10/17/2025 - A Recap of the Create Conference, an Inspiring Event for Women in AI with Ann Murphy

Description

Chapters

Transcript

0:01 [Music]
0:20 [Music]
0:25 [Applause]
0:27 [Music]
0:34 Stand between
0:37 you and a hard place in sight.
0:43 Stand too near
0:45 [Music]
0:46 you and fire makes it clear.
0:50 [Music]
0:53 Your trouble to me.
0:57 [Music]
0:59 Rich trouble ke you seeing
1:05 it close.
1:08 Smell of your perfume scares me most.
1:12 [Music]
1:14 Leaving away
1:17 feels stronger every day.
1:23 You're trouble to me.
1:32 [Music]
1:35 That one feels like one that should go
1:37 into suno.
1:42 [Music]
1:45 I wonder, Chimpy. I'm not even playing
1:47 anymore. Good lord, dog.
1:50 I wonder if I have the lyrics on this
1:53 here machine.
1:57 [Music]
2:05 Shink.
2:10 What's that? That's nothing. What's
2:12 that?
2:15 That's nothing.
2:17 All right. I guess it's not here. All
2:19 right. Whatever. Whatever, people.
2:22 Whatever.
2:25 [Music]
2:28 Please
2:32 in a westerly
2:38 [Music]
2:39 car is my train.
2:42 [Music]
2:43 I've been driving. I've been wondering
2:48 what it is I'm running from again.
2:51 [Music]
2:54 Feel like an 80y old man.
2:58 Holding on to 29
3:02 and up on that horizon
3:05 [Music]
3:08 is a California line.
3:11 [Music]
3:18 Up ahead of trucks carrying a wide load.
3:22 Preab house cut in half.
3:26 Cute little front door and two windows.
3:28 My love
3:30 ain't sure that a cry should laugh.
3:34 You see, I broke a home myself once.
3:38 As I stumbled to that door,
3:43 I read a note by the dawn light
3:47 said, "Don't you come around here
3:51 anymore.
3:55 [Music]
4:01 Happy Friday night, date night,
4:03 everybody. What's happening? We're
4:05 shaking. What's going down?
4:08 [Music]
4:15 I wonder. Let me go here and search
4:21 for trouble.
4:25 [Music]
4:32 ding ding ding ding ding ding ding ding
4:35 ding
4:36 ding ding ding ding ding ding
4:41 ding ding ding ding dang.
4:45 Um, it's not there.
4:49 [Music]
4:58 standing between
5:01 you and a half place is the same. We
5:04 look for that standing between
5:11 standing
5:13 between
5:15 you and
5:18 a part. Oh no, that's not where I want
5:20 to be. Uh uh I know I'm not sharing my
5:23 screen. Calm down, everyone. Just
5:25 everybody calm down.
5:28 standing between
5:32 you and a hard
5:36 place.
5:49 What's that?
5:58 Where would that have been? iTunes
6:00 library.
6:05 [Laughter]
6:17 [Music]
6:19 There's versions of Sydney.
6:23 No, I don't have it. Huh. Weird
6:27 fine standing.
6:39 All right. I don't know what's going on.
6:42 I do not know what is happening. Good
6:45 people.
6:48 [Music]
6:54 [Music]
6:57 Happy Friday night everybody. Uh what is
7:00 going down? What is happening?
7:04 Do tell
7:06 anything exciting out in date night.
7:14 [Music]
7:27 All
7:55 right.
8:00 [Music]
8:07 [Music]
8:22 I know this is brainy, but after the
8:24 create conference
8:26 I'm thinking about my personal AI
8:28 policy.
8:31 Well, Sharon Crawford, hubby and I are
8:33 listening
8:35 to the rain and recovering from the flu.
8:38 We'll feel better. That's horrible. Uh,
8:41 but love listening to the rain.
8:43 [Music]
8:48 Um, having a personal AI policy is
8:50 really interesting.
8:53 So, we talked about something today in
8:55 the AI mastermind. I had a really good
8:57 conversation with Andy and Liz Miller
9:01 Gersfield today and we were talking
9:03 about the salon and, you know, what we
9:06 wanted to be and how we wanted to grow
9:07 and evolve.
9:09 And Liz was talking about the the people
9:12 that are
9:17 are finding their way with AI
9:22 having their way with AI. People that
9:24 are having their way with AI
9:26 um
9:30 right now and probably until further
9:33 notice are treating AI like a practice.
9:37 Um,
9:39 meaning it's just kind of a like like
9:41 showing up here every night is is a
9:42 practice, right? Um,
9:46 being open to new tools and and actively
9:48 seeking them out is a practice. Um,
9:52 having ideas and figuring out ways to do
9:54 them is a practice. Understanding
9:58 what gaps you have as a human being and
10:03 actively filling them in with AI is a
10:06 practice, right? Because it's scary.
10:10 And I think, you know, a personal AI
10:12 policy, it depends what you're talking
10:14 about. You might be talking about
10:15 governance, but but but
10:18 I think it's I think the whole idea of a
10:20 practice is that you're
10:23 you're working with AI intentionally and
10:26 and with purpose and and you're figuring
10:29 out what your boundaries are, right? How
10:32 far do I want to go? How much do I want
10:34 to learn? Because we what we've all
10:36 learned in this channel is we can't you
10:38 you literally can't learn at all. You
10:39 can't keep up with it, right? you can't
10:41 even keep up with it, much less be
10:43 competent at it. So, I think I think
10:46 it's it does start to feel like having a
10:49 personal AI policy is important.
10:52 [Music]
10:57 Tobias, what's happening?
11:00 You look more handsome than Tik Tok.
11:05 Well, hello.
11:07 It is Friday night date night. Good
11:09 evening.
11:10 [Music]
11:18 Well, you know what they say. YouTube
11:19 puts on 20 pounds.
11:31 [Music]
11:53 Woohoo!
11:54 [Music]
11:58 Woohoo!
11:59 [Music]
12:30 There's been Something baby I've been
12:33 trying to say
12:36 for aging. It seems I don't know how
12:42 with a past and a future now surrounding
12:45 me.
12:48 Surrender to what every tree can be
12:50 found.
12:53 There's been a little trouble
12:55 [Music]
12:57 since you came to my rescue.
12:59 [Music]
13:04 And if you like all of the rest, I would
13:07 regret you long ago, but I couldn't do
13:10 that.
13:11 [Music]
13:14 Oh, tell me now. Women in my heart never
13:18 went too well.
13:22 Make a man crazy, make him cold as hell.
13:28 I'm a woman that you wish me well.
13:32 But in spite of your trying, still going
13:35 to have to find
13:37 my own way through.
13:42 [Applause]
13:44 All right. The other thing I was
13:45 thinking about was the taming the taming
13:48 the overwhelm
13:51 by naming my home base. I think that
13:55 side hustle mimi it feels like you're
13:57 very much on to onto something which is
14:00 not surprising and curated some really
14:03 amazing speakers for the create
14:05 conference.
14:06 So the fact that you left there in a
14:09 contemplative place thinking like okay I
14:12 can do this I got to figure out my my
14:15 lane and I think that's right. So, so,
14:18 um, Brandon, uh, to me two nights ago,
14:21 last night, said he was in this
14:24 conversation at MCON and and and one of
14:27 the one of those, I don't know, speakers
14:29 or one of the attendees there said, "If
14:32 today someone asked you, what's your
14:34 internet strategy?"
14:36 You'd be like, "What?" Because like the
14:38 internet's everywhere. It's a part of
14:39 everything, right? So, you you don't
14:41 have an internet strategy. You just have
14:43 your strategy. You do what you do. AI is
14:46 moving in a similar direction, right?
14:48 So, so it's going to be ubiquitous. It's
14:50 going to be everywhere. So, as a
14:52 professional or just as a as a human
14:54 being, we have to we have to pick a lane
14:57 of focus, right? That's just part of
14:59 being a humanist. We can't do
15:00 everything. Can't be good at everything.
15:02 And so, I think that's really wise. I
15:04 think you're in exactly the right place.
15:05 And and that you don't have an immediate
15:07 answer is also the right place, right?
15:10 Because Joy, I see Joy Pertie's in the
15:13 in the house tonight. Joy Pertie, if you
15:16 look at her history as a professional,
15:19 she should be using AI to make sleep
15:21 studies more efficient, right?
15:29 But no, Joy Pertie is like, "No, I've
15:32 got I've had stories I've wanted to tell
15:35 my whole life, and I'm going to teach
15:37 myself film editing, and I'm going to
15:39 teach myself AI video, and I'm going to
15:42 reinvent myself." And so, I think
15:46 all of us to a person
15:49 have the opportunity
15:51 to basically start over and say, "What
15:53 do I want to be? What do I want to be?
15:56 What was that dream I had at seven that
15:58 I that I pinched out the flame?
16:02 Right.
16:05 Daddy told me I wasn't talented.
16:08 And I've never written a word since,
16:11 right? I mean, I joke, but like we've
16:15 all got that moment, right? We've all
16:17 got that moment in our childhood where
16:18 we snuffed it out.
16:21 Um, Kavuno, something that stuck with me
16:25 is a speaker who said,
16:28 "Oh, if it's not a hell yes, then it's a
16:31 hell no." Another great one, right? Like
16:34 if if if so today, uh, Claude announced
16:38 Claude Skills, which is basically just a
16:41 pre-written prompt you put in a markdown
16:43 document and you can turn them on and
16:46 off in the interface. It's a really
16:48 straightforward sort of thing, but like
16:51 you might be like, "Yeah, personalizing
16:53 LLMs is that's my jam and I'm going to
16:56 run down the we're going to make virtual
16:58 employees and I love virtual employees
17:00 and that's awesome." That might be your
17:02 thing. Someone else might be I want to
17:04 make movies. Someone else might be I
17:05 want to make automations.
17:08 Um, someone else might be I want to just
17:10 keep sort of surfing the the frothy top
17:13 until this thing stabilizes a bit.
17:16 [Music]
17:25 Did I get the video request? I don't
17:27 know what the video request is. Did you
17:28 send it in Tik Tok?
17:32 [Music]
17:34 What's disconcerting?
17:37 [Music]
17:43 I use green gummies for that.
17:48 It is Friday night date night.
17:52 Oh, tag you on a video. I didn't I
17:54 didn't see it. I've got like 25 unseen
17:58 Tik Tok tags. So, I just need to go in
18:00 there and clean them up this weekend.
18:01 So, I will I will probably see it this
18:03 weekend.
18:09 [Music]
18:30 Asteroid kills dinosaurs. Some birds
18:32 were able to survive. What guitar are
18:35 you strumming? This is a lovely guild. I
18:38 think it's a D30.
18:40 Yeah, D30AB.
18:42 But in 1987,
18:45 I got hired to be the jester for the
18:48 Pennsylvania Renaissance Fair in State
18:50 College, Pennsylvania. They paid me
18:54 $1,700.
18:58 And being a responsible college student,
19:00 actually a college graduate at that
19:02 point, I bought myself a uh $600
19:06 mountain bike and an $1,100 guitar.
19:16 And I'll tell you, I've never found a
19:18 guitar that sounds as good as this one.
19:20 I love this guitar.
19:22 [Music]
19:25 It's just got
19:30 It's just so warm and deep, but it's
19:32 still got
19:39 [Music]
19:48 [Applause]
19:49 [Music]
19:51 Heat. Heat.
19:56 [Music]
20:13 Oh, good lordy. Good lordy. Good lordy.
20:15 Good lordy.
20:20 What are y'all thinking?
20:23 Gemini is freaking out. I was freaking
20:25 amazing at it. At what? What's Gemini
20:29 freaking amazing at?
