3/4/2026 - The Seven Economies of AI and How to Choose the Right Path for Your Future

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Chapters

Transcript

0:10 [music]
0:25 Woohoo!
0:29 Ah!
0:31 >> [crying]
0:34 >> Well, every time I say it now, [music]
0:38 get that look in mine.
0:42 Every time I see your mouth,
0:46 hear that smile.
0:49 Early misty morning, I heard [music] the
0:53 engine [singing]
0:56 fall inside. [music]
1:04 You leave it [music]
1:07 again today.
1:11 You convince [singing] me [music]
1:14 again today.
1:17 Leaving this hard time [singing]
1:19 looking for someone else's golden ring.
1:23 [singing]
1:27 to Jose.
1:29 So long Suzanna,
1:37 [singing and music]
1:42 [music]
1:45 [singing]
1:49 don't you cry for me.
1:53 [music]
2:00 Changing the cigarettes and keeping home
2:03 out on the road. [music]
2:06 Chasing down [singing] the lifestyle out
2:09 on Highway 24.
2:12 New York State was a rolling breeze
2:15 [singing and music] and the sunshine
2:16 with a blue sky falling to the chill of
2:20 all September creeping in.
2:25 >> [music]
2:27 >> You [singing] were leaving me
2:30 again today.
2:33 [music]
2:33 You were convinced me [singing]
2:36 again today. [music]
2:40 You're leaving this hard time looking
2:42 for [music] someone else's [singing]
2:44 golden ring.
2:49 I say [singing]
2:51 so long Suz. Santa [music]
2:58 not [singing] to cry. [music]
3:03 So long she's [singing]
3:10 Don't [music] you cry for me.
3:27 >> [music]
3:32 >> What do you think, champ?
3:35 [music]
3:53 >> [music]
4:03 [music]
4:06 >> Well, I heard there was a seed [music]
4:12 in a Peace of [singing] love.
4:15 You don't really care for music, do you?
4:22 It goes like [singing and music] this.
4:24 The fourth, the fifth man fall
4:30 king [singing]
4:31 composing.
4:33 Hallelujah.
4:37 Hallelujah. [music]
4:40 Hallelujah. [singing]
4:44 Hallelujah.
4:46 [music]
4:47 Hallelujah.
4:49 [singing]
4:53 [music]
4:58 Your face is strong, but you
4:59 [singing and music] need proof.
5:02 Saw a lady on a roof. A beauty.
5:05 [singing]
5:06 [music] Beauty. Beauty. And the
5:09 moonlight over through you.
5:13 She tied you, tied you to the kitchen
5:17 chair. [singing] She smashed your throne
5:19 and cut your head from your lips. She
5:23 drew [singing]
5:24 Hallelujah.
5:27 Hallelujah.
5:31 Hallelujah.
5:34 Hallelujah.
5:37 [singing]
5:37 Hallelujah.
5:43 Your pup can sing more than two notes.
5:45 More than one note. He can. That's a
5:47 good old singing dog, isn't it?
5:51 [music]
6:02 [music]
6:13 >> [music]
6:19 [music]
6:26 [music]
6:31 >> Yeah. Oh, [music]
6:37 [music]
6:43 [music]
6:48 [music]
6:53 [laughter]
6:55 producer Brandon coming in a little hot.
6:57 Little hot and late. [laughter]
7:00 Alarm alarm clock woes.
7:03 [laughter]
7:04 Really enjoying the music. Thank you,
7:05 Lori.
7:09 Yeah, I'm just in a musicy mode tonight.
7:17 [music]
7:27 >> [music]
7:30 >> It's not simple to say
7:34 the most days. [singing and music]
7:37 I don't recognize me that these shoes
7:40 had the
7:43 place and its patrons
7:46 have [music] taken more than I gave
7:48 them.
7:51 It's not [singing] easy to know
7:55 I'm not anything
7:57 like I used to be. Although it's true, I
8:01 was never attention sweet center. I
8:06 still remember that girl.
8:09 She's imperfect, [music and singing]
8:12 but she tries.
8:14 [music] She is good,
8:17 but she lies. She is [music and singing]
8:20 hard on herself.
8:23 She [singing] is broken and won't ask
8:26 [music] for help.
8:28 She [singing] is messy, but she's kind.
8:33 She's lonely
8:35 most of the [singing] time. She is all
8:38 of this up and baked baked beautiful
8:44 pie.
8:45 [music] She's [singing] gone, but she
8:47 used to be mine. [music]
9:14 >> [music]
9:26 [music]
9:28 [crying]
9:31 [music]
9:36 [music]
9:40 >> Happy Wednesday. Welcome to the AI
9:42 learning lab. [music]
9:49 We had a good AI readiness project
9:51 podcast today. If you're new here and
9:54 you're wondering, does he always wear
9:56 sunglasses like this? [laughter]
10:01 No,
10:13 I have an at an absolute loss for words
10:18 lately.
10:20 [music]
10:25 >> [music]
10:31 [music]
10:36 [music]
10:43 [music]
10:54 [music]
11:00 [music]
11:03 >> Now, I've had this microphone for a
11:04 while.
11:06 I've had this for three months,
11:08 something like that. [music]
11:17 [music]
11:32 >> [music]
11:40 [music]
11:47 [music]
11:53 [music]
11:58 [music]
12:02 [music]
12:09 [music]
12:22 >> Um,
12:25 that's going to turn into something.
12:48 God damn that thing.
12:57 [music]
13:04 >> [music]
13:18 [music]
13:32 [music]
13:37 [music]
13:43 [music]
13:51 [music]
13:57 [music]
14:05 >> All right, that's something.
14:08 What's that going to turn into? Upload
14:10 failed. Can't fetch the uploaded audio.
14:13 Awesome.
14:16 After that virtuoso performance, I got
14:18 to recreate that. Seriously. Seriously,
14:21 Sunno,
14:24 some geeks out there going, "You might
14:26 want to consider restarting your browser
14:28 once every more than a month."
14:30 [laughter]
14:34 [music]
14:35 Wait. Oh [ __ ] I don't even remember
14:36 what I was playing.
14:38 [music and singing] There it is.
14:57 >> [music]
15:05 [music]
15:10 [music]
15:16 [music]
15:25 >> Save. Oh, I should have wait. Ah, [ __ ]
15:29 Can I
15:32 I should have trimmed the beginning of
15:34 that, shouldn't I?
15:37 Oh well, let's just see what it does.
15:39 All right,
15:41 let's make an instrument. Do we want an
15:42 instrumental?
15:52 Hm. [clears throat]
15:57 Minimalist.
16:03 Minimalist.
16:07 Classical
16:09 guitar.
16:12 Cello.
16:14 Haunting cello.
16:19 Let's do instrumental. We're going to do
16:20 instrumental.
16:22 Where do I choose that? Uh,
16:24 [clears throat] where do I choose that
16:29 lyrics?
16:36 What am I missing? What am I missing?
16:40 Simple. Do I have to go to simple
16:42 instrumental apparently? All right, here
16:45 you go.
16:47 It's also really hard to see with
16:48 sunglasses on. [laughter]
16:52 You know what you could perhaps do is
16:54 take those sunglasses off there. Oh,
16:57 wait. I can't do Well, we just won't put
16:59 any lyrics in there. All right.
17:05 Oh, black bar. Yep. Yep. Yep. Yep. Yep.
17:07 Yep. Yep. Yep. Yep. Yep. Yep. Yep. Yep.
17:09 Yep. Yep. Yep. Yep. Yep. Yep. Yep. Yep.
17:12 Please don't change it too much. Oh,
17:14 okay. So, what we'll do, so minimalist
17:17 classical guitar, haunting cello. You
17:19 liked it, huh? That's cool. Um,
17:24 what do we want? Um,
17:28 oh, let's see. Um,
17:34 see, um, coral
17:39 harmonies
17:43 as chords.
17:45 Yeah, that's good.
17:48 And then we're going to go advanced
17:49 options.
17:52 We're going to go weirdness low.
17:58 Oh, do I have to re-record?
18:00 I have to re-record.
18:03 God damn it.
18:09 [music]
18:12 All right, here we go.
18:18 >> [music]
18:24 [music]
18:35 [music]
18:39 [music]
18:45 [music]
18:53 >> Okay.
18:54 Save. Upload failed. God damn it.
18:58 Really?
19:00 I tried to upload a video to to X last
19:04 night
19:06 50 times. All right, I'm exaggerating.
19:09 25 times. [snorts]
19:12 [sighs]
19:14 Thanks, Xfinity. You're the best.
19:19 [cough and clears throat]
19:20 [music]
19:29 >> [music]
19:40 [music]
19:46 [music]
19:51 [music]
20:00 >> save.
20:04 [sighs]
20:08 [laughter]
20:11 [sighs]
20:14 We're going to create a new tab. I'm
20:15 going to share the new tab.
20:19 >> [sighs]
20:23 >> producer Brandon. I got nothing here.
20:26 [laughter]
20:29 [sighs]
20:30 [gasps]
20:33 So,
20:40 here's what I really think. I I think
20:41 there so much is
20:44 so much is about to get so weird in AI.
20:47 Here here's my honest to God's take.
20:52 And here's the thing.
20:55 I have one of my skills, one of my
20:58 superpowers
21:00 is I can see the future pretty good. I
21:03 can look at
21:05 limited amounts of information and see
21:08 what the future looks like.
