
AI Learning Lab
6/3/2025 - The Intersection of AI and Creativity: Insights from Danny Kravitz's Workshop

Live Stream2025-06-041:28:42115 views
Description
This AI Learning Lab explored the intersection of creativity, AI, and self-doubt. Inspired by screenwriter and creative writing coach Danny Kravitz, Tom explored the concept of turning negative self-talk into art using AI tools. He demonstrated how to use Midjourney, incorporating style references (SREFs) to generate images based on limiting beliefs like "shame" and "I'm not really an artist." He also showcased techniques for enhancing images using simple editing tools and even creating short video clips with synthesized voices and AI-generated visuals via platforms like 11 Labs and Hedra. This creative exercise highlighted the small gap between perceived masterpieces and "bad" art, encouraging viewers to embrace the creative process without self-judgment. Tom emphasized the importance of community, recommending the AI Salon as a space for connection and inspiration. He also promoted the upcoming AI Readiness Project podcast featuring artist CJ Fletcher.
Tom and Ann discussed the rapid advancements in AI and the feeling of being overwhelmed by the constant influx of new tools and technologies. They highlighted the increasing sophistication of AI models and the shift in focus from mastering tools to developing strong ideas. They also touched on the importance of use cases and practical application in learning about AI's potential. Tom and Ann encouraged viewers to join the AI Salon and its Mastermind program for a more focused learning experience. The session concluded with a demonstration of AI-generated video clips based on limiting beliefs, further emphasizing the theme of transforming self-doubt into creative expression.
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#AI #Creativity #Midjourney #SelfDoubt #AISalon #AIArt #LimitingBeliefs #GenerativeAI
Chapters:
00:00:00 Intro And Music
00:02:17 Podcast Introduction
00:05:33 Nvidia Ceo Comments
00:07:06 Senior Vs. Junior Coding
00:08:16 Source Camp Greeting
00:08:47 Vibe Coders And Ai
00:10:42 Thanks And Explanation
00:12:16 Artificial General Intelligence
00:13:24 Danny Kravitz Creative Epiphany
00:15:15 Apple And Anthropic
00:17:11 Creative Flow State
00:19:17 Amplifying Yourself With Ai
00:21:11 Photoshop And Ai Art
00:22:48 Creative Directors And Ai
00:24:04 Ai Tools And Resources
00:27:07 Mirage App Demo
00:28:50 Ai Generated Films
00:30:07 Fake Celebrity Photos
00:31:09 Lookie Here
00:32:40 Mymind.com Intro
00:36:10 Midjourney Styles And Srefs
00:40:41 I Am Not An Artist
00:46:49 Chatgpt Image Generation
00:50:13 Voice Changer Demo
00:57:23 Hedra Video Demo
01:04:06 Masterpiece Vs. Bad Art
01:09:37 Frustration As A Prompt
01:13:16 Ai Salon Promotion
01:17:04 Frustration Video Creation
01:18:26 Conversation With Ann
01:23:30 Ai Readiness Project
01:25:23 Final Video Demo
01:27:12 Outro And Goodbyes
Chapters
0:00Intro And Music2:17Podcast Introduction5:33Nvidia Ceo Comments7:06Senior Vs. Junior Coding8:16Source Camp Greeting8:47Vibe Coders And Ai10:42Thanks And Explanation12:16Artificial General Intelligence13:24Danny Kravitz Creative Epiphany15:15Apple And Anthropic17:11Creative Flow State19:17Amplifying Yourself With Ai21:11Photoshop And Ai Art22:48Creative Directors And Ai24:04Ai Tools And Resources27:07Mirage App Demo28:50Ai Generated Films30:07Fake Celebrity Photos31:09Lookie Here32:40Mymind.com Intro36:10Midjourney Styles And Srefs40:41I Am Not An Artist46:49Chatgpt Image Generation50:13Voice Changer Demo57:23Hedra Video Demo1:04:06Masterpiece Vs. Bad Art1:09:37Frustration As A Prompt1:13:16Ai Salon Promotion1:17:04Frustration Video Creation1:18:26Conversation With Ann1:23:30Ai Readiness Project1:25:23Final Video Demo1:27:12Outro And Goodbyes
Transcript
0:00 Oh 0:01 yeah. Champy, come 0:05 on. Champy, you ready? 0:09 [Music] 0:20 [Music] 0:26 [Music] 0:44 Freedom came away that 0:49 night just like a jet plane in and out 0:53 of sight. 0:56 I was hauling ass at a million miles an 0:59 hour wondering how hard I'd 1:05 hit when they came into the 1:12 stage. They said I was bad beyond 1:18 repair, but I got no cause with my 1:22 situation. 1:25 Say here I am. 1:28 [Music] 1:33 So say Sheree Sheree Sheree won't you 1:38 dare to say Sheree Sheree Sheree won't 1:43 you dare to say Sheree Sheree 1:50 Sheree. Uhhuh. 1:53 Yeah. Leave a message and your number, 1:59 please. Take your time to want to 2:02 satisfy me. 2:06 Take all these old fantasies and send 2:09 them care of me. 2:14 [Music] 2:17 Good evening, good people of the 2:19 internet. 2:22 I know we're starting at a weird time. I 2:25 didn't start exactly at 8:30. It didn't 2:26 start at 9:00. Didn't start at 8. It's 2:28 just weird. Danielle, what's happening? 2:30 What's shaking? What's going down? Wolf 2:32 man 2:33 Clinty singing for his cheese. He is 2:38 indeed. He is 2:47 indeed. I think I have a fun creative 2:49 exercise to do tonight. We had Danny 2:51 Danny Kravitz who's a a screenwriter and 2:54 a creative writing uh coach and teacher 2:59 professor spoke at the AI salon 3:03 tonight. Give me an idea for something 3:05 to do here tonight. 3:07 [Music] 3:21 Is this place I can rest my poor 3:26 [Music] 3:28 head? Gather my thoughts in sweet 3:32 silence. 3:33 [Music] 3:36 It is this place where the feelings 3:39 aren't 3:43 dead. From an over exposure to 3:47 violence. This is place I can slowly 3:51 face. The only one I truly can 3:56 know. These are tears from a long time 4:00 ago. Got these tears from a long time 4:03 ago. 4:05 I need to cry. 30 years old. 4:09 So these are tears for a long time. 4:14 [Music] 4:23 Oh darling, oh darling, say unto 4:29 me, where have you been all my 4:34 [Music] 4:36 life? Well, I have been swimming seven 4:40 sad 4:43 seas. Four women have to me their life. 4:48 and pull me into the waters darker in 4:52 I'd have won them but I didn't 4:56 know these are tears from a long time 5:00 ago. Got these tears from a long time 5:04 ago. I need to cry 30 years or 5:09 so. These are tears from a long 5:14 time ago. 5:16 [Music] 5:28 What do you think, 5:31 Champion? All right, good people. Good 5:34 people. Champy approved. We have a Tik 5:35 Tok question at your 5:38 discretion. What do you say about 5:40 Nvidia's CEO says future of coding as a 5:43 career might already be dead uh due to 5:46 AI? 5:48 I think entrylevel engineering is 5:51 probably pretty close to being dead. I 5:55 don't know 5:56 where people coming out of college with 5:59 engineering degrees go. Now, here's the 6:02 caveat to that. 6:04 If you went to college for 6:07 coding and what you learned was to 6:10 code and you listened to your university 6:13 that said AI is evil and if you use it 6:15 you're a bad person. If you listen to 6:18 that, I think you're going to have a 6:20 hard time getting a job. Now, if you 6:23 went to a college that had didn't have 6:25 their head up their ass or if you went 6:27 to to a college that had that rule and 6:29 you said, "Fuck it. I'm going to learn 6:30 AI anyway." 6:32 and you're an engineer that understands 6:35 how to code and how to do projects and 6:37 you're AI literate like generative AI 6:40 like vibe coding like really 6:42 understanding what's going on I think 6:44 you have a much higher chance of getting 6:46 work 6:50 um but yeah I think that 6:53 um so let me just I I'll just say this 6:57 you know for my I'm I'm 13 years I I run 6:59 a company called Story Vine 7:01 which is a technology 7:03 company. 7:06 And I would rather have a senior 7:10 person that knows how to vibe 7:14 code than two or three junior people 7:17 that cost 7:19 less. Um because that senior person will 7:23 have seen a lot more and will understand 7:26 a lot more. So um that's a really good 7:29 question. It's a really good question. 