7/15/2025 - Exploring AI Tools and Creative Expression with Chef Kelly and Gareth

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0:02 We're live now. The tick tockers tick
0:05 tockers are fine with me. They're like,
0:08 I'm live.
0:09 [Music]
0:40 Sill in this lonely town.
0:43 Wonder when things are going to change.
0:48 Dream my life away.
0:51 Seems these dreams have turned to a
0:53 bunch dust clouds. Getting
0:57 my nerve up, but my past is pulling me
1:01 down.
1:05 Wondering how long
1:08 this black sheep don't stick around.
1:11 [Music]
1:16 Somebody told me once before, he said,
1:18 "You can never go home again.
1:22 When won't you leave?"
1:24 Santa thanks to steer me away
1:28 from the truth of who I am and what I
1:31 believe. So I thanked him for two sins
1:34 with handshake
1:36 and some sympathy. Yeah. I packed up my
1:41 blue jeans
1:43 and headed for this big price
1:47 of my freedom.
1:51 Bye-bye
1:52 black sheep to the black sheep of the
1:56 family.
1:59 Bye-bye.
2:03 All right. Um, happy Tuesday everybody.
2:06 Uh, I hope you had a chance to come to
2:09 the AI Salon meet and greet tonight. If
2:12 you did, you will know that it was a
2:14 really, really, really good
2:16 conversation.
2:18 Um, if you didn't,
2:21 that's that's a life choice.
2:25 That's a choice. That's a choice you've
2:27 made.
2:29 Um,
2:31 [Music]
2:38 oh yeah, and it will be available on
2:43 demand at the AI salon. Uh, so if you go
2:47 to the salon.ai and look at watch our
2:49 past recordings, it's right in there.
3:05 Um, yeah. Tik Tok,
3:08 get
3:10 get your asses prepared for not
3:14 doing this on Tik Tok by September.
3:17 [Music]
3:22 [Applause]
3:22 [Music]
3:44 in a westerly direction.
3:48 [Music]
3:50 This car is my train
3:56 driving. And I've been wondering
4:00 what it is I'm long from again.
4:05 Feel like an idiot old man
4:09 holding on to 29.
4:13 And overhead on that horizon
4:18 is a California line.
4:23 [Music]
4:28 Up ahead of trucks carrying a wide load.
4:32 Preap house cut in half.
4:36 Cute little front door and two windows.
4:38 My lawn.
4:40 Ain't sure whether to cry or should
4:42 laugh.
4:45 You see, I broke a home up myself once.
4:49 As I stumbled to that door,
4:53 I read a note by the dawn light.
4:57 It said, "Don't you come around here
5:01 [Applause]
5:02 anymore."
5:06 Well, I've had enough.
5:09 All this freedom around.
5:13 Never was good with decision.
5:17 At least that's what I've been told.
5:23 [Music]
5:28 Um,
5:32 all right. What are we going to do? What
5:34 do you want to talk about tonight? Hey,
5:36 I got an idea. We could talk about AI.
5:39 You know, one of the things I learned
5:41 tonight,
5:43 we have a community of people
5:47 who are putting a lot of [ __ ] energy
5:50 into
5:53 keeping up with AI, educating people
5:56 about AI, building stuff with AI,
6:02 and
6:06 like the sense I got tonight was a
6:08 general kind of
6:11 exhaustion
6:13 at how
6:17 How many people just don't want to
6:20 [ __ ] hear it? Don't care. Don't want
6:23 to hear it. Don't want to learn about
6:25 AI.
6:26 And like the people that are learning
6:28 about it are like, I got I got I got
6:30 this secret. I got the I there's
6:32 something happen. It's right. It's here
6:34 right now. It's here right now. It's
6:36 going to change everything. It could
6:37 change your life right now. And then and
6:40 then other people like I don't care. or
6:43 worse, you're an [ __ ] for trying to
6:47 do something.
6:50 That's exhausting. Steo, check out my
6:52 image of Kyle's life. It's an
6:54 irregulars. Oh boy.
6:58 Oh boy. There we go. Steo with his
7:02 pretty pictures.
7:04 Where's I don't have an AI learning lab
7:07 up. What's going on with that? Or an AI
7:09 salon. AI salon.
7:12 Iselon.mn.co.
7:17 Let's see.
7:19 Come on, people. Where are we?
7:22 Oh, we're in a regulars. We're in a
7:25 regulars.
7:27 There's Charles Adams. What did he make
7:29 here?
7:32 Golden retriever doing standup.
7:34 [Laughter]
7:39 There you go. Look at that.
7:44 It's about right.
7:47 Whose channel am I on? Where do I watch
7:49 him? What do I do?
7:53 It's pretty good. It's pretty good.
7:55 Solid Storybine shirt. Logo's a little
7:59 The little icon dude is a little wrong,
8:01 but pretty [ __ ] close.
8:04 [Music]
8:51 I heard there was a secret call.
8:56 David played and it pleased the Lord.
9:00 You're singing champion. You don't
9:02 really care for music, do you?
9:10 Goes like this. The fourth, the fifth
9:15 minor fall and the major lift
9:19 baffle king composing.
9:22 Hallelujah.
9:24 [Music]
9:27 Hallelujah.
9:31 Hallelujah.
9:33 [Music]
9:35 Hallelujah.
9:37 [Music]
9:40 Hallelujah.
9:41 [Music]
10:47 Okay,
10:51 we singing. What are we doing? Tik Tok
10:52 pin. There's no pin. This is seriously
10:55 one seriously one of the most beautiful
10:56 songs ever written. Isn't it a stunning
10:59 song? You know, you know the thing that
11:01 just busts me about it every time? I
11:03 mean, first of all, the imagery, but uh
11:07 um let me see. Uh
11:11 the fourth, the fifth,
11:14 the minor fall, and the major lift
11:19 king composing. Hallelujah.
11:24 I just love that it it's like he
11:26 couldn't he he he didn't have the
11:28 lyrics, so he was like, well,
11:32 [Music]
11:34 The fourth, the fourth, the fifth. Wait,
11:36 wait. The fourth, the fifth
11:40 minif
11:44 composing. Hallelujah.
11:49 Just beautiful. [ __ ] Leonard Cohen,
11:51 man. Just beautiful. Beautiful.
11:54 Beautiful. Play with act two, Kylie.
11:57 Hey, Joy Party. I don't really know what
11:59 to do there. Do I gotta record a video?
12:01 Is it It's just It's just recording a
12:04 video and then transferring the motion,
12:06 right? I love your singing. Oh, thank
12:09 you very much, Alex. I appreciate that.
12:10 I uh I would not consider myself as a
12:14 singer. Uh but but thank you. I try like
12:17 I like I like the act of singing. It's
12:20 just that when it comes out of my face,
12:22 it doesn't sound like what I want it to.
12:28 But I gotta tell you, singing a bunch of
12:31 songs like every night for the past two
12:33 years, you know, I'm a little more
12:34 comfortable with it. I just got here.
12:37 What would you say?
12:39 Would you say that's in double waltz
12:40 time? Um,
12:44 [Music]
12:52 [Music]
12:56 wait. 1 2 3.
13:00 >> Yeah, it's double waltz or sometimes
13:02 they call it a I think they call it a
13:04 big two
13:06 [Music]
13:07 autotune. AI autotune. Yeah, exactly.
13:10 This my singing voice is what happens
13:12 when you don't have AI autotune.