21:11 Shit's about to get weird.
21:14 Tik Tok pin.
21:16 Love it. Kyle in Rockstar with the with
21:20 the shades. Rockstar mode. Yeah. Yeah,
21:23 I'm in Rockstar mode, man. Um, but I've
21:27 got to get Suno to actually not [ __ ] the
21:30 bed on me. But here's what I do think is
21:34 going on.
21:36 Shit's about to get so weird. Oh, I do
21:38 have this recorded.
21:42 [music]
21:44 That's a bad one. Okay. Black bar. I did
21:46 black bar. I'm embracing the weirdness.
21:49 There's a solid market for the AI ready.
21:53 Yeah, I think there is, Mimi. And
21:55 embrace the weirdness. And here here's
21:56 what I would say. Shit's about to get
21:58 really weird. And I don't Here's what I
22:01 don't know.
22:03 What I don't know is it gonna is it
22:04 going to get weird in two months or a
22:08 year?
22:10 I think it's closer to two months than a
22:11 year, but it could be six, right? It
22:13 could be like mid to end of summer. So,
22:16 just shit's going to get weird. What
22:18 Weird's going to look like is autonomous
22:20 agents are going to get way better, way
22:22 easier to use,
22:26 way more powerful,
22:35 and that's actually going to create a
22:37 splinter economy
22:39 is almost how I'm seeing it.
22:46 And then there's going to be the AI that
22:48 we currently have today.
22:51 You know, prompt a thing, get a result,
22:53 put in some music, get out some music.
22:57 And most people are going to be
23:00 blissfully ignorant that AI is here.
23:04 or they're going to be
23:07 thinking that
23:09 AI as we have it today, the AI that
23:12 we've been playing with for the past
23:14 three years, it's just been getting
23:15 better, but it's the same [ __ ]
23:20 Like, people that
23:23 stay in this mode are going to be the
23:25 bridge to people that are not in AI
23:27 right now. And then there's going to be
23:29 this other thing
23:31 and it's moving really fast.
23:42 And it's not going to look like anything
23:43 we've ever seen before.
23:47 And it's going to be really hard to know
23:49 what to do.
23:52 So my instinct is
23:55 if you want to get on the fast train,
23:58 just be prepared to be in a surreal
24:02 state.
24:04 It's not like, oh, I don't really know
24:06 how to use AI. How do you do prompting?
24:08 Like all of the all of the [ __ ] that
24:10 we've done to get to this point,
24:13 that's good, but this is a completely
24:16 different thing
24:17 and it's not going to feel as familiar.
24:20 And the skills to be good at it are not
24:22 gonna it's going to be hard to know
24:23 what's what's good at it. Remember we
24:26 talked about AI coming like a tsunami.
24:29 We're riding the huge wall of water.
24:32 [music]
24:36 Well, it's almost like
24:38 it's it's almost like there's a tsunami
24:40 coming at us, but then there's a second
24:42 tsunami coming sideways
24:44 [laughter]
24:46 and it's faster. Like this tsunami is
24:48 coming in slow and it's going to just
24:51 crash over things. But there's one
24:52 coming this way and it's faster.
24:57 But like what I was going to say is that
24:58 my instinct is just play. Just for the
25:01 next three months, just like make songs,
25:04 make pretty pictures, just [ __ ] dick
25:06 around. If you got to spin [ __ ] up for
25:08 work, spin [ __ ] up for work.
25:11 But but enjoy it because I think it's
25:13 going to get weird. So anyway, that's
25:16 what I'm choosing to do tonight because
25:19 I was going to go play with Perplexity
25:21 Computer and I actually put a prompt in
25:23 before we went on line so we can go see
25:25 what it did.
25:27 But then I'm just sitting here cranky as
25:30 [ __ ]
25:31 [music]
25:34 and I'm like, let me just go make music.
25:37 [laughter]
25:39 [music]
25:39 All right, here we go.
25:48 >> [music]
25:56 [music]
26:07 [music]
26:11 [music]
26:13 >> Ah,
26:15 [laughter]
26:16 it was so good until my fingers got in
26:18 the way. It actually wasn't all that
26:21 good. That's okay. [clears throat]
26:24 [music]
26:36 >> [music]
26:36 >> You know what's the [ __ ] up thing
26:38 about doing an arpeggio is the minute
26:40 you get your head This is like life. The
26:42 minute you get in your head about it,
26:44 it's over. You can't do it. [laughter]
26:47 God damn it. Okay.
26:50 Gotta I got to be in the flow, man. Hey,
26:53 man. Hey, man. You know, man,
26:57 what's up, man?
27:03 So, what does weird look like, Kyle?
27:09 So,
27:11 what what struck me today in the in the
27:13 middle of the podcast,
27:16 Kelly, was
27:22 what people are starting to do with Open
27:24 Claw. And I haven't gotten there yet.
27:26 I've made my Adam and then I'm I've kind
27:29 of neglected him and he's kind of broken
27:30 right now. So, he's not great.
27:33 And I'm and I'm also part of the reason
27:35 I'm not really pushing hard on Adam is
27:37 like I haven't quite figured out if I'm
27:40 going to run a local large language
27:42 model or if I'm going to do external
27:44 calls. And if I do external calls that
27:45 gets really expensive. So, I've just
27:47 been [ __ ] around and
27:49 I've just I'm not in a great place with
27:52 it. He's fine but he's not working.
27:56 But what people are what people are
27:58 starting to do that have been using
27:59 OpenClaw for three weeks, a month, six
28:01 weeks
28:06 is they're starting to spin up 8, 10,
28:08 and 12 person companies,
28:11 not person, 8, 10, and 12 agent
28:14 companies.
28:18 They're starting businesses
28:21 as like a single person with a single
28:23 Mac Mini or like three Mac Studios and a
28:27 Nvidia box.
28:31 Adam's going to need to go fill out the
28:33 great repurpose. Yeah, exactly. If he
28:35 doesn't get his [ __ ] together, like
28:37 Adam's got to get his [ __ ] together,
28:40 which means Daddy Dearest got to get his
28:42 [ __ ] together.
28:47 And so what what struck me what struck
28:50 me, Kelly, is okay,
28:55 we've got all the businesses here, let
28:58 me take these off because we're not
29:00 recording music right now. And let me
29:01 talk so I can actually see the screen.
29:04 Oh Jesus, these are dirty.
29:07 Um,
29:12 we've got businesses
29:16 today in two broad categories.
29:19 Businesses that are pretending AI is not
29:22 here.
29:27 Their management doesn't give a [ __ ]
29:29 about it. Their employees are either
29:31 using it or not. It It almost doesn't
29:34 matter.
29:37 Then you've got companies that are like,
29:40 "Oh [ __ ] we got to get going on AI.
29:43 Hey, that that Kelly Camp woman, she
29:47 talked to us. She scared the [ __ ] out of
29:48 me that day, but call her up.
29:52 Get get her in here. I want to know what
29:54 this AI stuff is." Right? There's that
29:56 category. And Kelly, you work with both
29:58 both of them, right?
30:03 And the second category
30:13 are in a world of hurt unless they get
30:15 the right people in to help them.
30:19 If who they get in to help them are
30:21 people that are just like, I'm going to
30:23 make an automation. I'm going to take
30:24 your existing [ __ ] your existing
30:26 processes, and I'm going to automate
30:28 them. I'm just going to make you more
30:30 efficient.
30:35 that may stave off the change,
30:39 but it's it's just it's like a temporary
30:43 it's like a temporary band-aid. It's not
30:45 stitches. It's like a [laughter]
30:47 butterfly. It's like a butterfly
30:49 band-aid instead of stitches.
30:55 If they're lucky, if the if the
30:57 companies in that in that second
30:59 category that are curious about AI, if
31:01 they're lucky enough to get someone like
31:02 Kelly Camp or Lori Ryan or people in
31:05 this community that actually have have
31:08 their heads on and understand what's
31:10 coming,
31:16 those consultants are going to come in
31:18 and say, "Hey, we'll do what we can to
31:20 automate your existing stuff here, but
31:23 there's entirely new things possible. we
31:25 should probably explore,
31:27 right? So, those that's going to be
31:29 legacy business and that's probably
31:32 going to take those businesses three to
31:35 five years to figure out what the [ __ ]
31:37 is happening. So, they're just going to
31:40 keep going at kind of the pace they're
31:42 going with with incremental
31:44 improvements. And if they're lucky,
31:45 they'll get some dramatic improvements.
31:49 Then you're going to have companies like
31:52 what it looks like Jack Dorsey is doing
31:54 with Block
31:57 where he's recognizing that AI amplified
32:00 employees in small pods
32:03 working efficiently together are going
32:06 to transform how business is done. Or
32:09 even even more nimble than that are
32:11 companies of laidoff employees that get
32:15 together two, three, five people
32:19 go all in on AI and go after their old
32:21 sector. And so there's going to be all
32:23 these competitors coming at the old
32:25 company. So you're going to have dead
32:27 companies that are just committed to
32:29 death. Then you're going to have
32:31 companies that realize something needs
32:33 to change and they're just going to do
32:35 business as usual a little bit faster.
32:38 Then you're going to have companies that
32:39 sort of get it and are trying to make
32:41 the transition and some of them will.
32:44 Then you're going to have companies that
32:45 recognize there's a new game and then
32:48 you're going to have new AI native
32:50 companies with human beings driving the
32:52 business. So that's five categories of
32:54 businesses. It's a spectrum, right?