20:31 Hey Kyle, I learned that I can take the
20:34 transcripts of your lives and then turn
20:36 them into PDF documents with just a
20:38 little work. Gemini is amazing at it. I
20:40 got to tell you, man, the thing the
20:43 thing everyone talks about with AI is
20:45 generating original documents, which I
20:48 do all the time, but like there it's
20:51 just crappy at it still, right? Like the
20:53 the large language models, they're just
20:55 not great. It takes a lot of work to get
20:58 something usable. But where they're
21:00 [ __ ] amazing is you take a bunch of
21:03 unstructured data, like one of my
21:04 nightly rambles, and it just instantly
21:08 interprets and categorizes stuff. Like
21:10 that to me is is the miracle of LLMs
21:13 right now. The the thing they do really
21:15 well. Notebook LM's great at it. Um,
21:17 Chat EBT is great at it. Claude's great
21:19 at it.
21:22 [Music]
21:29 [Music]
22:01 I wonder if that's a Should we do a
22:03 sunno? I I I am I am drawn to my my
22:07 little picking patterns here tonight.
22:12 [Music]
22:16 Joy perie. I like Claude's writing
22:18 skills. Let's do a Sunno. I'm going to
22:22 need a little more effort on your part,
22:24 Kyle. Well, that's I think I think
22:27 that's the theme of the AI learning lab.
22:29 Yeah, you know, it was really nice. I
22:31 went I mean, he seems super sweet and
22:33 everything. You know, he's certainly
22:35 passionate about something. Not really
22:36 sure what. Anyway, um I just I I like
22:41 the channel. I just think, you know, it
22:43 if it were a little bit more, it would
22:45 be so nice. It would if there were
22:48 something that I could take from it
22:50 would be really fantastic. That then it
22:55 then it would the the word learning has
22:57 always kind of bugged me because I just
22:59 is is he learning on our dime or like is
23:02 he teaching? Is what's with the dog
23:05 singing? I don't I don't understand it.
23:08 But it just if just a little bit more
23:10 and it it would be something, right? You
23:13 understand?
23:16 That could be the song subject. You got
23:18 me beside.
23:20 Wait. You got Oh, you got me beside you
23:23 till the plane lands. Then back to our
23:26 lives.
23:28 [Music]
23:37 Wait.
23:41 [Music]
23:41 All
24:00 right, let's see if let's let's go to
24:02 suno. Let's do it.
24:06 No, he's doing suno a lot lately. Do do
24:09 you feel that? What if we're not into
24:11 music?
24:13 Have you ever noticed that the songs he
24:15 plays are all a little depressing? It's
24:17 a little sad. It's a little sad, right?
24:21 You notice that, right? Like you're like
24:23 I come in there with high energy. I'm
24:25 like, "Oh, good. I'm going to learn
24:26 about AI." And then and then the dog
24:28 sings and that that makes my dog upset,
24:30 of course. And then and then um and then
24:32 he starts talking and it I I don't ever
24:35 know what he says. He never really
24:36 finishes a sentence, but then he plays
24:38 his guitar a little bit and it's just
24:39 sad. It just makes me sad.
24:44 Okay.
24:51 Oh my god.
24:58 Oh,
24:59 to be fair, Sununo is absolutely
25:01 fantastic.
25:03 Now I can't seem to get a bad song. No,
25:06 like five is pretty pretty remarkable.
25:10 Um, okay. Do I need to turn on my
25:13 microphone? Oh, there went that thing
25:15 again. That's weird. Why does it do
25:18 that?
25:19 Am I
25:25 Hello.
25:27 Hello.
25:29 Let's see. Start over.
25:33 Hello. Hello. Hello. Where's that
25:36 microphone?
25:38 Hang on a sec. Hold, please.
25:45 Let's see. That's Wi-Fi. Here's audio.
25:48 Sound settings.
25:56 All right. Input PDX
26:00 Y. Hello. Hello.
26:06 Hello.
26:09 Hello. Hello. Hello. Hello. Hello.
26:13 Hello.
26:15 Is this When I tap this, are you guys
26:17 hearing me tap that? It's probably
26:18 driving you crazy. Oh, yeah. Yeah.
26:21 Right. Kyle, mom wants me to tell you
26:25 that she loves all the videos you're
26:27 posting on Tik Tok. Hold, please.
26:31 Thank you.
26:32 Um,
26:35 [Music]
26:43 definitely this is not an AI live.
26:47 [Music]
26:49 You're not hearing that.
26:52 Okay, that's weird.
26:56 Wait, let me see.
26:59 Do I have audio settings here? Where?
27:03 Hang on. Just hang on, people. Everybody
27:06 calm down.
27:10 I'm fairly certain I don't know what I'm
27:12 doing.
27:14 Manage subscription. Manage account.
27:18 Audio. Record.
27:25 Okay, that's coming through there now.
27:27 Yeah. Okay.
27:30 Okay. Start over. All right. Let's see.
27:35 So, let me turn this down to the guitar.
27:46 [Music]
28:08 Okay, that was garbage. That was
28:10 garbage. Listen, you can't hit the
28:12 record button.
28:15 My fingers freeze up. I feel I feel like
28:17 a a stone statue the minute I hit the
28:20 record button. I'm in a flop sweat.
28:27 Okay, this could turn into something
28:29 awesome.
28:32 Okay, here we go again.
28:34 [Music]
29:03 Okay.
29:05 Save
29:06 cover.
29:08 Can't fetch the audio. Upload. Please
29:10 upload a different audio. Really?
29:13 Really? You lost my audio? You lost that
29:15 performance?
29:17 Come on. Did you Did you really Wait,
29:20 hang on.
29:27 Yeah, it lost my recording. That is just
29:29 criminal. All right. Well,
29:33 audio record.
29:37 All right.
29:38 [Music]
30:02 [Applause]
30:04 [Music]
30:08 Okay. Are we going to save it this time?
30:13 Uploading.
30:15 No.
30:18 Hang on. I know what I need to do.
30:24 [Laughter]
30:28 What did you do Friday night? I don't
30:30 want to talk about it. Why not? Was it
30:32 Was it cool? No. What' you do?
30:38 This is embarrassing. What'd you do?
30:41 I I watched some old guy try to use
30:43 software for two hours.
30:46 What?
30:56 Welcome to the AI learning lab where you
30:58 too can watch the awkward silence as an
31:02 old guy fumbles with technology.
31:07 Shouldn't they call this Boomer learning
31:08 lab? I'm I'm a Gen Xer. Damn it, by the
31:11 way. Don't you boomer me freaks.
31:15 [Music]
31:54 Okay, let's see if it saves now. Should
31:56 save because I reloaded. Please save.
32:00 Oh, and I'm not even sharing this tab.
32:04 Can't fetch the uploaded audio. Well, I
32:07 guess we're not doing this. God damn it.
32:10 Really?
32:12 Is that
32:14 Come on. Seriously, let me try a new
32:17 tab.
32:19 So,
32:21 we'll try one more time. If this doesn't
32:23 work, then it means I have to restart my
32:24 browser, which I'm not going to do
32:26 because that means that I have to shut
32:27 down the stream and I'm not going to do
32:28 that. So then we'll just go back to
32:30 awkwardly sitting in silence until you
32:32 guys tell me what to do.
32:42 Okay. Create
32:45 audio. Record. Record.
32:50 [Music]
33:09 God damn it. Start over.
33:13 [Music]
33:42 Okay. Stop. Save.
33:46 It's going to crash again. All right.
33:48 Well, whatever. We tried.
33:54 What program is broken? This is Sunno
33:57 sucking.
34:00 This is uh what this is actually is uh
34:03 me.
34:05 So, here's the thing. Let me let me
34:07 explain something to you to you people
34:09 to you whippers snappers. There was a
34:11 time when having when owning a Macintosh
34:14 meant that you never had to restart your
34:16 machine
34:18 ever.
34:20 So for years when I would restart my
34:23 machine is when there was a power
34:25 outage, right? or when I when I had to
34:27 move my computer
34:31 and and now
34:33 everything's gotten so bloated and
34:35 overblown
34:37 and and Chrome is such a dog [ __ ]
34:39 browser with its memory management that
34:41 you actually have to restart stuff
34:43 occasionally. So,
34:46 [Laughter]
34:55 should we make a song about No, that's
34:59 boring.
35:01 No. All right. What do we Yeah. You You
35:05 have an idea?
35:06 >> Uh, well, I just wanted to share that uh
35:08 we've been so patient with you thus far.
35:11 wanted to restart your browser, we would
35:14 all still be here because Streamyard is
35:16 still active in producers world.
35:20 >> Oh, really?
35:21 >> So,
35:21 >> Oh, okay. All right. Well, I'll try
35:24 that. Well, do I want to try that? How
35:26 far in are we? [ __ ] 36 minutes in. We
35:31 haven't really started yet.
35:32 >> I mean, 30 minute hellos are, you know,
35:35 >> it is it is kind of the tradition. All
35:36 right, you all party. I'll be back.
35:43 Tik Tok. I'll still be here with you
35:44 Huh?
36:43 fun stage.
36:45 I go there.
36:48 There I am. All right. Let's see. And
36:51 that goes there.
36:53 And that goes there.
36:56 Am I back? I'm sort of back. Okay. So,
37:00 here we are here again.
37:03 I've got I've got PTSD from five minutes
37:06 ago.
37:09 Okay. All right, people. Let's try this
37:11 again. Oh, no. He's getting the guitar
37:13 again. Please, no.
37:19 Let's see.
37:21 [Music]
37:27 Block of tabs next song.
37:34 All right, maybe we'll do this one.
37:38 Bring that up there.
37:45 Record.
37:52 [Music]
37:59 Standing between
38:02 you and a hard place is insane.
38:08 Standing too near
38:10 you in a fire makes it clear
38:17 your trouble to me.
38:23 Real trouble. Can't you see?
38:28 Leaning in close.
38:31 Smell of your perfume. It scares me
38:33 most.
38:34 [Music]
38:37 Leaning away. Hey,
38:41 feel stronger every day.
38:47 You're troubled to me.
38:52 Real trouble. Can't you see?
38:59 Okay. Now, if this doesn't save, we're
39:02 just going to be done.
39:04 Come on, you can do it.
39:07 Or you can't. Come on. Upload.
39:11 Come on, Sununo.
39:14 It's going to be okay. Ann Murphy in the
39:16 house. Ann Murphy, listen. Apparently,
39:19 you've you've gone off and changed more
39:20 people's lives with your your little
39:23 create conference this weekend. People
39:25 are people are coming up with personal
39:27 AI
39:29 plans because of you. It's awesome.
39:31 Okay.
39:35 [Music]
39:44 Wow. That got really weird. The the this
39:46 microphone sucks. Something's really
39:48 broken with this microphone.
39:51 H. Well, let's see. Let's try Let's see.
39:56 What do I want to do? Um, let's see.
39:58 Make this a uh make this a
40:04 um fourpart
40:05 harmony
40:07 12 string.
40:10 Um, Americana rock.
40:20 [Music]
40:24 Now, is this going to be based on this?
40:26 I don't think I hit
40:29 I don't think I hit cover. Hang on.
40:33 Remix cover. Do we want to remix cover
40:36 or we want to extend it? We want to
40:38 cover it. Cover.
40:41 male vocalist.
40:46 All right, let's
40:49 let's go. Fourpart harmony,
40:56 12 string acoustic
41:02 guitar.
41:08 Um,
41:12 Americana rock,
41:16 still more stable than Sora. Okay, let's
41:20 see.
41:24 Yeah, this one I don't think's based on
41:25 this song.
41:28 No, this is
41:36 [Music]
41:43 Standing between
41:46 you and a hard place is insane.
41:49 [Music]
41:53 >> Standing too near
41:56 you in a fire makes it clear.
42:00 [Music]
42:02 >> You're trouble to me. Hey,
42:08 >> real trouble.
42:11 [Music]
42:14 >> Leaning in close.
42:17 Smell of your perfume scares me most.
42:23 Leaning away,
42:26 it feels stronger every day.
42:30 [Music]
42:33 You're trouble to me.
42:39 Real trouble. Can't you see?
42:42 >> That's cool.
42:45 [Music]
42:54 Standing between
42:56 [Applause]
42:57 you and a hard place is insane.
43:03 Standing too near.
43:06 You and a fire makes it clear.
43:10 [Music]
43:12 You're trouble to me.
43:15 [Music]
43:18 Real trouble. Can't you see?
43:24 Leaning in close.