13:15 [Music]
13:16 1 2 3 1 2 3 1 Wait. One, two, three,
13:21 three. One, two, three. One, two, three.
13:24 One, two, three. One, two, three.
13:27 So it's like one wait one two one two
13:33 one two one two.
13:37 [Music]
13:43 Yeah. So it's in it's in some weirdass
13:46 waltsy double walts big two kind of
13:48 thing. 68 68 I think is right.
13:52 [Music]
14:04 I also sang this. The one I sang earlier
14:08 is Is this place I can rest my forhead
14:12 is also a waltz
14:15 to gather my thoughts in sweet silence.
14:21 And is this place where the feelings on
14:24 dead 2 3 1 2 3 1 2 3 from an
14:28 overexposure to violence.
14:32 And is this place I can slowly face the
14:35 only one I truly can know.
14:39 These are tears from a long time ago.
14:44 >> Okay, enough comedy jokes.
14:48 That was really funny. He was hilarious.
14:50 He was pretending like he could sing.
14:53 I didn't realize this was a comedy
14:55 channel, too.
15:00 But thank you for the compliments. Even
15:01 though even though I am I I seem to be
15:04 genetically predisposed to not be able
15:06 to take compliments, I do appreciate
15:08 them. You know what's funny?
15:10 When you have
15:13 when you have whatever combination of
15:15 crazy straw [ __ ] brain I have where
15:17 you know your ADD like I'm super like a
15:21 high empath super sensitive ADD all that
15:25 [ __ ] is you have this bizarre
15:29 combination of overconfidence
15:33 um low self-esteem
15:36 massive craving for attention and then
15:39 absolute terror if you get any
15:41 attention.
15:47 It's It's a special life.
15:53 Why not? Why the [ __ ] not? Why not,
15:57 people? Hey, listen. Here's what we do
15:58 here. My name is Kyle Shannon and uh we
16:03 talk about AI. We talk about
16:07 what it is, why it is, why it's
16:10 important, how it's going to impact
16:11 work, how it's going to impact your
16:14 flipping job, how it's going to impact
16:16 my flipping job. Um,
16:20 the fact that the the big frontier
16:22 companies these days are doing things
16:25 that are
16:28 maybe not with humanity at the center,
16:31 at the front and center. they're just
16:33 being like big ass tech companies.
16:36 Um, and yet
16:40 there's a real need for
16:43 putting people at the center of these
16:46 technologies and amplifying what they do
16:49 and making them better. Um, so we're in
16:52 fascinating times. So if anyone has any
16:53 questions,
16:56 same chords as Dylan's times they are
16:58 changing. Oh, that's cool.
17:00 times they are a changing.
17:04 Did y'all see that there? Timothy
17:06 Shalomé depiction of ye old Bob Dylan. I
17:09 thought he was pretty [ __ ] swell.
17:14 He was pretty [ __ ] swell. I also
17:17 thought like I get that Bob Dylan's a
17:20 [ __ ] recluse,
17:23 but
17:24 like
17:26 he didn't [ __ ] like
17:29 even text Timothy Shalomé
17:33 about that [ __ ] performance. Never
17:35 met him. Didn't say, "Hey, good job,
17:37 kid." I thought that was kind of dicky.
17:42 It's like, I mean, I get you don't want
17:44 to come out of the house, but come on.
17:46 Worst concert I ever went to.
17:50 That doesn't surprise me.
17:53 It's actually It's really good. It's It
17:54 was a really good film. It was very well
17:56 done. Very well put together.
18:00 Um
18:02 yeah, Joy Party. I the only reason I'm
18:05 not showing um act two is I I just found
18:08 out about it this afternoon and then we
18:10 had the salon and I haven't played with
18:12 it. Part of my frustration with act one
18:15 and act two which basically what they
18:17 are is you can take any video of
18:20 yourself acting
18:22 or in my case overacting and you can
18:26 apply it to some other image and it it
18:29 will pick up the performance.
18:32 Um, my problem with it is it's really
18:34 short.
18:36 It's really short. It's really short.
18:40 Shout out to Reclusive
18:42 Artistic Gemini. Very nice. Show
18:45 Kimberly Offford's demo on LinkedIn
18:47 then.
18:49 Kimberly Offred's demo on LinkedIn. I
18:51 didn't see that.
18:54 Let me go find it.
18:56 Oh, who's who's this one? Chef Kelly did
19:00 a really good Let's look at Chef Kelly's
19:03 actually. Let me change my tabs up here
19:06 because I'm I'm about to get Yeah, I
19:07 just got I just got branded.
19:11 Not branded. Brandon. I got Brandon.
19:14 Kyle, change your tabs so people can
19:16 hear you. If you don't change your tabs,
19:18 they can't hear you. You know that,
19:20 right? Did you know that? Did you know
19:21 that?
19:23 Yeah, I knew that.
19:25 I knew that. I was I'm quite clear on
19:28 the situation.
19:30 Okay.
19:33 So, Chef Kelly, what's she say here?
19:38 Introducing my alter ego and narrator of
19:41 a little animated short called Red Die
19:43 number three, The Dye That Wouldn't Die,
19:46 which is a great title, by the way. It's
19:47 a dash of big food, a heaping of of a
19:50 heaping handful of FDA, and just a pinch
19:52 of AI. Okay, a lot of AI, but it turned
19:55 out to be darn tasty. A little dish of
19:57 synthetic food dyes on government
19:58 coverups. Your feedback is welcome. I
20:02 know Kyle will ask about my chain of
20:04 craft, and it was lengthy, but I'm
20:06 starting to get the hang of it. So,
20:11 one of the things that starts to happen
20:12 with AI,
20:15 if you haven't seen this, this is really
20:18 good.
20:19 One of the things that starts to happen
20:21 with AI is
20:24 when you're first learning here, let me
20:27 uh I can't show you on the screen. When
20:29 you're first learning,
20:32 everything feels overwhelming.
20:34 Everything feels like um
20:40 I'll never be able to learn this. I
20:41 can't do it. I don't know what to do. I
20:43 don't know what's going on. And then and
20:45 then after a while, you start to get the
20:46 hang of it and you're like, okay, I got
20:48 this tool. I got that tool.
20:52 And then you start to mix and match
20:54 those tools and you can go, "Oh, I could
20:56 stitch this together with that to do
20:58 that."
21:00 And then there's a tipping point.
21:03 Who was it? I think it was Cindy [ __ ]
21:05 today. Was it Cindy [ __ ]
21:09 I think so. She was talking about you
21:12 don't just go out on a golf course and
21:14 and expect to hit, you know, a bomb of a
21:18 drive or to hit a low score in golf. And
21:21 yet people with AI, they just they they
21:25 assume that if they just jump in with
21:26 AI, they're going to be good at it right
21:28 out of the gate because they think that
21:31 AI is the genius, right? They they were
21:34 told AI is a genius. It's smarter than
21:36 all the PhDs.
21:38 And so people have this expectation that
21:40 AI is the genius. And so it's the
21:42 equivalent of like walking onto a
21:44 driving range and expecting to be able
21:45 to know how to hit a golf ball and you
21:48 can't. And then you're like, "Well, golf
21:49 sucks, right?" What ends up happening is
21:54 if you start to put in enough time,
21:58 the tools themselves start to fade into
22:00 the background and who you are starts to
22:04 come into the foreground.