33:01 This new lane
33:04 is none of that. [clears throat]
33:08 This new lane is one person having a 20
33:11 person company where they invest 25 or
33:15 $30,000 once
33:18 for a bank of two or three computers
33:21 and they're smart and clever enough to
33:23 figure out what are the virtual
33:25 employees that they need in what
33:27 combination with what orchestrator to
33:30 just go [ __ ] do a business.
33:37 So, it feels to me like there's going to
33:39 be
33:41 three economies.
33:43 There's going to be this ever ever
33:46 screeching to a halt slow economy, the
33:48 old economy.
33:51 There's going to be this toward the
33:53 right
33:54 right middle
33:57 companies that are actually moving at
33:58 the speed of AI, but they're moving at
34:00 the speed of AI as we have it today. And
34:02 then you're just going to have this
34:03 fundamentally alien thing
34:10 where where one or two people
34:13 are going to spin up
34:16 10 computer
34:18 a desk with 10 Mac studios on it. One
34:21 desk, 10 Mac studios that are going to
34:25 do $100 million a year.
34:28 And it's I and I like it if what it
34:30 feels like to me, Kelly, it's going to
34:31 be an actual separate economy.
34:37 It's going to have its own rules.
34:40 The agents are going to start
34:41 interacting with one another and trading
34:43 with one another.
34:47 There was that story last week about the
34:49 the I think it was like a group of
34:52 people on Reddit
34:54 that they gave access they they gave
34:56 their agent like a hundred bucks or
34:58 a,000 bucks and then access to that
35:01 gambling site
35:04 and they said you're costing us too much
35:06 money. So here's a thousand bucks. Go to
35:07 this gambling site and earn enough money
35:10 to pay for your your token use. And the
35:14 agents went off and did it. [laughter]
35:20 Like that's just [ __ ] weird, right?
35:26 I could be wrong, but I think it's I
35:29 think there's going to be this six track
35:30 economy and then there's going to be a
35:32 seventh track.
35:35 I got to write this up. Someone should
35:37 be recording this.
35:40 So screeching to a halt companies
35:45 companies using AI to just make their
35:48 existing ship more efficient. So they're
35:50 going to they're going to be slowing to
35:52 a halt. There's screeching to a halt is
35:54 no AI. Slowing to a halt [laughter]
35:56 is I'm using AI, but I'm using it in a
35:59 in a limited way.
36:02 The middle one is going to be I'm doing
36:05 new things with AI and I'm transitioning
36:07 my company. So, they're going to be like
36:09 almost coming to a stop and maybe still
36:12 going.
36:14 Then there's going to be
36:20 bigger established companies that
36:22 recognize they have to fundamentally
36:24 rearchitect their business. They're
36:26 going to keep a lot of their employees.
36:28 They're going to completely revamp their
36:30 jobs, their roles, how teams work,
36:33 business workflows, things like that.
36:35 Then there's going to be AI native
36:36 companies. So those are the five and
36:39 then there's going to be the six lane
36:42 single person
36:45 massively AI amplified businesses
36:52 and then I don't know what the seventh
36:53 lane is but the seventh lane is going to
36:54 be whatever comes next. It might be
36:57 world models and world models plus
36:59 compute equal some sort of like single
37:04 person entertainment studios. Like there
37:07 like that could be a whole another
37:08 economy.
37:10 [laughter]
37:11 [ __ ]
37:16 Seven economies.
37:22 There's going to be seven economies
37:24 in the next year.
37:36 Hello, Hollywood Kyle. [laughter]
37:40 [gasps]
37:42 Oh my god.
37:45 What are y'all saying? He said it here
37:47 first, folks.
37:49 Went to a house app demo tonight. The
37:51 designers there were totally clueless. I
37:54 want to be in that sixth lane. The sixth
37:56 lane is going to be a blast.
37:58 I And I And quite frankly, I think the
38:00 seventh lane is going to be a blast. But
38:02 it's in order to be in the seventh lane.
38:05 I'll tell you what,
38:08 if you are not a technologist, if if
38:10 you're a polymath or a creative or a
38:15 liberal arts
38:18 add junkie, adrenaline junkie,
38:23 the seventh economy is going to be
38:25 fascinating. It's going to be fun,
38:28 but you're going to have to think really
38:30 different. Like like if you're going to
38:32 be in that seventh lane,
38:34 you're going to be [ __ ] exhausted
38:36 because you're not only going to be
38:38 having to figure out the technology,
38:40 you're going to have you're going to
38:41 have to be figuring out the
38:43 psychological
38:45 profiles of your bots and how you want
38:47 them to work together. It's just it's a
38:50 it's just a [ __ ] new it's like a
38:52 whole new way of thinking. The sixth
38:55 lane is going to be fun because the
38:56 sixth lane is just going to be we're
38:58 going to come up with some idea. We're
39:00 going to use AI. We're just going to go
39:01 all in on AI. We're going to completely
39:03 rearchitect the business we just came
39:06 from. Right? One of the first three or
39:09 four lanes. You're going to just jump
39:11 over to the side and go, "Fuck it. We're
39:13 going to completely reimagine an agency.
39:15 We're going to completely reim imagine a
39:18 sales organization.
39:19 Those companies are going to be a blast.
39:26 Seven economies. Seven. Six. Six
39:29 economies, seventh one coming that we
39:32 don't know what it is. Six economies and
39:35 I think it's going to be
39:46 it's going to feel like three economies.
39:47 It's going to feel like old businesses
39:49 that are either struggling or trying to
39:51 keep up.
39:54 Then it's going to be established
39:56 businesses that have realized they've
39:57 got to completely alter themselves and
39:59 and so that'll feel like a whole
40:01 separate thing.
40:08 Then there's going to be
40:10 AI native companies and then there's
40:13 going to be this other thing these
40:14 agentic
40:17 crazy ass things that doesn't even
40:19 include cottage economies. Yeah, that's
40:22 correct. That's that's the other thing.
40:23 I'm just talking about um
40:27 economies that are affected directly by
40:29 technology, knowledge work, things like
40:31 that. If you're talking now about
40:33 offline industries, cottage industries,
40:36 food, entertainment, you know, in-person
40:39 meetings, all that sort of stuff, that's
40:40 going to feel like a whole separate
40:42 economy. So maybe it is seven. Maybe
40:44 it's analog [ __ ] [ __ ] it. We're
40:47 checking out of technology. I'm going to
40:48 go sell blueberries. Yeah, that's it.
40:51 [clears throat] That's that's it.
40:54 [laughter]
40:54 On the two ends are things that feel
40:59 1870s familiar and then things that feel
41:02 completely not familiar, surreal and
41:04 alien and then there's going to be this
41:06 spectrum in between. So it is seven
41:08 economies. Seven economies felt felt
41:11 more right.
41:13 lady today said a nice young man to help
41:18 in line turned out to be AI.
41:21 Oh, on help on on the helpline turned
41:24 out to be AI. She did a literal Kevin
41:26 Mallister move.
41:29 [laughter]
41:31 [music]
41:32 All right, we going to do this song or
41:33 not?
41:35 Okay,
41:39 that was a rabbit hole.
41:42 >> [music]
41:51 >> Thank you, Brandon.
41:59 [music]
42:06 [music]
42:14 >> [music]
42:22 >> We got a cool harmonic in there on that
42:23 one. We going to save or we going to
42:26 [ __ ] the bed?
42:28 Oh no, we're [ __ ] the bed.
42:31 Please upload. Please
42:36 continue.
42:38 >> [gasps]
42:39 >> Oh, it uploaded. Okay, good. Did it?
42:43 Yes, it did. Okay. Instrumental.
42:46 And then what did I say before? I said
42:50 minimalist
42:53 classical
42:55 guitar
42:57 cello. Uh, haunting cello
43:03 and then
43:06 coral
43:08 harmonies
43:10 as chords,
43:14 right? Yeah. And then we're going to go
43:17 advanced options.
43:20 We're going to go audio influence is
43:22 high. We'll do it at 65. We'll do style
43:24 influence is fine at 50. We'll do
43:26 weirdness low.
43:29 And what are we going to name it?
43:33 We're going to name it.
43:38 We're going to name it um
43:45 the weirdness.
43:55 Hey, Brandon, do me a favor. Just send
43:57 me a note to go grab the transcript of
44:01 this because I want to write an article
44:03 about the seven economies. What I what
44:05 I'm excited about is writing an article
44:08 about the the seven economies [laughter]
44:11 and then have people that actually know
44:14 economics blast me a new [ __ ]
44:17 [laughter]
44:19 Yeah, Mr. Shannon, that's not exactly
44:22 how it's going to go. You understand?
44:24 So, one of the things that you're
44:25 missing here here is the the capital
44:27 expenditures in the in the uh in the
44:29 investment market, the venture markets.
44:35 [sighs]
44:37 I'm just trying to explain how it's
44:39 Kelly asked what it's going to look like
44:42 and I said it's going to be weird and I
44:44 don't know what weird is. So, I'm trying
44:45 to figure out what weird is before the
44:47 weird happens.
44:51 But if you know there's seven economies,
44:53 you can pick one.
44:55 I'd like to be in a in a quickly dying
44:58 sector. Okay, that's lane two.
