3/20/2026 - Why Your Personal Story Matters More Than the AI Tools You Use

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Chapters

Transcript

0:00 Oh
0:30 He's his place I can risk my forehead
1:00 Gather my thoughts in sweet silence
1:06 And here's this place where the feelings aren't dead
1:13 From an overest closure to violence
1:18 And here's this place I can slowly face
1:22 The only one I truly can know
1:26 These are tears from a long time ago
1:31 Get these tears from a long time ago
1:35 I need to dry thirty years or so
1:39 These are tears from a long time ago
1:56 oh good people good evening what's happening to you what's wrong champy what's going on
2:12 go lay down do you want your bed closer here
2:14 Lay down, you cute little puppy.
2:23 That's a good boy.
2:24 That's a good boy.
2:36 Well, I heard that it was a secret code.
2:41 David played every pleaser, Lord.
2:44 You don't really care for music, do ya?
2:51 Ghosts like this, the fourth of his
2:54 Mount of Fall and a major lift
2:57 Bevel King composing
3:00 Hallelujah
3:01 Hallelujah
3:05 Hallelujah
3:09 Hallelujah
3:12 Hello, Elvis version.
3:23 Go ahead and share the live if you're on the TikTok.
3:30 Happy Friday night, date night, everybody.
3:42 Girl, you're looking fine tonight
4:04 and every fellow's got you in his sights
4:14 what you're doing
4:18 surely one of life's little mystery
4:28 So tonight I'll ask, the stars above, how did I ever win your love?
4:44 What did I do? What did I say? To turn your angel eyes my way?
4:59 But I'm the guy that never learned to dance
5:08 Never even got one second glance
5:17 Across a crowded room that was close enough
5:25 I could look, but I could
5:28 I never died, so tonight I'll ask, the stars above, how did I ever win your love, what
5:47 did I do, what did I say, whoo, whoo, whoo, whoo, whoo, whoo, whoo, whoo, whoo,
5:56 your age
6:10 cam kackin in the house welcome cam what's happening who else we got in here we got mimi
6:26 Oh
6:56 Oh
7:26 There's been something, baby, I've been trying to say, for aging it seems, I don't know how.
7:53 The past and the future
7:57 Now surrounding me
7:59 Surrender to whatever
8:03 Cheap true can be found
8:05 There's been a little trouble
8:08 Since you came
8:11 To my rescue
8:13 And if you like
8:18 All of the rest
8:20 I would have quit you long ago
8:22 But I couldn't do that
8:24 Oh, tell me now
8:29 When and why I never went too well
8:32 Make a man crazy, make him call himself
8:38 I'm a woman that you wish me well
8:43 But in spite of your trying
8:46 Still won't amplify my own way through
8:52 hey hey hey what's up what's up
9:22 That sounds like a Suno song, doesn't it?
9:52 I was one step ahead of you there, producer Brandon.
10:06 Did you see that?
10:10 Wonders will never cease.
10:11 Will wonders never cease?
10:12 Gold star.
10:18 Oh, lordy.
10:20 Lordy, lordy, lordy, lordy.
10:24 Okay.
10:26 We're going to accept all cookies because that's how we do.
10:32 But you will be on the right tab.
10:34 I'm not right now.
10:35 I'm switching to be on the right tab to make Brandon happy.
10:39 It is my life's mission to make Brandon happy.
10:44 I don't have to make Brandon happy.
10:46 I'm not responsible for Brandon's happiness.
10:48 but I could be less of a pain in his ass.
10:54 Do I remember what I was playing there?
11:03 Eva, Eva Klein. Nice.
11:08 Mimi's making her bot. I, so I, I, uh, my, uh,
11:12 Adam has been ignored for five days or so. And so he had bad crown jobs.
11:16 He had corrupted crown jobs.
11:18 I just deleted all of his crown jobs.
11:20 And now I'm starting to rebuild them.
11:46 all right that sounds like a something it probably sounds like someone else's song but you know
11:55 what are we gonna do we're gonna go advanced am i showing the right screen i am
12:00 she's now eva klein.ai
12:05 someone had that account on iCloud grr so now she's eva klein.ai that's great that's awesome
12:15 All right, we're going to record some audio here.
12:17 Let me turn my little microphone down toward the guitar.
12:21 I'm just going to ask for my permission.
12:24 Do not dump this over to my phone.
12:29 How do you do that?
12:45 Okay
13:15 all right whatever let's see if it'll save last time i tried to do this it was no bueno
13:23 no bueno on the upload it sounds like the beginning of the song making my way oh making my way in the
13:33 world today takes everything you got that one oh yeah it does
13:38 oh yeah
13:46 well this is it is it's the same chords as as trouble it's the same chords as trouble so
13:53 that's why it sounds like trouble hey danielle over on the youtube i see
13:59 Standing between
14:04 You and a hard place is insane
14:09 Standing too near
14:13 You and a fire makes it clear
14:18 Your trouble to me
14:23 Alright, so that's the same chords as that, but there's something different about it.
14:28 love this song so much um thank you for that appreciate that it didn't make a cover of this
14:36 did it let's go do that here we're gonna go create remix cover okay here we go all right fantastic
14:47 are we gonna do any lyrics for this yeah we're gonna do we'll do instrumental fine
14:52 9. Minimalist folk acoustic composition. Track is characterized by... No, we're going to get rid of all that. We're going to go orchestrate. Orchestrayal. I don't know what orchestrayal is. Soulful groove. Minimalist drums.
15:14 and city funk yeah that's what we're gonna do
15:24 we'll turn the weirdness a little higher
15:29 orchestral
15:44 So tomorrow, Side Hustle Mimi is doing an LOL over on the AI Learning Lab.
15:57 So if you go to community.
16:00 No, over on AI Salon.
16:03 Community.thesalon.ai, that'll take you over there.
16:08 See if we get a good song or a crappy song
16:16 out of Ye Olde Suno tonight
16:18 And then we can start the evening
16:22 Friday night, date night, I hope everyone's good
16:38 Wow, I actually like that groove, I'm not hearing you do it.
17:08 All right, let's go get some lyrics.
17:11 We're going to go get some lyrics.
17:12 Let's go to Claude.
17:13 See if Claude can do a little better than ChatGPT.
17:19 Opus 4.6 Extended.
17:21 He's going to really think about this.
17:22 I'm going to go, yo, you're a Grammy Award winning lyricist.