7:31 Um, the fact of the matter is we don't 7:34 we don't quite know, but the the coding 7:37 stuff 7:39 is, you know, we're 7:45 probably year and a 7:47 half, maybe a 7:49 year, two 7:51 years away from these tools, these these 7:56 agents being good enough that they can 7:59 just go do anything, right? Point it at 8:02 your GitHub 8:03 repository, say, "Go to this fork and 8:07 analyze it, debug it, refactor it, and 8:10 it'll just go off and do that 8:13 shit." So, Mr. It is late. 8:17 Unbelievable. Ocean says hi to Source 8:20 Camp. That means Source Camp's here on 8:22 time. I'm still blown away by this fact. 8:25 The fact that like we're we're that 8:28 close to this [ __ ] being that good. I 8:30 know. 8:31 [Music] 8:47 It's like all the AI people and the vibe 8:49 coders are all black 8:53 sheep sitting in this lonely 8:56 town wondering when things are going to 9:01 change. Dream my life away. 9:05 Seems these dreams have turned to a 9:08 bunch of dust 9:10 clouds. Getting my nerve up, but my past 9:15 is pulling me 9:16 [Music] 9:18 down. Wondering how 9:21 long this black sheep going to stick 9:24 around. 9:30 Somebody told me once before he said you 9:33 can never go home 9:36 again. Won't you 9:38 leave Santa things to steer me away? 9:42 Yeah. From the truth of who I am and 9:45 what I believe. So I thanked him for his 9:49 two cents with a 9:50 handshake and some sympathy. Yeah. 9:55 I packed up my blue 9:57 jeans. I'm headed for this big 10:01 prize of my 10:05 freedom. 10:06 Bye-bye, black sheep to the black sheep 10:11 of the 10:13 family. 10:14 [Music] 10:17 Bye-bye. Oh, that means so very much to 10:20 me. And 10:23 bye-bye black sheep to the black sheep 10:27 of the 10:29 family. 10:31 [Music] 10:32 Bye-bye. Going to set my 10:37 soul. Set it 10:42 free. Um, you're welcome to. Who? Who 10:45 was that? Uh, mansar 10:50 mx5x, thanks for the good explanation. 10:53 Yeah, I don't know if it's a great 10:55 explanation, but I but here's the thing 10:57 is 11:06 the I don't think any of this stuff's 11:09 hyperbole, right? Time magazine has got 11:13 a cover coming out that's going to be 11:14 talking about AGI, artificial general 11:16 intelligence. Artificial general 11:18 intelligence is generally 11:21 um generally agreed upon. There's like a 11:24 million different definitions, but it's 11:25 generally agreed upon that we've hit 11:27 artificial general intelligence when the 11:30 AI is strong enough to do to be able to 11:34 do as good or better than most people at 11:37 most jobs. Like do the jobs 11:42 most people at most jobs. Now, if you're 11:44 an exceptional 11:45 person at your job, maybe it can't do 11:49 that. But if you're average or lower, 11:52 it's going to be able to do all of 11:54 that. So, we're probably 11:57 within what's it 11:59 2025. Ray Curtzwhile put it at 12:04 2029. I'd put it at 2027 and a half. 12:07 We're two and a half, two years away. 12:11 two to three years away from 12:14 AGI. So, I don't think it's just 12:16 engineers, by the way. I don't think 12:18 it's just programmers, right? That's 12:20 what that's what Jensen was talking 12:21 about. But, uh, Brandon just pointed 12:24 out, and it's a good point. 12:26 V3 V3 is the first brick to be knocked 12:31 out of the wall of film production in my 12:33 opinion. I mean, we've had things that 12:35 are pretty good, but VO3 does the 12:38 acting, right? So, it does it's doing 12:41 full-on production. So, give that two 12:44 years, three years. We'll we will be 12:47 speaking feature films into 12:51 existence. YouTube comment, Dennis M. 12:54 Basically, it will be a jack of all 12:56 trades, master of none. I disagree with 12:59 that entirely. I think it will be a jack 13:02 of all trades, master of most. 13:05 Um, here's where humans still have a 13:09 role is we get to determine what we want 13:14 these things to do, but I think these 13:16 things are going to be good enough to do 13:17 whatever the [ __ ] we want them to 13:19 do. Like, we're still the ones driving, 13:22 right? 13:24 I in in Dan Danny Kravitz's talk 13:27 tonight, um, a a thing popped in my head 13:31 right now. A lot of people ask, 13:34 um, how do he put 13:40 it? 13:45 Like, how how do you put it? 13:50 I I'll I'll I'll find the statement 13:52 because I I turned it into I turned it 13:53 into a pair of opposing questions. But 13:55 the basic idea was a lot of what we're 13:57 doing right now is how can I do 13:59 something remarkable with AI, right? And 14:02 I think that's the wrong question. I 14:04 think the question is how can I do 14:06 something remarkable for 14:08 myself with 14:11 AI? Right? How can I do something that 14:14 is outstanding for me with 14:17 AI? That's where I think we go. I think 14:20 I think where we go I think that the big 14:23 epiphany for me is that it's not like 14:26 these tools are doing something to 14:29 us. That's the trope right now. The 14:32 trope right now is the AI is taking our 14:35 jobs. The AI is ruining my life. The AI 14:37 is doing this. No, no, no. Flip that. 14:40 What if the what if the equation is more 14:42 like what how can I make myself 14:45 remarkable using AI? 14:50 Right? I know how to tell stories. I 14:52 know how to write. I know how to do 14:54 video 14:55 stuff. Well, rather than having to do it 14:58 manually, the old-fashioned way, what if 15:00 I turned myself into a remarkable 15:02 filmmaker by just speaking it into 15:07 existence? So, that's that's a new kind 15:10 of skill. It's a new kind of mindset. 15:13 Um, so 15:15 anyway, did we know that Apple is going 15:18 with Anthropic to embed Xcode for vibe 15:20 coding? I may be late to the game. Well, 15:22 I mentioned it tonight in the in the 15:24 salon. Um, but I just saw it. I just saw 15:27 it right before the salon. It was it 15:29 wasn't in there basically. Agreed. How 15:31 can I use AI to improve my own life? 15:33 Yeah, exactly. Honestly, screw everyone 15:35 else. How can I use it to help me? Yeah, 15:38 but but Dennis, that's like I know 15:39 you're being, you know, cynical and 15:41 sarcastic and snarky, which I 15:45 love. I think first we all have to 15:48 understand what AI can do for me and 15:51 then you can start to say, well, wait, 15:53 what do I want to do in the world and 15:55 how can I use AI to help me do that 15:58 thing in the world? And in doing that, 16:00 we'll be able to help lots of other 16:01 people. Like, I think that's where this 16:04 goes. But I don't I don't think any of 16:06 us can escape having to understand what 16:09 it makes possible for 16:12 us before we can understand how to help 16:15 others. But it's not AI is happening to 16:19 us. It's we get to improve ourselves. We 16:22 get to amplify our own 16:25 ideas by using 16:28 AI. That's the optimistic spin on it, 16:31 right? 16:34 Um, forever hook GPT analyze 17 picks 16:37 picked out vids from PPTs. Word docs 16:40 made a list in two 16:42 seconds. Laugh in my a I actually got 16:46 the words mixed up. I meant instead of 16:48 looking at it as bad see the positive. 16:52 Copilot couldn't 16:54 see 16:57 something. Oh, co-pilot could even do it 17:00 with two pickics. Yeah, co-pilot's a 17:02 piece of garbage, it does 17:03 seem. How can we make it work for us? 17:06 Well, okay. So, this is really good. 17:10 Okay. So, so if you stick around 17:12 tonight, I think the exercise I'm going 17:14 to do, we're going to go to midjourney 17:15 and we're just going to play in 17:16 midjourney. Um, but Danny Kravitz came 17:19 on on the salon tonight and he spoke 17:22 about how you get creatively productive 17:28 is you go into a flow. You go into a 17:32 state where you stop judging how bad you 17:36 are. You stop comparing yourself to 17:37 other people. You just go into the state 17:39 and say 17:40 that every bad piece of art and every 17:43 masterpiece all started with some single 17:46 line, some single 17:48 stroke. Every song started with some 17:51 single 17:52 note. And if you just looked at that 17:56 line, it would be indistinguishable 17:58 whether it was a 5-year-old that did it 18:01 or, you 18:03 know, 18:05 Rembrandt, same line, right? But then 18:08 the lines after that, something more 18:10 emerges and then you get into the flow 18:12 and then you get into the 18:13 flow. And he was saying really work on 18:16 letting go of those limiting beliefs. 