43:27 Smell of your perfume scares me most.
43:33 raining away.
43:36 It feels stronger every day.
43:41 [Applause]
43:42 You're trouble to me.
43:45 [Music]
43:48 Real trouble. Can't you see?
43:51 [Music]
43:54 All right.
43:57 All right. So, let's
44:00 let's go back to this thing.
44:04 Uhuh. Oh, okay. So So, we're still doing
44:06 a cover. Let's do an extend.
44:12 Extend.
44:15 Oh, but I got to add lyrics.
44:17 Write me write Write me some damn
44:19 lyrics.
44:22 Uh uh uh uh uh uh
44:32 rightful song. No, let's see. Classic
44:35 lyrics model Remy, our newest model.
44:41 Um,
44:49 hang on. Hold on. Please hold, please.
44:53 Boom. Copy.
44:56 Um, back.
45:01 Okay, we're going to do AI lyrics. I've
45:04 got the actual whole lyrics for this
45:06 song somewhere. I just forget them.
45:10 Edit lyrics. Ah, here we go.
45:13 Wait.
45:21 Rightful song. Um,
45:26 write me
45:29 three more verses
45:33 after these and an
45:37 ending.
45:38 No chorus.
45:43 Uhoh.
46:05 Oh, wait. I got to write these outside
46:07 of Hang on. I got to write these outside
46:09 of uh this thing because it only lets me
46:14 put in a Calm down, everybody. Calm
46:17 down. Okay. Uh, wait. Share this tab
46:20 instead. All right. So, I'm going to
46:21 chat GPT. I wonder what it will do with
46:24 me beating on my puppy's belly drum.
46:27 It'll make a song out of it. It was
46:30 always meant to be this one. I know.
46:32 This This is a good song. I like this
46:33 song. I wrote this song I wrote this
46:36 song on a songwriting retreat. Um, the
46:39 one that I met Martin Ston at. Um, okay.
46:43 Um, here are some incomplete
46:49 lyrics
46:52 for an AA
46:55 structured
46:57 song. No chorus.
47:04 Um, write me
47:08 three more
47:10 verses. Versus Yeah.
47:13 verses verse is and
47:20 write me three more verses and um
47:24 a powerful ending. Let's see what's cool
47:28 about this is let's see how this thing
47:30 does
47:32 because I kind of I kind of know what
47:34 the other lyrics are for this.
47:48 Does he always sing like that?
47:50 Running my mouth, trying to warm myself
47:53 self somehow. Running my mind, but your
47:55 shadows right behind. You're trouble to
47:58 me. Real trouble. Can't you see?
47:59 Breaking my vow. Swear I'd never feel
48:01 this now. Yeah, these are kind of
48:03 crappy. Um, so let me let me say um
48:07 those are crappy.
48:11 Why don't you act like a
48:17 Grammy awardw winning
48:21 lyricist
48:24 and get more imagery and less cliche?
48:32 We'll just start with that. Hang on.
48:33 Champions got to go out. Hold, please.
48:38 Oh, you got it.
48:46 Okay. Lightning and glass, you pour a
48:48 spark I can't surpass. Tongue tongue of
48:51 a match. Every word you strike leaves a
48:53 scratch. Good lord, this is bad.
48:57 Well, you know what I'll do?
49:00 I will um I'll use these shitty lyrics
49:03 and then I'll replace these with real
49:05 lyrics. Wait. Would you like me to make
49:07 it feel bluesy and southern?
49:10 Um. Uh,
49:15 let's see. More cinematic.
49:25 Ash on the glass. Street flickers as you
49:27 pass. Ghost in your grin.
49:30 Every promise pulls me in. Lipstick and
49:34 rain. Every whisper tastes of pain. H.
49:37 These are [ __ ] syrupy. Too syrupy.
49:42 Um,
49:44 get more cynical
49:47 and lost.
49:52 By the way, the the lesson here,
49:56 if you if you're new to this AI stuff
49:58 and you're like, why is he bullying chat
50:00 GPT?
50:02 Part of our job as human beings with
50:06 these AI tools, in my humble opinion, is
50:09 that it's our job to hold
50:13 our definition of good. And then just
50:16 keep pushing AI until it starts to come
50:18 into your vision. And if it doesn't,
50:20 give up and try another tool. Just keep
50:22 going. Hold your vision. Don't let the
50:24 Don't let these machines fool you. Glass
50:27 in my boot. Every step reminds me of the
50:29 truth. The city don't sleep. It just
50:31 watches promise it can't keep.
50:35 That's [ __ ] word salad.
50:39 Okay, this is a song to someone.
50:45 The singer is talking to her. Um,
50:52 read the first two verses
50:57 for tone and style.
51:00 You big dummy.
51:06 Got it. My bad. I see what you're after
51:09 now. The voice isn't self-pittitying.
51:11 It's rye, aware, and a little reckless.
51:18 Caught in your stare. Feels like a blade
51:20 dressed up as care. That's good. You
51:22 never blink. Just watch me start to
51:23 sink. You're trouble. You tilt your head
51:26 like you're listening to what I've bled.
51:28 That's a little rough, but whatever.
51:30 You're you're smile. You're Wait, you
51:32 smile that lie like you practiced it on
51:35 every guy. That's pretty awful. All
51:37 right, whatever. Let's take these crappy
51:39 ones
51:42 and
51:44 and go back to
51:48 uh uh uh share this tab instead.
51:53 Okay, lyrics. So, we're going to go
51:57 insert after. Okay. Boom. There we go.
52:01 There's our AI generated shitty lyrics.
52:05 Ick. No. Ask Claude. All right. We'll go
52:07 to Claude. Good. Good call. Good call,
52:09 Andy. All right. Uh, but wait, I got to
52:12 go get the actual first two verses.
52:15 Hold, please.
52:20 I've got the real vers. I could probably
52:22 remember them. Can I? Oh, we include I
52:25 No, I can't. It's whatever. Uh, that's
52:29 What'd you do Friday night? I watched an
52:31 old man try to remember something. It
52:33 was really depressing. Um, Claude,
52:42 okay, you are
52:44 a Grammy awardw
52:48 winning lyricist. And if you're
52:50 wondering, does this actually work when
52:51 you tell it to do [ __ ] like this? It
52:53 actually does. And maybe some nice if
52:56 you're night if you're nice. I'll tell
52:58 you why. You're a GR Grammy
53:00 award-winning
53:02 lyricist
53:04 and songwriter.
53:08 Here are
53:10 two verses
53:12 of an Oh, did I not share this tab? No,
53:16 now I did. uh two verses of a of an uh a
53:22 aaa
53:24 structured song.
53:27 No chorus.
53:31 Uh
53:33 I think just um
53:36 so here are the lyrics
53:43 standing between unard places and sing
53:48 near unify make it clear
53:51 you're trouble to mem
53:56 real trouble can't you'll see
53:59 uh oh Well, let's see what it does.
54:03 Come on, cloud. Don't suck. Ruminating
54:06 on it. Stand by.
54:11 This is why I like instrumental music. I
54:13 know. Words are hard. It's It's so
54:15 funny. Words Words are
54:19 When they're flowing, they're easy. When
54:22 they're not flowing, it's just like,
54:25 "What are these letters?
54:33 Wait. Uh,
54:36 all right. What's it saying here? I
54:38 don't think I give it instructions. I
54:40 appreciate you sharing this with me.
54:43 Okay. Um,
54:45 I want you to write
54:49 two more verses and an
54:54 ending section.
54:58 Okay.
55:02 [Music]
55:10 [Music]
55:12 Wait, wait. Waited copyright concerns.
55:16 I appreciate your interest in developing
55:18 this. I can't write additional things to
55:20 complete your song. That would be adding
55:21 to your creative work. Well, yeah. No
55:23 [ __ ] It's my song. I want
55:29 you to add to my creative work now.
55:34 Please.
55:36 You big dumb dumb.
55:38 God damn it. [ __ ] guard rails.
55:43 Collaborating on an on a on an ethical
55:45 work ethically. You're right. Since your
55:47 original work Okay. Walking the line
55:49 between your world and mine ain't fine.
55:52 Oh, good god. Walking on air when you
55:55 call me from anywhere. Trying to leave,
55:59 but you've got something up your sleeve.
56:01 Yeah, this is all bad.
56:08 The ending. You're trouble. Trouble.
56:10 Real trouble. Can't you see? I'm seeing
56:13 double. You're trouble letting me be.
56:15 Real trouble. Trouble. Yeah. Trouble.
56:18 All you'll ever be. Okay. Well, yeah,
56:20 that's bad. When they're not flowing,
56:23 they're not They're not flow. No. Silver
56:26 Fox. No.
56:28 Ah.
56:30 Um,
56:32 can I remember them? Um,
56:36 I think let's see. Yeah. Uh,
56:44 [Music]
56:48 it's time to go.
56:52 I got a thing now. Enjoy the show.
56:59 I I don't remember them. It's not going
57:00 to work. It's not going to work. I'll
57:02 get the lyrics. Um
57:04 I Let's I want to write it I want to
57:06 write it with shitty lyrics. Those those
57:08 other ones were not horrible.
57:11 They sort of were.
57:17 But let's see. Are they still in here?
57:18 Yeah, they're still in here. Fine.
57:20 Whatever. Okay. So, let's see. I said
57:24 fourpart harmony.
57:26 Okay. Okay. I want to add I want to add
57:28 a simple drum kit to it.
57:32 Okay. Bang. So So this is going to be an
57:36 extend. Yep. It's an extend from the end
57:38 of that one. Which one am I doing this
57:40 on?
57:43 I think we got to do it on this one.
57:44 Hang on.
57:48 Copy.
57:51 Uh extend
57:54 lyrics.
57:58 Um,
58:01 it's on that one. And then
58:07 I grab this. Those four part harmonies
58:11 were so good.
58:14 So, okay. So, we got that. And then I'm
58:16 going to do simple
58:18 drum kit.
58:21 Um,
58:26 and
58:29 we could do a cello again or we could do
58:32 standup bass and standup bass.
58:36 Um, layer in
58:40 as the song
58:45 builds in intensity.
58:50 All right.
58:51 Bang. All right, here we go.
58:55 Paul McCartney walks in and says, "John,
58:57 I need lyrics." Yoko interrupts. I have
59:00 some. Yeah, exactly. We We got the
59:03 Yokoono Ono of of of lyrics tonight.
59:13 [Music]
59:14 Caught in your stare.
59:17 Feels like a blade dressed up as care.
59:20 You never blink.
59:22 >> God, that's horrible.
59:26 >> Caught in your stare.
59:29 Feels like a blade dressed up as
59:33 [Music]
59:36 >> All right. You know what? It's worth
59:38 waiting until I get the real lyrics
59:41 because those are [ __ ] horrific.
59:45 [Music]
59:54 Standing between
59:55 [Applause]
59:57 you and a hard place is insane.
1:00:03 Standing too near
1:00:06 you and a fire makes it clear.
1:00:11 Yeah, I did. I searched I searched for
1:00:13 the lyrics earlier. There's There's
1:00:14 somewhere They're somewhere on my drive.
1:00:16 I just don't know where.
1:00:21 I don't think they're in documents.
1:00:24 Don't think they're there.
1:00:27 Oh, I know where they could be. They
1:00:29 could be here. Yeah, maybe. Um,
1:00:34 let's see. Um,
1:00:38 trouble
1:00:53 Trouble lyrics
1:01:06 maybe here.
1:01:08 Troublem
1:01:11 iCloud drive.
1:01:14 Troubleshootings.
1:01:18 No
1:01:20 garageband project.
1:01:50 Uh, hang on.
1:01:54 >> Sitting by you.
1:01:57 I feel the heat. Can you feel it, too?
1:02:00 >> Oh, man. That's horrible.
1:02:04 I don't want anyone to hear that. I have
1:02:06 the recording of it.
1:02:08 It's bad. It's bad. I like the Suna one.
1:02:12 All right, we're just going to we're
1:02:13 just going to deal with the Sono one.
