AI Learning Lab

6/3/2025 - The Intersection of AI and Creativity: Insights from Danny Kravitz's Workshop

4j-oeQ8QTf4
Live Stream2025-06-041:28:42115 views

Description

This AI Learning Lab explored the intersection of creativity, AI, and self-doubt. Inspired by screenwriter and creative writing coach Danny Kravitz, Tom explored the concept of turning negative self-talk into art using AI tools. He demonstrated how to use Midjourney, incorporating style references (SREFs) to generate images based on limiting beliefs like "shame" and "I'm not really an artist." He also showcased techniques for enhancing images using simple editing tools and even creating short video clips with synthesized voices and AI-generated visuals via platforms like 11 Labs and Hedra. This creative exercise highlighted the small gap between perceived masterpieces and "bad" art, encouraging viewers to embrace the creative process without self-judgment. Tom emphasized the importance of community, recommending the AI Salon as a space for connection and inspiration. He also promoted the upcoming AI Readiness Project podcast featuring artist CJ Fletcher. Tom and Ann discussed the rapid advancements in AI and the feeling of being overwhelmed by the constant influx of new tools and technologies. They highlighted the increasing sophistication of AI models and the shift in focus from mastering tools to developing strong ideas. They also touched on the importance of use cases and practical application in learning about AI's potential. Tom and Ann encouraged viewers to join the AI Salon and its Mastermind program for a more focused learning experience. The session concluded with a demonstration of AI-generated video clips based on limiting beliefs, further emphasizing the theme of transforming self-doubt into creative expression. 🎙️ New to streaming or looking to level up? Check out StreamYard and get $10 discount! 😍 https://streamyard.com/pal/d/5460595014369280 #AI #Creativity #Midjourney #SelfDoubt #AISalon #AIArt #LimitingBeliefs #GenerativeAI Chapters: 00:00:00 Intro And Music 00:02:17 Podcast Introduction 00:05:33 Nvidia Ceo Comments 00:07:06 Senior Vs. Junior Coding 00:08:16 Source Camp Greeting 00:08:47 Vibe Coders And Ai 00:10:42 Thanks And Explanation 00:12:16 Artificial General Intelligence 00:13:24 Danny Kravitz Creative Epiphany 00:15:15 Apple And Anthropic 00:17:11 Creative Flow State 00:19:17 Amplifying Yourself With Ai 00:21:11 Photoshop And Ai Art 00:22:48 Creative Directors And Ai 00:24:04 Ai Tools And Resources 00:27:07 Mirage App Demo 00:28:50 Ai Generated Films 00:30:07 Fake Celebrity Photos 00:31:09 Lookie Here 00:32:40 Mymind.com Intro 00:36:10 Midjourney Styles And Srefs 00:40:41 I Am Not An Artist 00:46:49 Chatgpt Image Generation 00:50:13 Voice Changer Demo 00:57:23 Hedra Video Demo 01:04:06 Masterpiece Vs. Bad Art 01:09:37 Frustration As A Prompt 01:13:16 Ai Salon Promotion 01:17:04 Frustration Video Creation 01:18:26 Conversation With Ann 01:23:30 Ai Readiness Project 01:25:23 Final Video Demo 01:27:12 Outro And Goodbyes

Chapters

Transcript

0:00 Oh
0:01 yeah. Champy, come
0:05 on. Champy, you ready?
0:09 [Music]
0:20 [Music]
0:26 [Music]
0:44 Freedom came away that
0:49 night just like a jet plane in and out
0:53 of sight.
0:56 I was hauling ass at a million miles an
0:59 hour wondering how hard I'd
1:05 hit when they came into the
1:12 stage. They said I was bad beyond
1:18 repair, but I got no cause with my
1:22 situation.
1:25 Say here I am.
1:28 [Music]
1:33 So say Sheree Sheree Sheree won't you
1:38 dare to say Sheree Sheree Sheree won't
1:43 you dare to say Sheree Sheree
1:50 Sheree. Uhhuh.
1:53 Yeah. Leave a message and your number,
1:59 please. Take your time to want to
2:02 satisfy me.
2:06 Take all these old fantasies and send
2:09 them care of me.
2:14 [Music]
2:17 Good evening, good people of the
2:19 internet.
2:22 I know we're starting at a weird time. I
2:25 didn't start exactly at 8:30. It didn't
2:26 start at 9:00. Didn't start at 8. It's
2:28 just weird. Danielle, what's happening?
2:30 What's shaking? What's going down? Wolf
2:32 man
2:33 Clinty singing for his cheese. He is
2:38 indeed. He is
2:47 indeed. I think I have a fun creative
2:49 exercise to do tonight. We had Danny
2:51 Danny Kravitz who's a a screenwriter and
2:54 a creative writing uh coach and teacher
2:59 professor spoke at the AI salon
3:03 tonight. Give me an idea for something
3:05 to do here tonight.
3:07 [Music]
3:21 Is this place I can rest my poor
3:26 [Music]
3:28 head? Gather my thoughts in sweet
3:32 silence.
3:33 [Music]
3:36 It is this place where the feelings
3:39 aren't
3:43 dead. From an over exposure to
3:47 violence. This is place I can slowly
3:51 face. The only one I truly can
3:56 know. These are tears from a long time
4:00 ago. Got these tears from a long time
4:03 ago.
4:05 I need to cry. 30 years old.
4:09 So these are tears for a long time.
4:14 [Music]
4:23 Oh darling, oh darling, say unto
4:29 me, where have you been all my
4:34 [Music]
4:36 life? Well, I have been swimming seven
4:40 sad
4:43 seas. Four women have to me their life.
4:48 and pull me into the waters darker in
4:52 I'd have won them but I didn't
4:56 know these are tears from a long time
5:00 ago. Got these tears from a long time
5:04 ago. I need to cry 30 years or
5:09 so. These are tears from a long
5:14 time ago.
5:16 [Music]
5:28 What do you think,
5:31 Champion? All right, good people. Good
5:34 people. Champy approved. We have a Tik
5:35 Tok question at your
5:38 discretion. What do you say about
5:40 Nvidia's CEO says future of coding as a
5:43 career might already be dead uh due to
5:46 AI?
5:48 I think entrylevel engineering is
5:51 probably pretty close to being dead. I
5:55 don't know
5:56 where people coming out of college with
5:59 engineering degrees go. Now, here's the
6:02 caveat to that.
6:04 If you went to college for
6:07 coding and what you learned was to
6:10 code and you listened to your university
6:13 that said AI is evil and if you use it
6:15 you're a bad person. If you listen to
6:18 that, I think you're going to have a
6:20 hard time getting a job. Now, if you
6:23 went to a college that had didn't have
6:25 their head up their ass or if you went
6:27 to to a college that had that rule and
6:29 you said, "Fuck it. I'm going to learn
6:30 AI anyway."