17:31 And I want you to write lyrics about two close friends.
17:55 friends who sit on a bench in Bryant Park
18:07 and people watch only occasionally making fun of people.
18:25 Reminds me of a scene where the camera pulls away
18:33 on the kissing couple in the Brat Pack movie.
18:37 That's some good listening.
18:39 Sounds like something from the early 70s.
18:41 That's a mood.
18:41 That's not bad at all.
18:44 Oh, it's kind of 0-7.
18:45 Yeah.
18:45 Okay, let's see.
18:47 First one.
18:48 Wait, what?
18:52 Okay.
18:55 I want song lyrics.
18:59 Where are your line breaks?
19:05 Question mark, exclamation point.
19:07 You ninny.
19:08 I haven't called Claude a ninny before.
19:11 I call ChatGBT a ninny all the time.
19:13 Fair.
19:14 It still didn't do fucking line breaks.
19:16 Unbelievable.
19:17 Okay, Claude, you lose.
19:19 Going back to ChatJPT.
19:23 Son of a bitch.
19:25 All right.
19:25 Uh, uh, uh, uh, uh, uh, uh, uh, Mirofish.
19:30 Mirofish is a cool-looking project.
19:32 I was going to maybe play with it.
19:34 Can you go back to the right tab?
19:36 Oh, now we're all getting rammy.
19:40 Open AI.
19:42 Oh, that's the blog.
19:43 That's not fair enough.
19:44 Chat J-Pi-Tai.
19:46 Come on, chat J-Pi-Tai.
19:50 All right.
19:52 Fantastic.
19:53 Here we go, kids.
19:54 Bryant Park Bench.
19:56 The song is going to be called People Watching.
20:00 We take the same old Slatwood throne, Midtown.
20:05 It's not Midtown.
20:07 God damn it.
20:08 Bryant Park.
20:10 Oh, is it?
20:10 Wait, is Bryant Park Midtown?
20:12 No.
20:13 Bryant Park is Village, isn't it?
20:16 God damn it.
20:19 Bryant Park in New York City is where?
20:24 Bryant Park.
20:28 Oh, that is the one in Midtown.
20:29 Okay, that's the one at the...
20:32 What's the one downtown?
20:33 What's the one in the village?
20:35 Park in the village.
20:39 New York City.
20:42 Name three.
20:44 Park down.
20:45 Da-da-da.
20:46 Da-da-da.
20:48 Da-da.
20:49 I'm going to do Washington Square.
20:58 Mineta Triangle is cute.
21:01 Washington Square.
21:02 Okay, fine.
21:04 Washington Square Park.
21:05 Where?
21:07 Oh, here we go.
21:09 Let's see.
21:12 Let's go Washington Square.
21:16 and call the song people-watching
21:23 and have there be good tension
21:31 tension and friction
21:36 can we start over i fell asleep
21:46 people watching we take our seats seats in washington square
21:50 like two exiles with city stare you light a smoke you change your mind i say
21:57 that tracks you say you're kind oh this is good the cello bleeds out by the arch okay
22:02 Okay, so it's called people watching. Let's grab. I need square brackets around labels. And I want you to.
22:20 refine as if you are a Grammy award-winning punch-up artist.
22:35 A punch-up artist will take the words and punch them up.
22:41 All right.
22:47 Okay.
22:47 There goes the actor.
22:51 There goes the banker.
22:52 There goes the first date.
22:53 There goes the genius.
22:54 This is kind of cool.
22:56 Well, this is too long, but that's okay.
22:59 We'll make a long one.
23:01 Suno doesn't care.
23:03 All right.
23:04 Lyrics.
23:05 Hello.
23:06 Boom.
23:07 There's our lyrics.
23:09 And then we're going to add in a cello.
23:13 Let's see.
23:14 We'll call it haunting.
23:15 No, not haunting.
23:18 How about
23:18 Distant Cello?
23:26 All right.
23:28 Create.
23:30 Sounds like some kind of Beatles lyrics.
23:34 Oh, and I didn't give it a title.
23:36 God damn it.
23:40 People watching.
23:41 People watchers?
23:43 People watching.
23:45 Give it a tab.
23:49 Oh, fascinating.
23:52 See, what Brandon's doing right now,
23:54 he's trying to establish the alpha position.
24:02 I'm not going to let him.
24:04 I'm not going to do it.
24:07 Swag has gone to my head.
24:08 I sent Brandon some swag.
24:13 Oh, man.
24:15 Suno view. Yeah, I got Suno up here right now. All right, let's go listen. Let's see if we got
24:20 something, anything worth listening to. Oh, it's a cello.
24:45 a saxophone leaks through the boiling dusk some art school god and thrift store musk and every
24:52 face that wanders through becomes a case for me and you you say that guys in debt in pain
24:59 i say be nice you say why fame we throw our little knives so clean like we're not also
25:07 in the scene where people watching this is good
25:11 Like it's a calling
25:12 You make it funny
25:16 I make it cutting
25:18 We sit too close
25:21 We miss the view
25:24 Talk about everybody
25:27 Take it from me and you
25:31 In Washington Square
25:33 After dark striking little matches by the arch
25:37 Everybody's acting like they don't need
25:40 There goes a girl in a poet's coat wearing heartbreak like a private junkie
25:54 Say she rehearsed that in the glass I say you're awful you saying yet I'm right on the ass
26:00 Then stop half smiling let it land like baby you touched my wrist by chance
26:06 As the fountain throws its cheap champagne
26:09 Suddenly the air has changed
26:12 You roast the boys who peacock hard
26:15 I clock the girls with sharper guard
26:18 You call me weak for love and style
26:21 I call you scared and you just smile
26:24 When people watch it, like it's a science
26:28 You stir the trouble, I name the violin
26:34 So we test the line
26:37 We tow it through
26:40 Talk about everybody
26:43 To get to me and you
26:47 In Washington Square
26:49 After dark
26:50 Trading little sparks
26:52 Out by the arch
26:53 Everybody's acting like they don't need
26:57 All right, there's too many lyrics here.
26:59 We've got to tighten this thing up.
27:01 We've got to tighten it up, people.
27:04 um let's see i like it but it's too long um tight and well be sure to keep
27:18 what's that section calls uh a version of the breakdown
27:34 it's a good little song all right let's shorten our lyrics up
27:47 with people watching
28:04 All right, let's listen to some of the other ones while those two are making.