18:18 When you're in the creative flow state, 18:19 you just let go of all that [ __ ] I 18:22 think with generative AI right now 18:24 because all the tools are so new and 18:26 none of us know exactly how they're 18:29 going to benefit us and they don't we 18:31 don't even know what they really make 18:33 possible, right? We have what the 18:35 scientists have told us. 18:38 We know that 03 18:41 Pro is good at math, which if you're not 18:45 good at math, I guess you just trust 18:48 them that that it's at the 89th 18:51 percentile of whatever the [ __ ] test it 18:53 is. But what can that same model do for 18:56 me? I don't know 18:58 yet. How will I know? By getting into a 19:01 state where you're just like, well, let 19:03 me explore with this. Let me play with 19:04 this. Let me Right. 19:07 And so I thought it might be fun tonight 19:09 to go into midjourney and just do some 19:11 some of the exercises that Danny talked 19:13 about and just kind of navigate through 19:15 some [ __ ] 19:17 Um, but I think the answer to what can 19:20 AI do for 19:22 me is it is again it's the wrong 19:27 question. How can you amplify 19:30 yourself using 19:33 AI? And so what that then looks like is, 19:36 well, who are 19:38 you? What do you want? What do you want 19:40 to 19:42 do? Do you want to be an artist? Do you 19:44 want to be a 19:46 writer? Are you a 19:48 copywriter? And you love doing 19:51 copywriting? Well, how can AI make you a 19:54 better copywriter? Because I guarantee 19:56 you it 19:58 can. Is there something you've always 20:01 dreamed of doing, but you don't have the 20:02 talent or skills or access or resources? 20:05 Well, now maybe you 20:07 can. So, I think that's kind of it. I 20:10 know many artists who can't draw a 20:12 stickman, but with digital Photoshop, 20:14 they can outdes any canvas artist. And 20:18 we today accept their creation, but 20:20 there are prejudices with AI. 20:23 Yep. This is Listen, this is nothing 20:26 new. 20:28 Do you know how much they made fun of 20:29 Photoshop artists, layout artists when 20:31 when when I was coming up in the in the 20:34 80s doing 20:36 Photoshop and Quark 20:39 Express? The guys that sat at the 20:41 drafting tables with their different 20:43 width tape making lines and rules around 20:46 a page, sticking it physically down on a 20:51 board. They didn't think what I did was 20:54 design. They were like, "That's just 20:56 that computer 20:58 thing." They weren't working there much 21:02 longer. So, this is It's not new. It's 21:05 not 21:07 new. 21:11 Ug. Stop giving me 21:15 nightmares. I'm getting a little sad 21:17 because what I struggle with now will be 21:20 easy for all 21:21 soon. Yeah, I know. I 21:25 know. But here's the thing, Joy. Here's 21:28 the big 21:32 secret. Just because it will be easy for 21:35 anyone to make a 21:39 film, they don't have your point of 21:41 view. They don't have your perspective. 21:44 They don't have your 21:45 stories. You're going to tell 21:49 stories in a way that's going to be 21:51 unique and different from theirs. And if 21:54 you retain your point of view, your 21:57 creative point of view, then your work 21:59 is going to stand 22:01 out. If everyone's just vomiting out 22:04 work with no thought to the 22:07 story, it's all going to be just become 22:09 noise. It's all going to look beautiful. 22:11 It's all going to be well structured and 22:13 beautiful, but it won't rise above the 22:15 noise. The only thing that's going to 22:16 rise above the noise is people who've 22:20 created things with with intention and 22:22 with a point of 22:24 view. 22:26 So, but but everything's going to 22:28 change. How we do it, who does it, how 22:31 fast it happens, how good it is, all of 22:34 that's going to 22:35 change. It doesn't mean it will be a 22:37 good film. Correct. Exactly. 22:46 [Music] 22:48 How can we make it work for us? 22:51 [Music] 23:04 What everyone essentially needs to 23:05 become are producers, creative 23:09 directors, strategists who can do 23:13 tactics. 23:14 [Music] 23:47 What do you think, Champy? 23:49 [Music] 24:04 with limited resources, it's hard to get 24:07 things done. So Mystic, what I would say 24:09 to 24:10 that, most of the tools have some free 24:13 version. Chat 24:15 GPT, the free version of ChatgPT does a 24:19 remarkable amount of stuff. a remarkable 24:22 amount of 24:25 stuff just within chat GPT paying 24:28 nothing you could do a lot a lot and 24:33 most of the image generators have a free 24:36 version I think the song generators have 24:38 a free version video not so much because 24:42 it's expensive so they don't really give 24:43 that [ __ ] away 24:47 um and if you can swing 20 bucks a month 24:49 I mean GPT5 is coming out probably 24:52 within two months and it's going to be a 24:55 beast. It's going to be some crazy ass 24:57 multimodal thing and it's going to be 25:00 available to free users as 25:03 well. So don't if if you're not using AI 25:09 because you've either convinced yourself 25:11 as someone has told you, oh, you got to 25:14 pay all these subscriptions. That's 25:16 [ __ ] That is [ __ ] $20 chat GPT 25:19 is crazy good. Free chat GPT is crazy 25:21 good. Yeah. I mean, if you had told me 25:24 two and a half years ago what would be 25:26 possible today for the free version, I'd 25:29 have been like, "No 25:31 [Music] 25:33 way." Finally, GPT5. Really? Yeah. I 25:37 don't know when it's 25:38 [Music] 25:43 coming. Stea Leonardo AI just dropped 25:45 Lucid Realism to make films. Nice. 25:50 Free Gemini Deep Mind is good 25:53 also. Free Claude is good. I mean, 25:56 Claude's got real 25:57 limits. I think Perplexity's Yeah, 26:00 Perplexity has a free version. A bunch 26:03 of these things have free versions. Po 26:04 has a free 26:06 version. Copilot is decent. Yeah, if 26:09 you've got access to Microsoft products, 26:12 it's based on chat GPT. 26:16 It feels like we've been waiting on GPT5 26:18 for forever. Yeah, I'm guessing it'll 26:20 probably be August. Cam. 26:24 [Music] 27:08 All All right, let's do 27:10 something. Let's do something. What are 27:12 we going to do? What are we going to 27:15 do? I can show you a thing that I just 27:19 made. It's a thing called 27:22 Mirage.app. I don't think I like 27:25 it. Watch out. The video promos will 27:28 come out soon starring young versions of 27:30 actors and stuff. AI 27:32 generated probably. 27:36 I no one's going to be knocking off 27:39 major actors and knocking off major 27:42 films right now that they'll just get 27:44 sued too quickly. Um there might be fan 27:47 art that comes out of that. I think 27:50 what's more likely is we're going to 27:52 start to 27:54 see you know you know how Okay, so you 27:57 got Hollywood blockbusters, right? 28:00 And then you have B films like Roger 28:02 Corman horror stuff. Um, you know, a lot 28:06 of the that that early Roger Corman 28:09 stuff, it was filmed on like Betamax, 28:11 you know, video video cassettes, right? 28:14 Um, and and they just, you know, it was 28:17 like, you know, they'd film it over a 28:18 weekend and it was, you know, they got 28:20 who whatever sort of out of work actors 28:22 they could to go up to Connecticut and 28:25 film a slasher flick in the woods for a 28:27 weekend, right? 28:29 um it just had a different aesthetic to 28:31 it. But like a lot of those slasher 28:34 flicks like Texas Chainsaw Massacre and 28:36 all those those really, you know, cut 28:39 rate horror films, they did really well 28:42 because they were a very particular 28:45 thing. I think that what you're going to 28:47 see is you're going to start to see 28:49 films 28:50 like that are just qualitatively 28:54 different than Hollywood stuff. 28:58 And and what you're going to see is 28:59 you're going to find people like Joy 29:01 Perie and and you know some different 29:03 folks within the salon that really like 29:05 doing the movie making thing. They're 29:07 going to start finding voice for 29:09 themselves and they're going to put out 29:10 films and the Hollywood establishment is 29:13 going to lampoon them and make fun of 29:17 them and diminish 29:20 them. And then all of a sudden at some 29:23 point the the iceberg's going to 29:26 flip and those people who are good at 29:29 doing this peculiar kind of AI that's 29:31 not quite 29:33 right. The technology is going to get 29:35 good and they're going to get better at 29:38 using these tools. And all of a sudden 29:40 you're going to start to see some films 29:42 come out that are incredible films. Not 29:46 incredible AI films, incredible films. 