22:07 And you can accelerate this by feeding
22:10 your prompt you right feeding your
22:12 prompt your ideas, your questions, your
22:16 point of view, your expertise about how
22:19 you think about the world or think about
22:20 branding or in this case think about a
22:23 particular issue. When you start to feed
22:26 your prompt the things that are
22:27 important to you, what AI does is it
22:29 amplifies you. And so this to me feels
22:33 like an incredible example of someone
22:37 who has been just grinding, grinding,
22:40 grinding on learning the tools of AI
22:43 enough
22:46 that the tools start to fade to the
22:47 background,
22:50 right?
22:52 Why did Michael Jordan shoot a thousand
22:54 three free throws a day or whatever it
22:56 was some the crazy thing, right?
23:01 The barrier of entry is on the floor.
23:03 Yeah. Yeah. Exactly. You just got to you
23:05 just got to pick up the [ __ ] and start
23:08 playing. And in playing then you get to
23:11 do stuff. So anyway, so let's let's
23:13 watch her video.
23:15 >> Can you believe that red dye number
23:16 three has been linked to cancer since
23:18 the 1980s?
23:20 But somehow it's remained in your food,
23:22 your drinks, your medications for over
23:24 40 years. Why? because the FDA, the
23:28 regulatory government system that's
23:30 supposed to protect us, was never really
23:33 designed to do so in the first place.
23:35 This is the story of how easy it is for
23:38 dangerous additives to get FDA approval,
23:41 stay legal, and end up in your kitchen.
23:47 Synthetic dyes began as cold hard
23:49 derivatives. Literally the byproduct of
23:52 burning,
23:53 >> right? It's just it's a cool style. It's
23:55 got that cool kind of Pixar style like
23:57 the the you know the kitchen this you
24:00 know the topic is there in the kitchen.
24:02 She she took the time to learn, you
24:04 know, whether whatever this was probably
24:06 dscript or something like that to do
24:07 these cool, you know, subtitles, right?
24:13 It's cool voice.
24:17 Cosmic lover, hello regulars and Kyle, I
24:20 have a question about the live stream
24:21 here. Ask away. Very 3D feel. Yeah,
24:25 exactly.
24:28 If I wanted to create an avatar of you,
24:32 how could you replace? How could how how
24:35 would I don't know? You just take a
24:37 screenshot of me and basically do what
24:39 what Kell like there's plenty of video
24:41 out there of me. You just take one of my
24:43 videos, clone my voice in 11 Labs and
24:47 you know upload a screenshot of me into
24:52 um
24:54 >> into uh what you call it uh MidJourney
24:56 or uh chat GPT say make it into a
25:00 character throw it into Hedra.
25:03 >> I like I think
25:04 >> in the early 20th century hundreds were
25:07 used in everything from lipsticks to
25:09 lollipops. There were no real safety
25:11 standards. That changed in 1960 when the
25:14 FDA introduced the color additive
25:16 amendments for Venon. Every dye needed
25:19 FDA approval and red dye number three
25:21 was among the first to be pending safety
25:24 review. But here's the first red flag.
25:27 The FDA never ran their own safety
25:28 tests. They took safety data directly
25:31 from the manufacturers themselves.
25:33 What I mean what what strikes me about
25:35 this if this is her first effort out of
25:38 the gate.
25:41 This feels like a brandable like she's
25:44 got Chef Kelly on her little lapel.
25:49 It's got this very distinct look and
25:50 feel. It's well edited. The copywriting
25:54 is good. Like I don't know
25:59 what's what's powerful about this is I
26:02 don't know the boundary of what's AI and
26:05 what she did. I mean I know she
26:07 generated it with AI and she probably
26:09 had Chad GBT help with script structure
26:12 or things like that. Maybe it wrote the
26:14 whole thing. Maybe it was half and half.
26:18 But like this is a wellp put together
26:20 storytelling piece, right?
26:28 If you wanted to create an avatar of
26:30 you, oh, I see. How would you replace
26:32 yourself with an AI Kyle that you
26:35 control with your movement? The tech
26:37 isn't quite there yet. If if uh
26:40 right now what you have to do with that
26:43 is there's a
26:47 there's a 3D
26:50 there's a motion graphics
26:53 package.
26:59 It might be an after effects.
27:03 It might be in After Effects, but
27:05 basically you can create a rigged 3D
27:07 character that you can have a live video
27:10 feed go in and animate the rigged
27:13 character based on the video feed. Um,
27:16 I've been waiting for that for some time
27:18 now. It doesn't doesn't actually exist.
27:22 Um, but she's a chef and look how
27:25 amazing this is. Joy Pretty, that's it.
27:28 Joy Pertie is a sleep technician or
27:29 sleep analyst. Um, Chef Kelly's a chef
27:32 and look what she did here. But, but
27:34 again, in both of those cases, why is
27:36 this good?
27:39 This is good because Chef Kelly had a
27:42 story to tell. She had a point of view.
27:44 She had a creative point of view.
27:48 She knows what good storytelling is. Joy
27:50 Perie has stories to tell that she's
27:52 wanted to tell all of her all of her
27:54 life and hasn't had the tools to do it.
27:58 So what AI allows, if you allow it,
28:03 if you allow it to be an amplifier of
28:06 you,
28:09 it allows you to do remarkable things.
28:11 Um, Mr. wants to know, I have no idea
28:14 what tool she used here. I would assume
28:16 it was Hedra.
28:18 Um, and then everything else is probably
28:21 just I I'm guessing
28:25 uh I don't you know runway maybe runway
28:30 for the image generation.
28:36 I've been thinking what apps could help
28:38 with that. I don't think there's
28:39 anything right now Cosmic Lover that's
28:41 that's AI generated. Oh, Vigle. Vigle
28:44 might do it
28:47 just like this lady. Yeah, I I don't
28:49 think this was captured. I don't think
28:51 this was captured real time.
28:53 >> The manufacturer pays a lab. The lab
28:56 runs the tests and then the tests say
28:59 it's safe.
29:00 >> The FDA doesn't even test the die,
29:02 doesn't replicate the data, doesn't
29:04 publish it. They just review the report
29:07 and give a green light, often without
29:09 even letting the public see the actual
29:11 studies. It's the same playbook you'll
29:13 find in the grass program, GR RAS, or
29:16 generally recognized as safe. It's where
29:19 companies self-affirm an ingredient as
29:21 safe with basically zero oversight from
29:24 the FDA. Red 3 may not have been grass,
29:27 but it was treated with the same lazy
29:29 leniency.
29:32 In 1995, government scientists found
29:34 that red three caused thyroid cancer in
29:36 rats.
29:38 >> Anyway, we don't we don't need to watch
29:40 the whole thing. I think you get the
29:41 basic idea like this could absolutely be
29:44 a series, right? This could be a series
29:46 that gets popular that rises above the
29:49 noise. It's got a clear brand if she did
29:52 a clear call to action in this VO3 Tik
29:55 Tok short for archetypal. Cool.
29:59 Um,
30:01 let's see in irregulars
30:05 AI salon.
30:08 I did a cool thing today that I did in
30:10 V3. I'll show you that in a second here.
30:13 Um
30:16 [Music]
30:27 tabs black bar. Where's producer
30:29 Brandon?
30:36 E,
30:39 [Music]
30:40 where am I looking? What am I looking
30:42 for?
30:43 Archetypal.
30:49 Have you ever seen a golden gold golden
30:50 retriever standup?
30:54 >> It's going to open in a new tab.
30:57 >> Oh, good lord.
31:03 Oh, I just can't take the world. The
31:05 world exhausts me.
31:12 All right, you can all see it now,
31:14 right?