28:34 in washington square like two small canes for second name you almost smoked and think better
28:41 of it i say a miracle you say don't start with it a saxophone leaks through the boiling dust
28:49 love that break we take our seats in washington square
29:07 like two small kings with second hand air you almost smoked and think better of it
29:14 I say a miracle, you say don't start with it
29:18 A saxophone leaks through the boiling dusk
29:21 Some art school guide and thrift on my skin
29:24 Every face that wanders through
29:27 Becomes the case for me and you
29:29 You say that guy's inventing pain
29:32 I say be nice, you say why fame
29:35 We throw our
29:35 Sex
29:39 that's cool
29:47 we take our seats in washington square like two small kings with second hand air
30:04 you almost smoked and think better of it i say a miracle you say don't start
30:09 with it a saxophone leaks through the boiling dusk some art school god and thrift store musk
30:16 and every face that wanders through becomes a case for me and you you say that guy's inventing pain
30:24 i say be nice you say why fame we throw our little knives so clean like we're not all so
30:32 We're people watching
30:37 Like it's a calling
30:40 You make it funny
30:43 I make it funny
30:46 We sit, we sit
30:48 We sit so close, we miss the view
30:50 Talk about everybody to get to me and you
30:53 And Washington Square after dark
30:56 Striking little matches by the arch
30:59 Everybody's acting like they don't need somebody
31:03 While we're people watching
31:06 There goes a girl in a poet's coat
31:13 Wearing heartbreak like a private joke
31:16 You say she rehearsed that
31:18 Oh, I know what I want to do, I know
31:27 I would like to have a female sing this one.
31:34 Let's do some.
31:37 Let's also throw in some three-part harmony backing vocals.
31:45 the uh the the style is orchestrale s-t-r-a-l-e never heard of that before
32:01 mixed with soulful groove minimalist drums city funk distant cello punchy saxophone and then i
32:10 just added three part harmony backing vocals is this the one with the backing vocals let's say
32:18 no i didn't do the one with the backing vocals yet so we'll do one more
32:25 actually you know what i need to do i need to go back to this early one here
32:40 There was one of these that was really good.
32:42 So the first one?
32:58 We take our seats in Washington Square
33:01 like two small kings with secondhand air.
33:04 You almost smoked and think better of it.
33:06 I say a miracle, you say don't start with it.
33:10 The saxophone leaks through the boiling dust some art school God. And was that it was that the one
33:21 That was it that must have been it
33:27 Yeah, that's not good
33:32 Let's get rid of that one
33:34 Move to trash
33:36 Okay, all right, let's go to the top.
33:57 The real good one didn't have vocals, all right, let's see, that was the original, here's the
34:06 uh gen here's the the dna of the song wow the mic recorded that really weird
34:25 it's cool
34:36 All right, whatever.
35:06 two old pros with second hand all right there's something about adding the three-part backing
35:12 harmony that it up so we're going to move that out i'm going to create again
35:17 and then i think we're going to go
35:22 style influence a little higher weirdness a little higher and create another one all right
35:28 We take our seats in Washington Square like two old pros with second hand
35:58 You say that guy's inventing paint
36:01 I say be nice, you say why faint?
36:05 We throw our little knives so clean
36:07 Like we're not also in the scene
36:10 We're people watching
36:16 You make it funny
36:19 I make it cutting
36:22 We sit too close, we know it too
36:25 We talk about everybody
36:28 To get to me and you
36:31 In Washington Square after dark
36:34 Striking little matches by the dark
36:37 Everybody's acting like they don't need somebody
36:40 Why were people watching?
36:48 There goes a girl in a poet's coat
36:51 Wearing heartbreak like a private joke
36:54 You say she practiced that in the class
36:56 i say you're awful you just laugh then your hand brushes mine or maybe not but still
37:11 wow there goes the actor with a martyr job there goes a banker trying hard to look bold
37:18 there goes the first day dying drink by drink there goes the girl you've definitely watched before
37:26 We're people watching, you call it banter, I call it tension
37:37 We sit too close, we miss the queue Talk about everybody to get to me and you
37:46 In Washington Square, after dark Holding our breath out by the arch
37:52 Everybody's acting like they don't need somebody
37:55 Why were people watching?
38:02 title could be washington park it could be washington park could be washington park people
38:28 Yeah.
38:29 I think it's Washington Park People.
38:33 Wash Park People.
38:39 Nah, Washington Park.
38:42 Washington Park People.
38:44 Create.
38:45 All right.
38:46 That one got a thumbs up.
38:48 Let's go.
38:49 We'll listen to another one or two or three or four.
38:57 We take our seats in Washington's
39:20 No.
39:50 Yeah, you almost smoked and think better of it
39:53 I say a miracle, you say don't start with it
39:56 Every face that wanders through it becomes a case for me and you
40:02 You say that guy's inventing pain, I say be nice
40:05 You say why fame, we throw our little knives
40:21 we take our seats in washington square
40:27 like two old pros were second-handed
40:33 you almost smoked and think better of it i say a miracle you say don't start with it
40:40 every face though phrasing's up oh this i like
40:50 We take our seats in Washington Square
41:08 Like two old pros with second hand hair
41:11 You almost smoke then think better of it
41:14 I say a miracle you say don't start with it
41:17 Every face wanders through
41:20 Becomes a case for me and you
41:23 You say that guy's inventing pain
41:25 I say be nice, you say why faint?
41:29 We throw our little knives so clean
41:32 Like we're not also in the scene
41:35 We're people watching
41:38 You make it funny
41:41 I make it cutting
41:44 We sit too close, we know it too
41:47 Talk about every-
41:50 and i know this is probably driving you crazy at this point but that's okay
41:56 you're like no go back to that one
42:20 We take our seats in Washington Square
42:28 Like two old pros with second-hand air
42:32 You almost smoked and think better of it
42:34 I say, a miracle, you say, don't start with it
42:37 Every face that wanders through
42:40 Becomes a case for me and you
42:43 You say, the guy's inventing pain
42:45 I say, be nice
42:46 You say, why fame?
42:48 We throw our little knife so clean like we're not also in the scene
42:56 We're people watching
42:58 You make it funny
43:01 I make it cutting
43:04 That's close. This one I added quirky lead vocals.
43:11 Like that.
43:18 We take our seats in Washington Square
43:24 Like two old bros with second hand air
43:27 You almost smoke, then think better of it
43:29 I say a miracle, you say don't start with it
43:32 Every face that wanders through
43:35 Becomes the case for me and you
43:39 You say that guy's inventing pain
43:43 I say be nice, you say why faint?