29:50 And people are going to get distribution 29:52 de deals and people are going to be 29:53 nominated for Oscars and just it just 29:56 watch just watch. We've seen this movie 29:59 before. It happens every [ __ ] time, 30:00 so it shouldn't be a mystery, but it 30:04 will. Um, there are fake photos of Billy 30:08 Eyish at the Met. She had to go on 30:09 social and say it wasn't her. I know. 30:12 You know what's funny, Gwen, is I I 30:13 think about that a lot where there's 30:15 going to be fakes of of celebrities 30:18 that, you know, are like, I gotta say, 30:21 that wasn't me. That's AI. But then 30:23 there's going to be celebrities that do 30:25 bad [ __ ] and get photographed and 30:27 they're going to be like, yeah, but that 30:28 wasn't me, that's AI. So, that one's 30:30 going to go both 30:34 ways. No, don't say that. Like with 30:36 silent movies and FX, there's a 30:39 continual evolution. and Oscars may go 30:41 away. I don't know what I was saying 30:43 that you said don't say that 30:44 to Sony's Digit Beta was an amazing 30:47 machine. Yeah, exactly. Exactly. Billy 30:50 handled it 30:52 well. 30:54 Um, all right. Let's go look at this. 30:57 This is the the site I'm on is 31:00 uh mirage.app. 31:09 Look at here what we did together. 31:12 Look at here what we did together. It's 31:15 got a weird blue. Look at here. What we 31:16 did together. Why can I not make this 31:18 bigger? 31:20 Look at here. 31:22 Oh, cuz it's just an 31:25 audition. Oh, and then I see. And then 31:27 you generate 31:32 video. This is a very weird interface. 31:35 Yeah, this is this is all on on producer 31:38 Brandon. 31:42 Lookie here what we did together. 31:45 But that's that's synthesized audio from 31:47 the site and then it you know and it 31:49 generates uh avatars. So uh Mirage is 31:55 mir a 31:59 g.app. Lookucky here what we did 32:02 together. Look at here what we did 32:04 together. 32:10 There you 32:12 go. Okay, I'm gonna I'm I'm not going to 32:15 wait around for this because this is 32:16 it's a normal it's a normal uh 32:20 avatar thing, but they do give you 600 32:23 credits and it's I did a a little 32:26 audition credit and it was 42 credit 32 32:30 credits. So, I don't know. They probably 32:33 give you a couple of clips, but you can 32:35 at least go 32:37 play, but let's go. I want to do 32:39 something 32:41 here. All 32:43 right. Black bar. Hey, 32:49 Black. 32:54 Okay. So, I'm going to go here. 32:59 So this this 33:03 site is called 33:07 mymind.com and it's just a I just use 33:11 this as a thing where I I put tweets in 33:14 it that have interesting [ __ ] It's just 33:17 like one of it's like Pinterest. It's 33:18 like a personal Pinterest board. 33:21 But mostly what I'm doing is I'm I'm 33:23 capturing all these different styles 33:26 from Midjourney and and now the the 33:28 styles are are mixed up. Some are 33:30 midjourney, some are chat GPT because 33:32 chat GPT can now do cool 33:34 [ __ ] Um so it's kind of both, but I 33:37 just use it as as kind of an inspiration 33:39 board. 33:41 But so tonight, 33:44 um, Danny Kravitz was talking about, you 33:47 know, getting in this creative zone 33:48 where you you kind of free your mind of 33:52 negative self-t talk and comparing 33:55 yourself to others and just recognize 33:58 that no masterpiece started out as a 34:01 masterpiece. Everything started out as a 34:03 piece of [ __ ] and then just gradually 34:05 got better and better and better and 34:06 better, right? And even masterpieces 34:09 that we look at today, maybe when the 34:12 artist was still alive, they were still 34:13 considered pieces of [ __ ] right? Like 34:15 like the what is considered a 34:18 masterpiece is this 34:20 everchanging, you know, it's got to do 34:22 with society and and it's independent of 34:25 you as a creative. 34:28 So he's basically saying if you if you 34:30 compare yourself to whatever is the 34:31 pinnacle of your 34:33 art, you're you're discounting the fact 34:37 that there there was all this process 34:39 along the way. He said if you fall in 34:41 love with the process and start to rid 34:44 yourself of your negative, you know, 34:46 self-t talk and your your negative 34:48 imagery. And as he was talking about 34:50 that, he he asked, you know, everyone in 34:52 the audience at the salon tonight, you 34:54 know, what is something you say about 34:57 yourself or you say to yourself? What 34:58 are your negative self talk? What are 35:00 what are those thoughts? And then at one 35:02 point Leah the my co-host and the 35:05 co-founder of the salon she shared that 35:08 she took her negative uh you know 35:11 self-talk her her disempowering self-t 35:14 talk and she put it into midjourney and 35:17 generated images out of it. And so I 35:20 thought that might be fun tonight. So 35:21 I'm just going to pick kind of phrases 35:23 and words and things that I say to 35:26 myself when I'm when I need to put 35:29 myself down. 35:31 which is, you know, if you're a 35:33 creative, it's like a it's like a hobby, 35:36 you just find ways to put yourself down. 35:39 And so, what I thought might be fun is 35:41 we'll just come in here into my little 35:44 mood board. We'll pick a cool 35:46 style and then we'll go to midjourney 35:49 and put in some of these shitty words, 35:51 the shitty selft talk in that style and 35:54 we'll just keep [ __ ] around with it. 35:56 So, that's what I thought might be kind 35:58 of fun. 36:00 So, I kind of like this watercolor one 36:02 right 36:05 here. That one's kind of cool. I call 36:08 that Tuesday. Exactly. 36:11 Exactly. All right. So, let me go grab 36:14 this SREF. So, if you don't know what an 36:17 SREF is, it's a style 36:20 reference. And then we're going to we're 36:22 going to put these two sites next to 36:23 each other. So, here's 36:26 MidJourney. All right. So, here's some 36:28 [ __ ] I was doing earlier. I'm going to 36:29 turn on personaliz. Oh, no. Maybe I'll 36:32 turn it off. Okay. So, couple of 36:35 things. When you're in 36:38 midjourney, if you're using style 36:40 references, so style references dash 36:44 sref 36:46 sref space and then it's like some long 36:50 number. And they're all over Twitter, so 36:53 you can just go find them anywhere. 36:54 Here's what I've learned about them. If 36:56 you have your personalization turned on, 37:00 they likely won't look like what they 37:02 look like on 37:03 Twitter. Also, if you have your 37:06 stylization at zero, they won't work at 37:10 all. They like you'll This is one of the 37:13 things that took me the longest, not not 37:15 the longest to learn, but something that 37:17 frustrated me is I couldn't [ __ ] 37:19 crack the code of why do they work 37:21 sometimes and not others. You have to 37:24 have your stylization at at least 50. 37:26 So, and you can put it up to a thousand, 37:28 but if it's if it's at zero, it it often 37:31 just won't work. All right. So, one of 37:33 my big words is shame. I always talk 37:35 about shame is my love language. So, I'm 37:37 just going to use the prompt shame. And 37:39 then I'm going to put in that sref. And 37:41 we'll do we'll do 16 by9s. I just like 37:44 16 by9. They're pleasing to my eyes. And 37:47 we'll generate that. And then now we'll 37:51 go we'll go grab another sref. There was 37:54 one at the top here. I really dug this 37:57 one. Oh, but that's not an SRE. That's 38:00 just a chat GPT 38:03 prompt. That is 38:06 too. That is 38:09 too. Oh, this is cool. Here's a cool 38:15 one. Yeah, I like that style. 