6:32 and you're an engineer that understands
6:35 how to code and how to do projects and
6:37 you're AI literate like generative AI
6:40 like vibe coding like really
6:42 understanding what's going on I think
6:44 you have a much higher chance of getting
6:46 work
6:50 um but yeah I think that
6:53 um so let me just I I'll just say this
6:57 you know for my I'm I'm 13 years I I run
6:59 a company called Story Vine
7:01 which is a technology
7:03 company.
7:06 And I would rather have a senior
7:10 person that knows how to vibe
7:14 code than two or three junior people
7:17 that cost
7:19 less. Um because that senior person will
7:23 have seen a lot more and will understand
7:26 a lot more. So um that's a really good
7:29 question. It's a really good question.
7:31 Um, the fact of the matter is we don't
7:34 we don't quite know, but the the coding
7:37 stuff
7:39 is, you know, we're
7:45 probably year and a
7:47 half, maybe a
7:49 year, two
7:51 years away from these tools, these these
7:56 agents being good enough that they can
7:59 just go do anything, right? Point it at
8:02 your GitHub
8:03 repository, say, "Go to this fork and
8:07 analyze it, debug it, refactor it, and
8:10 it'll just go off and do that
8:13 shit." So, Mr. It is late.
8:17 Unbelievable. Ocean says hi to Source
8:20 Camp. That means Source Camp's here on
8:22 time. I'm still blown away by this fact.
8:25 The fact that like we're we're that
8:28 close to this [ __ ] being that good. I
8:30 know.
8:31 [Music]
8:47 It's like all the AI people and the vibe
8:49 coders are all black
8:53 sheep sitting in this lonely
8:56 town wondering when things are going to
9:01 change. Dream my life away.
9:05 Seems these dreams have turned to a
9:08 bunch of dust
9:10 clouds. Getting my nerve up, but my past
9:15 is pulling me
9:16 [Music]
9:18 down. Wondering how
9:21 long this black sheep going to stick
9:24 around.
9:30 Somebody told me once before he said you
9:33 can never go home
9:36 again. Won't you
9:38 leave Santa things to steer me away?
9:42 Yeah. From the truth of who I am and
9:45 what I believe. So I thanked him for his
9:49 two cents with a
9:50 handshake and some sympathy. Yeah.
9:55 I packed up my blue
9:57 jeans. I'm headed for this big
10:01 prize of my
10:05 freedom.
10:06 Bye-bye, black sheep to the black sheep
10:11 of the
10:13 family.
10:14 [Music]
10:17 Bye-bye. Oh, that means so very much to
10:20 me. And
10:23 bye-bye black sheep to the black sheep
10:27 of the
10:29 family.
10:31 [Music]
10:32 Bye-bye. Going to set my
10:37 soul. Set it
10:42 free. Um, you're welcome to. Who? Who
10:45 was that? Uh, mansar
10:50 mx5x, thanks for the good explanation.
10:53 Yeah, I don't know if it's a great
10:55 explanation, but I but here's the thing
10:57 is
11:06 the I don't think any of this stuff's
11:09 hyperbole, right? Time magazine has got
11:13 a cover coming out that's going to be
11:14 talking about AGI, artificial general
11:16 intelligence. Artificial general
11:18 intelligence is generally
11:21 um generally agreed upon. There's like a
11:24 million different definitions, but it's
11:25 generally agreed upon that we've hit
11:27 artificial general intelligence when the
11:30 AI is strong enough to do to be able to
11:34 do as good or better than most people at
11:37 most jobs. Like do the jobs
11:42 most people at most jobs. Now, if you're
11:44 an exceptional
11:45 person at your job, maybe it can't do
11:49 that. But if you're average or lower,
11:52 it's going to be able to do all of
11:54 that. So, we're probably
11:57 within what's it
11:59 2025. Ray Curtzwhile put it at
12:04 2029. I'd put it at 2027 and a half.
12:07 We're two and a half, two years away.
12:11 two to three years away from
12:14 AGI. So, I don't think it's just
12:16 engineers, by the way. I don't think
12:18 it's just programmers, right? That's
12:20 what that's what Jensen was talking
12:21 about. But, uh, Brandon just pointed
12:24 out, and it's a good point.
12:26 V3 V3 is the first brick to be knocked
12:31 out of the wall of film production in my
12:33 opinion. I mean, we've had things that
12:35 are pretty good, but VO3 does the
12:38 acting, right? So, it does it's doing
12:41 full-on production. So, give that two
12:44 years, three years. We'll we will be
12:47 speaking feature films into
12:51 existence. YouTube comment, Dennis M.
12:54 Basically, it will be a jack of all
12:56 trades, master of none. I disagree with
12:59 that entirely. I think it will be a jack
13:02 of all trades, master of most.
13:05 Um, here's where humans still have a
13:09 role is we get to determine what we want
13:14 these things to do, but I think these
13:16 things are going to be good enough to do
13:17 whatever the [ __ ] we want them to
13:19 do. Like, we're still the ones driving,
13:22 right?
13:24 I in in Dan Danny Kravitz's talk
13:27 tonight, um, a a thing popped in my head
13:31 right now. A lot of people ask,
13:34 um, how do he put
13:40 it?
13:45 Like, how how do you put it?
13:50 I I'll I'll I'll find the statement
13:52 because I I turned it into I turned it
13:53 into a pair of opposing questions. But
13:55 the basic idea was a lot of what we're
13:57 doing right now is how can I do
13:59 something remarkable with AI, right? And
14:02 I think that's the wrong question. I
14:04 think the question is how can I do
14:06 something remarkable for
14:08 myself with
14:11 AI? Right? How can I do something that
14:14 is outstanding for me with
14:17 AI? That's where I think we go. I think
14:20 I think where we go I think that the big
14:23 epiphany for me is that it's not like
14:26 these tools are doing something to
14:29 us. That's the trope right now. The
14:32 trope right now is the AI is taking our
14:35 jobs. The AI is ruining my life. The AI
14:37 is doing this. No, no, no. Flip that.
14:40 What if the what if the equation is more
14:42 like what how can I make myself
14:45 remarkable using AI?
14:50 Right? I know how to tell stories. I
14:52 know how to write. I know how to do
14:54 video
14:55 stuff. Well, rather than having to do it
14:58 manually, the old-fashioned way, what if
15:00 I turned myself into a remarkable
15:02 filmmaker by just speaking it into
15:07 existence? So, that's that's a new kind
15:10 of skill. It's a new kind of mindset.
15:13 Um, so
15:15 anyway, did we know that Apple is going
15:18 with Anthropic to embed Xcode for vibe
15:20 coding? I may be late to the game. Well,
15:22 I mentioned it tonight in the in the
15:24 salon. Um, but I just saw it. I just saw
15:27 it right before the salon. It was it
15:29 wasn't in there basically. Agreed. How
15:31 can I use AI to improve my own life?