43:45 We throw our little knives so clean
43:48 Like we're not all so in the scene
43:52 With people watching
43:59 You make it
44:01 Nah
44:01 We take our seats in Washington Square
44:18 Like two old pros with second hand air
44:24 You almost smoked and think better of it
44:28 I say a miracle, you say don't start with it
44:31 every face that wanders through becomes a case for me you you say that guy's inventing pain
44:39 i say be nice you say why fain we throw our little knife so clean like we're not also in
44:47 the scene with people watching you make it funny i make it cutting we sit too close we know it
44:59 To talk about everybody
45:01 Hmm, let's see
45:18 We take our seats in Washington Square
45:21 Like two old pros with secondhand air
45:24 You almost smoke and think better of it
45:27 I say a miracle, you say don't start with it.
45:30 Every phase that wanders through becomes a case for me and you.
45:35 You say that guy's inventing pain.
45:39 I say be nice, you say wife and we throw our little knives so clean
45:44 like we're not all so in the scene.
45:51 There are people watching.
45:54 All right, that one's definitely good.
45:57 Let's go see this other one we did.
46:00 This is five minutes.
46:02 How long is that one?
46:03 I think five minutes is just too long.
46:07 But we could do a cover of it.
46:21 We take our seats in Washington Square
46:24 Like two small kings with second-hand air
46:27 You almost smoked and think better of it
46:29 I say a miracle, you say don't start with it
46:32 A saxophone leaks through the boiling dusk
46:35 Some art school god and drift stole a musk
46:38 And every face that wanders through
46:41 Becomes a case for me and you
46:44 You say that guy's in debt in pain
46:46 I say be nice, you say why fame
46:49 We throw our little knives so clean
46:52 Like we're not also in the scene where people watching
46:56 Like it's a calling
46:59 You make it funny
47:02 I make it cutting
47:05 We sit too close
47:08 We miss the view
47:11 Talk about everybody
47:14 To get to me and you
47:18 In Washington Square
47:19 After dark striking little matches by the arch
47:24 Everybody's acting like they don't need somebody
47:28 About where people watch
47:31 There goes a girl in a poet's coat
47:39 Wearing heartbreak like a private joke
47:42 You say she rehearsed that in the glass
47:45 I say you're awful, you say and yet I'm right on the ass
47:48 then stop half smiling let it land like baby you touched my wrist by chance i think that one's
47:56 actually really good
48:10 we take our seats in washington square like two old pros with second hand air you almost smoked
48:17 Then think better of it I say a miracle, you say don't start with it
48:22 Every phase that wanders through Becomes a case for me and you
48:27 You say that guy's inventing pain I say be nice, you say why faint?
48:34 We throw our little knives so clean Like we're not also in the scene
48:39 We're people watchin', you make it funny
48:48 I make it cuttin', we sit too close, we know it too
48:54 Talk about everybody, to get to me and you
49:00 In Washington Square after dark
49:03 Strikin' little matches by the arch
49:06 Everybody's actin' like they don't need somebody
49:09 no it's not that one i think it's this one so it's five minutes long oh wait can't you shorten
49:20 them isn't that an option now adjust speed extend
49:28 crop uses inspiration opening studio mashup i think we're just going to do a five minute
49:42 song we're not we're not trying to get this on the radio
49:45 We take our seats in Washington Square
49:57 Like two small kings with second-hand air
50:00 You almost smoked and think better of it
50:03 I say a miracle, you say don't start with it
50:06 A saxophone leaks through the boiling dusk
50:09 Some art school guide and drift stole a musk
50:12 And every face that wanders through
50:14 It comes a case for me and you
50:17 You say that guy's in debting pain
50:20 I say be nice, you say why fame
50:23 We throw our little knives so clean
50:26 Like we're not also in the scene
50:28 Where people watch it
50:30 Like it's a calling
50:33 You make it funny
50:36 I make it cutting
50:39 We sit too close
50:41 We miss the view
50:44 Talk about everybody
50:47 To get to me and you
50:51 In Washington Square
50:53 After dark strike
50:55 And little matches by the arch
50:57 Everybody's acting like
50:59 They don't need somebody
51:02 Wow, yeah, people are watching
51:05 There goes a girl in a poet's coat wearing heartbreak like a private joke, you say she rehearsed that in the glass. I say you're awful, you say and yet I'm right on the ass.
51:21 Then stop half-smiling, let it land
51:24 Like, baby, you touched my wrist by chance
51:27 The fountain throws its cheap champagne
51:29 And suddenly the air has changed
51:33 You roast the boys who peacock hard
51:36 I clock the girls with sharper guard
51:39 You call me weak for love and style
51:42 I call you scared and you just smile
51:44 When people watch it, like it's a science
51:49 You stir the trouble
51:52 I named the violence
51:55 We test the line
51:57 We tow it through
52:00 Talk about everybody
52:03 To get to me and you
52:07 In Washington Square
52:09 After dark, trading little sparks out by the arch
52:13 Everybody's acting like they don't need somebody
52:18 While we're people watching
52:21 You say I hide behind the joke
52:29 I say you'll only trust what breaks
52:32 You say I want what won't stay mine
52:34 I say you'll never say what aches
52:38 A skateboard cracks, a siren bends the six
52:41 Swears it never ends
52:43 And all these beautiful, shameless freaks
52:46 Keep saying what we will not speak
53:16 Thank you.
53:46 Somebody
54:10 Practice cool
54:16 just leaves another little mark in washington square
54:22 i have tried mid-journey 8 and it kind of sucks the the interface is much better i can go look at
54:42 But, like, I would imagine that the model is going to get better.
54:45 But the model was just trash.
54:47 Like, it was bad.
54:49 It was bad.
54:50 It was bad.
54:52 All right, let's go find what we're looking for here.
54:56 Who are these two people people watching?
55:12 Oh, that's cool.
55:30 So is that.
55:32 Did I miss it? Where was that cool one?
56:02 There.
56:05 Right?
56:09 That's it.
56:10 All right.
56:11 Download that bad boy.
56:12 Go back to Suno.
56:15 We're going to go publish.
56:18 We're going to change this.
56:20 We're going to update cover art.