38:20 Copy. Go back over to Medjourney. Oh, 38:23 that's cool. And we'll do shame. And 38:26 we'll do this other 38:28 sref. And then you know what I'm going 38:30 to do? I'm going to do I'm going to do 38:33 dash r for repeat space 2. So it'll give 38:38 us two sets instead of one set. 38:42 [Music] 38:48 These are 38:52 cool. That looks like 38:58 shame. Very 39:03 cool. And then look at this one. 39:14 for those of you shame sufferers out 39:17 there. Feel 39:20 familiar? All right, let's go get 39:21 another 39:23 style. I mean, it it it's kind of cool, 39:25 isn't it? It kind of it turns your your 39:29 sort of pain and and fear 39:34 into into something you can look at 39:38 externally. 39:42 So, 39:43 shame paste. 39:47 Go. Go back 39:50 here. Here's a cool colorful 39:53 one. Oh, wait. What's this 39:56 one? Yeah, we're going to have to go 39:58 play in chat GBT, too, I think. Cuz not 40:01 all these are SE rest. Some of these are 40:02 just nice prompts for chat GBT. 40:11 Mm. 40:13 Shame. 40:16 Paste. Oh, you know what I want to do 40:18 now? Let's 40:20 see. Oh, these are 40:22 cool. Look at 40:28 this. AI can never be 40:32 creative. 40:34 Okay. Okay. No new no new novel 40:38 thoughts. 40:39 [Laughter] 40:41 Okay. I am not an artist. Oh, that's a 40:44 good one. All right. Oh, this is great. 40:47 Look at this one. 40:48 Beautiful. 40:50 Shame. So, mine wouldn't be I'm not an 40:53 artist. Mine would be 41:00 um mine would be 41:06 um I'm not really an 41:19 artist. Let's go get some more styles. 41:23 The nice thing about doing these styles 41:25 like this, by the way, 41:27 is now they're all saved in Midjourney. 41:30 So you can just scroll back through your 41:32 images and if you like something 41:33 visually, you can just click on the 41:34 style and it'll throw it into the 41:36 prompt. So, for every one of these we 41:44 do, for every one of these that we do, 41:47 it's creating a little bank of things 41:49 you can just go modify within 41:56 midjourney. Oh, this could be a cool 41:58 one. Let's do this one. Oh, this is a 42:01 double sref. Oh, this is an S sref a 42:04 profile. Oh, there's a whole bunch of 42:07 [ __ ] here. Okay, we'll we'll take it 42:09 all. Fine. Um, let's go to midjourney 42:12 and let's 42:14 do I'm not really an artist. And then 42:17 we'll do all that [ __ ] that was on that 42:19 one. Boom. And then we'll do I'm not 42:22 really an art. 42:25 Uhoh. Oh, personalization was not 42:27 compatible 42:29 with V7. Oh, V6. So, we Oh, I've only 42:34 been in V6. 42:36 0.1. I should flip over to I should go 42:38 back and do these all again in 42:41 [Music] 42:44 seven. All 42:48 right. So, I'm not really an artist. 42:51 Sref 42:54 go. Shame. Sreff 42:59 go. Shame. Sreff go. So, we'll see how 43:04 different these look in version seven. 43:07 Tik Tok pin. 43:10 Okay. Watching you do this, I got an 43:13 idea of what I can make with this. 43:15 Beautiful. 43:18 So, this is part of the point 43:23 where where Danny was going tonight 43:30 was there's no real moment 43:35 of of good or bad in the creative 43:40 process. It's just another step in the 43:44 process. 43:45 And so like if I make these things I'm 43:47 like, "Oh, well they didn't look like 43:48 what they looked like on the thing and 43:50 I'm now I'm a 43:52 failure," you kind of break the flow. So 43:54 if you can just put yourself into every 43:57 step is another it's just another step. 44:00 And at some point that may turn into 44:02 something and it very likely will not. 44:06 But if you can if you can live in that 44:08 kind of pure space of just take action, 44:11 take action, take action. if you're 44:14 [ __ ] on yourself. In fact, let's 44:16 write um why 44:20 am why why am I such a piece of 44:28 [ __ ] That's my 44:30 prompt. Let's go find some [ __ ] 44:34 dark nasty [ __ ] 44:38 [Music] 44:40 style. That one's kind of cool. 44:47 here. This one's 44:50 great. All 44:52 right. 44:54 Sref. 44:57 Boom. See if this is the 45:05 right. I think it's going. 45:13 All right. So, this one's shame. This is 45:15 This is the one. This was uh model 45:21 6.1. This is 6.1. Oh, this is this is 45:24 I'm not really an 45:27 artist. Is bro cooking? I don't know. 45:29 You tell me if I'm cooking. I'll tell 45:31 you what I am doing. 45:34 I'm I'm just vibing. I'm just in the 45:37 flow. 45:45 That's I'm not really an artist. Love 45:47 that. I love that it's a bird flying 45:50 away. I'm not really an 45:57 artist. All right, that one failed. So, 46:01 this is I'm not really an artist with 46:03 that sort of crazy style. 46:07 These are great. I'm not really an 46:11 artist. That was awesome. Look at that 46:13 [ __ ] 46:16 thing. I love the boat. I know. Wasn't 46:18 the boat 46:20 cool. Limiting beliefs as prompts in 46:23 midjourney right now. Yeah, that's what 46:24 we're doing. Great images. So, so play 46:27 along with 46:29 me. Play along with me. 46:32 Just think of a limiting belief of yours 46:34 and go into midjourney. And if you want, 46:37 go over to X and just look up SREF, 46:40 SREF, and just find some style that you 46:43 like. Come back to 46:45 MidJourney. And if you don't have 46:47 MidJourney, you can do this in chat GPT. 46:50 In fact, let's let's go to chat GPT and 46:53 do some of these things as well. 46:57 So, I'll show you a cool way to 46:59 do I'll show you a cool way to do 47:03 um image stuff in chat GPT. So, I can 47:07 come over to my my mind thing, 47:10 right? And let's say I like this this 47:13 style right here. I'm just going to I'm 47:16 just going to screenshot these four 47:18 images that are part of this Twitter 47:20 post. 47:32 What was my prompt? Why am I such a 47:34 piece of [ __ ] Is that what it 47:38 was? Why am I such a piece of [ __ ] 47:40 Okay, so now we're going to go to chat 47:41 GPT. I'm going to paste in that image 47:44 and then I'm going to say 47:47 um 47:49 imagine failed to upload. Please ensure 47:51 your network 47:52 connection. Come 47:56 on. 47:59 Imagine this. 48:05 Why am I such a piece of [ __ ] 48:13 as as an 48:18 image in this 48:21 style? Go Tik Tok 48:24 pin. Yes, please give an SREF for chat 48:28 GPT because it does understand 48:31 them. 48:34 really does 48:39 it. All right, let's go try 48:43 that. You sure? I don't buy 48:47 it. So, we'll go to chat 48:55 GPT. Let's pause for a second. No, no. I 48:59 want you to make 49:03 me that 49:06 image. It's trying to It's It's trying 49:09 to caretake 49:11 [Laughter] 49:14 me. It does understand srefs. All right, 49:19 cool. Oh, look. This is Why am I such a 49:22 piece of 49:27 [ __ ] I think that one's 49:33 great. And then what do we got? Here's 49:36 Shame. This is with version seven, not 49:40 6.1 with one of those previous things. 49:42 That That's 49:44 [ __ ] You tell me that's not a You 49:47 tell me that's not a still from an 49:50 animated short that gets nominated for 49:52 an Oscar. 49:55 In 49:56 fact, watch this. We're going to go 49:59 upscale, subtle, and 50:14 creative. We're going to go to 50:18 Hedra. Not Hedra, Cartisia. 50:25 Do I want to go there or do I want to go 50:27 to 11 50:31 Labs? Um, I think I want to go to 11 50:45 Labs and go to voice 50:51 changer. We're going to go 50:57 find Let's go find a voice first. Hang 51:00 on. 51:02 Um 51:04 voices. My voices. 51:09 I just 51:31 All right, we like her. Do I have her? 51:34 Is she added? 51:39 Jazelle Marie. All 51:41 right, so we're going to go voice 51:43 changer. We're going to record audio. 51:45 Let's go get 51:51 Jazelle. We're going to record audio. 51:53 What am I going to say? 52:06 It's not Oh, yeah. 52:24 I know who I am. It's not them I'm 52:28 afraid of. It's 52:32 me. All right. And we're going to 52:34 generate speech. So, I'm going to change 52:36 out my shitty ass 52:44 voice. 52:46 Perfect. Download. All right. So, now we 52:48 got acting. Now we got a voice. Now 52:52 we're going to go to 52:57 Hedra. Oh, you couldn't hear that 52:59 probably, could you? Well, it'll be your 53:01 surprise when I actually share my 53:02 screen, right? Um, impostor 53:07 syndrome. All 53:09 right. So, now let me go back to 53:12 midjourney. Let's get let's get our 53:14 image. Let's see which one we like. Here 53:16 we upscaled these. That one's pretty 53:19 good. I think that one's better. See, 53:21 that one's a little too smooth. That 53:23 one's got more texture. I like it. I 53:25 like that better. All right. So, there's 53:27 our image. Download. So, now we go to 53:30 Hedra and we upload that 53:34 frame. Champ, stop licking your feet. 53:38 It's I I've got dysphonia or whatever 53:41 the [ __ ] it is that when you lick your 53:42 feet, do Champ, I I want to I want to do 53:47 bad things to your ears. 53:49 Don't eat your feet. Stop wagging your 53:51 tail. Don't be cute. You're sitting over 53:54 there eating your feet like a [ __ ] 53:56 popsicle and now you're wagging your 53:58 tail trying to get me to not be cranky 54:00 about 54:02 it. All right, in comes the 54:07 image and then in comes the audio. 