15:33 Yeah, exactly. Honestly, screw everyone
15:35 else. How can I use it to help me? Yeah,
15:38 but but Dennis, that's like I know
15:39 you're being, you know, cynical and
15:41 sarcastic and snarky, which I
15:45 love. I think first we all have to
15:48 understand what AI can do for me and
15:51 then you can start to say, well, wait,
15:53 what do I want to do in the world and
15:55 how can I use AI to help me do that
15:58 thing in the world? And in doing that,
16:00 we'll be able to help lots of other
16:01 people. Like, I think that's where this
16:04 goes. But I don't I don't think any of
16:06 us can escape having to understand what
16:09 it makes possible for
16:12 us before we can understand how to help
16:15 others. But it's not AI is happening to
16:19 us. It's we get to improve ourselves. We
16:22 get to amplify our own
16:25 ideas by using
16:28 AI. That's the optimistic spin on it,
16:31 right?
16:34 Um, forever hook GPT analyze 17 picks
16:37 picked out vids from PPTs. Word docs
16:40 made a list in two
16:42 seconds. Laugh in my a I actually got
16:46 the words mixed up. I meant instead of
16:48 looking at it as bad see the positive.
16:52 Copilot couldn't
16:54 see
16:57 something. Oh, co-pilot could even do it
17:00 with two pickics. Yeah, co-pilot's a
17:02 piece of garbage, it does
17:03 seem. How can we make it work for us?
17:06 Well, okay. So, this is really good.
17:10 Okay. So, so if you stick around
17:12 tonight, I think the exercise I'm going
17:14 to do, we're going to go to midjourney
17:15 and we're just going to play in
17:16 midjourney. Um, but Danny Kravitz came
17:19 on on the salon tonight and he spoke
17:22 about how you get creatively productive
17:28 is you go into a flow. You go into a
17:32 state where you stop judging how bad you
17:36 are. You stop comparing yourself to
17:37 other people. You just go into the state
17:39 and say
17:40 that every bad piece of art and every
17:43 masterpiece all started with some single
17:46 line, some single
17:48 stroke. Every song started with some
17:51 single
17:52 note. And if you just looked at that
17:56 line, it would be indistinguishable
17:58 whether it was a 5-year-old that did it
18:01 or, you
18:03 know,
18:05 Rembrandt, same line, right? But then
18:08 the lines after that, something more
18:10 emerges and then you get into the flow
18:12 and then you get into the
18:13 flow. And he was saying really work on
18:16 letting go of those limiting beliefs.
18:18 When you're in the creative flow state,
18:19 you just let go of all that [ __ ] I
18:22 think with generative AI right now
18:24 because all the tools are so new and
18:26 none of us know exactly how they're
18:29 going to benefit us and they don't we
18:31 don't even know what they really make
18:33 possible, right? We have what the
18:35 scientists have told us.
18:38 We know that 03
18:41 Pro is good at math, which if you're not
18:45 good at math, I guess you just trust
18:48 them that that it's at the 89th
18:51 percentile of whatever the [ __ ] test it
18:53 is. But what can that same model do for
18:56 me? I don't know
18:58 yet. How will I know? By getting into a
19:01 state where you're just like, well, let
19:03 me explore with this. Let me play with
19:04 this. Let me Right.
19:07 And so I thought it might be fun tonight
19:09 to go into midjourney and just do some
19:11 some of the exercises that Danny talked
19:13 about and just kind of navigate through
19:15 some [ __ ]
19:17 Um, but I think the answer to what can
19:20 AI do for
19:22 me is it is again it's the wrong
19:27 question. How can you amplify
19:30 yourself using
19:33 AI? And so what that then looks like is,
19:36 well, who are
19:38 you? What do you want? What do you want
19:40 to
19:42 do? Do you want to be an artist? Do you
19:44 want to be a
19:46 writer? Are you a
19:48 copywriter? And you love doing
19:51 copywriting? Well, how can AI make you a
19:54 better copywriter? Because I guarantee
19:56 you it
19:58 can. Is there something you've always
20:01 dreamed of doing, but you don't have the
20:02 talent or skills or access or resources?
20:05 Well, now maybe you
20:07 can. So, I think that's kind of it. I
20:10 know many artists who can't draw a
20:12 stickman, but with digital Photoshop,
20:14 they can outdes any canvas artist. And
20:18 we today accept their creation, but
20:20 there are prejudices with AI.
20:23 Yep. This is Listen, this is nothing
20:26 new.
20:28 Do you know how much they made fun of
20:29 Photoshop artists, layout artists when
20:31 when when I was coming up in the in the
20:34 80s doing
20:36 Photoshop and Quark
20:39 Express? The guys that sat at the
20:41 drafting tables with their different
20:43 width tape making lines and rules around
20:46 a page, sticking it physically down on a
20:51 board. They didn't think what I did was
20:54 design. They were like, "That's just
20:56 that computer
20:58 thing." They weren't working there much
21:02 longer. So, this is It's not new. It's
21:05 not
21:07 new.
21:11 Ug. Stop giving me
21:15 nightmares. I'm getting a little sad
21:17 because what I struggle with now will be
21:20 easy for all
21:21 soon. Yeah, I know. I
21:25 know. But here's the thing, Joy. Here's
21:28 the big
21:32 secret. Just because it will be easy for
21:35 anyone to make a
21:39 film, they don't have your point of
21:41 view. They don't have your perspective.
21:44 They don't have your
21:45 stories. You're going to tell
21:49 stories in a way that's going to be
21:51 unique and different from theirs. And if
21:54 you retain your point of view, your
21:57 creative point of view, then your work
21:59 is going to stand
22:01 out. If everyone's just vomiting out
22:04 work with no thought to the
22:07 story, it's all going to be just become
22:09 noise. It's all going to look beautiful.
22:11 It's all going to be well structured and
22:13 beautiful, but it won't rise above the
22:15 noise. The only thing that's going to
22:16 rise above the noise is people who've
22:20 created things with with intention and
22:22 with a point of
22:24 view.
22:26 So, but but everything's going to
22:28 change. How we do it, who does it, how
22:31 fast it happens, how good it is, all of
22:34 that's going to
22:35 change. It doesn't mean it will be a
22:37 good film. Correct. Exactly.
22:46 [Music]
22:48 How can we make it work for us?
22:51 [Music]
23:04 What everyone essentially needs to
23:05 become are producers, creative
23:09 directors, strategists who can do
23:13 tactics.
23:14 [Music]
23:47 What do you think, Champy?
23:49 [Music]
24:04 with limited resources, it's hard to get
24:07 things done. So Mystic, what I would say
24:09 to
24:10 that, most of the tools have some free
24:13 version. Chat
24:15 GPT, the free version of ChatgPT does a
24:19 remarkable amount of stuff. a remarkable
24:22 amount of
24:25 stuff just within chat GPT paying
24:28 nothing you could do a lot a lot and
24:33 most of the image generators have a free
24:36 version I think the song generators have
24:38 a free version video not so much because
24:42 it's expensive so they don't really give
24:43 that [ __ ] away
24:47 um and if you can swing 20 bucks a month
24:49 I mean GPT5 is coming out probably
24:52 within two months and it's going to be a
24:55 beast. It's going to be some crazy ass
24:57 multimodal thing and it's going to be
25:00 available to free users as
25:03 well. So don't if if you're not using AI
25:09 because you've either convinced yourself
25:11 as someone has told you, oh, you got to
25:14 pay all these subscriptions. That's
25:16 [ __ ] That is [ __ ] $20 chat GPT
25:19 is crazy good. Free chat GPT is crazy
25:21 good. Yeah. I mean, if you had told me
25:24 two and a half years ago what would be
25:26 possible today for the free version, I'd
25:29 have been like, "No
25:31 [Music]
25:33 way." Finally, GPT5. Really? Yeah. I
25:37 don't know when it's
25:38 [Music]
25:43 coming. Stea Leonardo AI just dropped
25:45 Lucid Realism to make films. Nice.