45:01 Uh
45:03 I hate AI. Can I get out? Yep, there's
45:06 the blueberry farm. Lane one. [laughter]
45:13 The seventh economy symphony. Silver Fox
45:17 always coming. We're going to go seventh
45:19 with a seven. Seventh economy. No, seven
45:23 economy.
45:25 Seven economy. S Eve ven economy
45:29 symphony. Yeah. Economy symphony.
45:35 That's good. All right. Here we go. So,
45:38 we've got the weirdness and we've got
45:40 seventh economy. Seven economy symphony.
45:53 >> [music]
46:12 [music]
46:21 [music]
46:24 >> This is cool.
46:26 [music]
46:38 >> [music]
46:44 >> So, I think I need to make it a little
46:46 bit less audio influence because my
46:48 guitar playing sucks enough that Let's
46:51 drop that to 40. We'll go style
46:53 influence a little higher.
46:56 We'll bump up weirdness a little bit.
46:59 Let's see what the Let's see what the
47:00 other ones sound like.
47:02 [music]
47:10 >> [music]
47:16 [music]
47:19 >> You know what's about this? Well, let me
47:22 let me tell you how I'm justifying my
47:24 lack of rhythm. [laughter]
47:27 The fact that I I'm not using the
47:29 metronome and I can't keep a beat. It's
47:31 slowing down and speeding up. And then I
47:33 purposely did the the decrescrescendo
47:36 and crescendo the the the dynamics,
47:40 but it's like the tempo is all over the
47:43 place, but there's something really cool
47:44 and analog about it. It doesn't sound
47:46 like it doesn't sound like uh you know
47:49 computer generated
47:53 [music]
48:05 It's a little too painful.
48:08 >> All right, we got to We're going to have
48:09 to go to the new the new versions. Are
48:11 these the new ones?
48:14 Create.
48:18 All right, there they come.
48:19 [clears throat]
48:22 [music]
48:29 >> [music]
48:40 [music]
48:45 [music]
48:54 >> That's it.
48:58 [music]
49:07 [music]
49:17 >> [music]
49:25 >> This is cool.
49:31 [music]
49:38 [music]
49:38 Oh.
49:44 Oh.
50:00 [music]
50:04 Okay. Can I just say
50:11 Like all my life,
50:16 I mean, since I was introduced to him,
50:19 I've been like a Philip Glass and
50:21 Jeffrey Reio fan.
50:25 And I always resisted making that kind
50:28 of music because
50:30 while it sounds simple,
50:34 like it requires a level of knowledge
50:36 about music that I just don't have and I
50:39 don't and I didn't really have an
50:40 interest to learn. And it and it
50:42 requires you to have access to things
50:44 like [ __ ] orchestras
50:46 to make it sound good and and and
50:50 choruses
50:53 and like we can just do this now.
50:57 It's [ __ ] insane.
51:03 [music]
51:13 Does anyone remember the first song we
51:15 made here on the live?
51:18 The very first one.
51:21 It It had to be something stupid, right?
51:26 No, this isn't Chariots of Fire. This is
51:28 more like Clean Scotsy or Songs from
51:30 Liquid Days. Um,
51:35 Vanelis. Yeah, this is this is Van
51:37 Jealousy. Um,
51:40 I don't remember. Do you remember it,
51:41 Kelly?
51:43 [music]
51:49 No. Weird Mary, Steo. Weird Mary was the
51:52 first song we did on this channel. Oh,
51:54 you know,
51:57 you know what was one of the really
51:58 early ones, Source Camp, is um
52:02 I was just teaching how to use Suno. I
52:05 think I was doing stupid Oh, you know
52:06 what? You know what the early songs
52:08 were? A lot of the early songs were um
52:11 Sydney prompts like write a prompt about
52:13 a chatbot that's more or like a lover
52:15 that's more artificial than real. I was
52:18 doing that one night. One of the early
52:20 songs was when Jim Ross um
52:25 you know made a song and sent it to his
52:27 clients. That was fairly early on.
52:29 Wouldn't it be in your history? Oh, it
52:31 would. I'd have to go back to the
52:33 beginning though. And we're listening to
52:35 we're listening to sexy sexy songs.
52:38 Let's listen to sexy.
52:46 [music]
52:47 All right. So, that's that one. So, the
52:49 next two should be similar. And then the
52:52 next two after that are the ones that I
52:53 added full orchestra. I think that was
52:56 Silver Fox's
53:00 [music] Actually,
53:08 it's cool that it got those swells in
53:09 it.
53:13 [music]
53:19 [music]
53:23 >> Oh, tell me this doesn't sound like a
53:25 film score.
53:29 Hurry.
53:34 [laughter]
53:37 [music]
53:40 Heat. Heat.
53:44 [music]
54:04 >> [music]
54:12 [music]
54:20 >> It works.
54:28 [music]
54:29 >> [singing]
54:36 [music]
54:46 [music]
54:51 [music]
54:59 [music]
55:14 [music]
55:23 >> Wow. That was pretty [ __ ] good. All
55:26 right, so three more.
55:37 [music]
55:43 [music]
55:49 >> [singing and music]
55:58 >> I don't like it. [music]
56:04 It's the one we did full orchestra.
56:07 [music]
56:14 [music]
56:20 [music]
56:24 Yeah.
56:27 [music]
56:33 [music]
56:40 [music]
56:49 [music]
56:51 Yeah.
56:55 >> [music]
56:59 >> It's cool.
57:03 [music]
57:08 [music]
57:14 [music]
57:20 Where are [music] you?
57:25 [music]
57:34 [music]
57:54 >> [music]
58:01 [music]
58:17 >> Now, these aren't as good. I think it's
58:19 this one. [music]
58:28 >> [music]
58:32 [music]
58:39 >> Yeah, Fabian, I I still feel shocked at
58:43 how amazing it can be.
58:44 >> I know. I know. This is okay. So, so
58:49 Sunno is a really good example here.
58:52 I'll take my glasses off. Well, you can
58:54 leave the the screen up.
58:58 Sunno is a really good example of
59:02 you can just squirt out shitty songs.
59:08 You can create songs that you didn't
59:10 have any input in. maybe lyrics or maybe
59:14 ideas, but but no no musical input,
59:19 but if but if they're something that
59:21 means something to you, you can create
59:23 really good music that way. But this is
59:26 I mean, you heard how simple what I was
59:28 playing was, right?
59:30 [music]
59:36 like
59:39 I don't have the musical vocabulary
59:45 or skills. But but like even if I you
59:47 know even if I had the technical skills
59:50 I don't have the music vocabulary
59:55 to understand what that motif could live
59:58 into.
1:00:01 But this has been trained on all the
1:00:03 music. So it can read that pattern. It
1:00:06 can understand that pattern and go, "Oh,
1:00:08 that's like these
1:00:10 160,000
1:00:12 motifs."
1:00:14 And all of those had these other things
1:00:17 with it that sounded like this.
1:00:21 [music]
1:00:28 >> [music]
1:00:31 [singing]
1:00:33 [music]
1:00:44 >> that cello coming in. Come on.
1:00:53 What I was going to say is this does it
1:00:56 for music, but this is AI.
1:01:00 AI is we get to take little ideas,
1:01:03 little fragments of ideas,
1:01:07 and because AI has been trained on
1:01:11 the collective intelligence
1:01:14 of tons of people that came before us.
1:01:19 We can take that little fragment of an
1:01:21 idea, throw it into the machine and get
1:01:23 it reflected back to us in this
1:01:26 augmented, insane, insanely elevated
1:01:30 way.
1:01:32 And then we get to just pluck that [ __ ]
1:01:34 out of the ether and go, I like that
1:01:35 one. And then we can put that back into
1:01:38 the machine, have that reflected out.
1:01:40 Oh, I like that one.
1:01:43 Pudo is just a metaphor for every single
1:01:46 tool.
1:01:49 for the whole process.
1:01:53 How good are you at guitar? Uh,
1:01:56 I can do this.
1:02:02 Is that good? Yeah. Yeah, we got it. We
1:02:05 don't That's all we need from you.
1:02:06 Thanks.
1:02:09 See you next Tuesday. Okay.
1:02:13 [laughter]
1:02:19 >> [laughter]
1:02:25 [music]
1:02:30 [music]
1:02:30 >> Oh yes, Silver Fox. I remember those.
1:02:33 The old Disney Rain videos. Drops going
1:02:35 from pedal to pedal and it sounded like
1:02:38 this.
1:02:45 >> [music]
1:02:53 >> I got it. I got it. I got I got another
1:02:55 thing. Here's another thing, source cam,
1:02:58 about how weird it's going to get.
1:03:01 Okay, right now tonight.
1:03:05 We discovered that there's seven
1:03:07 economies.
1:03:11 Is he an economist? Uh,
1:03:15 I'm pretty sure he's an out of work
1:03:16 actor.
1:03:19 Okay. Anyway, we discovered that.
1:03:26 Here's how this is going to get weird.
1:03:35 We'll call the ones on the left the slow
1:03:37 economies.
1:03:39 We'll call the ones in the middle the
1:03:44 the fast economies.
1:03:46 We'll call lanes six and seven like the
1:03:49 the superighway and the bullet train or
1:03:52 something like that, right? We'll we'll
1:03:54 figure out the metaphors.