54:10 Right, we just made the 54:16 audio and then we're gonna 54:19 say woman 54:21 looks into the 54:26 camera shaking as she 54:30 talks. All right. Boom. Now we're making 54:34 a movie. 54:36 So, what's this been? half an hour 54:39 because I've been ye yber 54:42 yabbering jibber 54:45 jabbering. But what this started out as 54:48 was an exercise just to 54:51 get shitty thinking out of my head and 54:54 just out in the 54:56 world. And then all of a sudden we made 54:59 this image that looks like well that's 55:02 maybe a story worth 55:04 telling. I love this style actually. 55:12 Like that's really 55:14 good. We can say very that strong. Get a 55:17 bunch more of 55:26 those. And now this is going to turn 55:28 into a cool little video clip. 55:37 [Music] 55:44 Dysphobia. No, it's 55:47 dysphonia. It's not fear of that sound. 55:51 It's hating that 56:00 sound. Can someone tell me how to search 56:02 for srefs on X? Yes. Oh, look. We got a 56:06 video, but I'll go I'll I'll change my 56:08 tabs. So, when you go to X, just go to 56:12 X and go to search. And you can just 56:15 type in SRF 56:17 s or if you want to get fancy, you can 56:20 type in dash dash 56:22 sref 56:25 search. And then as you scroll 56:28 down, you'll just see lots of them. 56:36 And then when you see one you like, and 56:38 here's an SRF 56:41 community. And when you see one you 56:43 like, you just copy 56:46 it and put it in there. It's It's quite 56:49 a 56:51 remarkable quite a remarkable 56:53 thing. Oh, it's funny. It's finding a 56:56 lot of these are 56:57 mine because I post a lot of these. Um, 57:00 all right. 57:03 Let me change my tab so you can see what 57:05 I'm about to 57:16 show. 57:18 Hedra go. All right. All right. Here we 57:22 are, 57:23 people. Fantastic. I know who I am. 57:29 Uh, it's not them. 57:34 I know who I am. It's not them I'm 57:38 afraid of. It's 57:42 me, right? And then you go to Suno and 57:47 you make a cool [ __ ] creepy song in 57:49 the 57:53 background. So, let's go back to let's 57:55 go back to here. 58:02 Let's 58:03 go. We're going to drag this image up 58:06 here. We're going to use this as a 58:09 style. Do I want a style reference? No, 58:11 we use this as an image 58:15 reference. Am I sharing this? Yes. I got 58:19 to do my black bar 58:20 though. We're going use this as a image 58:23 reference. And then in and then we're 58:25 going to use the same 58:30 sref same 58:34 sref. And then we're going to go 58:38 um 58:41 worthless and I'm going to go 58:45 d-r four. We'll do four sets of 58:51 worthless. Hey tabs. What about tabs? 58:55 Oh, I'm still sharing the other one. Got 58:57 it. I I knew 58:59 that. I don't really need a producer 59:02 because I know these things because I'm 59:04 very smart. I'm I'm I'm what I'm what 59:08 many would call an 59:10 intellectual, right? Very 59:13 academic. I mean, this is the AI 59:16 learning lab. You can't just call it a 59:18 lab. You can't just make that up, right? 59:22 You have to have 59:25 credentials. So, here I 59:27 am, right? You understand? Does it make 59:30 sense? I think so. I think it 59:34 does. I mean, you got the black bar the 59:37 first time. Shut 59:39 up. Uh, see, it kept the word shame in 59:42 there. Um, let's 59:44 see. Let's do worthless. Let's put 59:48 worthless in quotes and see what that 59:57 does. These are 1:00:01 crazy. Let's do this as a Let's just do 1:00:03 it as an SREF. All 1:00:06 right. Let's just do 1:00:09 SREF 1:00:10 worthless. All 1:00:14 right. And then we'll do dash dash 1:00:20 R4 lettering is on point. I know 1:00:23 right. Someone say Savant not 1:00:27 intellectual Tom Nodler. See the my 1:00:30 favorite trolls my favorite trolls are 1:00:34 the ones that initially land like a 1:00:38 compliment. He called me a savant. 1:00:44 [Laughter] 1:00:46 [Music] 1:00:48 It's so good. It's so 1:00:50 [Laughter] 1:00:53 good. Now I want to make a movie of the 1:00:55 shame monster. 1:00:58 Exactly. 1:01:00 Exactly. Why not? Why the [ __ ] 1:01:11 not? I need credentials. We all need 1:01:16 credentials. Okay, I need that dash 1:01:18 dash. Thanks y'all. Oh, maybe it needs 1:01:21 the dash dash. X is an S sref garden. It 1:01:24 really 1:01:27 is. Play leads to productivity. Yeah, 1:01:29 that that was one of the things that he 1:01:31 said tonight, 1:01:33 too. I wonder why these are not having 1:01:36 Oh, you know. Oh, because my preref my 1:01:39 personalization was on. Let me try this 1:01:41 again. 1:01:43 without personalization on 1:01:47 um 1:01:51 d-r4 because it'd be nice if we got 1:01:53 something back in the style of the thing 1:01:55 I just made the video of. 1:02:19 [Laughter] 1:02:22 Wow, we never got that style again. 1:02:24 That's a shame. Oh, I know how we could 1:02:27 get that style 1:02:29 again. You just you just stick with me. 1:02:31 I Because I don't know if you know this, 1:02:34 but I have qualifications. I am a 1:02:36 professional. All right. So, we're going 1:02:38 to copy the image. Oh, look. Why am I 1:02:42 such a piece of [ __ ] The 1:02:48 movie. Thank you for the 1:02:51 hat. This is really good. Why am I such 1:02:54 a piece of 1:02:59 [ __ ] That's pretty solid. I like it. 1:03:02 All right. Good. Okay. So, now here's 1:03:05 what we're going to do. We're going to 1:03:06 paste the shame image in here. And I'm 1:03:09 going to say I want a 1:03:14 different 1:03:16 young defendant young 1:03:21 character. 1:03:28 Also 1:03:29 also holding up a piece of paper. 1:03:38 in the same 1:03:42 style, but his 1:03:46 word is 1:03:52 worthless. So, this should give us the 1:03:55 that similar sort of blurred out, cool, 1:03:58 groovy, whatever. We'll see. 1:04:04 And again, I'm just loving this idea 1:04:06 that that Danny put out there 1:04:12 of the gap between a masterpiece and 1:04:15 something that you would say is 1:04:16 laughably bad is actually quite 1:04:20 small, which I love, right? I mean, 1:04:24 sometimes you go to like the Met or you 1:04:26 go to you go to, you know, the 1:04:28 Metropolitan Museum of Art, you know, 1:04:30 the the modern art stuff and you look at 1:04:34 it and you're like, "Yeah, is it art?" 1:04:37 And then you realize it sold for $55 1:04:40 million. Like the gap between that and 1:04:44 the thing you saw at the Goodwill, it's 1:04:46 not so 1:04:49 big. So, so don't judge it. Just do just 1:04:53 just be in the flow. Just just be 1:04:55 putting lines on the page. Just be 1:04:58 putting words on the page. Just be 1:04:59 putting prompts. Feed the 1:05:02 prompt. Feed the prompt. This is a 1:05:05 new thing I'm exploring right 1:05:09 now. That what you feed the prompt with 1:05:11 is 1:05:14 you. You're not prompting the AI. You're 1:05:17 taking your ideas and and feeding the 1:05:20 prompt. 1:05:34 Good. 1:05:41 Right now make 1:05:43 one 1:05:47 with an index card. 1:05:51 on the other 1:05:53 side and 1:05:55 it's an older 1:05:59 Asian 1:06:03 woman and her 1:06:05 [Music] 1:06:06 word 1:06:10 is invisible. 1:06:19 [Music] 1:06:23 YouTube 1:06:26 comment. Someone somewhere got a taste 1:06:29 for whatever you put out. SRFs don't 1:06:31 work for me in chat GPT. Let me know if 1:06:33 your experience is different. I just 1:06:35 wanted to pop in and say hello. I sleep 1:06:37 20 hours a day. Phew. Medications making 1:06:40 me see things. Hey Becky. Well, don't 1:06:44 we're making weird images here today, so 1:06:45 you're probably going to see some some 1:06:47 weird [ __ ] I hope you're feeling 1:06:48 better. Um, I know you're going through 1:06:51 it right now. I hope you I hope you're 1:06:53 you're you're on the mend. Um, enjoy the 1:06:56 enjoy the uh the 1:06:58 pharmaceuticals while you're on them. 1:07:01 Uh, but if you're seeing stuff, that's 1:07:02 not fun. Um, but yeah, welcome, welcome, 1:07:07 welcome, 1:07:09 welcome. All right, let's see. Let's 1:07:12 see. Did this give us an Asian 1:07:14 woman? Uh, maybe. kind of looks like a 1:07:18 white man's head, but maybe 1:07:34 not chatbt is so 1:07:37 dark. See how it's dark and yellow? Like 1:07:41 all of these need to be put into 1:07:42 Photoshop. 