25:50 Free Gemini Deep Mind is good
25:53 also. Free Claude is good. I mean,
25:56 Claude's got real
25:57 limits. I think Perplexity's Yeah,
26:00 Perplexity has a free version. A bunch
26:03 of these things have free versions. Po
26:04 has a free
26:06 version. Copilot is decent. Yeah, if
26:09 you've got access to Microsoft products,
26:12 it's based on chat GPT.
26:16 It feels like we've been waiting on GPT5
26:18 for forever. Yeah, I'm guessing it'll
26:20 probably be August. Cam.
26:24 [Music]
27:08 All All right, let's do
27:10 something. Let's do something. What are
27:12 we going to do? What are we going to
27:15 do? I can show you a thing that I just
27:19 made. It's a thing called
27:22 Mirage.app. I don't think I like
27:25 it. Watch out. The video promos will
27:28 come out soon starring young versions of
27:30 actors and stuff. AI
27:32 generated probably.
27:36 I no one's going to be knocking off
27:39 major actors and knocking off major
27:42 films right now that they'll just get
27:44 sued too quickly. Um there might be fan
27:47 art that comes out of that. I think
27:50 what's more likely is we're going to
27:52 start to
27:54 see you know you know how Okay, so you
27:57 got Hollywood blockbusters, right?
28:00 And then you have B films like Roger
28:02 Corman horror stuff. Um, you know, a lot
28:06 of the that that early Roger Corman
28:09 stuff, it was filmed on like Betamax,
28:11 you know, video video cassettes, right?
28:14 Um, and and they just, you know, it was
28:17 like, you know, they'd film it over a
28:18 weekend and it was, you know, they got
28:20 who whatever sort of out of work actors
28:22 they could to go up to Connecticut and
28:25 film a slasher flick in the woods for a
28:27 weekend, right?
28:29 um it just had a different aesthetic to
28:31 it. But like a lot of those slasher
28:34 flicks like Texas Chainsaw Massacre and
28:36 all those those really, you know, cut
28:39 rate horror films, they did really well
28:42 because they were a very particular
28:45 thing. I think that what you're going to
28:47 see is you're going to start to see
28:49 films
28:50 like that are just qualitatively
28:54 different than Hollywood stuff.
28:58 And and what you're going to see is
28:59 you're going to find people like Joy
29:01 Perie and and you know some different
29:03 folks within the salon that really like
29:05 doing the movie making thing. They're
29:07 going to start finding voice for
29:09 themselves and they're going to put out
29:10 films and the Hollywood establishment is
29:13 going to lampoon them and make fun of
29:17 them and diminish
29:20 them. And then all of a sudden at some
29:23 point the the iceberg's going to
29:26 flip and those people who are good at
29:29 doing this peculiar kind of AI that's
29:31 not quite
29:33 right. The technology is going to get
29:35 good and they're going to get better at
29:38 using these tools. And all of a sudden
29:40 you're going to start to see some films
29:42 come out that are incredible films. Not
29:46 incredible AI films, incredible films.
29:50 And people are going to get distribution
29:52 de deals and people are going to be
29:53 nominated for Oscars and just it just
29:56 watch just watch. We've seen this movie
29:59 before. It happens every [ __ ] time,
30:00 so it shouldn't be a mystery, but it
30:04 will. Um, there are fake photos of Billy
30:08 Eyish at the Met. She had to go on
30:09 social and say it wasn't her. I know.
30:12 You know what's funny, Gwen, is I I
30:13 think about that a lot where there's
30:15 going to be fakes of of celebrities
30:18 that, you know, are like, I gotta say,
30:21 that wasn't me. That's AI. But then
30:23 there's going to be celebrities that do
30:25 bad [ __ ] and get photographed and
30:27 they're going to be like, yeah, but that
30:28 wasn't me, that's AI. So, that one's
30:30 going to go both
30:34 ways. No, don't say that. Like with
30:36 silent movies and FX, there's a
30:39 continual evolution. and Oscars may go
30:41 away. I don't know what I was saying
30:43 that you said don't say that
30:44 to Sony's Digit Beta was an amazing
30:47 machine. Yeah, exactly. Exactly. Billy
30:50 handled it
30:52 well.
30:54 Um, all right. Let's go look at this.
30:57 This is the the site I'm on is
31:00 uh mirage.app.
31:09 Look at here what we did together.
31:12 Look at here what we did together. It's
31:15 got a weird blue. Look at here. What we
31:16 did together. Why can I not make this
31:18 bigger?
31:20 Look at here.
31:22 Oh, cuz it's just an
31:25 audition. Oh, and then I see. And then
31:27 you generate
31:32 video. This is a very weird interface.
31:35 Yeah, this is this is all on on producer
31:38 Brandon.
31:42 Lookie here what we did together.
31:45 But that's that's synthesized audio from
31:47 the site and then it you know and it
31:49 generates uh avatars. So uh Mirage is
31:55 mir a
31:59 g.app. Lookucky here what we did
32:02 together. Look at here what we did
32:04 together.
32:10 There you
32:12 go. Okay, I'm gonna I'm I'm not going to
32:15 wait around for this because this is
32:16 it's a normal it's a normal uh
32:20 avatar thing, but they do give you 600
32:23 credits and it's I did a a little
32:26 audition credit and it was 42 credit 32
32:30 credits. So, I don't know. They probably
32:33 give you a couple of clips, but you can
32:35 at least go
32:37 play, but let's go. I want to do
32:39 something
32:41 here. All
32:43 right. Black bar. Hey,
32:49 Black.
32:54 Okay. So, I'm going to go here.
32:59 So this this
33:03 site is called
33:07 mymind.com and it's just a I just use
33:11 this as a thing where I I put tweets in
33:14 it that have interesting [ __ ] It's just
33:17 like one of it's like Pinterest. It's
33:18 like a personal Pinterest board.
33:21 But mostly what I'm doing is I'm I'm
33:23 capturing all these different styles
33:26 from Midjourney and and now the the
33:28 styles are are mixed up. Some are
33:30 midjourney, some are chat GPT because
33:32 chat GPT can now do cool
33:34 [ __ ] Um so it's kind of both, but I
33:37 just use it as as kind of an inspiration
33:39 board.