31:16 Where's the Chef Kelly video from?
31:18 What's it titled? It's on LinkedIn under
31:21 her account and it's called the dye that
31:24 wouldn't die. Red dye number three, the
31:26 dye that wouldn't die, which is a great
31:28 title by the way.
31:32 >> Freaking superpower. And my name one
31:35 other animal that can throw. Throwing is
31:37 a freaking superpower. And my best
31:39 friend can spam it all day. Launch one,
31:41 champ.
31:45 Yeah. Um, here. Let me show you a thing
31:49 I did in Flow today
31:52 in uh
31:56 in Google V3.
32:01 So, this was kind of cool. Okay.
32:04 So, I gotta copy this. Hang on. I know.
32:07 I'm going to move it over to the right
32:08 tab.
32:16 So, I was working with um I I was
32:20 speaking to a group um within within
32:24 content evolution
32:26 and they were looking at they they just
32:28 wanted me to demo like what are some of
32:30 the state-of-the-art things to be able
32:32 to very rapidly
32:34 um prototype something.
32:37 And one of the guys was talking about
32:39 basically a rapid response system
32:43 um for natural disasters that was very
32:46 very timely
32:48 um that got the word out to people about
32:51 hey go to this specific high school like
32:52 if you're in this specific area go to
32:55 this specific high school right and so
32:58 as like actually as he was describing
33:01 the situation I thought oh that could be
33:03 something cool you could do in VO as
33:05 like a real time update and so so I just
33:10 typed in the prompt fireman in North
33:12 Carolina Woods says it's 2:15 p.m. July
33:16 15th and says go to the McGillicuy High
33:19 School. There's a full evacuation in
33:21 effect. And so here's
33:23 >> it's 2:15 p.m. July 15th. Go to
33:27 McGillicuy High School now. There is a
33:29 full evacuation.
33:31 >> Right. Um,
33:34 if you're in North Carolina, that's what
33:35 the North Carolina woods looks like. It
33:37 looks like a fireman. It looks like
33:39 there's some urgency here. Um,
33:43 here's another one. He's not looking at
33:45 the camera, but it's still pretty good.
33:48 >> It's 2:15 p.m. July 15th. Go to McGulla
33:52 High School now. There.
33:54 >> And then the guy didn't quite
33:56 understand. And he was like, or someone
33:58 else chimed in and they were like,
33:59 "Well, but what if it was like in
34:03 California on the Pacific Coast
34:05 Highway." And then I said, "Well, then
34:08 you would change the prompt to say
34:10 paramedic on the Pacific Coast Highway
34:13 and you know, avoid the PCH tsunami
34:16 eminent, right?" And so, so I did I made
34:20 this in real time.
34:23 >> It's 2:30 p.m. July 15th. Avoid the PCH.
34:27 Tsunami imminent. Go to McGillicuy High
34:29 School now.
34:31 It's 2:30 p.m. July 15th. Avoid the PCH.
34:35 Tsunami imminent. Go to McGillicuy.
34:38 Now, what's cool about this is
34:42 you could absolutely take structured
34:45 data out of a disaster response system
34:50 and turn it into structured JSON prompts
34:54 and send them to V3 as a an API call and
34:58 then like text these things out to
35:00 people, right?
35:04 Nothing potentially terrible about this.
35:06 Well, there's there's lots of
35:08 potentially terrible things about it,
35:10 Pate, but it could it could also it
35:12 could also be the kind of thing where,
35:15 you know, people get a sense of urgency
35:17 because what what this effectively
35:20 recreates is having a journalist, you
35:26 know, wait for a paramedic to get to a
35:28 scene, to get the camera crew there to
35:30 record it live, to put it out on
35:32 broadcast. like you could break these
35:34 things down to very very geographic
35:36 specific things. So you could tie this,
35:39 you know, to a
35:41 to an announcement system um and and do
35:44 it in a way that it makes things
35:46 relevant and urgent. So anyway, um
35:52 I can make one for every city and
35:55 release it once. Yeah.
35:58 Or a PSA to avoid illegal ICE checks.
36:01 Yeah, exactly. Yeah, you can do that
36:02 too. You can do that too, Joy. Um,
36:09 [Music]
36:11 it's the Bigfoot voice. It's totally the
36:13 Bigfoot voice that especially that North
36:15 Carolina one with the slight southern
36:17 accent. That was the other thing. Like,
36:18 listen, this guy kind of sounds
36:20 California
36:20 >> now.
36:22 It's 2:30 p.m. July 15th. Avoid the PC,
36:27 >> right? And then this dude from North
36:29 Carolina kind of has a little North
36:31 Carolina action going.
36:34 >> It's 2:15 p.m. July 15th. Go to McGulla
36:38 High School now. There is a full
36:40 evacuation.
36:42 It's
36:43 >> so anyway.
36:46 All right. I I Yeah, there you go. There
36:51 you go.
36:54 How do you spellch checkck Chef Kelly on
36:57 LinkedIn?
36:59 Oh, how do you spell Chef Kelly?
37:02 Hold, please.
37:06 [Music]
37:19 Chef Kelly,
37:21 I do not know.
37:25 Where did I have
37:35 There it was.
37:37 All right. She is Oops.
37:41 She is Kelly Anderson.
37:46 It's at
37:49 the real Chef Kelly.
37:54 Kelly Anderson. The real Chef Kelly.
38:00 All right.
38:08 [Music]
38:17 Oh, yes. Gareth had a video, too. Oh,
38:20 Gareth.
38:22 Gareth. Gareth. Gareth. What are we
38:24 going to do with you? Gareth.
38:27 Gareth. Was Was it in irregulars?
38:32 Where did he put it? Where did he put
38:34 it?
38:35 Where did he put it?
38:38 Where is it, Brandon? I can't find it.
38:41 >> Uh, I DM'd it to you right before the
38:43 show started it. You also had it up on
38:45 another tab.
38:46 >> Yes, that brother. Yes. Carrying on
38:49 then. Cheerio. Pip pip. All right, we'll
38:53 go over to YouTube.
38:55 We'll stop this here. Stop this here.
38:58 We'll get this URL. We'll go back to our
39:01 tab that we're sharing. We're going to
39:02 go in here. We're going to put it here.
39:04 We're gonna do this. It's going to be so
39:06 good.
39:08 All right. So, this is Gareth. This is
39:10 another another irregular. So, we got
39:12 Chef Kelly. It's like showand tell night
39:14 here at the here at the learning lab.
39:17 Uh this is a a trailer official sci-fi
39:22 short film trailer from one Gareth
39:25 Gareth Hood sent a message. Fantastic.
39:30 Fantastic.
39:31 Bob, tell him what he's won. He doesn't
39:34 want anything. He's just He's got a
39:35 trailer for a movie. Does he have the
39:38 movie? I don't know.
39:40 [Music]
39:44 >> In a world on the brink, they promised
39:46 us more. Strength beyond limits, minds
39:50 unbound. To be perfect, to transcend our
39:55 fragile forms, to merge with the
39:57 infinite, one bot at a time. But
40:01 perfection has a price.
40:04 They weren't just enhancing us. They
40:06 were invading, consuming, turning our
40:10 bodies into vessels for something
40:12 ancient and cold. They were rewriting us
40:16 for their ascent. Now, as the line
40:19 between flesh and code vanishes,
40:22 one question remains. Can we fight back
40:25 before we become them? Loved ones
40:28 twisted into strangers. Memories
40:31 overwritten by code. In the mirror, your
40:34 reflection glitches. A stranger stares
40:37 back, hungry for control.