1:02:14 We'll come back to this. We'll come back
1:02:15 to this next week. I'll I'll find the
1:02:18 lyrics. I know they're on a on my drive
1:02:20 at work, I think. Um or I've at least
1:02:23 got them printed out. Um
1:02:26 okay.
1:02:28 [Music]
1:02:34 [Applause]
1:02:35 >> Real trouble. Can't you see?
1:02:40 Leaning in close.
1:02:43 Smell of your perfume scares me most.
1:02:49 Raining away.
1:02:52 It feels stronger every day.
1:02:58 [Applause]
1:02:59 Your trouble to me.
1:03:02 [Music]
1:03:05 Real trouble. Can't you see?
1:03:08 [Music]
1:03:10 Yeah, that's pretty [ __ ] cool. I
1:03:11 don't know. I don't know, people. Sunno
1:03:13 is pretty amazing. Sunno is pretty
1:03:16 flipping amazing.
1:03:19 All right, what are we going to do next?
1:03:20 That was a bit of a bust because
1:03:24 A, I wasn't prepared. B,
1:03:28 my technology didn't work. Uh, and then
1:03:31 C, whatever. Uh, chat GPT
1:03:35 bad lyricist.
1:03:39 Um, let's see. What do we want to do
1:03:42 here? Who's got Hey, Ann Murphy, are you
1:03:46 still here? Are you in any shape to hop
1:03:49 up and talk about um what you call it?
1:03:53 Create conference. I'd love to hear it
1:03:55 from your perspective if you're here.
1:04:00 [Music]
1:04:02 Agents, h agents are a little boring.
1:04:06 Maybe
1:04:08 we could talk about skills in Claude.
1:04:11 Claude added this thing called skills
1:04:13 which are kind of interesting.
1:04:16 Um
1:04:18 [Music]
1:04:23 Oh, yay. Tag me. Um,
1:04:26 [Music]
1:04:34 I don't think Ann heard me.
1:04:44 Yes. Claude info, please.
1:04:56 Dang it. I accidentally
1:04:59 deleted all of my social media apps,
1:05:01 including this one, including Tik Tok.
1:05:10 That's hilarious.
1:05:12 I mean, it's not. Yes. Five minutes. Oh,
1:05:15 okay.
1:05:17 Ann Murphy's going to come up in five
1:05:18 minutes. just spent the last 15 minutes
1:05:21 trying to get everything back. That's
1:05:22 [ __ ] miserable.
1:05:24 I used a skill on my resume. I said,
1:05:26 "Meh."
1:05:29 Okay. Um, before we get Ann up here,
1:05:32 I'll show you uh Claude uh Claude's
1:05:35 skills, how to find them. I don't know a
1:05:38 ton about them yet, except I did have
1:05:40 chat GPT write me
1:05:44 um write me some of them. write me some
1:05:48 instructions. So, what you do, let me do
1:05:51 a new new chat.
1:05:54 New chat. Okay, so you're at Claude. If
1:05:56 you go to your settings down here at the
1:05:58 bottom and you go to settings
1:06:01 and then in here there's this thing
1:06:03 called capabilities. So, they market
1:06:05 them as skills and then they call them
1:06:08 capabilities.
1:06:10 Well, capabilities are are one thing.
1:06:12 There are other things here like
1:06:13 artifacts, memory,
1:06:16 and then down here at the bottom,
1:06:18 there's this new thing called skills,
1:06:20 and you have to turn them on. So, I I've
1:06:23 already turned them on. And once you
1:06:26 need to turn on I don't know, there's
1:06:28 some there's some thing you need to
1:06:29 enable.
1:06:31 And then once they're there, um,
1:06:37 can you try and chat? Once you're there,
1:06:40 you you they have all these skills that
1:06:42 are that are pre-built for you, like
1:06:45 like a Slack GIF creator or an MCP
1:06:49 builder or an internal comms person or a
1:06:52 canvas design. Wait, create beautiful
1:06:55 visual art in PNG and PDF documents
1:06:59 using design philosophy. I don't know
1:07:00 how it's doing that because I don't
1:07:02 think this generates images, but
1:07:04 whatever. Brand guidelines. And then you
1:07:06 can make your own.
1:07:08 Um,
1:07:10 and so what you do is you basically make
1:07:12 a markdown image. Let me go show you
1:07:14 I'll show you the format that chatbt did
1:07:16 for me after reading
1:07:19 the instructions.
1:07:23 So let me wait. Let me show you how I
1:07:24 did that. So in here
1:07:28 where it says skills and then over here
1:07:31 it says learn more. If you click on
1:07:33 learn more, that will take you to a
1:07:38 document that teaches you how to make
1:07:41 these skills files.
1:07:43 So, they're basically just what these
1:07:45 are. This is what these they're actually
1:07:48 quite simple. They're structured
1:07:50 prompts, right? So, you know, before
1:07:52 where I just said act like a Grammy
1:07:54 award-winning lyricist and then wrote
1:07:56 shitty lyrics. Imagine actually spending
1:07:58 a decent amount of time
1:08:00 like defining what writing good lyrics
1:08:04 means. You could you could create a
1:08:06 custom prompt
1:08:08 that
1:08:10 makes Claude be better at that skill and
1:08:13 you can just call that skill. Um, and
1:08:16 then you have to create a skill.md file
1:08:20 and and then they describe how to do it
1:08:22 and they show some examples, right? And
1:08:24 so this is just markdown language like
1:08:26 these are little descriptors and you
1:08:28 know our official brand colors are and
1:08:31 here's here's our typography what we use
1:08:34 and here's our logo. So you're just
1:08:36 basically writing
1:08:40 prompts. You're writing instructions in
1:08:42 a particularly structured way. And then
1:08:45 what I did
1:08:49 it it's it's not really cloud custom
1:08:52 GPTs Brandon because you can call
1:08:54 multiple skills
1:08:57 in a in a session. So it's like having
1:09:01 it's like having
1:09:03 it's I I guess it's sort of like calling
1:09:05 in custom GPTs, but it's more like
1:09:07 calling in custom prompts with a tag.
1:09:11 Um, but what I did skill ideas for LLMs.
1:09:16 So what I did was I went into chat GPT
1:09:20 and I gave it the address of the skill
1:09:24 instructions and then I said come up
1:09:27 with 20 ideas and then I didn't like any
1:09:30 of the those ideas. So then I just told
1:09:32 it to make me one ideiation business
1:09:35 strategist. And so then it wrote this
1:09:38 big long
1:09:40 um thing and then you can save this out
1:09:44 as as a markdown file and then over in
1:09:48 Claude you can upload a skill. So you
1:09:51 can add your own skills. Um Nate B Jones
1:09:54 made an interesting video today where
1:09:58 once you have that markdown file you can
1:10:01 also use it in chat GPT. You can also
1:10:03 use it in perplexity. You can also use
1:10:05 it in in Grock, anywhere where you can
1:10:07 upload a file um into your prompt. Um
1:10:11 you could use that file. So you could
1:10:14 take this structured um approach and
1:10:18 then have chat GPT write you out a bunch
1:10:20 of things. you can go in and edit them
1:10:21 and add your own rules and things like
1:10:23 that and then you can add them and then
1:10:25 and then the way you turn them on in
1:10:27 Claude
1:10:29 is you just enable the specific skills
1:10:32 that you want to have access to and then
1:10:34 you can call call multiple ones
1:10:38 once you're in there. All right.
1:10:43 Beautiful. Beautiful. Beautiful.
1:10:45 Beautiful.
1:10:49 I think I'm going to scoot over to
1:10:50 YouTube. Um, I can't read any of your
1:10:54 stuff here. Hang on. More elegant and
1:10:56 clawed because it's built into the
1:10:58 background. Is anyone else having
1:10:59 trouble with the audio repeating itself
1:11:02 in snippets? Weird, huh?
1:11:06 That could just be me. That could just
1:11:08 be me.
1:11:10 You see what I did there? It it it was
1:11:13 it was audio
1:11:16 repeating itself in in snippets.
1:11:22 Ann, are you coming up?
1:11:26 Come save me.
1:11:31 [Laughter]
1:11:36 [Music]
1:11:37 Real little real.
1:11:39 [Music]
1:12:05 [Music]
1:12:06 All
1:12:08 right. What are we doing? What are we
1:12:09 doing, people? Um, let me let me see.
1:12:14 We'll go over to Notebook LM for a
1:12:17 second.
1:12:19 Um,
1:12:23 share this tab. Okay, so there's some
1:12:24 new stuff in Notebook LM if you haven't
1:12:26 seen it. Um,
1:12:32 let's see. Do this. Do this. Do this.
1:12:37 Oh, I know what I can do. View,
1:12:41 show bookmarks. That helps. Okay,
1:12:50 sea slug of doom. Let's all just enjoy
1:12:52 my autotapper. Okay, we're going to go
1:12:54 into a notebook LM right now. So,
1:12:57 they've added they've added a bunch of
1:13:00 new things into notebook LM. One is you
1:13:03 can generate flash cards.
1:13:06 So here's flash cards for this Aristotle
1:13:10 thing
1:13:12 and they're kind of slick. You can if
1:13:14 you click on them it flips over to show
1:13:15 you the answer. So it's like a little
1:13:17 study guide. According to Aristotle,
1:13:19 what parts of substance considered in
1:13:21 relation to the whole?
1:13:24 Like how are parts of substances
1:13:26 considered in relation to the whole?
1:13:28 They are present in the whole. This is
1:13:30 different from being present in a
1:13:32 subject which is defined as being
1:13:34 otherwise than as parts in a whole
1:13:38 explain
1:13:39 and then and then it explains. So you
1:13:42 can do flashcards now. So those are
1:13:44 pretty slick. Um you can do
1:13:48 um audio overviews of course you can do
1:13:52 quizzes.
1:13:53 So here's a quiz.
1:13:56 So one of 15 questions according to
1:13:58 Aristotle description of substances what
1:14:00 is defining characteristics of secondary
1:14:03 substances like species of or genus?
1:14:07 Um and so you can do a little quiz and
1:14:10 then
1:14:12 in video overview they've added a bunch
1:14:14 of new styles. So they've added auto
1:14:17 select classic which is what it was
1:14:19 before whiteboard
1:14:22 watercolor
1:14:24 retro paint and heritage and paper craft
1:14:28 and anime.
1:14:30 So let's do anime and we'll generate
1:14:32 that. And then let's see. I've done a
1:14:35 couple of these.
1:14:45 All right, today we're cracking open a
1:14:47 toolkit that's, get this, 2400 years
1:14:50 old. A toolkit designed to build
1:14:52 arguments that are basically
1:14:54 indestructible. Let's dive in. I mean,
1:14:57 really think about that for a second.
1:14:58 How do you build an argument that just
1:15:00 can't be knocked down? You know, whether
1:15:02 you're in a big debate, a work meeting,
1:15:04 or heck, even just writing an email. How
1:15:05 do you make your point so solid that
1:15:07 nobody can argue with it? Well, it turns
1:15:10 out the blueprint for this wasn't cooked
1:15:12 up by some modern-day consultant or
1:15:14 Silicon Valley guru. Nope. It was
1:15:16 designed, get this, 2400 years ago, by a
1:15:19 true master architect of reason all the
1:15:22 way back in ancient Greece.
1:15:23 >> So, that's the watercolor style. So,
1:15:26 let's look at
1:15:28 those toolkit
1:15:32 or that that was whiteboard style, not
1:15:34 watercolor. I don't know what this one
1:15:36 was.
1:15:37 >> All right. Today we are cracking open a
1:15:39 toolkit for clear thinking that's over
1:15:41 2,000 years old straight from the mind
1:15:44 of Aristotle. And look, this isn't going
1:15:46 to be some dusty, boring philosophy
1:15:47 lecture. This is a practical guide for
1:15:49 cutting through all the noise of the
1:15:51 modern world and learning how to build
1:15:52 arguments that act.