33:41 But so tonight,
33:44 um, Danny Kravitz was talking about, you
33:47 know, getting in this creative zone
33:48 where you you kind of free your mind of
33:52 negative self-t talk and comparing
33:55 yourself to others and just recognize
33:58 that no masterpiece started out as a
34:01 masterpiece. Everything started out as a
34:03 piece of [ __ ] and then just gradually
34:05 got better and better and better and
34:06 better, right? And even masterpieces
34:09 that we look at today, maybe when the
34:12 artist was still alive, they were still
34:13 considered pieces of [ __ ] right? Like
34:15 like the what is considered a
34:18 masterpiece is this
34:20 everchanging, you know, it's got to do
34:22 with society and and it's independent of
34:25 you as a creative.
34:28 So he's basically saying if you if you
34:30 compare yourself to whatever is the
34:31 pinnacle of your
34:33 art, you're you're discounting the fact
34:37 that there there was all this process
34:39 along the way. He said if you fall in
34:41 love with the process and start to rid
34:44 yourself of your negative, you know,
34:46 self-t talk and your your negative
34:48 imagery. And as he was talking about
34:50 that, he he asked, you know, everyone in
34:52 the audience at the salon tonight, you
34:54 know, what is something you say about
34:57 yourself or you say to yourself? What
34:58 are your negative self talk? What are
35:00 what are those thoughts? And then at one
35:02 point Leah the my co-host and the
35:05 co-founder of the salon she shared that
35:08 she took her negative uh you know
35:11 self-talk her her disempowering self-t
35:14 talk and she put it into midjourney and
35:17 generated images out of it. And so I
35:20 thought that might be fun tonight. So
35:21 I'm just going to pick kind of phrases
35:23 and words and things that I say to
35:26 myself when I'm when I need to put
35:29 myself down.
35:31 which is, you know, if you're a
35:33 creative, it's like a it's like a hobby,
35:36 you just find ways to put yourself down.
35:39 And so, what I thought might be fun is
35:41 we'll just come in here into my little
35:44 mood board. We'll pick a cool
35:46 style and then we'll go to midjourney
35:49 and put in some of these shitty words,
35:51 the shitty selft talk in that style and
35:54 we'll just keep [ __ ] around with it.
35:56 So, that's what I thought might be kind
35:58 of fun.
36:00 So, I kind of like this watercolor one
36:02 right
36:05 here. That one's kind of cool. I call
36:08 that Tuesday. Exactly.
36:11 Exactly. All right. So, let me go grab
36:14 this SREF. So, if you don't know what an
36:17 SREF is, it's a style
36:20 reference. And then we're going to we're
36:22 going to put these two sites next to
36:23 each other. So, here's
36:26 MidJourney. All right. So, here's some
36:28 [ __ ] I was doing earlier. I'm going to
36:29 turn on personaliz. Oh, no. Maybe I'll
36:32 turn it off. Okay. So, couple of
36:35 things. When you're in
36:38 midjourney, if you're using style
36:40 references, so style references dash
36:44 sref
36:46 sref space and then it's like some long
36:50 number. And they're all over Twitter, so
36:53 you can just go find them anywhere.
36:54 Here's what I've learned about them. If
36:56 you have your personalization turned on,
37:00 they likely won't look like what they
37:02 look like on
37:03 Twitter. Also, if you have your
37:06 stylization at zero, they won't work at
37:10 all. They like you'll This is one of the
37:13 things that took me the longest, not not
37:15 the longest to learn, but something that
37:17 frustrated me is I couldn't [ __ ]
37:19 crack the code of why do they work
37:21 sometimes and not others. You have to
37:24 have your stylization at at least 50.
37:26 So, and you can put it up to a thousand,
37:28 but if it's if it's at zero, it it often
37:31 just won't work. All right. So, one of
37:33 my big words is shame. I always talk
37:35 about shame is my love language. So, I'm
37:37 just going to use the prompt shame. And
37:39 then I'm going to put in that sref. And
37:41 we'll do we'll do 16 by9s. I just like
37:44 16 by9. They're pleasing to my eyes. And
37:47 we'll generate that. And then now we'll
37:51 go we'll go grab another sref. There was
37:54 one at the top here. I really dug this
37:57 one. Oh, but that's not an SRE. That's
38:00 just a chat GPT
38:03 prompt. That is
38:06 too. That is
38:09 too. Oh, this is cool. Here's a cool
38:15 one. Yeah, I like that style.
38:20 Copy. Go back over to Medjourney. Oh,
38:23 that's cool. And we'll do shame. And
38:26 we'll do this other
38:28 sref. And then you know what I'm going
38:30 to do? I'm going to do I'm going to do
38:33 dash r for repeat space 2. So it'll give
38:38 us two sets instead of one set.
38:42 [Music]
38:48 These are
38:52 cool. That looks like
38:58 shame. Very
39:03 cool. And then look at this one.
39:14 for those of you shame sufferers out
39:17 there. Feel
39:20 familiar? All right, let's go get
39:21 another
39:23 style. I mean, it it it's kind of cool,
39:25 isn't it? It kind of it turns your your
39:29 sort of pain and and fear
39:34 into into something you can look at
39:38 externally.
39:42 So,
39:43 shame paste.
39:47 Go. Go back
39:50 here. Here's a cool colorful
39:53 one. Oh, wait. What's this
39:56 one? Yeah, we're going to have to go
39:58 play in chat GBT, too, I think. Cuz not
40:01 all these are SE rest. Some of these are
40:02 just nice prompts for chat GBT.
40:11 Mm.
40:13 Shame.
40:16 Paste. Oh, you know what I want to do
40:18 now? Let's
40:20 see. Oh, these are
40:22 cool. Look at
40:28 this. AI can never be
40:32 creative.
40:34 Okay. Okay. No new no new novel
40:38 thoughts.
40:39 [Laughter]
40:41 Okay. I am not an artist. Oh, that's a
40:44 good one. All right. Oh, this is great.
40:47 Look at this one.
40:48 Beautiful.
40:50 Shame. So, mine wouldn't be I'm not an
40:53 artist. Mine would be
41:00 um mine would be
41:06 um I'm not really an
41:19 artist. Let's go get some more styles.
41:23 The nice thing about doing these styles
41:25 like this, by the way,
41:27 is now they're all saved in Midjourney.
41:30 So you can just scroll back through your
41:32 images and if you like something
41:33 visually, you can just click on the
41:34 style and it'll throw it into the
41:36 prompt. So, for every one of these we
41:44 do, for every one of these that we do,
41:47 it's creating a little bank of things
41:49 you can just go modify within
41:56 midjourney. Oh, this could be a cool
41:58 one. Let's do this one. Oh, this is a
42:01 double sref. Oh, this is an S sref a
42:04 profile. Oh, there's a whole bunch of
42:07 [ __ ] here. Okay, we'll we'll take it
42:09 all. Fine. Um, let's go to midjourney
42:12 and let's
42:14 do I'm not really an artist. And then
42:17 we'll do all that [ __ ] that was on that
42:19 one. Boom. And then we'll do I'm not
42:22 really an art.
42:25 Uhoh. Oh, personalization was not
42:27 compatible
42:29 with V7. Oh, V6. So, we Oh, I've only
42:34 been in V6.