1:07:46 I could just do it over in this thing. 1:07:48 Watch. Watch 1:07:49 this. Copy. Go over 1:07:53 here. 1:07:55 New. Take that dark thing. Expose it 1:07:59 up. 1:08:02 Um, wait. I can go 1:08:05 white. There you 1:08:13 go. Bring my shadows up a little bit. 1:08:17 contrast 1:08:21 up and saturation. Look at that. That's 1:08:25 like That's good. There you go. 1:08:28 See, not 1:08:30 bad. You can fix all that 1:08:43 [ __ ] Wild. Wild. Wild, wild, wild, 1:08:46 wild, wild, wild, wild. All right, let's 1:08:49 go make some more. Let's go find some 1:08:51 Let's go find some new words. Hey, 1:08:52 someone shout out uh G, give me a 1:08:54 limiting give me one of your limiting 1:08:57 beliefs. Does nobody use curves anymore? 1:09:00 Ah, curves required me to learn 1:09:02 something. I use them occasionally, but 1:09:04 I'm just like, eh, feels 1:09:09 exhausting. But that that was just I was 1:09:11 just in preview. It didn't have curves. 1:09:14 No, it doesn't have curves. Oh, yeah, it 1:09:16 does. I guess up 1:09:19 here. Yeah, I could have done that. 1:09:22 Sure, I could have done 1:09:31 that. It's just point and click. 1:09:34 Frustration. All right, 1:09:37 frustration. 1:09:39 Frustration. All right, back to my mind. 1:09:42 Let's go find a cool 1:09:45 style. That's a dark one. It looks too 1:09:49 gothic. Let's see. Let's find something 1:09:53 worthy of frustration. This one's pretty 1:09:58 good. Oh, this one could be good, too. 1:10:02 Let's do both of these. Okay, we're 1:10:03 going to do two. We're going to do this 1:10:06 one. So this is chaos 1:10:09 10 style raw sref whatever. Okay. 1:10:15 Copy. And then we're going to go to 1:10:17 midjourney. We're going to go 1:10:18 frustration. We're going to go. We're 1:10:20 going to go n. We're not going to do 1:10:22 aspect ratio of 1:10:25 that. And we're going to 1:10:27 do 1:10:36 d-r 1:10:38 question. What the heck was that image 1:10:40 editor? That image editor is just 1:10:42 preview on the 1:10:43 Mac. You just go to tools, adjust image, 1:10:47 and it gives you that little mini 1:10:48 Photoshop panel. And Murphy's in the 1:10:51 house. Listen, for all of you out there, 1:10:53 tomorrow we have a we have a uh Ann 1:10:56 Murphy and I I don't know if you know 1:10:57 this, we do this thing called the AI 1:10:59 readiness project. You know 1:11:02 why? Because we're hoping that one of us 1:11:05 is ready for AI at some point. See, the 1:11:08 problem is neither of us 1:11:10 are. So, so we started a podcast in the 1:11:13 off chance that at some point in the 1:11:15 future one of us shows up ready for AI. 1:11:18 And so we did this podcast. So, tomorrow 1:11:21 we got this guy on named CJ Fletcher, 1:11:23 artist, baller. He He's amazing. He 1:11:27 does he 1:11:29 he prompts in a way I will never in my 1:11:32 life be able to. And I know we're doing 1:11:33 this creative thing. You're not supposed 1:11:34 to compare yourself, but holy [ __ ] does 1:11:37 he prompt in this remarkably meticulous 1:11:40 way. It's amazing. 1:11:42 Um, all right, Silver Fox. These are 1:11:45 frustrations. These are good. This was a 1:11:47 good call. That Sreff's a good call. 1:11:51 That one's That one's 1:11:54 nuts. Look at 1:11:57 that. Oh, okay. Upscale, subtle, and 1:12:02 creative. We're going to turn that into 1:12:03 a video, too. Let's see. We'll see how 1:12:05 Hedra deals with something that 1:12:06 abstract. Oh, that one's good, 1:12:09 too. I think we could just use that one 1:12:11 as is, but we'll upscale them anyway. 1:12:14 Love that. Love that. Damn, that's good. 1:12:20 out of this 1:12:24 world. Upscale. Upscale. All right, 1:12:27 let's go get that other style because 1:12:28 that that style was a [ __ ] 1:12:31 winner. So, let's get the other style 1:12:33 that was right next to it. This 1:12:36 one. Oh, this has also got chaos and 1:12:39 weird [ __ ] to 1:12:41 it. All right, fine. Let's Let's follow 1:12:46 your lead, Mr. What was it? Frustration. 1:12:50 Frustration. Boom. We're not going to do 1:12:52 a 2x3 aspect ratio, but all the other 1:12:54 [ __ ] we're going to keep the 1:12:57 same. All right. And then we're going to 1:13:01 go 1:13:09 d-r Danielle images in irregulars. In 1:13:14 irregulars. Hey, irregulars. 1:13:17 What are you doing? What are you doing 1:13:19 today, 1:13:21 irregulars? Here's my limiting belief. 1:13:24 If it comes easily, I don't deserve it. 1:13:26 I think that one's a huge one, Kelly. 1:13:30 That That's one that I 1:13:32 think this is one of those AI things. 1:13:36 When people say they're guilty about AI, 1:13:38 I think this is the limiting belief. Is 1:13:40 that Danielle? No, that's Kelly 1:13:43 Camp. Here's Danielle's. Oh, this is a 1:13:45 good one. 1:13:47 Vibrant and textured handstyle. Sreff. 1:13:51 What was the word here, Danielle? This 1:13:53 is 1:13:55 good. The [ __ ] lightning bolt in the 1:14:02 eye. Oh, 1:14:04 nice. Midjourney. Not being creative. 1:14:07 Look at that. Not being creative. God 1:14:11 damn, that's such a good image. Not 1:14:13 being creative. the [ __ ] torture, 1:14:20 right? There's something really 1:14:22 cathartic about this 1:14:25 exercise. So, you can thank Danny 1:14:28 Kravitz and you can thank Leah Faston 1:14:30 for sort of merging these two ideas 1:14:33 together, which is also another reason 1:14:36 why you need to be in community. So, you 1:14:37 should join the AI salon, which Brandon, 1:14:40 if you'll pop the AI salon address up 1:14:42 there. Go to this web 1:14:47 address 1:14:49 and click on join our community. And 1:14:52 then you go in there and introduce 1:14:54 yourself and connect 1:14:56 yourself and um sign up for the AI salon 1:15:00 mastermind if you want, which is which 1:15:02 is a kind of more exclusive uh higher 1:15:05 level within the salon. The salon's 1:15:07 free, but just go in there and hang out 1:15:10 with people because being around other 1:15:12 people that are up to 1:15:14 stuff is how you end up discovering 1:15:17 things you never thought possible. Wow, 1:15:19 look at these. This is 1:15:29 frustration. That's a good 1:15:31 one. Huh? Drop link. Mine must not work 1:15:35 anymore. Don't know which 1:15:41 [Music] 1:15:44 link. That's a good 1:15:49 one. All 1:15:51 right. So, let's see. Oh, that 1:15:55 has Okay, that one's good. Let's grab 1:15:58 that one. So, we're going to download 1:16:00 this one. 1:16:19 Uh, let's download this one. 1:16:33 [Music] 1:16:37 Ah, okay. 1:17:05 All right, we're going to grab Adam 1:17:11 Stone and then this. So, this is 1:17:14 frustration. The image was frustration, 1:17:23 right? All right. What are we gonna 1:17:27 put? Anna's backstage. Okay, hang on. 1:17:30 Tell Ann she's got to wait for a second. 1:17:32 I'm acting here. This is I'm I'm I'm a 1:17:36 thespian. I'm I'm preparing. This is 1:17:39 method acting. Okay. Got to calm 1:17:43 down. Let's see. 1:17:46 [Music] 1:17:53 Um, night after night she insists on 1:17:57 coming up on stage. I can't take 1:18:02 it. All right, I think we got something 1:18:06 here. I think this is solid. 1:18:15 Yeah, I like it. It's solid. Where is 1:18:18 she? 1:18:23 Hi, Ann. 1:18:26 Hey. What's happening? 1:18:29 You better tell the nice people that I 1:18:31 never asked to come talk to you and that 1:18:34 like at least onethird of the 10 or five 1:18:38 times I've come up here have been at 1:18:40 your request. 1:18:42 Hey Ann was shaking. 1:18:46 I tried to find a pink bow. Couldn't 1:18:49 find it. But I did I got one for Yeah, 1:18:52 for the nice people I did wear my pink 1:18:54 robe. It's very nice. It's very lovely. 