not going to happen, dude. It
1:55:21 ain't gonna happen.
1:55:24 Get out of here. All right.
1:55:28 [Laughter]
1:55:30 Peace out, everybody. I'll see you
1:55:32 tomorrow.