42:36 0.1. I should flip over to I should go
42:38 back and do these all again in
42:41 [Music]
42:44 seven. All
42:48 right. So, I'm not really an artist.
42:51 Sref
42:54 go. Shame. Sreff
42:59 go. Shame. Sreff go. So, we'll see how
43:04 different these look in version seven.
43:07 Tik Tok pin.
43:10 Okay. Watching you do this, I got an
43:13 idea of what I can make with this.
43:15 Beautiful.
43:18 So, this is part of the point
43:23 where where Danny was going tonight
43:30 was there's no real moment
43:35 of of good or bad in the creative
43:40 process. It's just another step in the
43:44 process.
43:45 And so like if I make these things I'm
43:47 like, "Oh, well they didn't look like
43:48 what they looked like on the thing and
43:50 I'm now I'm a
43:52 failure," you kind of break the flow. So
43:54 if you can just put yourself into every
43:57 step is another it's just another step.
44:00 And at some point that may turn into
44:02 something and it very likely will not.
44:06 But if you can if you can live in that
44:08 kind of pure space of just take action,
44:11 take action, take action. if you're
44:14 [ __ ] on yourself. In fact, let's
44:16 write um why
44:20 am why why am I such a piece of
44:28 [ __ ] That's my
44:30 prompt. Let's go find some [ __ ]
44:34 dark nasty [ __ ]
44:38 [Music]
44:40 style. That one's kind of cool.
44:47 here. This one's
44:50 great. All
44:52 right.
44:54 Sref.
44:57 Boom. See if this is the
45:05 right. I think it's going.
45:13 All right. So, this one's shame. This is
45:15 This is the one. This was uh model
45:21 6.1. This is 6.1. Oh, this is this is
45:24 I'm not really an
45:27 artist. Is bro cooking? I don't know.
45:29 You tell me if I'm cooking. I'll tell
45:31 you what I am doing.
45:34 I'm I'm just vibing. I'm just in the
45:37 flow.
45:45 That's I'm not really an artist. Love
45:47 that. I love that it's a bird flying
45:50 away. I'm not really an
45:57 artist. All right, that one failed. So,
46:01 this is I'm not really an artist with
46:03 that sort of crazy style.
46:07 These are great. I'm not really an
46:11 artist. That was awesome. Look at that
46:13 [ __ ]
46:16 thing. I love the boat. I know. Wasn't
46:18 the boat
46:20 cool. Limiting beliefs as prompts in
46:23 midjourney right now. Yeah, that's what
46:24 we're doing. Great images. So, so play
46:27 along with
46:29 me. Play along with me.
46:32 Just think of a limiting belief of yours
46:34 and go into midjourney. And if you want,
46:37 go over to X and just look up SREF,
46:40 SREF, and just find some style that you
46:43 like. Come back to
46:45 MidJourney. And if you don't have
46:47 MidJourney, you can do this in chat GPT.
46:50 In fact, let's let's go to chat GPT and
46:53 do some of these things as well.
46:57 So, I'll show you a cool way to
46:59 do I'll show you a cool way to do
47:03 um image stuff in chat GPT. So, I can
47:07 come over to my my mind thing,
47:10 right? And let's say I like this this
47:13 style right here. I'm just going to I'm
47:16 just going to screenshot these four
47:18 images that are part of this Twitter
47:20 post.
47:32 What was my prompt? Why am I such a
47:34 piece of [ __ ] Is that what it
47:38 was? Why am I such a piece of [ __ ]
47:40 Okay, so now we're going to go to chat
47:41 GPT. I'm going to paste in that image
47:44 and then I'm going to say
47:47 um
47:49 imagine failed to upload. Please ensure
47:51 your network
47:52 connection. Come
47:56 on.
47:59 Imagine this.
48:05 Why am I such a piece of [ __ ]
48:13 as as an
48:18 image in this
48:21 style? Go Tik Tok
48:24 pin. Yes, please give an SREF for chat
48:28 GPT because it does understand
48:31 them.
48:34 really does
48:39 it. All right, let's go try
48:43 that. You sure? I don't buy
48:47 it. So, we'll go to chat
48:55 GPT. Let's pause for a second. No, no. I
48:59 want you to make
49:03 me that
49:06 image. It's trying to It's It's trying
49:09 to caretake
49:11 [Laughter]
49:14 me. It does understand srefs. All right,
49:19 cool. Oh, look. This is Why am I such a
49:22 piece of
49:27 [ __ ] I think that one's
49:33 great. And then what do we got? Here's
49:36 Shame. This is with version seven, not
49:40 6.1 with one of those previous things.
49:42 That That's
49:44 [ __ ] You tell me that's not a You
49:47 tell me that's not a still from an
49:50 animated short that gets nominated for
49:52 an Oscar.
49:55 In
49:56 fact, watch this. We're going to go
49:59 upscale, subtle, and
50:14 creative. We're going to go to
50:18 Hedra. Not Hedra, Cartisia.
50:25 Do I want to go there or do I want to go
50:27 to 11
50:31 Labs? Um, I think I want to go to 11
50:45 Labs and go to voice
50:51 changer. We're going to go
50:57 find Let's go find a voice first. Hang
51:00 on.
51:02 Um
51:04 voices. My voices.
51:09 I just
51:31 All right, we like her. Do I have her?
51:34 Is she added?
51:39 Jazelle Marie. All
51:41 right, so we're going to go voice
51:43 changer. We're going to record audio.
51:45 Let's go get
51:51 Jazelle. We're going to record audio.
51:53 What am I going to say?
52:06 It's not Oh, yeah.
52:24 I know who I am. It's not them I'm
52:28 afraid of. It's
52:32 me. All right. And we're going to
52:34 generate speech. So, I'm going to change
52:36 out my shitty ass
52:44 voice.
52:46 Perfect. Download. All right. So, now we
52:48 got acting. Now we got a voice. Now
52:52 we're going to go to
52:57 Hedra. Oh, you couldn't hear that
52:59 probably, could you? Well, it'll be your
53:01 surprise when I actually share my
53:02 screen, right? Um, impostor
53:07 syndrome. All
53:09 right. So, now let me go back to
53:12 midjourney. Let's get let's get our
53:14 image. Let's see which one we like. Here
53:16 we upscaled these. That one's pretty
53:19 good. I think that one's better. See,
53:21 that one's a little too smooth. That
53:23 one's got more texture. I like it. I
53:25 like that better. All right. So, there's
53:27 our image. Download. So, now we go to
53:30 Hedra and we upload that
53:34 frame. Champ, stop licking your feet.
53:38 It's I I've got dysphonia or whatever
53:41 the [ __ ] it is that when you lick your
53:42 feet, do Champ, I I want to I want to do
53:47 bad things to your ears.
53:49 Don't eat your feet. Stop wagging your
53:51 tail. Don't be cute. You're sitting over
53:54 there eating your feet like a [ __ ]
53:56 popsicle and now you're wagging your
53:58 tail trying to get me to not be cranky
54:00 about
54:02 it. All right, in comes the
54:07 image and then in comes the audio.