1:18:59 So, are you ready? Are you ready for AI 1:19:02 yet? Because I I am not. No. And I am I 1:19:06 have been 1:19:07 like self-talking myself 1:19:10 so much about not getting overwhelmed by 1:19:15 not knowing what's going on. Yeah, I 1:19:17 know. I mean, I had been on like a like 1:19:20 a mantra 1:19:22 because it's Can you believe we thought 1:19:25 it was moving fast before? Yeah, it's 1:19:28 it's what's weird about it is I think I 1:19:32 think the speed is the same. Like we're 1:19:34 we're seeing sort of launch launches on 1:19:36 a similar cadence, but what's being 1:19:38 launched is way more sophisticated. 1:19:41 Exactly. Right. And so like it used to 1:19:44 be a thing would launch and within about 1:19:46 an hour you could have your head around 1:19:48 all of what it was. Are did someone just 1:19:51 cut the power off in your house? 1:19:55 You don't have to go home, but you can't 1:19:57 stay here, lady. Exactly. Yeah. So it is 1:20:01 it's completely overwhelming. It's just 1:20:04 nuts. All right. I'm gonna while we're 1:20:06 talking, I'm gonna be making a video 1:20:08 here. Um so so tomorrow CJ Fletcher I'm 1:20:12 really excited about that. Me too. I I 1:20:15 need to look back at um the transcript 1:20:18 from his workshop 1:20:21 because he said something 1:20:24 that really stuck with me and I want to 1:20:28 ask him about it tomorrow. But I got to 1:20:30 I got to get I'm sure it's in some of 1:20:33 our files. I want to look back at it. 1:20:35 He's such an interesting human being. He 1:20:38 is not your average bear. He's not. You 1:20:42 know it. Night after night. Oh, 1:20:47 night after night, she insists on coming 1:20:51 up on stage. I can't take it. Is that 1:20:55 going to be a baby saying it? No, it's 1:20:59 it's a it's a very disturbed man that I 1:21:03 don't I don't think this is gonna 1:21:04 actually go very well. A I want it to go 1:21:07 well. Sounds wonderful so far. Talks 1:21:09 with his head in his hands. Oh, no. It 1:21:14 there's I like one of the big themes of 1:21:18 tonight at the salon that Danny Kravitz 1:21:20 brought up and that I'm kind of I missed 1:21:22 it. Yeah, it was really good tonight. 1:21:25 And and one of the one of the things 1:21:27 that that he brought up and that I've 1:21:29 been feeling is just like it everything 1:21:32 is 1:21:33 about everything's about the idea. None 1:21:36 of it's about the tools. Like the tools 1:21:38 don't [ __ ] matter. They don't because 1:21:41 I I mean you need to understand that 1:21:43 they're there, right? If you understand 1:21:46 but you could understand that like two 1:21:48 or three of them are there. You don't 1:21:49 need the two or 30 hundred and then it's 1:21:52 all about your ideas and what do you 1:21:53 want to put in the world and what do you 1:21:54 want to do. Absolutely. Absolutely. 1:21:58 Yeah. Yeah. and and you know as these 1:22:01 tools and I've been watching you do it 1:22:04 like I believe more and more in the 1:22:08 power of use cases versus pretty much 1:22:10 any other way in you know it's just 1:22:13 because you're doing a use case and 1:22:16 you're boppinging around and getting all 1:22:20 the practical learnings that you need, 1:22:23 right? You don't have to ever even like 1:22:26 quote unquote finish something, you 1:22:28 know? Well, that's that's part of the 1:22:30 joy of this format is that I don't God. 1:22:33 Yeah. Yeah. Because when you have to 1:22:35 finish something, then it gets awful. 1:22:37 No. Right. Now you Now now it's no 1:22:41 longer fun at all. It is. It's no longer 1:22:44 fun. Yeah. This is this is pure add 1:22:47 heaven here, right? I just get to start 1:22:50 infinite number of product projects. Oh, 1:22:52 by the way, um, uh, what about vibe 1:22:58 coding something that like works for the 1:23:03 ADHD brain and pulls your conversations 1:23:06 together from different LLMs and 1:23:08 whatnot? 1:23:10 Yeah, I was thinking about that the 1:23:11 other night because it's it's 1:23:13 frustrating that that like chatbt is 1:23:16 going to corner the market on people 1:23:18 using it because it it remembers all 1:23:20 your conversations and people aren't 1:23:21 going to want to switch. So, it'd be 1:23:23 nice to be able to switch and have that 1:23:24 stuff maintained somehow. Yeah. Yeah. 1:23:27 Completely. Yeah. 1:23:31 All right. Well, so tomorrow um our AI 1:23:34 readiness project is uh 400 PM Mountain 1:23:38 time, 3 PM Pacific, 1:23:41 6 PM East Coast. Yep. 1:23:45 And CJ Fletcher is going to be there and 1:23:47 you should be there. Be there and be 1:23:49 squared. Be there and be squared. 1:23:51 Um, the nice people need to know that 1:23:55 like our guest lineup is becoming fire. 1:24:01 I mean, it already has been. That's 1:24:03 what's crazy. And we're like getting 1:24:06 into new like nooks and crannies of the 1:24:09 AI world, you guys, who Yep. you know, 1:24:13 um, out there [ __ ] Yep. And I'm excited 1:24:18 about it. I'm excited. 1:24:21 Oh, and not only out there [ __ ] but 1:24:24 also um like we might have one of my 1:24:28 family members on the show. 1:24:33 You got to clear these things with 1:24:35 me. No, no, 1:24:39 not you don't get you don't get to chime 1:24:42 in. No. Yeah. Um anyway, we've got some 1:24:46 really good stuff coming up. Uh the 1:24:48 here's the uh here's the here's the URL 1:24:52 airelinesspro.com. All the streams will 1:24:54 be there. Yeah. All right. 4 PM 1:24:56 tomorrow. Bookmark that. Put it down and 1:25:00 uh join us tomorrow for CJ. CJ's an 1:25:02 amazing Do that everybody. 1:25:05 I will see you tomorrow. Great. Peace 1:25:08 out. Sleep tight. Oh, did he? 1:25:13 He put you down. 1:25:17 All 1:25:18 right. 1:25:23 G. Um, do we have an 1:25:27 image? We have an 1:25:33 image. Share screen. Share 1:25:36 Hedra. Hello, 1:25:39 Hedra. My name is Hedra. 1:25:44 Night 1:25:48 after night, she insists on coming up on 1:25:52 stage. I can't take it. 1:25:55 That's kind of a wild effect. Night 1:25:58 after night, she insists on coming up on 1:26:02 stage. I can't take it. 1:26:06 It makes it look it transitioned from a 1:26:10 painting to like some dude behind shower 1:26:13 [Laughter] 1:26:17 glass. But you know, they're not 1:26:22 bad. Where's this one? Why' we lose 1:26:26 this? Why that not 1:26:31 playing? Is this library? 1:26:34 There it is. I know who I am. It's not 1:26:39 them I'm afraid of. It's me. 1:26:45 Night after night, she insists on coming 1:26:49 up on stage. I can't take it. 1:26:54 All right, 1:26:56 everyone. That's it. That's all you get 1:26:58 for tonight. We did art. We did uh we 1:27:02 did a little therapy. 1:27:04 It's good. 1:27:13 Solid. All right. Um, okay. I'm getting 1:27:16 out of here. My eyes are crispy. I 1:27:18 didn't even I've got water here. Uh, but 1:27:20 I didn't drink 1:27:24 it. So, let's see. Tomorrow, come to the 1:27:27 AI readiness project. That's at 4. And 1:27:30 then we'll be back here tomorrow night 1:27:32 at 8. All right. We'll be back normal 1:27:33 time, normal place. Everything's going 1:27:36 to be good. It's going to be exciting. 1:27:37 It's gonna be fantastic. You're going to 1:27:39 love it. We have so much 1:27:41 planned. Oh, also life hacks and 1:27:44 education. So, in the AI salon, join the 1:27:48 AI mastermind and you can get into the 1:27:51 clubs and hubs areas. Okay. What you'll 1:27:54 notice when you're in the AI salon is 1:27:55 that there's a bunch of spaces that now 1:27:57 have a little crown by them. Those are 1:27:59 part of the mastermind. So, th those are 1:28:00 the mastermind spaces. So join that. The 1:28:03 whole idea is that we create a more 1:28:05 focused, more intense salon. So join 1:28:08 that and it'll be fantastic. Life hacks 1:28:12 rocks. All right, beautiful everybody. 1:28:15 Um, hope you had fun tonight. Peace out. 1:28:18 Um, those limiting beliefs rather than 1:28:21 believe them, turn them into midjourney 1:28:24 images. [ __ ] them. [ __ ] those limiting 1:28:27 beliefs. Turn them into content. All 1:28:29 right? And put the content out in the 1:28:31 world. Say, "Yeah, I'm full of shame. 1:28:32 Here's what it looks 1:28:34 like." Why not? [ __ ] it. All right. Hope 1:28:37 you had fun tonight. Peace out. 1:28:40 [Music]