40:40 The fight isn't just for survival. It's
40:43 for the fragments of self that remain.
40:46 Tear out the invader. Reclaim your soul
40:49 before the ascent claims us all.
40:53 [Music]
41:01 Nice.
41:04 You
41:04 >> know, one of the things I saw today,
41:05 beautiful, Gareth, really nice work. Um,
41:09 one of the things I saw today, I saw a
41:11 Tik Tok of a woman who works in
41:13 Hollywood and and I guess works for one
41:15 of the big studios and she says, "You
41:17 know what? What I'm seeing in Hollywood,
41:20 like the the in demand skill right now
41:26 is the skill that you guys are all
41:28 demonstrating tonight. Joy Perie, um,
41:32 Chef Kelly, Gareth, all this stuff. Um,
41:37 is the ability to know which tools to
41:39 use when, the ability to prompt things
41:42 into existence, the ability to take a
41:44 script and bring that script to life.
41:48 um is a skill that's in demand right now
41:51 and there's going to be a relatively
41:52 short window. It's probably going to be
41:54 three years might it might be shorter
41:57 than that but it's probably like
41:59 starting now for the next at least year
42:01 and a half two years maybe three where
42:05 people who are not in the film industry
42:10 will be able to enter the film industry.
42:12 The film industry make no mistake is not
42:14 going away. It's not going away.
42:18 How you produce films is going to
42:20 transform radically
42:23 just like it did with CGI, just like it
42:25 did with digital, just like it did with
42:27 color, just like it did with talkies.
42:31 Right? When films went from silent to
42:33 talkies, an entire generation of actors
42:36 lost their jobs.
42:39 It ruined careers
42:43 because all of a sudden voice mattered
42:46 and believability mattered
42:49 and a lot of the silent film actors had
42:52 shitty voices.
42:54 Didn't didn't live,
42:57 you know, didn't didn't live well on
42:59 screen. Um, so there's a really
43:02 interesting opportunity right now. So,
43:04 if you're really into this stuff, I
43:05 would I would,
43:08 you know, start start following
43:11 Hollywood groups. Now,
43:15 are you going to get flamed out by
43:17 existing Hollywood motion graphics
43:20 people and editors and cinematographers?
43:22 Yep, you are. Right.
43:27 AI talent right now is the equivalent of
43:29 scabs in every industry.
43:36 But it's a new medium of expression.
43:39 It is a new medium of expression.
43:41 Whether or not anyone wants to accept
43:43 that, it's a new medium of expression.
43:45 And if you're good at that,
43:48 Shane saw I need to be more into it and
43:50 have the funds to use all these good
43:51 tools. So Shane saw
43:54 apply for every creative partner program
43:58 for every video tool. I saw I saw
44:01 someone put out a a video on Tik Tok the
44:03 other day. It had a grid of 5 by4. It
44:06 was 20 different video tools and they're
44:09 like, "Okay, today we're going to put
44:10 these four together." And it it
44:12 highlighted them on this grid.
44:15 There are so many video tools. Get your
44:16 ass in a creative partner program and
44:18 get, you know, get 10,000 credits or a
44:20 million credits depending on how they do
44:22 their credits.
44:25 Um
44:34 Lily and daddy. Um, it's the future and
44:38 just do
44:40 your vision. Just do it right. Never
44:43 settle. Yes.
44:45 Yes. Have a vision. Chef Kelly. I
44:49 remember Chef Kelly, I don't know, six
44:51 months ago, eight months ago on one of
44:54 the maybe on the Friday office hours
44:56 saying something like, "I I I really
44:58 want to get my head around this. I've
45:00 got some things I want to do, right?"
45:02 And now she did that thing.
45:04 Yeah, I see it. I see it, Brandon. I
45:07 I'll go there. I just my my problem with
45:10 LTX Studio right now is I don't I
45:12 haven't played with it in so long that I
45:14 don't know how to use it. There's a
45:16 contest right now at LTX Studio.
45:19 Um, is it.com?
45:22 >> I put the link in the on the sticky.
45:25 >> Oh, okay. Cool.
45:28 I
45:30 We're talking about all this creativity
45:32 and and on the back of what we've seen
45:35 from Gareth and um, Chef Kelly tonight
45:39 um, and you and Archetypable. Uh this
45:42 this feels like good fodder for
45:46 >> in the neighborhood. Yeah.
45:47 >> Yeah. In the neighborhood. Not just LTX,
45:49 but just this this uh contest
45:52 specifically.
45:53 >> Okay, cool. Um beyond the prompt, what
45:55 does creativity mean
45:59 nicely done website. I wonder if they I
46:01 wonder if they vibe coded this.
46:04 So this is LTX Studio. If you don't know
46:06 LTX Studio, so LTX Studio is a really
46:09 interesting product.
46:11 It is a
46:17 it is an assemblage
46:19 of different tools that are put together
46:22 into a single storytelling workflow. So,
46:24 you basically start out with a concept
46:27 and LTX Studios will help you write the
46:30 outline, create the characters,
46:32 descriptions, pick a style, generate the
46:35 images, generate the videos, generate
46:38 the dialogue, generate the edits, all
46:40 that sort of stuff. So, it's it's a full
46:42 film making studio. Um, because it's a
46:46 full film making studio, it is
46:49 decidedly more complicated than just
46:51 going and making an 8-second clip. Um,
46:54 and if you don't keep up with this
46:56 stuff, um, it's a mess. But this
46:59 project, I think, is good through the
47:01 end of July. And the first prize is five
47:04 grand. Second prize is 3500. Third prize
47:07 is 2500. Here's the thing, I promise
47:11 you, I guarantee you,
47:15 Hollywood people are paying attention to
47:17 these contests.
47:19 So if you're one of August 4th is the
47:21 deadline. So, if you're wanting to make
47:24 some noise and
47:28 shift your value,
47:31 it's probably worth your time to start
47:34 paying attention to stuff like this. If
47:36 if you like, you know, video
47:38 storytelling,
47:40 when our when ideas are generated
47:42 instantly, what still belongs to you?
47:44 Today's tools can automate a lot. But
47:47 meaning, intention, and taste can't be
47:50 automated. Correct? That's what your
47:53 creative edge is. It's what it takes to
47:56 it's what shapes a story, sets a tone,
47:59 gives a work its voice. This campaign is
48:02 is a call to stay present, stay sharp,
48:06 and explore how AI can extend your
48:08 creativity without replacing it. Um,
48:12 this is essentially what I was talking
48:15 about when I wrote the LinkedIn article
48:18 um that I got flamed out on on LinkedIn
48:22 from the AI haters. They said, "How dare
48:25 you suggest how dare you suggest
48:28 that you could possibly be creative if
48:31 you're using AI tools? You are but a
48:34 petty thief, you [ __ ] heathen.
48:43 I just don't agree.
48:45 Sorry. Sorry. Um, sorry I don't fit your
48:49 narrative.
48:52 [Music]
48:54 The shortest AI film competition. Create
48:56 short form film using LTX Studio.
48:59 There's no set theme, just a challenge.
49:01 Bring your creative edge to an
49:03 increasingly AI shaped world. Cool. All
49:07 right. Rules
49:10 theme anything goes. Tell your story.
49:12 Bring your edge. LTX studio films must
49:15 be 100% generated in LTX studio.
49:19 External postp production editing. Oh,
49:22 wait. External post-prouction
49:24 post production editing is allowed.