54:10 Right, we just made the
54:16 audio and then we're gonna
54:19 say woman
54:21 looks into the
54:26 camera shaking as she
54:30 talks. All right. Boom. Now we're making
54:34 a movie.
54:36 So, what's this been? half an hour
54:39 because I've been ye yber
54:42 yabbering jibber
54:45 jabbering. But what this started out as
54:48 was an exercise just to
54:51 get shitty thinking out of my head and
54:54 just out in the
54:56 world. And then all of a sudden we made
54:59 this image that looks like well that's
55:02 maybe a story worth
55:04 telling. I love this style actually.
55:12 Like that's really
55:14 good. We can say very that strong. Get a
55:17 bunch more of
55:26 those. And now this is going to turn
55:28 into a cool little video clip.
55:37 [Music]
55:44 Dysphobia. No, it's
55:47 dysphonia. It's not fear of that sound.
55:51 It's hating that
56:00 sound. Can someone tell me how to search
56:02 for srefs on X? Yes. Oh, look. We got a
56:06 video, but I'll go I'll I'll change my
56:08 tabs. So, when you go to X, just go to
56:12 X and go to search. And you can just
56:15 type in SRF
56:17 s or if you want to get fancy, you can
56:20 type in dash dash
56:22 sref
56:25 search. And then as you scroll
56:28 down, you'll just see lots of them.
56:36 And then when you see one you like, and
56:38 here's an SRF
56:41 community. And when you see one you
56:43 like, you just copy
56:46 it and put it in there. It's It's quite
56:49 a
56:51 remarkable quite a remarkable
56:53 thing. Oh, it's funny. It's finding a
56:56 lot of these are
56:57 mine because I post a lot of these. Um,
57:00 all right.
57:03 Let me change my tab so you can see what
57:05 I'm about to
57:16 show.
57:18 Hedra go. All right. All right. Here we
57:22 are,
57:23 people. Fantastic. I know who I am.
57:29 Uh, it's not them.
57:34 I know who I am. It's not them I'm
57:38 afraid of. It's
57:42 me, right? And then you go to Suno and
57:47 you make a cool [ __ ] creepy song in
57:49 the
57:53 background. So, let's go back to let's
57:55 go back to here.
58:02 Let's
58:03 go. We're going to drag this image up
58:06 here. We're going to use this as a
58:09 style. Do I want a style reference? No,
58:11 we use this as an image
58:15 reference. Am I sharing this? Yes. I got
58:19 to do my black bar
58:20 though. We're going use this as a image
58:23 reference. And then in and then we're
58:25 going to use the same
58:30 sref same
58:34 sref. And then we're going to go
58:38 um
58:41 worthless and I'm going to go
58:45 d-r four. We'll do four sets of
58:51 worthless. Hey tabs. What about tabs?
58:55 Oh, I'm still sharing the other one. Got
58:57 it. I I knew
58:59 that. I don't really need a producer
59:02 because I know these things because I'm
59:04 very smart. I'm I'm I'm what I'm what
59:08 many would call an
59:10 intellectual, right? Very
59:13 academic. I mean, this is the AI
59:16 learning lab. You can't just call it a
59:18 lab. You can't just make that up, right?
59:22 You have to have
59:25 credentials. So, here I
59:27 am, right? You understand? Does it make
59:30 sense? I think so. I think it
59:34 does. I mean, you got the black bar the
59:37 first time. Shut
59:39 up. Uh, see, it kept the word shame in
59:42 there. Um, let's
59:44 see. Let's do worthless. Let's put
59:48 worthless in quotes and see what that
59:57 does. These are
1:00:01 crazy. Let's do this as a Let's just do
1:00:03 it as an SREF. All
1:00:06 right. Let's just do
1:00:09 SREF
1:00:10 worthless. All
1:00:14 right. And then we'll do dash dash
1:00:20 R4 lettering is on point. I know
1:00:23 right. Someone say Savant not
1:00:27 intellectual Tom Nodler. See the my
1:00:30 favorite trolls my favorite trolls are
1:00:34 the ones that initially land like a
1:00:38 compliment. He called me a savant.
1:00:44 [Laughter]
1:00:46 [Music]
1:00:48 It's so good. It's so
1:00:50 [Laughter]
1:00:53 good. Now I want to make a movie of the
1:00:55 shame monster.
1:00:58 Exactly.
1:01:00 Exactly. Why not? Why the [ __ ]
1:01:11 not? I need credentials. We all need
1:01:16 credentials. Okay, I need that dash
1:01:18 dash. Thanks y'all. Oh, maybe it needs
1:01:21 the dash dash. X is an S sref garden. It
1:01:24 really
1:01:27 is. Play leads to productivity. Yeah,
1:01:29 that that was one of the things that he
1:01:31 said tonight,
1:01:33 too. I wonder why these are not having
1:01:36 Oh, you know. Oh, because my preref my
1:01:39 personalization was on. Let me try this
1:01:41 again.
1:01:43 without personalization on
1:01:47 um
1:01:51 d-r4 because it'd be nice if we got
1:01:53 something back in the style of the thing
1:01:55 I just made the video of.
1:02:19 [Laughter]
1:02:22 Wow, we never got that style again.
1:02:24 That's a shame. Oh, I know how we could
1:02:27 get that style
1:02:29 again. You just you just stick with me.
1:02:31 I Because I don't know if you know this,
1:02:34 but I have qualifications. I am a
1:02:36 professional. All right. So, we're going
1:02:38 to copy the image. Oh, look. Why am I
1:02:42 such a piece of [ __ ] The
1:02:48 movie. Thank you for the
1:02:51 hat. This is really good. Why am I such
1:02:54 a piece of
1:02:59 [ __ ] That's pretty solid. I like it.
1:03:02 All right. Good. Okay. So, now here's
1:03:05 what we're going to do. We're going to
1:03:06 paste the shame image in here. And I'm
1:03:09 going to say I want a
1:03:14 different
1:03:16 young defendant young
1:03:21 character.
1:03:28 Also
1:03:29 also holding up a piece of paper.
1:03:38 in the same
1:03:42 style, but his
1:03:46 word is
1:03:52 worthless. So, this should give us the
1:03:55 that similar sort of blurred out, cool,
1:03:58 groovy, whatever. We'll see.
1:04:04 And again, I'm just loving this idea
1:04:06 that that Danny put out there
1:04:12 of the gap between a masterpiece and
1:04:15 something that you would say is
1:04:16 laughably bad is actually quite
1:04:20 small, which I love, right? I mean,
1:04:24 sometimes you go to like the Met or you
1:04:26 go to you go to, you know, the
1:04:28 Metropolitan Museum of Art, you know,
1:04:30 the the modern art stuff and you look at
1:04:34 it and you're like, "Yeah, is it art?"