1:15:53 >> By the way, the the the source of if if
1:15:57 you're new to notebook LM, I sorry I
1:16:00 didn't talk about this before. In
1:16:03 notebook LM on the left hand side here,
1:16:05 you have sources. So the source of this
1:16:07 notebook is the complete works of
1:16:09 Aristotle. So you can have up to I think
1:16:12 it's 300 documents now. You can have 300
1:16:15 different documents here and then you
1:16:17 can just build audio overviews of some
1:16:19 or all of those documents and and these
1:16:23 videos that we're watching um it's the
1:16:26 these are dynamically generated from you
1:16:30 know from the from the data. So, it's
1:16:33 pretty pretty something what you can do.
1:16:36 Now,
1:16:38 >> I have to find the ultimate why behind
1:16:39 it all. It's simple. It's powerful and
1:16:42 it's timeless. All right, let's break
1:16:44 down that first tool. Define it. This is
1:16:47 maybe the most important step because
1:16:49 it's about building a solid foundation.
1:16:51 And it's all about separating what a
1:16:53 thing is from all the things we can say
1:16:55 about it. Aristotle's starting point for
1:16:58 this is what he called primary
1:17:00 substance. Now that sounds academic, but
1:17:03 it's a really simple idea. Just think of
1:17:05 it as the fundamental thisness of a
1:17:08 thing. The actual individual thing that
1:17:10 exists. So not dog as a general idea,
1:17:14 but this specific dog sitting right
1:17:16 here. It's the subject of our sentence,
1:17:18 the foundation everything else is built
1:17:20 on. And this slide just lays out the
1:17:23 difference perfectly. The substance is
1:17:25 the individual.
1:17:27 >> All right. So that's G grav g.
1:17:33 Um,
1:17:38 oh my Aristotle toolkit is in which LLM,
1:17:41 please. This is in um this is I just
1:17:45 went this is I'm just in notebook LLM
1:17:47 right now. And so in notebook LM I've
1:17:52 just I went to the internet. I went to
1:17:54 the Google and I looked up complete
1:17:57 works of Aristotle and found a PDF of
1:18:00 the complete works of Aristotle and then
1:18:02 just uploaded that to this. Here's why I
1:18:05 did this. There's there's a video of
1:18:07 Steve Jobs in 1985 where he basically
1:18:10 predicts AI.
1:18:12 And he says, "Imagine a day when we can
1:18:14 build a technology where I can talk to
1:18:16 one of my heroes, Aristotle. Imagine a a
1:18:19 technology, a machine that could capture
1:18:23 the world view and the essence of who he
1:18:25 was.
1:18:28 Oh, is an backstage? Ann should be
1:18:30 backstage. No, she's not. You're not
1:18:32 there.
1:18:34 Did you get her the uh the uh what you
1:18:37 call it?
1:18:39 Notebook LM. Yeah. Notebookm.google.com.
1:18:48 Let me go back out. She's there. Where?
1:18:52 Oh, she's down below. I see.
1:18:57 >> Yo.
1:18:58 >> Yo,
1:19:00 >> what's shaking?
1:19:02 >> Hello.
1:19:02 >> I I all day today I have been talking to
1:19:05 women that are like, "Holy [ __ ] that
1:19:07 weekend was amazing."
1:19:09 So So uh so I need to hear from yours.
1:19:13 Now, you can't you can't just like kiss
1:19:16 ass just cuz there's some people that
1:19:17 were here and there. You got to tell me
1:19:20 how it really was. Like, we want the
1:19:21 dirt. We want the tea.
1:19:23 >> No, I don't have any tea. It was
1:19:26 amazing.
1:19:27 >> I don't have any tea.
1:19:29 >> I Listen, I I got I got ears full from
1:19:32 people who are normal. They They don't
1:19:34 hold back. Let's put it that way. You
1:19:36 know, some of them. And uh and uh they
1:19:41 were here. I I see what Brandon's doing.
1:19:43 Let's make you big. Wait, why can I
1:19:46 >> hang on?
1:19:48 We'll just leave it like that, Brandon.
1:19:50 Um
1:19:50 >> Oh dear. Me. Okay.
1:19:52 >> Yeah. PE people who have big opinions to
1:19:55 to a person were like, "No, it was
1:19:57 really incredible." So, sounds like you
1:19:59 you kicked ass.
1:20:00 >> Yeah. I mean, it was it was so much fun.
1:20:04 So, um there is a woman named Olivia and
1:20:09 her her last actually uh side hustle
1:20:12 Mimi might know her last name. It's like
1:20:14 it starts with an O. Um we were having
1:20:17 so much fun. I mean definitely were very
1:20:20 serious. We learned a lot of things from
1:20:22 each other. But one of the attendees,
1:20:25 Olivia, she has a dream to get on the
1:20:27 Jennifer Hudson show. And so she, you
1:20:30 know, she makes music. She has a radio
1:20:32 station. She's an educator. And so she
1:20:35 wrote a song for the conference of
1:20:37 course.
1:20:38 >> Nice.
1:20:38 >> And then um after lunch is before we
1:20:42 started off her our like next afternoon
1:20:44 of sessions, we did a spirit tunnel for
1:20:46 her
1:20:47 >> and it's on LinkedIn right now. So we
1:20:50 all 30 of us lined up, one person on the
1:20:52 other side, one person on the other. And
1:20:54 we made up a chant um that Cindy [ __ ]
1:20:59 then yelled out and we all clapped and
1:21:01 we sang and Olivia danced down through
1:21:03 the spirit tunnel and she sent it to the
1:21:07 Jennifer Hudson show. Now this is not
1:21:10 your typical AI conference obviously if
1:21:12 we're doing spirit tunnels. We were we
1:21:15 were dancing. We were laughing. We were
1:21:17 hugging, crying. We ate so much food.
1:21:23 And
1:21:23 >> Cindy said it was a ridiculous amount of
1:21:26 food.
1:21:27 >> Yes. Donnie is like the most popular guy
1:21:29 because um you know we I mean we we ate
1:21:33 like the queens that we are because we
1:21:35 had budget because of you know like you
1:21:39 know this the world being the way that
1:21:40 it is. So we had ribs for lunch and like
1:21:43 creme brush like bral
1:21:48 bashimal cream or whatever it's called.
1:21:51 Um
1:21:52 >> macaroni and cheese and like I mean just
1:21:55 ridiculous.
1:21:57 But that was the thing is so here's the
1:21:59 thing.
1:22:01 It is. I mean, I can't everything that
1:22:04 you and I have ever talked about about
1:22:05 the importance of showing up in spaces
1:22:08 with other people
1:22:09 >> as your whole human self, your real
1:22:12 self. You cannot
1:22:14 >> mask severely for that many days, right?
1:22:17 Like we were in a space where we could
1:22:20 all show up and none of us were masking
1:22:22 like corporate giries like we all used
1:22:24 to in our previous lives either. So we
1:22:27 were wearing colorful
1:22:28 >> or like giries when you have men there
1:22:30 which changes that that dynamic as well,
1:22:33 right?
1:22:33 >> Yes. Exactly. Exactly. So no guys there,
1:22:36 no posturing. Um just it felt like a
1:22:41 reunion.
1:22:42 >> Huh.
1:22:43 >> I don't know how to describe it. For
1:22:45 some of us who've known each other for a
1:22:46 long time, like me and me and Side
1:22:48 Hustle Mimi, like we've known each other
1:22:50 here, but I've never even been on a Zoom
1:22:53 screen with
1:22:54 >> Wow. you know, and so but but yet when
1:22:57 we met it was like, oh my god, like
1:23:00 we're finally together. And that's how
1:23:03 it felt with the women that you hadn't
1:23:04 met yet as well. The vibes were just
1:23:08 immaculate.
1:23:10 >> The speakers were to die for. Um yeah,
1:23:15 like just the whole everything about it
1:23:17 was
1:23:19 I it just it doesn't seem like a
1:23:21 conference. I mean, obviously it was a
1:23:23 conference, but it felt more like a
1:23:26 retreat, at least for me. And I don't
1:23:28 know what other women would say, but the
1:23:30 fact that I came home like I did crash
1:23:32 today because you know you're supposed
1:23:33 to have like postpartum after your
1:23:35 event.
1:23:37 >> No serotonin to be had. There's no
1:23:41 >> It's gone. It has left the building. I'm
1:23:43 going to be sad for a long for a number
1:23:45 of days. But um
1:23:47 >> but
1:23:48 >> you don't you don't have time to be sad.
1:23:49 We got to get ready for festivals.
1:23:52 But here's here's when I knew so like
1:23:55 there were a couple of there were a
1:23:56 couple of like big big aha moments for
1:23:59 me. One was when the woman Dr. Penny
1:24:03 Atkins, she runs the
1:24:06 um one responsible AI initiative for the
1:24:10 state of Utah based at University of
1:24:12 Utah.
1:24:13 >> And she commented on a panel early on in
1:24:16 the conference that she was intimidated
1:24:19 coming into the space with us. She runs
1:24:21 a $50 million center.
1:24:24 >> Wow.
1:24:25 >> And she was nervous coming into a space
1:24:27 with us. And so later on I checked in
1:24:29 with everybody. I said, "Who here was,
1:24:32 you know, feeling a little bit out of
1:24:34 their comfort zone coming in here, like
1:24:36 somehow or another they're gonna
1:24:37 everybody there is going to be smarter
1:24:38 than them?" Everyone raised their hand.
1:24:40 >> Oh my gosh. Now, who here has met
1:24:42 somebody that they will be friends with
1:24:44 for the rest of their life? And hands
1:24:46 all shot up.
1:24:48 >> Really?
1:24:49 >> We're friends for life. We are. This
1:24:50 group, this this 70 women is the OG
1:24:54 create. I mean, this is the Create Con
1:24:58 OG's forever and it's just going to
1:25:01 build from here. It was phenomenal.
1:25:04 >> Yeah. I heard on on uh on office hours
1:25:07 today there were some folks talking
1:25:09 about it and they they said that the
1:25:11 thing that struck them the most was how
1:25:13 much it it was like AI was the thing in
1:25:17 the background.
1:25:18 >> Yeah.
1:25:19 >> And it was it was just about connecting
1:25:21 like you said just being and connecting.
1:25:24 being and connecting and
1:25:27 >> listen I mean quite frankly I think it's
1:25:29 I think it's that level of connection
1:25:31 and empathy and and human engagement why
1:25:36 women are so [ __ ] good at AI you know
1:25:40 right a large language model and it's
1:25:42 like you know I just it it makes such
1:25:46 sense so that's that's really amazing to
1:25:47 hear I'm so glad because I know I know
1:25:49 that's a big stressful thing the
1:25:51 inaugural you know
1:25:52 >> the inaugural Yeah, hotel rooms and
1:25:56 pray, right?
1:25:57 >> The first Yeah, the first pancake as it
1:26:00 were. Um
1:26:02 >> yeah, it was all like there are so many
1:26:05 things that are going to come out of
1:26:07 this. For example, um Vanessa Chang. So
1:26:10 for those of your listen of your of your
1:26:12 um audience who don't yet know who
1:26:14 Vanessa Chang is, she's here. She's on
1:26:17 Tik Tok. Yeah.
1:26:18 >> And I'm sure her her content is on um
1:26:20 YouTube as well. She has I mean she's
1:26:23 this like an independent scholar and she
1:26:25 is redefining
1:26:28 intelligence and what it is what smart
1:26:30 is. She gave us all a whole new way of
1:26:34 thinking about how to how we think and
1:26:37 what gets recognized and what gets
1:26:39 rewarded because as girls growing up,
1:26:42 you know,
1:26:43 >> you got to be smart but not too smart,
1:26:45 all this stuff. And now so like and then
1:26:48 there are of course the collaborations
1:26:50 that are that are going to come out of
1:26:52 this and there are the businesses that
1:26:54 are going to come out of this and there
1:26:55 are the friendships and
1:26:57 all the things like that got started
1:27:00 there
1:27:02 >> we I know for sure there's no question
1:27:04 and and side hustle Mimi can can confirm
1:27:06 or deny this but I that we as we keep
1:27:10 track of each other over the course of
1:27:12 time so much of what happens in the next
1:27:15 10 years is going to started at create
1:27:17 this year.
1:27:18 >> That's so cool. That's so cool.
1:27:20 >> Yeah,
1:27:21 >> it's really good. It's really good.