56:32 uh
56:50 uh
57:02 watching people watching people that a stylish so I don't see quirky quirky New
57:28 York City funk, not funk, quirky. Quirky New York City slide. Yeah, you can remix the original on
57:54 this one. I'll let you remix this. All right. Publish. So the song is now called, if you want
58:02 to go see it, Washington Square People Watching. Not a great title. That's okay. It is now live.
58:24 we take our seats in washington square like two small kings with secondhand air you almost
58:36 smoked and think better of it i say a miracle you say don't start with it a saxophone leaks
58:43 through the boiling dust like some art school god and thrift store musk and every face that
58:48 wanders through becomes a case for me and you that's cool all right was i sharing that i was
58:57 sharing that i wonder if they're sharing sucks less with people watching
59:13 nope still sucks
59:18 I wonder if I can turn off
59:34 adding a Suno
59:36 profile
59:38 I wonder if I can turn off
59:41 adding a Suno
59:42 Suno whatever.
59:47 Tag.
59:47 I don't think so.
59:54 Cookie settings.
59:55 Cookie settings.
59:56 Cookie settings.
59:57 Oh, my God.
59:59 Jesus Christ.
1:00:12 Man
1:00:32 Create
1:00:42 We take our seats in Washington Square, like two small kings with second-hand air.
1:01:06 You almost smoked and think better of it.
1:01:08 I say a miracle, you say don't start with it.
1:01:11 A saxophone leaks through the boiling dusk
1:01:14 Some art school god and thrift store musk
1:01:17 And every face that wanders through
1:01:20 Becomes a case for me and you
1:01:22 You say that the guy's in debt take pain
1:01:25 I say be nice, you say why fame?
1:01:28 We throw our little knives so clean
1:01:31 Like we're not also in the scene
1:01:33 Where people watchin'
1:01:36 Like it's a callin'
1:01:39 You make it funny.
1:01:42 I make it funny.
1:01:45 We sit too close.
1:01:48 We miss the view.
1:01:51 Talk about everybody.
1:01:54 To get to me and you.
1:01:57 In Washington Square after dark strike.
1:02:01 Oh, it should be Washington Square after dark.
1:02:04 Maybe that's it.
1:02:04 Whatever.
1:02:05 All right.
1:02:07 I can't believe this.
1:02:08 Twitter just let me upload a video
1:02:10 successfully. I've never
1:02:12 seen that before.
1:02:14 Edit post. So let's
1:02:16 call this
1:02:17 Washington
1:02:20 Square
1:02:24 people watching.
1:02:29 Made
1:02:30 live
1:02:32 on the
1:02:34 AI
1:02:34 learning lab
1:02:39 Friday night
1:02:43 date night
1:02:45 alright
1:02:47 if you want to go to Twitter and boost that
1:02:55 that'd be swell or not
1:02:57 don't really matter
1:02:59 okay we're done we did a thing that was exciting how's my hair oh
1:03:10 dragon ball z
1:03:14 what is happening all right let's now we can start what do you want to do
1:03:24 some comments in this live
1:03:30 were filtered to protect the community's experience
1:03:32 it's the Kyle
1:03:34 loop hair
1:03:34 it's pretty crazy
1:03:37 I gotta get a haircut this weekend
1:03:40 I'm going away next week
1:03:41 by the way next week's gonna be all fucked up schedule wise
1:03:44 so just prepare
1:03:46 prepare yourselves
1:03:47 come up with some shit to do like start a
1:03:50 Claudebot thing
1:03:50 I think my weekend will be
1:04:00 filled with learning
1:04:02 Claude code
1:04:03 yeah
1:04:06 there's Claude code
1:04:08 there's Claude bots
1:04:09 there's OpenClaw
1:04:10 there's all these
1:04:11 standalone versions
1:04:13 and uploaded versions
1:04:15 and serviced versions
1:04:17 and hosted versions
1:04:18 I don't think any of it much matters
1:04:24 at some point
1:04:26 something's going to come out that's just going to be really
1:04:28 good and you're not going to have to do much
1:04:30 to be good at it except
1:04:32 what you're going to have to be good at
1:04:34 is understanding
1:04:36 what you want
1:04:37 and that's actually going to be
1:04:40 hard
1:04:41 that's going to be hard
1:04:44 it's going to be hard I'll tell you
1:04:46 mm-hmm yep yes it is yes it is it's gonna be a little difficult um weekend homework week and
1:04:57 homework all right i'm gonna i'm gonna show y'all something we're gonna talk about something
1:05:14 It's actually important.
1:05:18 Is this it?
1:05:37 Are there fucking ads in my chat GPT?
1:05:40 Oh, no, that's weekly AI briefing.
1:05:48 I somehow got in the wrong chat.
1:05:51 Okay, here we are.
1:05:53 Jesus.
1:05:54 Hang on, share this tab instead.
1:05:57 Got it.
1:05:59 Okay.
1:06:02 We're people watching.
1:06:04 I wish I could play.
1:06:10 Oh, I know what I can do.
1:06:12 You'll be able to hear this because I'm not playing it in.
1:06:26 Oh, no, you can't hear it because I'm sharing a tab.
1:06:28 But here's what I can do.
1:06:29 Wait, hold it.
1:06:30 Everybody calm down.
1:06:34 Brandon is so rammy tonight.
1:06:35 He's got me all anxious.
1:06:38 Okay.
1:06:38 There we go.
1:06:40 so we'll put our new song on in the background we'll turn it down
1:06:46 didn't get enough cheese
1:06:51 all right so can you hear a little bit of the music and you can hear me does that sound okay
1:07:03 i was at the future food tech summit and i have so much to tell you about the state of ai
1:07:09 in our food system. It's going to be terrifying. I watched Sabrina working on some magic on Claude
1:07:15 Code. Very cool. I'm here back from San Francisco. Did you miss me? Yes, we missed you.
1:07:23 When you become an irregular, when you leave, you get noticed.
1:07:30 Suzanne Walker-Jergen says hello. Awesome. She's the best.
1:07:33 black bar pork for war
1:07:37 okay we're black bar
1:07:38 okay
1:07:39 okay
1:07:45 so here's what I
1:07:49 here's what I want you to do this weekend
1:07:51 if you want to take on some homework
1:07:53 I can't do this with the music
1:07:59 playing it's distracting me
1:08:01 i know i know i'm the one that said let's get some music going okay
1:08:06 i think this is important if you're here i think this is a good thing vicky baptiste
1:08:16 what's happening i did the same sabrina magic and manis oh that's so cool
1:08:22 okay
1:08:25 if any of you are out there trying to market your stuff and i know a lot of you are and i am
1:08:34 we're all trying to market our stuff oh you said hi at the start i missed it um welcome welcome
1:08:41 welcome. Okay. We have entered an era that this is not obvious yet, but we have entered this era.