49:29 Okay. So, you generate it in LTX Studio
49:32 and then if you want to do fancy edits
49:33 and [ __ ] like that, you can do it in
49:35 post-production. Fine. length no longer
49:38 than 60 seconds. Teammates up to three
49:41 teammates per one film. So, here's
49:44 what day is today? Today's Tuesday.
49:46 Here's a good weekend project.
49:48 Team up with another irregular. Team up
49:52 with another irregular. Why don't we do
49:54 teams of two?
49:57 So, someone grab Joy Perie.
50:01 Someone grab Gareth. Right.
50:05 team up with another al although they
50:07 could be divas and just want to do it on
50:08 their own, right? You never know. You
50:11 never know. Team up with someone.
50:15 Um you would be wise to team up with
50:18 Cindy [ __ ] I don't know if Cindy Coon's
50:20 here tonight.
50:21 Use the tools. Yep.
50:24 Um
50:26 and let's get some let's get some AI
50:28 salon and AI learning lab representation
50:30 in this contest. Let's go win some [ __ ]
50:33 I mean, hell, we we had what what was
50:35 it? Gareth and Vicki won f what? Tied
50:38 for first in the storytelling thing from
50:40 Open AI, the the kids book thing.
50:45 All right, timeline. Uh July 14th,
50:48 submissions open. July 21st, there's an
50:51 LTX webinar. August 4th, submissions
50:54 close. All right, maybe we will do this.
50:56 Garrett, or what's your name? Brandon.
50:59 Tik Tok pin. So, I just did the last two
51:02 days work and now have to do it all over
51:04 again.
51:07 Oh, yeah. Because if you if you did that
51:11 trailer outside of LTX Studio, you would
51:14 have to start over. Yes. Let's make it
51:17 Vicki. I'm a caregiver to my mom and
51:21 she's heading to the hospital as soon as
51:23 I end my shift at work. Oh, I'm so sorry
51:25 about that. I hope she's okay. I hope
51:27 she's well. heels.
51:32 Look, everyone's like, "Joy pretty.
51:33 Let's do it." Everyone's hitting on Joy.
51:37 Joyy's like, "Hey, I got life to live
51:39 here. You all just go make your own
51:41 [ __ ] movie."
51:46 Prizes. First prize, five grand flight
51:48 and accommodations to the Forward
51:51 Festival Berlin. Very nice. One-year
51:53 subscription to LCTX Studios Pro plan.
51:56 screening of your film at the
51:57 fastforward thing. 3500 second place
52:01 honorable mention
52:04 50,000 computing seconds for LTX Studio
52:07 for tickets to the Berlin thing. Nice.
52:14 All right,
52:15 that first prize is pretty slick. You
52:17 get to fly to Berlin and be like a AI
52:19 big shot and probably have protesters
52:22 throw gum at you.
52:26 You're taking our jobs.
52:30 I shouldn't be so cavalier about that
52:32 because it is going to take a lot of
52:33 jobs. But
52:36 there's two ways you respond to change.
52:40 You can you can deal with it or you can
52:43 ignore it. And I for one am a fan of
52:48 dealing with it.
52:53 Read what you get for registering. Claim
52:56 your complimentary offer and receive
52:58 updates about the competition. New and
53:00 free users get 50% off the pro plan.
53:03 Existing users get 90,000 computing
53:07 seconds. Register here. Well, [ __ ] it.
53:09 We're going to go register.
53:13 We're gonna we're gonna start a contest
53:15 here. All right.
53:18 Sign in with Google.
53:20 Hey, Tech Studio. What's happening?
53:24 Hey, how's it going? What are you doing?
53:27 You've successfully registered for the
53:29 competition. Check your email for your
53:32 discount code and start creating today.
53:34 Okay. Okay. Let's see. Where's my
53:38 discount code? Come on, LTX Studio. You
53:42 can do it. Send me a code now. Why does
53:46 he talk like this? That's so annoying.
53:50 Jeez. What's he a barista? He talks like
53:54 a barista. I don't like it.
53:57 I don't like it. Fantastic.
54:01 Yeah. Mhm.
54:03 I don't have my LTX studio. Where's my
54:06 LTX studio? LTX
54:10 here. You've registered. Oh, it got de
54:12 deprioritized. We just repprioritized
54:15 it. Okay. Shortest AI film competition.
54:21 There's our 50% off code. Claim now.
54:25 Claim.
54:28 Oh, I'm not sharing anymore, am I? No,
54:30 because I'm a loser.
54:34 I'm a loser, baby. Why don't you sue me?
54:38 Yeah.
54:40 All right. Redeem your code. We're
54:42 redeeming it now. I hope you didn't copy
54:45 my code and redeem it before I had a
54:47 chance.
54:49 Um, I'm an existing customer. Am I not?
54:54 I thought I was. Plan selection.
54:59 [Music]
55:02 Active zero. Oh,
55:06 that's rough.
55:08 [Laughter]
55:13 Oh, see you know see you just do see
55:17 what I'm talking about. You see do you
55:20 see
55:22 h
55:24 is it possible that you are registered
55:26 under another email address?
55:28 >> No no
55:31 I'm just a loser baby. Why don't you
55:34 kill me? Yeah.
55:37 >> Well, you've got till August 4th to
55:39 raise the funds.
55:40 >> Yeah, maybe I'll maybe I'll do it. All
55:42 right. So, I'm registered. We'll we'll
55:44 get back to this. Okay. So, anyway, um
55:46 the way you do this, you go home and
55:48 then you do generate a storyboard.
55:51 Generate storyboard. So, you can say
55:53 here, um okay, what's what's the motto
55:57 for 2025 here at the AI learning lab?
56:00 Anybody? Anybody?
56:03 Don't use your brain. Right. 20 Oh, did
56:07 I say 2023?
56:10 2025. What's the motto for 2025?
56:15 Don't use your brain. So, they're asking
56:18 us to come up with a an idea for a
56:20 script. So, let's see. Let's go to chat.
56:23 JPA.
56:27 Hey, Kyle. Ready to dive in? I sure. I'm
56:29 going to go to GPT4.5.
56:33 Why? I don't know. Because it's supposed
56:34 to be good at creative concepting.
56:37 Question. I haven't gotten midjourney
56:38 yet because it seems you don't own your
56:44 own work. Uh that's not necessarily the
56:49 case.
56:51 Like don't own it in what way? Like you
56:53 can't use it. Anything you generate you
56:55 can use. If you want to copyright it,
56:59 what the copyright office has said, they
57:02 they they changed their rules on this.
57:04 So for the first two years of generative
57:06 AI like starting in 2022
57:10 the copyright office said if it's AI
57:12 generated you can't copyright it. About
57:15 six eight months ago they changed that.
57:19 What they said is just because you're
57:21 using AI as a tool does not
57:23 automatically invalidate you
57:27 from having something be copyrightable.
57:32 What's the what's the burden of of of
57:34 copyrightability
57:36 that you can demonstrate human
57:38 contribution what I what I'm calling
57:40 chain of craft. So if you can say, "Hey,
57:43 I went into midjourney and I went to
57:46 chat GPT and I wrote these prompts and I
57:48 took some images that I took photographs
57:50 of and I had Chat GPT describe them and
57:53 then I took those things and I and I
57:56 created these prompts and I went into
57:58 MidJourney and I created 8,000 images
58:00 and out of those 8,000 images I took 200
58:03 and I turned them into this series of
58:05 images and out of those I took 50 and I
58:08 animated them and I edited those
58:10 together and I put them into final Final
58:12 Cut Pro and I went over to Sora and I
58:14 made this music and I put all that. If
58:16 you can demonstrate a chain of craft for
58:19 the output, they're absolutely
58:22 copyrightable.