1:27:24 >> We had um I gotta tell you I gotta tell
1:27:25 you this one thing. Everyone will find
1:27:27 this entertaining. So, we had one woman
1:27:30 >> um in So, Rachel Zipsy drove a motor
1:27:33 home across the country to get there
1:27:35 with her two dogs and she's been passing
1:27:38 out. She has her um it's a million
1:27:40 hearts movement. Each of these hearts
1:27:42 has a message on them and you you give
1:27:45 them to people. You give like two to a
1:27:47 person and so they can give some give
1:27:49 one to somebody else.
1:27:51 >> So she drove her her um rented an RV,
1:27:55 drove it across the country.
1:27:57 >> Um we had these two um girls from
1:28:01 Southern Utah University. They took a
1:28:04 bus, like some janky bus in the like in
1:28:06 the middle of the night to get to the
1:28:08 conference. This one lady flew her
1:28:10 private plane to get to the conference.
1:28:13 >> So, well, who was it? Someone texted me.
1:28:15 I forget who it was.
1:28:16 >> Oh, and then Kate Gomez, we she
1:28:20 was planning to fly overnight. People
1:28:23 >> pe people went and got one woman went
1:28:25 and got another credit card
1:28:27 >> in order. I'm like people were there
1:28:30 like with a purpose. No one everyone
1:28:34 sacrificed something because it's not,
1:28:36 you know, it's a pain in the ass. We all
1:28:38 want to sit at home in our stretchy
1:28:39 pants.
1:28:40 >> Yeah.
1:28:40 >> Like
1:28:41 >> what was the what was the balance of
1:28:43 people that were kind of deep in it
1:28:45 versus people that were like I gota I
1:28:47 got to get my [ __ ] together or like I
1:28:49 you know I I've heard I' I need to be an
1:28:52 AI person now.
1:28:54 Um uh well I'll give you an example like
1:28:57 one woman um is leading
1:29:01 the whole AI oh by the way Mimi is she
1:29:07 is a rock star.
1:29:08 >> Yeah.
1:29:09 >> Oh my godimi is a rockar and she should
1:29:13 be speaking at um at uh you know the AI
1:29:16 meet and greet the salon meet and greets
1:29:19 for sure.
1:29:20 >> Okay cool.
1:29:20 >> You've got all these. So that I would
1:29:22 say most women were
1:29:26 into the
1:29:28 >> side hustle mean stop.
1:29:31 >> Uhhuh. No, she's a she's a badass. She's
1:29:34 a badass.
1:29:35 >> And so I would say most women were like,
1:29:38 "Yeah, I'm pretty damn serious about
1:29:40 this." Or more.
1:29:41 >> Yeah. But but you know we had a
1:29:44 buildathon
1:29:45 in the pre-conference and of the 20
1:29:49 women who were there were many who had
1:29:51 not built anything before.
1:29:53 >> Great. That's awesome.
1:29:54 >> And now they're already like full on.
1:29:57 It's game on. They're building. They're
1:29:58 launching. They're
1:30:00 >> I mean that's that's the this is the
1:30:02 whole thing about about community, isn't
1:30:04 it? Where if you have a community that's
1:30:07 welcoming, you can come in and be like,
1:30:08 I don't know anything, right? And then
1:30:10 before you know it, you're like, "Oh my
1:30:11 god, I could do this and I can do this."
1:30:13 Right.
1:30:15 >> That's awesome.
1:30:17 >> Yeah. We had people scouting us from
1:30:19 other other AI conferences.
1:30:21 >> Yeah.
1:30:22 >> Um the uh visit Salt Lake City people
1:30:25 came in because they want us to run a a
1:30:28 a track for them for their new summit
1:30:32 that they have in February. Like
1:30:35 >> Wow.
1:30:36 >> Yeah. And we're just like we're just all
1:30:37 best. Sabrina was there. She took people
1:30:39 aside and did a vibe coding thing like
1:30:42 >> and we're just all gonna be best friends
1:30:44 forever.
1:30:45 >> That's so cool.
1:30:46 >> Well, congratulations.
1:30:48 >> Thank you, Kyle. I am so happy that the
1:30:50 AI salon showed up with such such gusto
1:30:54 for us. Like it was so cool to be able
1:30:55 to talk about the salon. Like I told for
1:30:59 everybody who's there like it was like a
1:31:01 Kyle love fest. You're the only besides
1:31:04 Donnie and Norman who was taking photos.
1:31:07 It was the the trifecta of the allies
1:31:10 and
1:31:11 >> that's great.
1:31:12 >> Yeah. And Daisy killed it and Kathy and
1:31:15 people were fired up coming out of their
1:31:17 session starting to talk to their
1:31:19 legislators.
1:31:20 >> Yeah.
1:31:21 >> Yeah. It was good.
1:31:23 >> Thank you for Thank you for the
1:31:24 partnership. It's really
1:31:25 >> Yeah. Well, no, I'm I'm really glad we
1:31:27 could support it and I just, you know,
1:31:29 it was it's so it was so good to hear
1:31:31 just like I've had so many women
1:31:34 independently
1:31:36 just just say how blown away they were
1:31:38 by it. So,
1:31:39 >> it was special. It was It was another It
1:31:42 was another world. I feel I feel very
1:31:44 very fortunate.
1:31:46 >> Wow. So cool.
1:31:47 >> Yeah.
1:31:47 >> Beautiful. Um
1:31:50 virtual reboot. Tease the virtual
1:31:52 reboot. I don't know what that means,
1:31:54 Brandon.
1:31:56 >> Oh, the virtual reboot. Oh, so yes.
1:31:58 Okay.
1:31:58 >> Oh, yes. Oh, so Ann, yes, Brandon, you
1:32:04 tee that up. Go and go.
1:32:06 >> Thanks, Brandon. So, so here's what's
1:32:09 really cool is if you missed the create
1:32:12 conference in person, which most people
1:32:15 had to because life is lifing, we are
1:32:19 doing a a
1:32:22 full reboot of the whole all of the
1:32:24 presenters are coming back and we're
1:32:27 doing a virtual experience.
1:32:30 Everyone will be on the conference app.
1:32:33 So, everyone who registers will be on
1:32:35 the conference app just like we were
1:32:36 when we were in Salt Lake City. There's
1:32:39 a leaderboard, there's photos, there's,
1:32:42 you know, meetups, you can make all the
1:32:45 friends, all the things, and you'll get
1:32:49 the recording. And so, if you, if you
1:32:51 went, you already have a free ticket.
1:32:54 Um, I think it's $79. We're going to
1:32:56 post it in a couple of We're going to
1:32:57 post the sign up in a couple of days.
1:33:00 all the content. We're just going to
1:33:02 rinse and repeat it and it'll be even
1:33:03 better.
1:33:04 >> Great. Yeah, because they've they've
1:33:06 practiced it.
1:33:09 >> Although, who was it? Was it Was it
1:33:11 Daisy? Yeah, it was Daisy. I You know, I
1:33:14 said I said, "Daisy, I heard you killed
1:33:15 it and you're going to do it again." She
1:33:16 goes, "Yeah, but you know me. I never
1:33:18 write anything down, so it's going to be
1:33:19 completely new.
1:33:20 >> It's gonna be brand new again." Yeah.
1:33:22 >> Yeah.
1:33:23 >> Yeah. No, that's that's really amazing.
1:33:24 It's I mean I think it's a silver lining
1:33:26 of of you know people not feeling like
1:33:29 they could come to it is that is that
1:33:31 you're going to capture it in that way.
1:33:33 >> Exactly. I'm I'm super excited about it
1:33:36 and we know you know we do we throw a
1:33:39 good party whether it's in real in
1:33:41 person or online. So it's going to be
1:33:44 good. Thanks producer Brandon for
1:33:45 reminding me about that.
1:33:46 >> Yeah that was really good. Beautiful.
1:33:48 >> I had my um they call it event event
1:33:52 postpartum. I had my postpartum
1:33:55 rotting in bed day today. Just like
1:33:58 >> you deserve it. You deserve it. Well,
1:34:00 it's funny because like, you know, I
1:34:02 knew this was coming up and you just
1:34:03 went you went radio silent for like
1:34:05 three weeks before. You just you just,
1:34:08 you know, down in it, right? Because
1:34:11 >> you got an event coming up. That's where
1:34:12 you got to go.
1:34:13 >> It was I've never focused on one thing
1:34:17 so intently in my life.
1:34:20 >> Right.
1:34:20 >> It was worth it. worth every second and
1:34:23 then some. Yeah.
1:34:25 >> Awesome, man. Well, thanks for
1:34:26 >> All right, I'm gonna join the audience.
1:34:28 >> All right, cool. Peace out.
1:34:29 >> Talk to you later. Bye.
1:34:32 >> All right, that was super cool. Um, so
1:34:35 if you're a woman, u check out
1:34:37 sheleadsai,
1:34:39 sheleadsai.ai.
1:34:42 Um, and if you haven't joined the AI
1:34:43 salon, go to the salon.ai and check out
1:34:47 the salon. Um we are we are cousin
1:34:50 organizations at this point or are uh
1:34:53 you know friendly siblings um and doing
1:34:56 cool stuff together. We've got
1:34:57 festivists coming up between um the
1:35:00 holidays and new year. Um okay I had an
1:35:05 idea while Ann was talking. Let me see
1:35:10 if
1:35:11 [Music]
1:35:20 It's time to go.
1:35:24 >> Okay. So, I had a recording of Trouble.
1:35:27 So, what we're going to do
1:35:30 is we're just going to do a a cover of
1:35:32 the complete song, the complete recorded
1:35:34 song. Tab.
1:35:36 All right. So, I'm in Suno now. So,
1:35:39 we've got we've got our prompt. So, how
1:35:44 do I do this? So, how I'm going to do
1:35:45 this is I'm going to go add audio,
1:35:47 upload,
1:35:51 and then I'm going to grab the song.
1:35:55 Or am I? Maybe I'm not because it's not
1:35:58 the right format, is it?
1:36:02 No. Uh,
1:36:05 let's see.
1:36:13 How do I do a new a new thing?
1:36:20 Trash. Here we go. Upload.
1:36:25 I don't think it's recognizing AIFF.
1:36:28 Okay. So, let's go turn that into
1:36:32 an M4A
1:36:34 file. Hold, please. I'll be right there.
1:36:38 Um, export as audio only
1:36:44 desktop M4A.
1:36:48 Okay.
1:36:51 Upload
1:36:52 M4A. Open.
1:36:55 There we go. Save.
1:36:59 Cover.
1:37:16 Lori K congratulating Ann Murphy. I
1:37:19 know. Really, really amazing stuff.
1:37:21 Really exciting stuff.
1:37:23 Fabiana's inspired.
1:37:27 Okay, cool. All right. So,
1:37:30 so we've got let's So, let's do a cover
1:37:34 of this.
1:37:37 And then we're going to go grab
1:37:42 No, not that.
1:37:45 We're going to go grab this
1:37:51 prompt.
1:37:58 All right. Sitting by you. I feel the
1:38:00 heat. Can you feel it, too? Sitting too
1:38:01 far takes me away from where you are.
1:38:03 It's time to go. I got to leave now.
1:38:05 Enjoy the show. Okay. So, there's all my
1:38:07 lyrics.
1:38:09 Okay. Um,
1:38:12 and now I need style. So, we're going to
1:38:14 go paste. And then we're going to do um
1:38:18 simple drum kit
1:38:22 and stand up bass layer in as
1:38:28 intensity builds.
1:38:32 And I think that's it. Advanced options.
1:38:36 I'm just going to leave those be. We're
1:38:38 going to go create.
1:38:40 All right. All right, people.
1:38:44 We might end up with a full song here
1:38:48 and hopefully we get some decent um
1:38:53 you know harmonies and things like that.
1:38:58 [Music]
1:39:09 [Applause]
1:39:12 [Music]
1:39:17 Standing between
1:39:20 you and a hard place is insane.
1:39:23 [Music]
1:39:24 [Applause]
1:39:26 Standing too near
1:39:29 you in a fire makes it clear
1:39:35 your trouble to me.