1:08:56 We have entered an era where if you talk about your stuff, no one will care.
1:09:06 Now, here's what I mean. What do I mean if you talk about your stuff? If you talk about your
1:09:10 skills, your experience, the bullet points of what you're going to do for someone, the benefits of
1:09:18 what they're going to get out of it. If you talk about your workshop, if you talk about
1:09:23 your book, if you talk about the software you just made and the awesome things it can do,
1:09:31 any of the talking about the thing,
1:09:34 everyone's going to have a thing and everyone's going to copy everyone else's thing. And if you
1:09:42 somehow manage to talk about your thing in a way that it rises above the noise, everyone will copy
1:09:47 it. Okay. And that's just the way it's going to be. And here's the secret.
1:09:59 If you know that early, we can figure out, well, what will they listen to?
1:10:07 What will they pay attention to?
1:10:10 And here's what I think it is.
1:10:16 It's you.
1:10:23 So I was having a conversation with this guy named Jerry Mikulski.
1:10:28 He's a really good friend of mine, very incredibly smart guy.
1:10:33 And he and I are sort of being accountability buddies around getting speaking gigs and things like that.
1:10:45 Actually, Chef Kelly, if you want, you can pop up on stage here on, you can pop up on stage on, what's it called, StreamYard,
1:10:55 If you reach out to producer Brandon or on TikTok, if you're over there, if you want to do that, you can tell us about all the crazy AI shit in our food system or lack thereof, I'm assuming.
1:11:08 But it'll be interesting to hear.
1:11:15 So Jerry had this really amazing sort of personal statement sentence that he wrote.
1:11:20 And in this personal sentence, statement sentence, were like words that he had made up, things that he had created.
1:11:28 And there were also like phrases that sounded like English, but you didn't really know what they meant.
1:11:35 And Jerry started explaining what each of these words meant and why he crafted this sentence the way he did.
1:11:42 He was very proud of it.
1:11:44 It was this very well-constructed thing that articulated all of who he was in some weird kind of way.
1:11:54 And as he's sitting there explaining it, I'm looking at the words, and I'm thinking,
1:11:58 AI could just understand this, and AI could actually just replicate it
1:12:03 and take that basic model and do that for anyone.
1:12:06 So it's like this thing that is so uniquely him, even that could just be replicated.
1:12:12 but there was something about how he was explaining it.
1:12:17 He was like, well, this word started in the military with this meaning,
1:12:22 and then it moved into the programming world with this meaning,
1:12:25 and now I've made it into this quasi-placeholder religion
1:12:29 where you could say if you were going to design a religion
1:12:31 and you could do anything you wanted with it, what would you put in it?
1:12:34 And that's what this thing is.
1:12:36 Fubarism is the name of his placeholder religion.
1:12:42 And I realized that no one's going to give a shit about the sentence.
1:12:49 No one's going to give a shit about the workshop.
1:12:52 What they're going to give a shit about is how Jerry explained it, what it means to him.
1:13:00 And it just hit me like, oh, my God, we're living in this time where our habit,
1:13:09 because we've done it all of our lives, what just happened?
1:13:12 Did my thing just stop sharing?
1:13:14 It did.
1:13:15 Son of a bitch.
1:13:24 We live in this time where the Chrome browser is just functionally unusable.
1:13:35 I'll be home in five.
1:13:36 Oh, you don't have to come up.
1:13:38 You're in the middle of traveling, Kelly.
1:13:40 You don't have to come up on stage.
1:13:41 I thought you were home already.
1:13:44 If you're traveling, you're good.
1:13:45 You can tell us next week.
1:13:55 I've been having this screen.
1:13:57 Oh, my God.
1:13:58 I'm sleepy.
1:13:59 I've been having this screen sharing issue both on my machine at work
1:14:02 and this machine.
1:14:05 They just, screen sharing just stops.
1:14:07 It just quits because Apple has decided,
1:14:11 that excellence
1:14:13 is more broadly defined
1:14:16 than it used to be.
1:14:19 Hey, it's good enough.
1:14:20 Ship it.
1:14:21 I'll be down at the pub.
1:14:26 I'll be on the other side
1:14:28 of the spaceship
1:14:29 getting a drink.
1:14:36 So everyone's going to copy
1:14:37 everyone else's stuff.
1:14:38 And if you talk about your stuff,
1:14:40 no one's going to give a shit
1:14:41 about it. But if you talk about not you, but your story about why you created the thing, like Kelly,
1:14:52 why you created your food dye thing, why you're passionate about it, what your background is,
1:14:58 like why you. And then what hit me was, and this was inspired by Jerry. Jerry said at one point,
1:15:05 I was starting to get my head around this idea that talking about the stuff is history.
1:15:14 It's history.
1:15:16 And the sooner you can understand that talking about your things is not going to be effective marketing.
1:15:23 Now, listen, it doesn't mean your things are not valuable.
1:15:26 Your things are valuable.
1:15:28 And what you do in them is valuable.
1:15:29 But the initial setup of how you talk about them, they're not going to stand out because everyone's going to be promising better AI education, human-centered, heart-centered, whatever thing is the thing, everyone's going to copy it, everyone's going to be talking about it, and everyone's going to be consulted.
1:15:49 So this is coming very, very quickly.
1:15:54 And then Jerry at one point said, oh, he said, he said, are you talking about like that thing that on a global scale I can claim as my thing?
1:16:08 And I was like, yeah, like, like, what's that thing?
1:16:10 Like, like, what is the thing?
1:16:12 Who are the you?
1:16:16 Who are the you?
1:16:17 Who are the you that only you could do that thing?
1:16:24 Like, Chef Kelly, you've got a combination of your professional background, who you're passionate about, your capacity to problem solve and figure stuff out, your ability to bridge a gap between corporate and humans.
1:16:43 and you understand big puzzle pieces, small puzzle pieces,
1:16:50 you talking about why you created the tool you're putting out there,
1:16:55 that will stand out.
1:16:56 The tool itself probably won't.
1:16:59 Talking about the tool, at some point someone will just copy it
1:17:02 and now you're competing with them.
1:17:05 But you talking about who you are and how you think
1:17:08 and why you're passionate, that sticks.