1:03:57 The fast economies, the ones that are
1:03:59 kind of in the middle right to the
1:04:01 middle to the right. So if you go
1:04:04 blueberries screeching to a halt,
1:04:07 slowing to a halt. So it's one, two,
1:04:10 three. So So lanes four and five. Yeah,
1:04:15 lanes four and five are kind of like
1:04:17 Sunno is right now,
1:04:20 right? You take a little snippet of an
1:04:22 idea, you put it in the machine,
1:04:25 a thousand different ideas get bolted
1:04:28 onto it and elevate it to some new
1:04:30 level.
1:04:37 lane six economy. The the metaphor with
1:04:41 Suno would be in lane six, not only
1:04:45 would you have
1:04:47 this song created, but you would have
1:04:50 some company that would take this song
1:04:53 and turn it into a symphony,
1:04:57 a full symphony, fully orchestrated with
1:05:00 sheet music with all of the parts
1:05:03 played, fully mixed. You release an
1:05:06 album. So you so in the in the middle
1:05:09 economies, you start with a little
1:05:11 guitar lick and you end up with a song.
1:05:13 In the fast economies, you end up with a
1:05:15 full symphony recorded and and published
1:05:20 to Spotify.
1:05:21 In lane seven. [laughter]
1:05:26 In lane seven,
1:05:28 this song
1:05:31 not only becomes a song, a symphony, an
1:05:34 album.
1:05:36 Um,
1:05:38 it turns into a feature film [laughter]
1:05:43 um with distribution. Um, it it's
1:05:46 entered into the Khan Film Festival. Um,
1:05:51 it wins that. Um, it inspires a line of
1:05:55 um of
1:05:59 new vampire novels that that that that
1:06:02 knock the uh the the current popular
1:06:06 ones. What's that ones? Whatever.
1:06:08 Doesn't matter. Like like the lane seven
1:06:12 economy is going to take a simple idea
1:06:14 just those that little arpeggio and it's
1:06:18 going to turn it into a whole economy
1:06:22 with marketing
1:06:24 with production
1:06:26 with marketing with distribution with
1:06:29 monetization
1:06:33 and and it'll turn it into a franchise
1:06:35 from a single idea.
1:06:38 That's how it's going to get weird
1:06:42 because people in the slow economies
1:06:45 are just going to hear the stupid licka.
1:06:48 Yeah, that's nothing. I could play that.
1:06:50 I know. But I did. And I took that na
1:06:55 and I put it in a lane seven business
1:06:58 that happens to be sitting on my desk
1:07:00 over there.
1:07:03 How' you do that? I didn't.
1:07:09 It doesn't make any sense. It doesn't
1:07:11 make any sense.
1:07:14 Yep. I'm at home six and seven,
1:07:18 [laughter]
1:07:23 [sighs]
1:07:24 right? I think that's it. Not every
1:07:26 distributor accepts AI music. So, so
1:07:29 Nick, correct? In lanes 1, 2, 3, and
1:07:34 four,
1:07:36 music companies and distributors don't
1:07:38 take AI music.
1:07:40 Lane seven is going to create an
1:07:42 entirely new economy that doesn't give a
1:07:45 [ __ ] about how the current distribution
1:07:47 model works.
1:07:50 That's the whole point. Lane seven is
1:07:52 going to be its own economy. It's going
1:07:54 to be like, "Oh, there's gatekeepers
1:07:56 that are going to get in the way of me
1:07:58 distributing this. Let me go directly to
1:08:01 every movie house, you know, in the
1:08:04 world and pitch them my movie
1:08:07 individually. I'll cut up I I'll
1:08:09 research every movie house owner
1:08:13 and what they like and what they're
1:08:15 excited about and I'll do custom edits
1:08:17 of trailers for each one.
1:08:21 I don't need a [ __ ] distributor. I
1:08:23 will I will I will invent a new way of
1:08:25 of distributing content. That's what
1:08:28 lane seven is. Lane seven's going to be
1:08:30 weird. That's what I'm saying. Lane
1:08:31 seven's going to be weird. It's not
1:08:33 going to make sense. It's like, you
1:08:35 can't just call everyone. Uh, yeah, you
1:08:37 can.
1:08:39 We have an agent that that's all he does
1:08:41 24 hours a day.
1:08:44 [laughter] Just he follows the sun
1:08:45 around the earth.
1:08:48 It's 8:30 everywhere. [laughter]
1:08:56 It's going to be the napster of the AI
1:08:58 age. It's a big deal to feel that. I've
1:09:01 been looking my for my lane for so long.
1:09:03 I've got to write that article.
1:09:09 There are going to be seven economies
1:09:20 and certain tools are going to get
1:09:21 stagnated in certain economies cuz
1:09:23 something's going to work in lane four
1:09:26 and people are going to be like, I want
1:09:28 I'm just going to stay in lane four.
1:09:29 There's a lot of people in lanes one,
1:09:31 two, and three that are looking for
1:09:32 stuff in four. So, I'm going to focus on
1:09:34 four. I'm going to be good right here.
1:09:37 And they will for some amount of years.
1:09:47 This is wild.
1:09:50 Oh, here's the caveat. I could be
1:09:52 completely wrong [laughter]
1:09:58 because nobody [ __ ] knows.
1:10:09 I don't think I like this AI stuff. All
1:10:12 right, here's the blueberry patch.
1:10:15 You're in economy one. [laughter]
1:10:18 And listen, there's nothing wrong with
1:10:20 economy one. The only economies I
1:10:22 wouldn't want to be in are are are lanes
1:10:24 two and three.
1:10:26 The slow economy, the [ __ ] technology
1:10:29 economy, that's going to be a blast,
1:10:32 right? People are going to get dirty
1:10:33 again. They're going to be in They're
1:10:35 going to have hoowns. They're going to
1:10:37 have picnics.
1:10:39 They're going to have spontaneous
1:10:41 concerts.
1:10:43 They're going to rediscover sex.
1:10:46 Economy one's going to be a blast.
1:10:51 Lane two and lane three are going to
1:10:53 suck. What did you miss, Gareth? There
1:10:58 we now live in a seven economy world.
1:11:02 You missed that.
1:11:04 And then you missed a cool song. Here,
1:11:05 let's let Gareth hear my cool song. I
1:11:07 think he'll like it.
1:11:11 [laughter]
1:11:15 [music]
1:11:22 [music]
1:11:28 >> [music]
1:11:38 [music]
1:11:43 [singing]
1:12:04 [music]
1:12:14 [music]
1:12:25 >> Oh. Heat. Heat. [music]
1:12:36 [music]
1:12:40 [music]
1:12:47 [music]
1:13:05 >> [music]
1:13:27 >> That's cool. All right, that one's good.
1:13:31 That one's good. I'm going to download
1:13:33 that. [clears throat]
1:13:36 I can see clearly now the rain is gone.
1:13:47 What else?
1:13:49 Thoughts, questions,
1:13:52 help. I need to create a Telegram bot.
1:13:58 I don't know how to create a Telegram
1:14:00 bot.
1:14:04 Well, Open Claus is a Telegram bot. You
1:14:07 have to configure it. So, here's how you
1:14:09 do it. Alpha Villa.
1:14:14 If you're like me and you have you
1:14:18 understand technology, you understand
1:14:19 programming, you understand software
1:14:22 design and architecture and [ __ ] like
1:14:24 that, you'll be fine.
1:14:27 Just go to Chat GPT and say [laughter]
1:14:30 go research the best ways to make a
1:14:33 Telegram bot. Like, do you want to do an
1:14:35 openclaw one?
1:14:39 Yes, you do. Coding though. Yeah, but
1:14:41 coding. So, so you can still do the
1:14:43 coding part. Go to chatgpt, tell it to
1:14:46 research how to install openclaw, how to
1:14:48 connect it to telegram, [laughter]
1:14:52 and then just do it. But you're going to
1:14:53 have to pay attention to [ __ ] So, so
1:14:55 here's what I did with my OpenClaw that
1:14:57 I think is decently clever.
1:15:02 Grock
1:15:06 searches Twitter.
1:15:08 All of the tech nerds on Twitter are
1:15:10 talking about all of the ways they set
1:15:12 up their open claws, right? So, you can
1:15:15 just go to Grock and you can say, I I
1:15:18 only want the latest wisdom about
1:15:20 OpenClaw from like the last three days.
1:15:23 So, I want best practices
1:15:26 for
1:15:28 what I said was installing OpenClaw on a
1:15:31 gaming PC with a 5070 card in it and I
1:15:36 think it's got 16 gigs of RAM, whatever
1:15:38 it is,
1:15:40 and
1:15:42 go tell me all the [ __ ] I should use.
1:15:44 And I and I did that on Grock. Then I
1:15:46 took the output of that, went over to
1:15:49 Claude and dumped it in there and said,
1:15:52 "Now give me a step-by-step tutorial."
1:15:59 That's what you're good at, the paying
1:16:00 attention. You got to pay attention.
1:16:03 Please publish one of those, Kyle. I'd
1:16:05 like to add it to my playlist. Oh, one
1:16:07 of the the seventh economy symphony.
1:16:10 We'll do this last one. I think this
1:16:11 one's really good. I will publish it
1:16:14 right now.
1:16:17 It's got two plays.
1:16:20 Um, publish here. Publish.
1:16:29 We're going to generate cover art. We're
1:16:31 going to say,
1:16:33 uh, text to video.
1:16:36 Describe what you want to see.
1:16:39 Um there are seven economies
1:16:46 each in a lane
1:16:50 with
1:16:53 um weak
1:16:55 connections between them.