1:39:41 Real trouble. Can't you see?
1:39:47 Leaning in close,
1:39:50 smelling your perfume scares me most.
1:39:56 Leaning away,
1:39:59 it feels stronger every day.
1:40:05 You're trouble to me.
1:40:11 Real trouble. Can't you see?
1:40:17 Sitting by you,
1:40:20 I feel the heat. Can you feel it, too?
1:40:26 Sitting too far
1:40:29 takes me away from where you are.
1:40:33 [Music]
1:40:35 You're trouble to me.
1:40:41 Real trouble. Can't you see
1:40:47 it's time to go?
1:40:50 I got to leave now. Enjoy.
1:40:52 >> All right, that one's pretty cool. All
1:40:53 right, let's listen to this one.
1:40:57 I want to have a I think
1:41:01 [Music]
1:41:05 Standing between
1:41:08 you and a hard place is insane.
1:41:13 >> The other one was better. All right,
1:41:15 let's change the prompt a little bit.
1:41:17 Let's see. Um,
1:41:20 I'm going to go America Americana
1:41:25 rock
1:41:28 with clean
1:41:32 electric
1:41:36 guitars.
1:41:43 four-part harmony,
1:41:45 12 string acoustic
1:41:50 guitars. We'll get rid of that.
1:41:56 Let's go. Um,
1:41:59 what's it called? Yeah, cello.
1:42:02 Um, cello.
1:42:06 Um, or
1:42:09 fiddle.
1:42:11 Um,
1:42:13 cello
1:42:15 and fiddle
1:42:19 layer in as
1:42:22 tension builds. Um, thanks for the kind
1:42:25 words. Yeah, this this is a song whoever
1:42:27 said I would pay for that single. Great.
1:42:29 Yeah, I'll once I get to a version of
1:42:31 this I like, I'll I'll put it up
1:42:33 somewhere. I'll I'll uh I'll get it out
1:42:35 there. We'll put it on uh we'll put it
1:42:37 on the AI salon is what we'll do.
1:42:41 All right, let's try another one.
1:42:48 That last one wasn't bad. I I mean, it
1:42:50 was building in a nice subtle way and I
1:42:51 could have waited till the end, but you
1:42:53 know, I'm cognizant that it's late. It's
1:42:56 getting late for people. You know,
1:42:59 you're all older.
1:43:01 You're probably taking medications about
1:43:03 now for incontinence and things like
1:43:05 that. So, you know how that goes. All
1:43:08 right.
1:43:13 [Music]
1:43:21 Standing between
1:43:24 you and a hard place is insane.
1:43:28 [Music]
1:43:30 Standing too near
1:43:33 you and a file. Makes it clear
1:43:39 your trouble to me.
1:43:42 [Music]
1:43:45 Real trouble. Can't you see?
1:43:48 [Music]
1:43:51 Leaning in close,
1:43:54 smelling your perfume scares me most.
1:44:00 leaning away.
1:44:03 It feels stronger every day.
1:44:09 You're trouble to me.
1:44:15 Real trouble. Can't you see?
1:44:20 Sitting by you,
1:44:23 I feel the heat. Can you feel it, too?
1:44:29 Sitting too far
1:44:32 takes me away from where you are.
1:44:38 You're trouble to me.
1:44:44 Real trouble. Can't you see?
1:44:47 >> All right, that was kind of cool. It was
1:44:48 a little little little
1:44:51 backwoodsy for me, but let's let's see
1:44:55 what we get here with this. I changed up
1:44:57 the prompt a little. I put Americana,
1:45:00 four-part harmonies, 12 string acoustic
1:45:02 guitar, rhythm section, cello, and
1:45:06 fiddle layer. So that's that's this one.
1:45:09 [Music]
1:45:24 Standing between
1:45:26 you and a hard place is insane.
1:45:30 [Music]
1:45:32 Standing too near
1:45:35 you and a fire makes it clear.
1:45:39 >> Nice harmonies. That's what I'm looking
1:45:41 for. You're trouble to me.
1:45:47 Real trouble. Can't you see?
1:45:53 >> Leaning in close.
1:45:55 >> Hey,
1:45:56 >> smelling your perfume scares me most.
1:46:02 Leaning away
1:46:05 feels stronger every day.
1:46:09 [Music]
1:46:11 You're trouble to me.
1:46:15 [Music]
1:46:17 Real trouble. Can't you see?
1:46:23 Sitting by you.
1:46:26 >> I feel the heat. Can you feel it, too?
1:46:32 Sitting too far.
1:46:35 Takes me away from where you are.
1:46:40 [Music]
1:46:41 You're trouble to me.
1:46:47 Real trouble. Can't you see?
1:46:51 [Music]
1:47:10 It's time to go.
1:47:13 I got to leave now. Enjoy the show.
1:47:19 It's time for you
1:47:22 to say goodbye. Yeah, I'll miss you,
1:47:24 too.
1:47:28 You're a true to me.
1:47:34 Real trouble. Can't you see
1:47:39 [Music]
1:47:46 this?
1:47:47 [Music]
1:48:01 [Applause]
1:48:02 [Music]
1:48:05 Now that you're gone,
1:48:08 all is supposed to be more fun.
1:48:14 Now that you left home,
1:48:17 all I feel is escaping a risk.
1:48:22 [Music]
1:48:23 You're a trouble to me.
1:48:29 Real trouble. Can't you see
1:48:35 your trouble? Don't you know
1:48:41 trouble? Where did you go?
1:48:44 [Music]
1:48:47 >> All right, that one's cool. Um, dang.
1:48:49 Who needs a real studio when you have
1:48:51 this? Amazing. Yeah, it's, you know,
1:48:53 it's funny like I've been playing with
1:48:56 Suna. I mean, I've written a whole
1:48:58 [ __ ] musical, right, using these
1:49:00 tools, and it like it's just now
1:49:05 striking me like I can take any old song
1:49:09 I have, any fragment of a song I have,
1:49:12 and turn it into something. It's
1:49:13 amazing. Um, I added Bode Bass. That was
1:49:16 a good uh suggestion. Let's let's uh
1:49:19 let's go listen to a couple of more of
1:49:21 these.
1:49:23 [Music]
1:49:34 Happy road.
1:49:37 >> Standing between
1:49:40 you and a hard place is insane.
1:49:44 [Music]
1:49:46 Standing to near
1:49:49 you in a fire makes it clear
1:49:55 your trouble to me.
1:50:01 Real trouble. Can't you see?
1:50:07 Leaning in close,
1:50:10 smelling your perfume scares me most.
1:50:16 Leaning away
1:50:19 feels stronger every day.
1:50:23 [Music]
1:50:25 You're trouble to me.
1:50:31 Real trouble. Can't you see?
1:50:33 >> I'm going to try something. I'm going to
1:50:34 try New York hardcore. New York City
1:50:38 hardcore.
1:50:40 I'm going to keep in fourpart harmonies.
1:50:42 I'm going to say just acoustic guitar
1:50:50 bode bass.
1:50:53 I'm just going to say
1:50:56 um
1:50:57 fretless bass
1:51:04 electric violin.
1:51:20 We're gonna try a completely different
1:51:22 genre here. I'm going 1990s CBGBs.
1:51:28 [Music]
1:51:34 >> You know, is
1:51:36 not
1:51:37 >> standing between
1:51:41 Oh,
1:51:41 >> that was Americana. Hang on. Here's New
1:51:43 York Hardcore.
1:51:45 [Music]
1:52:03 Standing between
1:52:06 you and a hard place is insane.
1:52:10 [Music]
1:52:12 Standing too near
1:52:15 you when a fire makes it clear.
1:52:21 You're trouble to me.
1:52:27 Real trouble. Can't you see?
1:52:31 H interesting.
1:52:34 [Applause]
1:52:35 [Music]
1:52:41 What is that?
1:52:43 [Music]
1:52:56 >> That's crap. It's crap. It's crap. It's
1:52:59 crap. Patellia. It's Katellia.
1:53:02 New York City post punk. Let's call it
1:53:04 post punk.
1:53:11 We'll just say vocal harmonies.
1:53:15 I'm going to say female vocal harmonies.
1:53:18 Female vocal harmonies.
1:53:21 I'll say male
1:53:25 lead
1:53:27 female vocals. All right, let's try
1:53:30 this.
1:53:38 You can tell it three male and two
1:53:40 female. Oh, can you? That's cool. This
1:53:43 session pairs well with my bag of Dave
1:53:47 chocolates.
1:53:52 Just snarfing down chocolates. Listening
1:53:56 listening to a song nearly there.
1:54:00 [Music]
1:54:16 Standing between
1:54:19 you and a hard place is insane.
1:54:22 [Music]
1:54:25 standing too near.
1:54:28 You and a fire makes it clear.
1:54:34 Your trouble to me.
1:54:38 [Music]
1:54:40 Real trouble. Can't you see?
1:54:45 Leaning close,
1:54:48 smelling your perfume scares me most.
1:54:54 Leaning away,
1:54:57 it feels stronger every day.
1:55:01 [Music]
1:55:03 You're trouble to me.
1:55:07 [Music]
1:55:09 Real trouble.
1:55:12 >> All right. I want that, but I don't want
1:55:13 that double time drum. I want it to be a
1:55:16 normal beat with this
1:55:22 type.
1:55:24 [Music]
1:55:36 Standing between
1:55:40 you and a hard place is insane.
1:55:46 Standing to near
1:55:49 you and a fire makes it clear.
1:55:54 [Music]
1:55:55 You're trouble to me.
1:56:00 [Music]
1:56:01 Real trouble. Can't you see?
1:56:05 [Applause]
1:56:07 Leaning close,
1:56:10 smelling your perfume scares me most.
1:56:16 leaning away.
1:56:18 It feels stronger every day.
1:56:25 You're trouble to me.
1:56:31 Real trouble. Can't you see?
1:56:34 [Music]
1:56:37 >> All right, we'll listen to two more and
1:56:39 then I'm going to I'm going to get out
1:56:40 of here. I don't know that I'm going to
1:56:41 get there tonight, but we're in the
1:56:43 we're in the neighborhood.
1:56:58 [Music]
1:57:03 >> Standing between
1:57:06 you and a hard place is insane.
1:57:12 Standing too near
1:57:15 you in a fire makes it clear.
1:57:19 [Music]
1:57:22 You're trouble to me.
1:57:28 Real trouble. Can't you see?
1:57:33 Leaning in close,
1:57:36 smelling your perfume scares me most.
1:57:42 Leaning away,
1:57:45 it feels stronger every day.
1:57:49 [Music]
1:57:52 Your trouble to me.
1:57:58 Real trouble. Can't you see?
1:58:01 [Music]
1:58:03 Sitting by you,
1:58:06 I feel the heat. Can you feel it, too?
1:58:12 Sitting too far
1:58:15 takes me away from where you are.
1:58:21 You're
1:58:23 me.
1:58:27 All right. Yeah, that's very John Luke
1:58:28 Ponty. I I think the Americana, the
1:58:31 country ones suited suit the song.
1:58:37 >> Oh, I know. Like really quickly, just
1:58:40 throw out a couple of suggestions of
1:58:42 genre that's completely different.
1:58:46 [Music]
1:58:58 It's totally Jeanluke Ponty. That's
1:59:00 really funny. Um, techno rap. That
1:59:04 sounds like an awful idea. Let's do it.
1:59:07 Techno rap. All right. Just techno rap.
1:59:09 That's it. That's all you get. Boom. All
1:59:11 right. There's two of those. Irish.
1:59:14 Irish jig.
1:59:16 Irish jig. That's sort of what that
1:59:19 sounded like. But that was the John Luke
1:59:21 Ponty version of the Irish jig. All
1:59:23 right. We'll do two of those. And then
1:59:25 uh progra Latin ska. Okay, this is good.
1:59:28 Latin ska. This is good. This is this is
1:59:33 this is co-creation with the AI learning
1:59:35 lab. Um regaton. Okay, good. This is
1:59:39 good.
1:59:40 Regaton.
1:59:43 Beautiful. All right, one more.