58:24 Now,
58:26 I personally
58:28 think that we're entering a world where
58:32 copywriting stuff is is is going to be
58:35 increasingly impossible
58:38 to monitor and police. Everything's
58:40 going to be instantly copyable. The
58:41 minute someone does something
58:43 interesting, everyone's going to copy
58:45 the style. Everyone's going to copy the
58:46 story.
58:48 So, you could chase those people down,
58:50 but
58:52 it is my strong strong opinion that you
58:55 should not
58:57 not play with midjourney just because
59:00 you don't think you can own it. You can
59:02 absolutely own it. You can absolutely
59:03 use it. I know that. And that's cool.
59:06 Thank you. Just making sure. I'll try
59:08 this weekend. You absolutely need to
59:10 play with midjourney. If you if if you
59:12 are interested in imagery in any way and
59:15 you have not played with midjourney,
59:18 it is it is simply on a different level.
59:21 Now, has it likely been trained on lots
59:24 and lots of copywritten stuff? Yes. Is
59:27 it copying and pasting from that work?
59:29 No, it is not. Now, if you use
59:33 MidJourney to to directly copy someone's
59:36 work and kind of represent it as your
59:38 own, you can still be busted for
59:40 copyright infringement if you're
59:42 basically, you know, um copying
59:45 something that they have. But if you do
59:47 something in the style of Andy Warhol or
59:50 or of Keith Herring, Keith Herring's
59:52 estate is is famous for suing people
59:55 for, you know, creating stuff that's too
59:57 like that, too like his work. But you
1:00:00 can be inspired by someone's work. So
1:00:01 you can absolutely do that. Ooh, auto
1:00:04 auto copyright workflow. Yeah, you
1:00:08 there's a when I when I did that post
1:00:10 about chain of craft, um, one of the
1:00:13 shitty comments I got was there's
1:00:15 nothing special about your idea.
1:00:18 It's a it's been around for years. And
1:00:20 in fact, we created a whole company
1:00:22 around it. And I think their their
1:00:24 company is called Chain of Creation or
1:00:25 something like or or their their phrase
1:00:27 is called Chain of Creation, but they
1:00:30 created a whole platform to be able to
1:00:31 track all that stuff. Anyway, okay. So,
1:00:34 we were over in LTX Studio. Um, and it
1:00:38 said, "Give me a concept." So, I'm going
1:00:39 to say, um,
1:00:42 let's see. You are
1:00:45 a bizarre
1:00:49 filmmaker.
1:00:53 inspired
1:00:55 by
1:00:57 uh what's his name? Tim Burton. Tim
1:01:00 Burton.
1:01:02 Um
1:01:04 uh Wes Anderson
1:01:08 and
1:01:09 Quentin
1:01:11 Tarantino.
1:01:16 I am entering a 602
1:01:21 film
1:01:25 contest and the winner
1:01:31 wins an Academy
1:01:34 Award
1:01:37 because Hollywood
1:01:40 loves AI.
1:01:45 I want you to come up with 20
1:01:54 film concepts
1:01:56 that also
1:01:59 include
1:02:03 a visual
1:02:06 look and feel
1:02:09 that brings that concept to life. No
1:02:14 boring locations,
1:02:19 no boring characters,
1:02:27 no boring stories. Okay, so now what I
1:02:34 just wrote, you you could argue, well,
1:02:36 you could have just written something in
1:02:38 the LTX
1:02:39 prompt hole and got something out of it.
1:02:42 I could have, but now I'm going to get
1:02:44 20
1:02:45 20 ideas.
1:02:47 I don't know. Sunno gave me a really
1:02:49 wellrecoognized classical piece last
1:02:51 week as the melody. Well, just like if
1:02:54 if you end up with something that is
1:02:56 recognizably something that exists, then
1:02:58 just don't use it. You got two typos.
1:03:01 Typos don't matter. One of the one of
1:03:03 the important things, the the new
1:03:05 important rules is that these large
1:03:07 language models, they eat typos for
1:03:10 lunch. They understand what the hell
1:03:11 you're talking about. You really don't
1:03:13 have to worry about it. Okay. 20
1:03:15 delightfully bizarre 60-second
1:03:16 masterpieces. Tea time at the
1:03:18 guillotine. Oh, I like that. A dystopian
1:03:20 queen hosts a g gentiel tea party. Each
1:03:24 sip determining who gets beheaded next.
1:03:28 Candy colored roco sets, pastel wigs,
1:03:31 porcelain cups juxtaposed with a blood
1:03:34 stained guillotine under a pink sky.
1:03:37 That's [ __ ] good.
1:03:39 That's [ __ ] good.
1:03:42 They are trained on all sorts of types
1:03:43 and stuff.
1:03:48 My daughter did one on Roblox and I'm
1:03:51 teaching her notes, keys, etc. Oh,
1:03:54 that's so cool.
1:04:03 Oh, not to mention David Lynch.
1:04:06 Yeah. Well, I missed him, but that's
1:04:07 okay. Typewriters revenge. An abandoned
1:04:10 typewriter hunts down the novelist who
1:04:12 abandoned it. Vintage noir aesthetic.
1:04:15 That's kind of cool. Marzipan massacre.
1:04:19 A baker's sugary confection comes to
1:04:21 life. Waging a buddy buddy re Good lord,
1:04:26 what is with my tongue?
1:04:29 Taxiderermy Tango. The lonely
1:04:30 taxiderermist animates his creations,
1:04:33 initiating a macumber danceoff for his
1:04:36 love interest, which by the way, any of
1:04:38 these ideas so far are probably going to
1:04:41 be
1:04:43 interesting and unique compared to what
1:04:45 most people will do. What most people
1:04:47 will do is they'll use their gray matter
1:04:52 to just put in something dumb like like
1:04:54 I want a story about a a boy walking
1:04:58 down a path with a dog, right? And then
1:05:01 they're going to get a boring boy
1:05:02 walking down a path story.
1:05:06 We got something here. We got something
1:05:08 different. If I was actually trying and
1:05:11 spent like an hour on this instead of
1:05:13 five minutes, we'd end up with something
1:05:15 really unique and interesting and
1:05:17 something that speaks to me.
1:05:21 Right? That's the thing about these
1:05:23 tools is these tools will give you
1:05:26 they'll reflect back anything you put in
1:05:28 them. But if what you put in them is
1:05:31 something that resonates with you, then
1:05:33 your ideas get amplified. All right,
1:05:37 let's do it tomorrow then. Time check.
1:05:39 It's 10 PM. All right, let's get out of
1:05:40 here. Okay, mustache duel. Let me I want
1:05:43 to take the first one here. Let me just
1:05:45 show you what what uh tea time at the
1:05:48 guillotine.
1:05:50 So, I'm going to copy this. We're going
1:05:52 to go to LTX Studio.
1:05:55 Well, are we?
1:05:58 I don't know where my tab is. Shut up.
1:06:01 Um, Chain of Craft.
1:06:07 [Music]
1:06:16 Okay, here we are. Bang.
1:06:18 Paste. Okay. Tea time with the
1:06:20 guillotine.
1:06:22 Do you like 4.5 the best? No, I don't.
1:06:28 4.5 is a really weird model. 4.5 is not
1:06:32 connected to image generation. It's not
1:06:34 connected to web search.