1:17:05 Lane one
1:17:08 is the slowest
1:17:12 and
1:17:15 is paths
1:17:17 through blueberry fields.
1:17:20 [laughter]
1:17:23 Lane seven
1:17:26 is
1:17:30 laser fast.
1:17:33 All right, we'll see how shitty this is.
1:17:36 Kyle is smarter than AI can ever be.
1:17:39 Well, you know, I mean, thank you for
1:17:41 the compliment. It's It's not even close
1:17:43 to true. But but here's what I'm smart
1:17:45 enough to know is I'm smart enough to
1:17:48 know that when chat GPT01 came out, the
1:17:52 first reasoning model from OpenAI,
1:17:55 this was
1:17:58 was it only a year and a half ago?
1:18:02 I think it was November of 24.
1:18:06 Brandon, can you look up when 01 came
1:18:08 out? I think it was November of 24. When
1:18:10 01 came out,
1:18:13 that's when I realized, oh [ __ ] I'm the
1:18:16 bottleneck.
1:18:18 So very early on I recognized that this
1:18:22 concept of AGI like the the computers
1:18:25 have to be smarter than all the people.
1:18:27 Like what I got for me personally was
1:18:29 AGI for me personally was when I was the
1:18:33 bottleneck
1:18:34 and it was 01 the first reasoning engine
1:18:38 December 2024. Yeah, I thought that's
1:18:40 about right. That's that's really not
1:18:41 that long ago. Oh, I like this one.
1:18:43 Let's go with that. Uses video cover.
1:18:47 That's beautiful.
1:18:49 Add caption.
1:18:54 Simple
1:18:56 simplicity
1:18:59 is hard.
1:19:02 Anyway, why why do I not have Why did it
1:19:05 not
1:19:09 save my Oh, [ __ ] I lost that thing. How
1:19:14 did I lose that?
1:19:18 Simplicity is hard. Flamco.
1:19:20 Flamnco. Suspense. That's not bad.
1:19:26 Add a style summary. What did I say?
1:19:29 Minimalist
1:19:34 classic
1:19:38 guitar
1:19:40 cello. Oh no. Haunting cello.
1:19:46 Um,
1:19:51 and then
1:19:53 coral harmonies
1:19:57 as chords.
1:20:01 Full symphony. No, this one didn't have
1:20:03 full symphony. Okay, that's that.
1:20:05 There's no lyrics.
1:20:08 Update cover art.
1:20:15 Okay, it did it. Okay,
1:20:17 wait. Where?
1:20:20 Publish.
1:20:22 Okay, there we go. Oh [ __ ] it ate my
1:20:25 God damn it. [laughter]
1:20:28 Okay, for those of you making software,
1:20:30 could you not make [ __ ] modals that
1:20:33 Okay, look at Okay,
1:20:36 you don't want to talk about every
1:20:37 company needs an angry Gen Xer in the
1:20:39 corner. Here's what I'm [ __ ] talking
1:20:41 about. You see this? This is a modal.
1:20:45 It's a window that sits on top of
1:20:46 another window. Now, what did they do
1:20:48 with this modal? They added too much
1:20:51 [ __ ] to it. And rather than redesigning
1:20:54 the interface,
1:20:57 they just said, "Oh, just make a scroll
1:20:59 window." And what did they put below the
1:21:01 scroll? The [ __ ] submit button.
1:21:04 [clears throat] So, what happens is you
1:21:06 do [ __ ] up here and then you see
1:21:08 something over here you want. So you
1:21:09 click out here and it erases all the
1:21:11 [ __ ] in your modal
1:21:14 because you can't see the [ __ ]
1:21:16 button.
1:21:20 [sighs and gasps]
1:21:24 What did I write here? I had something
1:21:26 good. I thought Oh, simplicity is hard.
1:21:29 God damn it.
1:21:32 Uh flamnco
1:21:34 um suspense. What was it?
1:21:39 Flamco experience.
1:21:41 Experience is good. [laughter] I like
1:21:44 Flamco experience. Welcome. Welcome to
1:21:47 the Flamco experience. [laughter]
1:21:51 It's really good. Okay, now I got to
1:21:53 remember this [ __ ] thing. What did I
1:21:54 say? Uh, minimalist, minimalist,
1:22:00 classical
1:22:04 guitar,
1:22:07 haunting
1:22:14 joke. [gasps]
1:22:15 By the way,
1:22:17 if you think I really am that pissed,
1:22:21 I'm not. [clears throat]
1:22:22 I don't care. It's a character. I It
1:22:26 cracks me up, [laughter]
1:22:28 but I'm not wrong. They stuck the
1:22:30 [ __ ] button below the scroll and
1:22:32 that's They're [ __ ] for that. So, I
1:22:35 guess I am that pissed. [laughter]
1:22:38 Okay. Coral.
1:22:40 Coral
1:22:42 harmonies
1:22:44 as chords. I don't even think that's a
1:22:46 proper musical term, but I don't care.
1:22:48 Think I care? I don't care. you these
1:22:51 stupid cords.
1:22:55 Um, publish.
1:22:59 All right. Are we published? No, we're
1:23:01 publishing. Publish. Song is now public.
1:23:05 Okay. Go to seven seven economy
1:23:07 Symphony.
1:23:10 That video is hilarious. I know.
1:23:21 >> [music]
1:23:30 [music]
1:23:44 [singing and music]
1:24:00 [music]
1:24:05 [music]
1:24:11 [music]
1:24:19 [music]
1:24:25 >> I like Flamingco Supernova. Although I
1:24:28 can't um I don't think I can edit it.
1:24:31 Can I
1:24:33 unpub? I'd have to unpublish it. Wait.
1:24:35 Song details.
1:24:37 Flamco supernova. I like that.
1:24:39 Supernova.
1:24:42 Um, save. All right. I think I saved it
1:24:45 as supernova. It really scratches my
1:24:47 brain in a nice way. It does. Me, too. I
1:24:50 I'm digging it.
1:24:54 This is going to be So, okay. So when I
1:24:56 write my
1:24:59 [sighs] when I write the seven economy
1:25:01 article
1:25:11 actually what's fascinating is this. Oh
1:25:13 this is really cool. Okay.
1:25:15 So, say you're a guy that can play
1:25:17 guitar. [laughter]
1:25:19 That can play guitar this good.
1:25:23 [music]
1:25:28 Okay.
1:25:32 You're not talented enough for economy
1:25:35 one, right? I mean, sure, you you could
1:25:38 go to a blueberry festival and you could
1:25:40 go
1:25:44 The fertilizers of the [music] sun made
1:25:48 the blueberries
1:25:50 blue, purple, green,
1:25:52 and juicy.
1:25:54 Right? You could do that. You could you
1:25:56 could be a you could be a spoken word
1:25:58 poet in the blueberry economy.
1:26:01 [laughter]
1:26:05 in in in the in the screeching to a halt
1:26:08 economy,
1:26:09 um you would have to get an agent um and
1:26:13 get you a record deal. You would have to
1:26:15 get a record deal and you go into the
1:26:17 you you'd pull all your favors and you
1:26:19 get invited uh to go to to the ANR guy
1:26:23 and he'd be like, "What do you got?"
1:26:24 You're like, "Uh [clears throat]
1:26:26 here, check this out.
1:26:30 It's gonna be so good."
1:26:31 Um,
1:26:33 I didn't I didn't quite make it to
1:26:35 Giuliard, but uh but I've been playing
1:26:38 guitar for years. Okay, so anyway, here
1:26:40 here we go.
1:26:44 [music]
1:26:47 Huh?
1:26:50 [music]
1:26:52 Wait for it.
1:26:55 [music]
1:26:59 Wait, wait, wait. Here we go.
1:27:01 See? [music] Get it?
1:27:08 That's So, do I mean, do I have a deal?
1:27:12 Right. So, in economy 2, you're screwed.
1:27:15 [laughter]
1:27:17 Economy 3 where they they've got some
1:27:20 AI. They're like, "Oh, yeah. Yeah, you
1:27:22 could. Why don't we'll just make one out
1:27:24 of puno. We We're good. We don't need
1:27:26 you. We We're good." Right. the next
1:27:29 economy over, they actually understand
1:27:31 these tools. They're like, "Oh, play
1:27:33 that into sunno. We'll turn it into
1:27:35 something cool, right?" Economy six,
1:27:38 they're like, "We're gonna Oh, that's a
1:27:40 good lick. We not only can we turn that
1:27:42 into a song." I think that's the whole
1:27:43 Yeah. Okay. AND THEN ECONOMY 7, YOU'RE A
1:27:46 [ __ ] ROCK STAR.
1:27:49 [laughter]
1:27:50 SO, you're either a beat poet in economy
1:27:53 one, you're a rock star in [laughter]
1:27:55 economy 7, you're decent in economy six.
1:27:59 Just don't [ __ ] around. I I'm telling
1:28:01 you, man, economies two, three, and four
1:28:03 are just going to suck.
1:28:07 [laughter]
1:28:08 When do we get the record deal?
1:28:11 The Tik Tok question. Kyle, can we
1:28:14 remake Cancel TV show with AI as the
1:28:17 writers and Nano Banana as the as the
1:28:20 directors? Well, Nano Banana wouldn't be
1:28:22 the director. Nano Banana just make
1:28:24 images.
1:28:27 I mean, we're not at the point, Mr. It,
1:28:29 where you can do effective storytelling
1:28:32 without being a storyteller.