1:17:11 so in order to be able to do that without driving yourself crazy and have it have it feel like this
1:17:18 confronting like oh god i gotta talk about myself you don't what you do have to do and this is the
1:17:23 homework i'm i'm gonna i'm gonna walk you through what i did for me today and then the homework is
1:17:29 is for you to do this for yourself over the weekend i want you to figure out who are you
1:17:36 that is like the global leader in this thing you can own.
1:17:43 That you can do this better than anyone else in the world
1:17:46 and get crystal clear on that.
1:17:49 And then through that lens, all of your projects have been born.
1:17:56 Your books and your job and just all of the stuff,
1:18:01 your family, your community have all come out of that person. And if you can articulate
1:18:08 why people would want to spend time with that person, if you're looking for X, Y, or Z,
1:18:16 I'm your person. I am the global leader in the thing that I've invented about myself.
1:18:22 what what is remarkable about it is you have no competition if you're the only one in the world
1:18:32 that can do what you do how you do it you have no competition people either resonate with it or not
1:18:39 but the ones that resonate with it they're yours right they're yours they're going to go with you
1:18:47 on the journey. They will go use your tool. They will go to your workshop. Kyle, this is a great
1:18:52 homework assignment. So let me show you what I did. I haven't turned this into a methodology yet.
1:18:58 Actually, at the end, I told ChatGBT to create a methodology for me based on what we did. So I may
1:19:04 have created a methodology. I just haven't looked at it yet. So ChatGBT has a history of me, right?
1:19:11 And so it can go look at everything we've talked about. So they said, based on what you know about
1:19:14 me write a punchy, unforgettable five to 10 word statement that I can credibly declare
1:19:19 of what I am globally the best in the world at. And then it said a bunch of things. Turning AI
1:19:27 anxiety into human creative agency. Helping humans find agency in the age of AI. Translating
1:19:32 AI upheaval. Hang on. These are all fine. They don't really resonate with me. And they are also
1:19:48 heavily weighted toward my more recent projects, right? Like this, this has a lot of language of
1:19:54 the great repurpose in it. I'm really passionate about the great repurpose, but that's like one
1:19:59 thing in a whole lifetime of shit, right? So these are not quite me. So I said to it,
1:20:05 what about finding ways to capture these components? I'm fun. I have boundless energy.
1:20:11 I can explain complex... God damn it. What the actual fuck? We'll try sharing a different way.
1:20:23 now I'm sharing a tab instead of the whole window. I can explain complex things well,
1:20:30 especially make sense of what the implications of those things are. I innovate, look back to my
1:20:37 agency.com and Urban Desires days, my inventions, screenplays, and musical, my acting. I'm an artist,
1:20:44 a polymath, a curious love of life that understands and has empathy for how hard changes.
1:20:51 So I just vomited a bunch of stuff in here, black bar.
1:20:55 I just vomited a bunch of stuff, and it said I'm going to pull it together.
1:20:59 And then I said, rather than distill it down for me,
1:21:01 why don't you give me 20 bullet points of who I am?
1:21:05 So it knows some stuff about me.
1:21:07 I just vomited in some stuff that I thought it missed.
1:21:10 And then it, here are 20 things that you may be uniquely qualified to own in the world.
1:21:18 so for you like just it's got whatever it's remembered of you just vomited new stuff like
1:21:27 here are you know 50 things that i think could be something i could own in this world right that i
1:21:35 could be the best in the world at um and then it came back and gave me these 20 suggestions making
1:21:41 the making the human meaning of ai understandable okay yeah that makes sense helping people feel
1:21:47 possibility instead of paralysis. Yeah, I do that. Making profound change feel personal,
1:21:53 navigable, and even energizing. Uh-huh. As I was reading through this, I'm like, oh yeah,
1:21:58 that's me. Oh yeah, that's me. Humanizing emerging technology without dumbing it down.
1:22:03 Interpreting the implications of new technology before most people know how to talk about them.
1:22:07 Yes. Creating language and frameworks that help people orient themselves in the new AI era,
1:22:12 the Great Repurpose, the seven economies. Yes, do that. Helping non-technical people enter
1:22:18 powerful technical conversations with confidence. That's what this channel is. That's what this
1:22:24 channel is, right? Making AI feel like a creative instrument, not just a productivity
1:22:31 tool. Showing how technology can amplify humanity rather than flatten it. Like, that's one that I'm
1:22:36 really passionate about. Bridging artistry and innovation in a way that feels lived,
1:22:41 not theoretical. Modeling what a modern polymath looks like in the age of AI, helping people
1:22:46 reclaim identity when work and roles begin to shift, turning curiosity into invention across
1:22:53 mediums. Yes, stage, screen, startup, systems, communities, frameworks. Your curiosity has
1:23:00 repeatedly become tangible work. Building communities where people can practice becoming
1:23:06 who they need to be next, making big ideas, charismatic, memorable, and alive, right? So
1:23:12 all these things, like, yes, yes, yes, yes, yes. And then it clustered them for me.
1:23:17 Another day on beat. Yeah, you need to go rest. Need some time to process all of this. Very cool.
1:23:23 I'm excited to hear about it, though. So then I said, and then it asked me a bunch of questions,
1:23:30 like, which one of these resonated with you? And I didn't feel like working. This was this morning.
1:23:34 I hadn't had coffee yet. So what I said was, write me three personal mission statements that weigh my
1:23:41 advantages differently. Let me see the three versions of me in paragraph form that are distinct enough
1:23:48 I can react to what feels right. Use your best judgment. And so it wrote, the human bridge
1:23:53 through change. My mission is to help people cross the terrifying, exhilarating bridge between
1:23:58 the world as it was and the world that is emerging. I'm uniquely wired to make profound change feel
1:24:04 understandable, blah, blah, blah. I'm like, okay, that's pretty good. Number two, the artist innovator
1:24:10 of human possibility. My mission is to invent experiences, stories, frameworks, and communities
1:24:15 that expand people's sense of what's possible. Like, oh, that's pretty good. That sounds like me.
1:24:20 Number three, the charismatic translator of the new world. My mission is to make the future make
1:24:25 sense before it arrives. I have the rare ability to absorb complexity, sense its implications
1:24:32 early, right? I bring the energy of a performer, the instinct of a storyteller, the curiosity of
1:24:37 a polymath, and the pattern recognition of an innovator. I'm like, oh, this is good. So I like
1:24:43 all three of these. So what I said to it was, well, damn, like I like all of them. What if those
1:24:49 three things were three acts of the story you tell about me, of the thing I can own.