1:59:46 Afroopop. Beautiful. Okay, no more.
1:59:48 That's it. Done.
1:59:51 Um, afro pop.
1:59:55 Just nice nice simple two-word things.
1:59:58 And I have a feeling these are going to
2:00:00 be cool. All right, here's techno rap.
2:00:06 [Music]
2:00:15 Standing between
2:00:18 you and a hard place is insane.
2:00:24 Standing too near.
2:00:27 You and the fire makes it clear.
2:00:33 Your trouble to me.
2:00:36 [Music]
2:00:39 Real trouble. Can't you see?
2:00:44 Leaning in close,
2:00:47 smelling your perfume scares me most.
2:00:51 [Music]
2:00:53 Leaning away.
2:00:56 It feels stronger every day.
2:01:02 >> All right, that was cool. Uh that's
2:01:04 that's techno rap.
2:01:09 Oh yeah, also take the
2:01:18 [Music]
2:01:31 standing between
2:01:34 you and a hard place is insane.
2:01:38 [Music]
2:01:40 Yeah, it's Yeah, this does. You're
2:01:41 right, Mimi. This has got the the bones
2:01:44 of this are really good. This is a This
2:01:46 is a a genredefying song. I think
2:01:52 this is This is producer Brandon's Irish
2:01:56 gig jig.
2:01:57 [Music]
2:02:14 standing between
2:02:17 you and a hard place. That sounds like
2:02:20 arena pop.
2:02:22 [Music]
2:02:31 Is this the first song I've written? No.
2:02:35 [Music]
2:02:36 Standing between
2:02:39 you and a hard place is insane.
2:02:44 It's time for you.
2:02:46 You see
2:02:50 sitting by you.
2:02:53 I feel the heat. Can you feel it too?
2:02:58 [Applause]
2:02:59 Sitting too far
2:03:02 takes me away from where you are.
2:03:06 [Music]
2:03:08 All right, that one's kind of cool.
2:03:09 Irish jig worked. Here's Latin SCA.
2:03:17 See, I got to I've got to muck with the
2:03:19 the custom adjustments. If if we want
2:03:22 the influence of the style to be higher
2:03:24 than the song, I've got to muck with the
2:03:26 That's why these are all
2:03:31 standing.
2:03:33 >> That's not really letting Scott.
2:03:36 [Music]
2:03:44 Standing between
2:03:47 you and a hard place is insane.
2:03:53 standing so near
2:03:56 you in a fire makes it clear.
2:04:01 >> I love her. This one
2:04:03 >> you're trouble to me
2:04:08 real trouble. Can't you see?
2:04:12 [Music]
2:04:14 Leaning in close,
2:04:17 smelling your perfume scares me most.
2:04:22 >> There's a little bit of shakers in
2:04:24 there. A little bit of Latin shakers.
2:04:26 >> Leaning away.
2:04:28 It feels stronger.
2:04:33 [Music]
2:04:35 You're trouble to me.
2:04:38 [Music]
2:04:41 Real trouble. Can't you see?
2:04:46 >> Sitting by you.
2:04:49 I feel the heat.
2:04:52 >> I like that that it it went to the
2:04:54 woman.
2:04:57 >> Sitting so far
2:05:00 takes me away from where you are.
2:05:05 >> Yeah, this one. Yeah, style needs to
2:05:06 increase on this one a lot for sure. Um,
2:05:09 okay. LA last last four. I know I've
2:05:12 said that before, but this is regaton.
2:05:15 And I don't think any of these are going
2:05:16 to sound like their styles just cuz I
2:05:18 have these are at the default settings.
2:05:20 So maybe Monday we'll come back to this
2:05:22 and and we'll spend some real time
2:05:24 trying to make this good.
2:05:30 [Music]
2:05:34 I like
2:05:37 [Music]
2:05:42 >> you in a heart place is insane.
2:05:48 Standing near
2:05:51 you and fire makes it clear
2:05:57 your trouble to me.
2:06:00 [Music]
2:06:03 Real trouble, can't you see?
2:06:06 >> Wow.
2:06:09 >> Leaning in close,
2:06:12 smelling your perfume scares me most.
2:06:18 Leaning away,
2:06:21 it feels stronger every day.
2:06:27 Your trouble to me.
2:06:30 [Music]
2:06:33 Real trouble. Can't you see?
2:06:38 Sitting by you.
2:06:42 Can you feel it?
2:06:45 >> This one's reatron.
2:06:49 >> Regon. Regaton. Little too far
2:06:53 takes me away from where you are.
2:06:58 [Music]
2:06:59 You're trouble to me.
2:07:05 Real trouble.
2:07:10 >> Yeah, it's not really, but it's it's
2:07:11 different. All right, here's here's the
2:07:13 other regaton one
2:07:17 like
2:07:19 that.
2:07:27 Standing between
2:07:30 you and the hard places is insane.
2:07:37 Standing too near
2:07:40 you in the fire makes it clear
2:07:46 your trouble to me.
2:07:52 real.
2:07:54 [Music]
2:07:56 Huh.
2:07:56 >> Fascinating. This fascinating.
2:08:00 You know what's wild? Like this is a
2:08:01 song that I I wrote long enough ago and
2:08:04 I've played enough times that I kind of
2:08:05 have it in my just like in my brain and
2:08:10 just hearing it
2:08:14 just it's still the same song, you know.
2:08:18 I'll tell you if you've been watching me
2:08:20 for a while. So, the thing that got me
2:08:22 into AI was image generation. And my
2:08:25 first project was an art project called
2:08:27 Kyle Shannon Dreams where I did these
2:08:30 image self-portraits of myself that were
2:08:32 these kind of weird twisted things that
2:08:33 I wrote stories for.
2:08:36 And why I started that project was like
2:08:38 I saw a picture of myself, but it it was
2:08:41 not me. It was like some other version
2:08:42 of me from a different universe, like a
2:08:44 parallel universe. And so it was like me
2:08:46 but not me. And that's what this is
2:08:48 like. It's it's a this is a very
2:08:50 parallel experience where like this is
2:08:52 completely familiar but these are
2:08:54 completely different than what I what I
2:08:56 wrote but it's the same thing I wrote.
2:08:57 It's bizarre.
2:09:01 This is after
2:09:06 [Music]
2:09:11 standing between
2:09:14 you and a hard place is insane.
2:09:17 [Music]
2:09:20 standing too near
2:09:23 you and a fire. Makes it clear
2:09:29 your trouble to me.
2:09:32 [Music]
2:09:35 Real trouble. Can't you see
2:09:40 leaning in close
2:09:43 smelling your perfume scares me?
2:09:47 >> That's fascinating. What's up, Rachel
2:09:49 Woods? How you doing? Good to see you.
2:09:51 All right, let me see one one more here
2:09:53 and then I'm going to get the hell out
2:09:54 of dodge.
2:09:56 [Music]
2:10:05 >> Man, I don't like that one. All right,
2:10:06 let's go back to some of the Americana
2:10:08 stuff.
2:10:10 Which one was it? Was it this one?
2:10:15 [Music]
2:10:26 Standing between
2:10:29 you and a hard place is insane.
2:10:32 [Music]
2:10:35 Standing too near
2:10:38 you and a file. Makes it clear.
2:10:44 You're trouble to me.
2:10:47 [Music]
2:10:50 Real trouble. Can't you see?
2:10:53 [Music]
2:10:56 Leaning in close,
2:10:59 smelling your perfume scares me most.
2:11:05 It's time to go.
2:11:08 I got to leave now. Enjoy the show.
2:11:14 It's time for you
2:11:17 to say goodbye.
2:11:19 >> And you know what's amazing? I mean, now
2:11:21 that we can split these songs into
2:11:23 stems, like if there's if there's a bad
2:11:26 baseline in it or if there's a weird
2:11:28 guitar part, you can split it into
2:11:30 stems, fix those broken things, or just
2:11:33 take them out entirely.
2:11:35 Change the vocals.
2:11:38 Yeah, this is wild. This is wild. This
2:11:40 is cool. All right, let's get out of
2:11:41 here. Let's get out of here, good
2:11:43 people. Fantastic. Bob, tell him what
2:11:46 he's won. This would hold up in country
2:11:49 pop for sure. Sounds like the outro to
2:11:52 the show Renegade with Lorenzo Llama. So
2:11:55 that's interesting. Weekend homework.
2:11:58 Go make a you know what? Go make a song.
2:12:02 Especially here here's here's my request
2:12:04 to you.
2:12:06 Especially this is something it's going
2:12:09 to become a new part of our practice.
2:12:11 I'm going to start shifting gears over
2:12:15 in the AI mastermind and I'm going to
2:12:17 start shifting gears here a bit as well.
2:12:19 We're going to start shifting to from AI
2:12:22 tools to AI as a practice.
2:12:25 And one of the things that I think is an
2:12:27 important practice with AI is to fill in
2:12:31 your gaps.
2:12:33 So, especially if you're not musical,
2:12:36 especially if you've ever told yourself,
2:12:37 "I can't do music." I want you to make a
2:12:41 song this weekend. I don't give a [ __ ]
2:12:44 if you have Chat GBT write the lyrics or
2:12:46 you write the lyrics. I don't care if
2:12:48 you hum into Sunno or just tell Sunno to
2:12:50 make a song and and you make 50 songs
2:12:52 and you pick the best one.
2:12:55 But especially if you're not musical, I
2:12:59 want you to make a song this weekend.
2:13:00 And then if you are musical, then I want
2:13:04 you to pick something that you know
2:13:06 you're not good at. You know you're not
2:13:09 good at coding. You know you're not good
2:13:10 at writing. And I want you to go do that
2:13:14 thing that you're not good at. So the
2:13:16 homework for this weekend is
2:13:20 choose one of your gaps. We all know our
2:13:23 gaps, right? I've got thousands of them.
2:13:27 Pick a gap, any gap, and fill it with
2:13:30 AI. Go do something that you know you
2:13:33 can't do. And then come back next week
2:13:35 and tell me what you did because I bet
2:13:37 it'll blow your mind. All right. Oh, I
2:13:40 like this shift. Out of the old comfort
2:13:42 zone, huh? Exactly. Out of the old
2:13:45 comfort zone.
2:13:48 Out of the old comfort zone. Now,
2:13:49 tomorrow, speaking of comfort zone, if
2:13:52 you're all like, I'm really good with
2:13:54 creative, so I I'm just gonna do a song
2:13:56 anyway, and I'm gonna feel good about
2:13:57 myself. No.
2:13:59 Tomorrow there's an LOL, a learn out
2:14:02 loud hosted by Kelly Camp. Um, so go to
2:14:06 the AI salon. So if you're not part of
2:14:07 the AI salon, go to thesalon.ai
2:14:11 and um, click on our events calendar.
2:14:14 It's right at the top and you'll see it.
2:14:15 It's at 400 p.m. Eastern tomorrow,
2:14:18 Saturday. And she's teaching about
2:14:20 connectors in ChatGpt.
2:14:23 She's teaching how she connected her
2:14:26 notion app and her Google drive and her
2:14:29 Gmail into chat GPT. So she can be
2:14:32 inside chat GPT and say, "Hey, you know
2:14:35 the thing I put into notion couple of
2:14:39 weeks ago that mentioned this client
2:14:42 and it'll just go find it. Yep, I've got
2:14:44 it. What do you want to know about it?"
2:14:46 So she's going to teach us how to do
2:14:48 that tomorrow. So, um, come to that and
2:14:51 then make something out of your comfort
2:14:53 zone. But, but, you know, if you're not
2:14:55 musical, go make some music in Sunno if
2:14:56 you haven't done it before. Sunno, Udo,
2:14:59 Producer AI,
2:15:01 or uh, 11 Labs all have music generation
2:15:05 tools now. They're all really good. All
2:15:07 right,
2:15:09 G.
2:15:13 Um, I'm out of here. Have a fantastic
2:15:16 weekend, everyone. Hope you had fun
2:15:18 tonight. I know it got started a little
2:15:20 weird, but you know, we got somewhere.
2:15:21 All right, peace out. See you. Bye.