1:28:34 [music]
1:28:42 But that's going to change. Economy 7,
1:28:45 economy 7,
1:28:47 there's already people talking about
1:28:48 this on X. Economy 7 is going to have
1:28:51 full-on movie production studios
1:28:56 that are producing highquality feature
1:28:58 films, 1-hour dramas, 30 minute sitcoms
1:29:04 247,
1:29:05 7 days a week, interfacing with whatever
1:29:09 distribution networks in the old
1:29:10 economies let them, but inventing
1:29:12 entirely new [ __ ] distribution
1:29:14 networks over here.
1:29:17 Someone's going to turn a Mac Mini into
1:29:19 a into the new distribution studio that
1:29:22 takes off and changes the world
1:29:25 in Economy 7. And you know what's going
1:29:28 to happen? The the the the current
1:29:30 Hollywood the current distribution
1:29:32 things are going to look at that and
1:29:33 they're going to [ __ ] laugh at it.
1:29:34 That's weird. Did you see that kid? He's
1:29:37 like 14.
1:29:40 Here's the thing. They're so cute,
1:29:43 aren't they? He thinks he can do what we
1:29:45 do. [laughter]
1:29:51 Don't be in economies two, three, or
1:29:52 four.
1:29:58 [sighs] No, you can be in economy four
1:30:00 is not going to be bad. Two and three
1:30:01 are going to really suck.
1:30:05 [sighs and gasps]
1:30:07 Hey, do you want you want to try
1:30:08 something fun? This is fun. Watch this.
1:30:11 Here's what we're going to do. We're
1:30:13 gonna try
1:30:17 >> [gasps]
1:30:19 >> There's no cry in trying. [laughter]
1:30:24 We're going to try to upload a video.
1:30:29 I just
1:30:32 realized
1:30:33 tonight
1:30:39 we are
1:30:41 going to be living in
1:30:45 seven economies
1:30:50 later this year.
1:30:55 rather than explain myself.
1:31:01 [laughter]
1:31:04 Here's
1:31:06 the theme song. [laughter]
1:31:14 Here's the theme song for the concept.
1:31:17 [laughter]
1:31:18 This is the This is This is like a an
1:31:21 economy six kind of thing. [laughter]
1:31:23 Here's
1:31:25 the theme. You can Here's the cool thing
1:31:27 about economy six and seven. You can
1:31:29 just do stuff in the wrong order, right?
1:31:32 Normally, if you were going to declare
1:31:34 that we we're living in seven economies,
1:31:37 step one would be maybe get a degree in
1:31:41 economics.
1:31:42 [laughter]
1:31:44 We don't have to do that anymore. That's
1:31:46 the old way. The new way is you just
1:31:49 make [ __ ] up and then you just go do it.
1:31:53 >> [laughter]
1:31:58 >> Okay, watch this. This is going to be so
1:32:01 so much fun. Seven Economy Symphony.
1:32:06 [music] Beautiful. Sounds great. Let's
1:32:08 go.
1:32:10 All right, let's watch this. This should
1:32:12 be cute. Uploading 0%.
1:32:15 8. Oh, it failed.
1:32:18 Network problems. Post. Okay, here we
1:32:21 go. It's going to be so good.
1:32:24 Resume. No. Are we hung? We're just hung
1:32:28 every Yeah, it crashed. Yeah. No, it's
1:32:30 good. It's solid. So then what we'll do
1:32:33 is we'll do this. We'll go over here.
1:32:35 We'll find it.
1:32:37 Is this it? Yeah. We're going to open
1:32:40 this up. And then you know what we're
1:32:42 going to do? You know, you've seen this
1:32:44 before. We're going to export this
1:32:48 as what? as aov file. Why? Because we
1:32:52 thinks it we think it'll make a
1:32:54 difference. Will it? No. But we're going
1:32:57 to try.
1:32:58 So good. Oh, Elon, this is the best $40
1:33:03 billion you've ever spent.
1:33:07 Hey, if I gave you another $40 billion,
1:33:09 could you fix the [ __ ] upload button?
1:33:11 No. Okay. Nah, I didn't think so. I knew
1:33:15 it was a lot to ask.
1:33:17 One, two, two, one%
1:33:22 two
1:33:24 136 fail. [laughter]
1:33:31 [laughter]
1:33:32 And And what I thought is that if if you
1:33:35 upload it on your phone, it'll work. But
1:33:37 no.
1:33:39 Oh, you know what? I I know how I can
1:33:41 make it work. If I turn off wifi and
1:33:43 just upload it on cell, that'll work.
1:33:46 Can I do that now? Can I switch over to
1:33:48 Oh, I can storyline auto magic. Oh, this
1:33:51 is good.
1:33:55 He's too busy not paying tax.
1:34:11 I know what just happened.
1:34:13 I just switched to my phone hotspot, but
1:34:16 this is going to probably allow us to
1:34:18 upload the video.
1:34:26 I'll go back to I'll go back to Wi-Fi in
1:34:28 a second. I'm just trying to use cell
1:34:30 data to upload this thing.
1:34:34 >> [whistles]
1:34:37 >> This is my favorite part of the show
1:34:39 where Kyle tries to upload his
1:34:40 masterpiece to X.
1:34:44 [laughter]
1:34:49 [gasps]
1:34:50 Oh my god. 10% battery. What's How can
1:34:54 it be on 10% battery?
1:34:57 What's going on? Why is this not
1:35:00 charging?
1:35:06 That's working.
1:35:15 Okay, now it's charging.
1:35:17 Did it go? It went. Okay, let me switch
1:35:20 back to Wi-Fi. Hang on. It's going to
1:35:23 die for a minute.
1:35:26 Can you please help me prompt my
1:35:41 It's just master prompter, not it.
1:35:44 [laughter]
1:35:50 I'm such a pervert. Okay.
1:35:57 What are you trying to What are you
1:35:58 trying to do in perplexity? How we doing
1:35:59 timewise? Pretty pretty much time to go.
1:36:01 But did I Wait, let me make sure that I
1:36:03 posted that. Did that actually post?
1:36:06 Yeah, it did. Okay, I'm going to edit
1:36:09 the post. I'm going to throw in here.
1:36:11 Got it. I'm going to throw in here
1:36:14 at Scoilizer. We'll see if we can get
1:36:16 Robert Scoble to give it an old and
1:36:19 Robert Patterson.
1:36:32 David Scott Patterson. Okay. Update.
1:36:36 [clears throat] All right. So, do me a
1:36:38 favor. Go to my ex profile, Kyle
1:36:41 Shannon,
1:36:43 and find the uh the [clears throat] post
1:36:46 with the seven economy.
1:36:51 Seven
1:36:53 economy
1:36:56 symphony.
1:37:18 I wanted to be a legal genius with heavy
1:37:20 constitutional background
1:37:24 along with equity maxims and bib
1:37:26 biblical principles.
1:37:28 So what I would do alpha is I think
1:37:32 within perplexity you can do what are
1:37:35 effectively custom GPTs. I forget what
1:37:38 they're called. So I would ask chat GPT
1:37:41 or perplexity
1:37:43 what is the perplexity equivalent of a
1:37:45 custom GPT
1:37:47 and then what I would do is I would
1:37:51 either in claude or chat GPT
1:37:56 I would create your documents create
1:37:59 your equity maxims. So if you've if
1:38:01 you've already got them written out,
1:38:03 great. Or go collaborate with Chat GPT
1:38:05 and say, "Hey, I want to create equity
1:38:08 maxims for a tool I'm building." And
1:38:10 then I want you know the following
1:38:12 biblical principles. Create that as a
1:38:14 separate document. Um legal genius that
1:38:17 you can just kind of prompt. You don't
1:38:19 pro you don't you probably don't need to
1:38:20 give it that because there's so much
1:38:21 legal stuff out there. And then
1:38:23 constitutional background. You could put
1:38:26 in documents from the founding fathers.
1:38:28 So what I would do is I would I would
1:38:30 collect a set of documents
1:38:33 and then upload those to what's
1:38:35 effectively a custom GPT in perplexity
1:38:39 and then and then just do a prompt that
1:38:42 says you know use these documents in the
1:38:46 following way. So write your prompt
1:38:48 referencing those documents.
1:38:52 I can't go search for them. I can't get
1:38:54 it to go search for them.
1:38:58 I don't know how to do that. Yeah. And
1:39:00 this is not legal advice. Yeah. I I You
1:39:03 can't go You can't get it to search for
1:39:05 what?
1:39:09 For like equity maxims.
1:39:13 Oh, perplexity spaces is the thing
1:39:15 that's like custom GPTs.
1:39:19 Yeah. The other thing I would do, like
1:39:21 what I would do, so
1:39:24 I can't get it searched for them.
1:39:28 Can I get it to search for the info upon
1:39:31 each question?
1:39:36 Um, you could, but it'll take forever.
1:39:39 Like what I what I would actually do if
1:39:41 I were you, if you haven't played with
1:39:42 Notebook LM, go play with Notebook LM. I
1:39:46 would gather your documents first
1:39:49 and then I would upload those documents
1:39:53 to Notebook LM and then you could have
1:39:55 notebook L. You could you could probably
1:39:56 just do all the work you want to do
1:39:58 right within Notebook LM
1:40:01 because with Notebook LM you could point
1:40:03 you could point it to legal websites.
1:40:06 You could point it to anything you find
1:40:09 that you want to
1:40:11 use.