1:24:57 And so then I worked with it for a good long time. We went through a lot of shit back and forth and
1:25:03 back and forth and back and forth and back and forth. And then at some point, we got to a point
1:25:07 that stuff was pretty good. And I had it put it into a canvas so I could edit it. And so I'm
1:25:16 going to read you the long mission statement, and then I'm going to read you, I had it create a long
1:25:22 mission statement, a three-sentence version, a one-sentence version, and then a personal I am
1:25:29 statement. So I'm going to read you the long one, and then I'll read you the I am statement.
1:25:34 And you tell me if you feel like this sounds like me. My mission is to joyfully explore the
1:25:41 intersection of technology, creativity, and human possibility, and to turn what I discover into
1:25:46 stories, ventures, and conversations that inspire people to meet the profound technological change
1:25:52 with creativity, agency, and self-expression. I live at the intersection of art, innovation,
1:26:00 entrepreneurship, and human transformation, bringing the energy of a performer, the curiosity
1:26:05 of a polymath, the instincts of a storyteller, builder, and technologist to make complex change
1:26:11 feel vivid, personal, and possible. I am especially driven to help people understand the deeper
1:26:17 implications of AI, not just what it does, but what it changes in how we work, create, and define
1:26:23 ourselves. More than anything, I want to model what it looks like to meet this moment with
1:26:29 imagination, action, and a fuller expression of who we are while building the kinds of tools,
1:26:35 ideas, and spaces that invite others to do the same. Like, fuck. Yes. Like, that feels like me.
1:26:46 That feels like, that's a fucking, that's, I can own that. I can say, yes, I am the best in the
1:26:52 world at that. And then how do you distill that down? So then it distilled it down to the three
1:26:59 sentence version of that, and then the one sentence version of that. And then I got it down to an I am
1:27:05 statement. I am Kyle Shannon, an artist innovator, the one who inspires people to meet profound
1:27:12 technological change with creativity, agency, and self-expression. So your weekend homework,
1:27:20 should you choose to accept it, is do this for yourself. I mean, you can go back and watch this
1:27:27 recording if you want to walk through the like all my prompts are in here and then i turned it
1:27:31 into a uh the methodology i wonder if this is any good there's the outcome the core principle
1:27:38 gather the raw material what are your abilities what's your lived identity what's your emotional
1:27:45 commitment these are cool what are the distinctive through through lines
1:27:50 create ownership territories write three different mission statements
1:27:57 combine the strongest elements distill it into multiple levels there you go
1:28:04 so go do that do that this weekend figure out who you are
1:28:18 that's a genius. And then the other piece of this. So the first thing is understand
1:28:25 who you are in the world. That when someone says, what are you about? You can just
1:28:32 instantly answer. I'm about this. And here's how I see the world. And here's what I want to do.
1:28:38 And here's the change I want to make. And then you can say, and I've got all these projects.
1:28:44 I've got a book. And I've got a workshop. And I've got a site. And I've vibe coded a thing.
1:28:48 and I've got a musical. I've got a this and I've got a that. Oh, tell me about the musical. And
1:28:53 then rather than telling them about the musical, tell them about how I created it, why I created it.
1:28:59 What does it mean to me? What do I want to see in the world?
1:29:05 Then I can talk about the musical, right? Talk about your story about that thing.
1:29:12 because they're not going to buy your workshop.
1:29:16 They're going to buy you delivering your workshop.
1:29:20 They're going to buy you telling them that how you made this thing
1:29:25 is something that they can trust.
1:29:27 So even if you're not delivering it,
1:29:29 they're going to buy you having created that thing
1:29:35 because everyone's going to be able to copy the thing.
1:29:39 No one can copy you,
1:29:41 especially if you figure out what you're globally the best at.
1:29:44 All right.
1:29:45 So there's a fucking weekend homework.
1:29:48 Go do that.
1:29:52 Isn't that cool?
1:29:54 All right.
1:29:55 Maybe it's not.
1:29:56 Maybe it is.
1:29:58 Hey, my screen sharing lasted for longer than 38 seconds.
1:30:06 Mimi, I accept.
1:30:07 That's good.
1:30:08 That's the right attitude.
1:30:09 dude. Homework accepted. Oh, man. Beautiful. OpenClaw will run on everything. A Raspberry
1:30:22 Pi works. Docker, not good because OpenClaw wants to control the computer, but a container
1:30:29 is constrained. Oh, that's good to know. Claude has been telling me to throw shit into Docker,
1:30:35 which I assume is safer, but whatever. It's cool. Sharing a framework for crafting a personal
1:30:41 mission statement. Join the discussion. Oh, AI summary. TikTok is summarizing what we're doing
1:30:46 here. All right. Beautiful. I am going to get on out of here. You all have a fantastic weekend.
1:30:54 Next week, I am traveling Monday. I've not decided what days next week. Part of this is
1:31:04 i'm going to a client uh national sales meeting all week it's a pharma sales meeting and we're
1:31:09 filming videos and things like that for using our technology for uh for a big client or a big client
1:31:16 and i'm there all week so i kind of need to get my feet on the ground to understand either how
1:31:23 intense or not intense that event is going to be it might just be that we're sitting around all
1:31:27 day not doing much it might be that we're like completely overwhelmed and trying to keep up with
1:31:33 it, in which case I'll be really exhausted. So next week is going to be disjointed. But tomorrow,
1:31:40 Saturday at 4 p.m. Eastern time, there's an LOL featuring Side Hustle Mimi, who might be late
1:31:47 because she's going to be creating her statement about the thing she is in the world that no one
1:31:51 else is like. She took that on as homework, so she might be late. But assuming she gets it together,
1:32:02 She'll be there at 4 p.m. Eastern Time.
1:32:04 You should go join her, okay?
1:32:06 And she's going to be talking about the app that she created
1:32:12 and got published in the App Store.
1:32:14 It is for sale right now, and she's going to teach you how to do that.
1:32:18 So you should go support her and listen to her and learn from her
1:32:22 and don't be intimidated by this shit.
1:32:27 All right?
1:32:30 Fair?
1:32:31 I am Kyle Shannon, an artist innovator, the one who inspires people to meet profound technological
1:32:41 change with creativity, agency, and self-expression. That's who I am. Who are you? That's your weekend
1:32:50 homework. Peace!