1:06:37 They launched it and then buried it.
1:06:41 What I think 4.5 is
1:06:45 is a coordination model that is going to
1:06:49 be used in GPT5. It's it's got sometimes
1:06:53 it's really good, sometimes it's bad.
1:06:55 Apparently, it's quite good at
1:06:56 ideiation. So, that thing I just did was
1:06:59 an ideation session. So, I thought it
1:07:01 did really good. Um, but that's what it
1:07:03 is. Okay. So,
1:07:06 develop concept with AI. Stick to the
1:07:08 script. No, we'll just develop concept
1:07:10 with AI. All right. Um,
1:07:14 optional settings. We don't need any of
1:07:16 that. We're just going to go next. And
1:07:17 then you'll see what LTX Studio does
1:07:19 here. It's pretty slick.
1:07:26 [Music]
1:07:28 In a lavish palace adorned with pastel
1:07:31 colors and Rookco designs, Queen Varity
1:07:34 hosts an extravagant tea party. The
1:07:37 atmosphere is deceptively charming,
1:07:39 filled with laughter and delicate
1:07:41 porcelain cups. Yet a sinister undertone
1:07:44 looms. Each guest, a noble from her
1:07:47 kingdom, is oblivious to the true
1:07:49 purpose of the gathering as they sip
1:07:52 their tea. A mysterious concoction
1:07:54 brewed by the queen herself. They unwitt
1:07:57 unwittingly seal their fate. Each cup
1:08:00 holds a different poison that dictates
1:08:03 who will be sent to the guillotine next.
1:08:06 Beautiful. Love it. Love it. Fantastic.
1:08:11 Yeah.
1:08:13 Yeah. Yep. All right. Fant alternative
1:08:17 story lines.
1:08:19 A dystopian queen's tea part party
1:08:21 decides a whimsical tea party. A queen
1:08:23 decides against fates. That's fine.
1:08:25 Okay. Next.
1:08:28 Now it's going to give me settings and
1:08:30 cast podcast tomorrow. Yeah. Tomorrow uh
1:08:33 the AI uh readiness project is featuring
1:08:37 one Vicky Baptiste talking about the AI
1:08:40 readiness learning program that we put
1:08:43 together with her and Ann Murphy. So,
1:08:45 that is going to be tomorrow at 400 PM
1:08:48 Mountain time. There's Queen Varity.
1:08:51 This has got a very Wes Anderson feel to
1:08:53 it. There's
1:08:55 Aara Lady. Let's edit this.
1:08:58 Um,
1:09:00 appearance.
1:09:02 Um,
1:09:04 let's see.
1:09:09 This description
1:09:14 should be more
1:09:19 um high
1:09:23 uh royalty.
1:09:32 [Music]
1:09:50 Does he always sing like this? This is
1:09:53 so annoying. I can hardly listen to
1:09:56 anything.
1:10:01 [Music]
1:10:06 A dystopian queen.
1:10:11 Cinematic, vintage, lowkey, indie,
1:10:15 pop, grunge,
1:10:19 dreamy,
1:10:21 2D novel, boost,
1:10:25 scribble. That's better for her, right?
1:10:30 colored
1:10:32 anime film noir scribble let's go with
1:10:35 boost
1:10:37 let's go with boost shall we
1:10:48 gorgeous gorgeous ladies
1:10:52 lady
1:10:54 [Music]
1:10:59 I just did another standup bit about the
1:11:01 guillotine.
1:11:04 All right, let's get out of here. So
1:11:05 anyway, so what LTX Studio does, you'll
1:11:07 see here in a second. It creates the
1:11:10 characters, the look and feel. Here's
1:11:12 the the basic scene breakdowns, which
1:11:15 you can edit all these. And then when
1:11:16 you say start,
1:11:18 it's now going to
1:11:21 put together a shot list for each of the
1:11:24 scenes. Um, and then all of those turn
1:11:27 into movie files and things like that.
1:11:30 All right. Tomorrow at 5:30 PM Mountain
1:11:34 time is uh the AI Life Hacks Club. So go
1:11:39 to the AI Salon website, the the
1:11:43 salon.ai. Click on join our community.
1:11:45 That'll take you over to the community
1:11:47 website.
1:11:49 Oh, this is nice.
1:11:55 Generate image. Generate image. Generate
1:11:57 image. Generate image.
1:12:11 Wow, that's a lot of shots.
1:12:14 20 shots in that first scene.
1:12:21 But look at this. Look how cool this is,
1:12:23 right? You see what I'm saying here,
1:12:25 people? You see how this works?
1:12:30 Got some stuff going on.
1:12:35 You got to deal with all those shots.
1:12:37 So, that's why we can't just start this
1:12:39 tonight. But that's the basic idea. All
1:12:42 right.
1:12:43 All right. All right, people.
1:12:52 Oh, the news about Notebook LM. We'll
1:12:54 we'll we'll maybe play with that
1:12:55 tomorrow as well. So, Notebook LM, if
1:12:58 you don't know, is Google's kind of hit
1:13:02 hit uh tool. If you've not played with
1:13:05 Notebook LM, it's it's very very good.
1:13:08 What you do is you upload up to 50
1:13:11 documents
1:13:13 into its knowledge, right?
1:13:16 And then you can now interact with those
1:13:19 documents. So if you did, I don't know,
1:13:23 50 documents that are part of your sales
1:13:26 process for your company, you could just
1:13:28 start asking questions about your sales
1:13:29 process and it it assembles them all
1:13:32 together and, you know, searches across
1:13:34 them and does all that stuff. It's
1:13:36 really really good. But what they
1:13:38 announced yesterday, I think Stephen
1:13:40 Johnson announced it, is they're getting
1:13:43 into the content business.
1:13:45 What they realized is they've got a
1:13:47 bunch of really smart people who are
1:13:49 subject matter experts who've gathered
1:13:51 together the best information and built
1:13:54 these notebook LM notebooks
1:13:57 that are really beautiful for other
1:13:59 people to use. So you can now share
1:14:01 them. So they're now building a best of
1:14:04 notebook LM notebooks as a media play.
1:14:08 Um and so you know notebook LM things
1:14:12 can turn into podcasts and things like
1:14:13 that. So, if you haven't played with
1:14:15 Notebook LM in a while, go play with it.
1:14:19 Okay. Um, I'm going to get out of here.
1:14:24 Um, I think it's important that we
1:14:26 comment on my hair.
1:14:28 It's
1:14:30 I I mean, to say that I need a haircut
1:14:33 is
1:14:37 it's
1:14:42 Oh, look. I look Amish now.
1:14:49 Oh man.
1:14:51 [ __ ] German. The German jeans. They
1:14:55 come out with the with the shitty
1:14:56 haircut shitty full combo over. Um. All
1:15:01 right.
1:15:06 Please allow API use. Um, if I could
1:15:09 afford that, I would. What? For notebook
1:15:11 LM. Yeah, I don't think they have an API
1:15:13 yet, do they? They should. Um, all
1:15:16 right. So, tomorrow, tomorrow, 4 PM AI
1:15:19 readiness project podcast 5:30 p.m.
1:15:22 Mountain time. Both of these is uh is
1:15:26 the AI Life Hacks Club. All right, cool.
1:15:30 Peace out. And then we'll see you here
1:15:32 tomorrow night. Same time, same bat
1:15:34 time, same bat place. Peace out,
1:15:35 everybody.
1:15:38 There.