1:40:13 But I but the reason not to go search
1:40:15 for them each time is that you would
1:40:16 have to have just a mega prompt that you
1:40:18 copy and paste each time. You might as
1:40:19 well just do that as a system prompt in
1:40:22 a custom GPT or in a custom in notebook
1:40:25 LM or in even in Perplexity spaces.
1:40:29 That's what I do. Um anyway, I'm I would
1:40:32 go play with it right now, but I'm too
1:40:34 tired. So maybe come back tomorrow.
1:40:36 What's tomorrow? Thursday.
1:40:39 Um [clears throat]
1:40:44 all right, I'm going to go. So yes, sir.
1:40:48 Hey Kyle, before you go,
1:40:50 >> yes,
1:40:50 >> you were talking earlier about the uh
1:40:52 first song that you ever prompted into
1:40:55 existence on Sunno.
1:40:56 >> Oh yeah.
1:40:57 >> If you go back to your Sunno interface
1:40:59 and click into your library.
1:41:01 >> Yeah.
1:41:02 >> And be mindful of your tabs. Uh and then
1:41:04 just sort by oldest first
1:41:07 >> history.
1:41:11 >> So if you just go to your standard
1:41:13 library of songs.
1:41:14 >> Yeah, that's where I am. And then in the
1:41:17 drop down, change it from newest to
1:41:19 oldest. Before you click play, we have
1:41:22 all forgotten how bad V2 was.
1:41:27 So, after basking in the glow of V5 for
1:41:30 the better part of an hour, this is
1:41:33 going to sound really janky, but hope
1:41:35 that answered your question.
1:41:37 >> Well, I woke up feeling hungry on a
1:41:39 Sunday was the first song.
1:41:42 I gave it a thumbs up.
1:41:47 Well, I [music] woke up on a Sunday
1:41:50 afternoon
1:41:53 [music]
1:41:53 headed down to the
1:41:56 >> I think my first songs were actually in
1:41:58 Yo. I was more into Yo back in the day
1:42:01 because it had better sonic quality. But
1:42:02 this is the first one we did in Suno. I
1:42:04 remember this song.
1:42:10 >> [music]
1:42:10 >> by the window where the jukebox played
1:42:12 some [singing] blues.
1:42:15 And I boiled up a Sunday with a side of
1:42:18 good [singing] news.
1:42:20 Oh [music] yeah.
1:42:25 [music]
1:42:28 >> Hot fudge drip caramel swirl
1:42:31 [music and singing] with cream on top.
1:42:36 >> That's hilarious. That's hilarious.
1:42:40 Um, all right. What else did we have? In
1:42:43 a small town where the sun Oh, I
1:42:45 remember this one. Remember this creepy
1:42:47 doll?
1:42:49 [music]
1:42:52 >> I remember this. [music]
1:42:56 [singing]
1:43:01 >> Sydney. [singing and music]
1:43:04 >> Sydney. This the original Sydney song.
1:43:07 When was this made?
1:43:10 November 15, 2023.
1:43:13 And I didn't and I didn't have the idea
1:43:15 for Sydney the Musical until March 19th
1:43:19 of 2024.
1:43:23 So, I was prompting I was doing Sydney
1:43:25 prompts back in November of 2023. We've
1:43:28 come a long way, baby. I remember this.
1:43:32 >> She [music]
1:43:33 [singing] gloomile.
1:43:37 It's like sunshine [music]
1:43:41 or a rainy [singing] day,
1:43:45 but beneath the surface,
1:43:49 [music]
1:43:50 something's not [singing] quite okay.
1:43:52 >> Something's not quite okay. And it's
1:43:55 like
1:43:59 um the carnival one was uh before the
1:44:01 lights come on.
1:44:04 That [clears throat] one was recent.
1:44:04 That was that was 2025.
1:44:08 Before the lights come on. That that
1:44:11 started as one of my guitar licks.
1:44:14 Before the lights come on.
1:44:17 This is a good song. We'll play We'll
1:44:19 play this one. I like this song.
1:44:23 I actually wrote a LinkedIn article
1:44:24 about this song.
1:44:30 Here we go.
1:44:40 The ferris wheels asleep, [music]
1:44:43 its arms still folded tight. We walk
1:44:46 between the shadows and the
1:44:47 [music and singing] strings of halfway
1:44:49 light. The popcorn stands are dreaming
1:44:52 of the laughter they'll be fed [music]
1:44:54 and your reflection in a puddles turning
1:44:57 pink instead of red.
1:45:01 >> [music]
1:45:04 >> You say it's strange to see it empty.
1:45:08 [music]
1:45:08 I say it's strange to feel this calm.
1:45:14 You smile [music and singing] like you
1:45:16 know something I don't know. I've
1:45:20 already begun.
1:45:23 >> Before the lights [singing] come on.
1:45:25 Before the crowd [music]
1:45:27 arrives. Before we name what this could
1:45:30 be. Before the [singing] day survives,
1:45:33 we linger in the middle [music] where
1:45:35 the maybe feels like song. Two hearts
1:45:38 not yet decided
1:45:41 >> before the lights come on.
1:45:44 [music]
1:45:52 Crazy times.
1:45:54 Seven economies, baby. Seven economies.
1:45:59 That's why it's gonna get weird.
1:46:03 I like the live. Thank you. You guys get
1:46:06 the likes up. Like the live. Like the
1:46:07 live. Um, all right. I'm going to get
1:46:10 out of here. [clears throat] I'll see
1:46:12 y'all tomorrow night.
1:46:14 Um, I hope that was fun. I just kind of
1:46:16 bailed on thinking tonight.
1:46:19 And I think that's okay.
1:46:24 We probably have
1:46:27 we probably have three months. We might
1:46:29 have six months. We could have a whole
1:46:31 year
1:46:33 until it becomes really clear that
1:46:35 there's these multiple economies. But I
1:46:38 think that economy 7 is going to [ __ ]
1:46:40 take off.
1:46:42 Like like I think I think this agentic
1:46:46 just doing [ __ ] weird
1:46:51 has already left the station and it but
1:46:54 it's still in sight.
1:46:57 [laughter]
1:46:58 I don't think you have long
1:47:02 cuz the skills that people are going to
1:47:04 develop doing that are just going to be
1:47:06 [ __ ] crazy.
1:47:12 So, okay, here's why. Here's why. I know
1:47:15 I said I'm going to leave. That's not
1:47:17 the point.
1:47:35 right now.
1:47:41 Even if you start a company, if you get
1:47:43 if you get 10 of the badassest people
1:47:46 from from the AI salon
1:47:49 and you're like, I'm going to get, you
1:47:52 know, this one to do sales and I'm going
1:47:54 to get this one to do account
1:47:55 management. I'm going to whatever the
1:47:57 whatever the roles might be. You're just
1:47:59 maybe we're just picking aptitudes now.
1:48:01 This one's super curious. This one's
1:48:03 super conscientious. This one's good at
1:48:05 technical problem solving. Right? So, so
1:48:08 you hire people. You you you start a
1:48:11 company. There's 10 people in it. It's
1:48:13 all AI. You're you're leaning into it
1:48:16 and everyone knows their lane and knows
1:48:18 their tools and they're curious and as
1:48:20 the tools get better, they're learning
1:48:22 new tools.
1:48:24 Humans are still the bottleneck
1:48:29 cuz they have to pee
1:48:33 and they have to eat.
1:48:36 And like they're like, "I got a family.
1:48:38 I know we're doing a startup, but like I
1:48:40 just got a call. My wife's pissed. I
1:48:43 just I really want to meet you guys."
1:48:49 That's what I would be like.
1:48:55 you humans are still the bottleneck. Now
1:48:58 you could argue humans are going to do
1:48:59 this and humans are going to you're
1:49:01 going to that's that's hubris. Hubris
1:49:04 right now says humans are required for
1:49:08 any of these economies.
1:49:10 Economy 7 is going to go
1:49:15 hey I have an idea. What if,
1:49:18 spoiler alert, doesn't involve many
1:49:20 humans. What if
1:49:24 all of our employees worked 24/7 and
1:49:27 didn't need to pee?
1:49:33 It's just going to go at a different
1:49:34 speed
1:49:37 and it's going to be incomprehensible
1:49:40 how fast it's going to go. Even if
1:49:42 you're in lane six,
1:49:45 if you're in lane six and you're like,
1:49:47 "We're doing the best AI [ __ ] ever." And
1:49:49 you are.
1:49:51 And people in lane five are like, "Those
1:49:53 lane six people are [ __ ] remarkable."
1:49:56 And the people in lane four that are
1:49:58 trying to get forwardlooking companies
1:50:00 to transition,
1:50:03 they're going to be like, "Lane five is
1:50:05 killing it, man.
1:50:09 Lane seven is going to be
1:50:11 >> [clears throat]
1:50:12 >> gone.
1:50:15 Anyway, I drank too much last night.
1:50:18 [laughter]
1:50:20 All right, I'm gonna leave now. I hope
1:50:22 y'all had fun tonight. I did. We made a
1:50:25 cool song and we came up with a new
1:50:27 economic theory. [laughter]
1:50:29 I'm g I'm going to go some deep do do
1:50:32 some deep research. So, here's what I'm
1:50:34 going to do. I'm going to use chat GPT
1:50:36 for confirmation bias for my idea.
1:50:39 [laughter]
1:50:41 Tell me I'm brilliant. All right.