1:04:37 And then you realize it sold for $55
1:04:40 million. Like the gap between that and
1:04:44 the thing you saw at the Goodwill, it's
1:04:46 not so
1:04:49 big. So, so don't judge it. Just do just
1:04:53 just be in the flow. Just just be
1:04:55 putting lines on the page. Just be
1:04:58 putting words on the page. Just be
1:04:59 putting prompts. Feed the
1:05:02 prompt. Feed the prompt. This is a
1:05:05 new thing I'm exploring right
1:05:09 now. That what you feed the prompt with
1:05:11 is
1:05:14 you. You're not prompting the AI. You're
1:05:17 taking your ideas and and feeding the
1:05:20 prompt.
1:05:34 Good.
1:05:41 Right now make
1:05:43 one
1:05:47 with an index card.
1:05:51 on the other
1:05:53 side and
1:05:55 it's an older
1:05:59 Asian
1:06:03 woman and her
1:06:05 [Music]
1:06:06 word
1:06:10 is invisible.
1:06:19 [Music]
1:06:23 YouTube
1:06:26 comment. Someone somewhere got a taste
1:06:29 for whatever you put out. SRFs don't
1:06:31 work for me in chat GPT. Let me know if
1:06:33 your experience is different. I just
1:06:35 wanted to pop in and say hello. I sleep
1:06:37 20 hours a day. Phew. Medications making
1:06:40 me see things. Hey Becky. Well, don't
1:06:44 we're making weird images here today, so
1:06:45 you're probably going to see some some
1:06:47 weird [ __ ] I hope you're feeling
1:06:48 better. Um, I know you're going through
1:06:51 it right now. I hope you I hope you're
1:06:53 you're you're on the mend. Um, enjoy the
1:06:56 enjoy the uh the
1:06:58 pharmaceuticals while you're on them.
1:07:01 Uh, but if you're seeing stuff, that's
1:07:02 not fun. Um, but yeah, welcome, welcome,
1:07:07 welcome,
1:07:09 welcome. All right, let's see. Let's
1:07:12 see. Did this give us an Asian
1:07:14 woman? Uh, maybe. kind of looks like a
1:07:18 white man's head, but maybe
1:07:34 not chatbt is so
1:07:37 dark. See how it's dark and yellow? Like
1:07:41 all of these need to be put into
1:07:42 Photoshop.
1:07:46 I could just do it over in this thing.
1:07:48 Watch. Watch
1:07:49 this. Copy. Go over
1:07:53 here.
1:07:55 New. Take that dark thing. Expose it
1:07:59 up.
1:08:02 Um, wait. I can go
1:08:05 white. There you
1:08:13 go. Bring my shadows up a little bit.
1:08:17 contrast
1:08:21 up and saturation. Look at that. That's
1:08:25 like That's good. There you go.
1:08:28 See, not
1:08:30 bad. You can fix all that
1:08:43 [ __ ] Wild. Wild. Wild, wild, wild,
1:08:46 wild, wild, wild, wild. All right, let's
1:08:49 go make some more. Let's go find some
1:08:51 Let's go find some new words. Hey,
1:08:52 someone shout out uh G, give me a
1:08:54 limiting give me one of your limiting
1:08:57 beliefs. Does nobody use curves anymore?
1:09:00 Ah, curves required me to learn
1:09:02 something. I use them occasionally, but
1:09:04 I'm just like, eh, feels
1:09:09 exhausting. But that that was just I was
1:09:11 just in preview. It didn't have curves.
1:09:14 No, it doesn't have curves. Oh, yeah, it
1:09:16 does. I guess up
1:09:19 here. Yeah, I could have done that.
1:09:22 Sure, I could have done
1:09:31 that. It's just point and click.
1:09:34 Frustration. All right,
1:09:37 frustration.
1:09:39 Frustration. All right, back to my mind.
1:09:42 Let's go find a cool
1:09:45 style. That's a dark one. It looks too
1:09:49 gothic. Let's see. Let's find something
1:09:53 worthy of frustration. This one's pretty
1:09:58 good. Oh, this one could be good, too.
1:10:02 Let's do both of these. Okay, we're
1:10:03 going to do two. We're going to do this
1:10:06 one. So this is chaos
1:10:09 10 style raw sref whatever. Okay.
1:10:15 Copy. And then we're going to go to
1:10:17 midjourney. We're going to go
1:10:18 frustration. We're going to go. We're
1:10:20 going to go n. We're not going to do
1:10:22 aspect ratio of
1:10:25 that. And we're going to
1:10:27 do
1:10:36 d-r
1:10:38 question. What the heck was that image
1:10:40 editor? That image editor is just
1:10:42 preview on the
1:10:43 Mac. You just go to tools, adjust image,
1:10:47 and it gives you that little mini
1:10:48 Photoshop panel. And Murphy's in the
1:10:51 house. Listen, for all of you out there,
1:10:53 tomorrow we have a we have a uh Ann
1:10:56 Murphy and I I don't know if you know
1:10:57 this, we do this thing called the AI
1:10:59 readiness project. You know
1:11:02 why? Because we're hoping that one of us
1:11:05 is ready for AI at some point. See, the
1:11:08 problem is neither of us
1:11:10 are. So, so we started a podcast in the
1:11:13 off chance that at some point in the
1:11:15 future one of us shows up ready for AI.
1:11:18 And so we did this podcast. So, tomorrow
1:11:21 we got this guy on named CJ Fletcher,
1:11:23 artist, baller. He He's amazing. He
1:11:27 does he
1:11:29 he prompts in a way I will never in my
1:11:32 life be able to. And I know we're doing
1:11:33 this creative thing. You're not supposed
1:11:34 to compare yourself, but holy [ __ ] does
1:11:37 he prompt in this remarkably meticulous
1:11:40 way. It's amazing.
1:11:42 Um, all right, Silver Fox. These are
1:11:45 frustrations. These are good. This was a
1:11:47 good call. That Sreff's a good call.
1:11:51 That one's That one's
1:11:54 nuts. Look at
1:11:57 that. Oh, okay. Upscale, subtle, and
1:12:02 creative. We're going to turn that into
1:12:03 a video, too. Let's see. We'll see how
1:12:05 Hedra deals with something that
1:12:06 abstract. Oh, that one's good,
1:12:09 too. I think we could just use that one
1:12:11 as is, but we'll upscale them anyway.
1:12:14 Love that. Love that. Damn, that's good.
1:12:20 out of this
1:12:24 world. Upscale. Upscale. All right,
1:12:27 let's go get that other style because
1:12:28 that that style was a [ __ ]
1:12:31 winner. So, let's get the other style
1:12:33 that was right next to it. This
1:12:36 one. Oh, this has also got chaos and
1:12:39 weird [ __ ] to
1:12:41 it. All right, fine. Let's Let's follow
1:12:46 your lead, Mr. What was it? Frustration.
1:12:50 Frustration. Boom. We're not going to do
1:12:52 a 2x3 aspect ratio, but all the other
1:12:54 [ __ ] we're going to keep the
1:12:57 same. All right. And then we're going to
1:13:01 go
1:13:09 d-r Danielle images in irregulars. In
1:13:14 irregulars. Hey, irregulars.
1:13:17 What are you doing? What are you doing
1:13:19 today,
1:13:21 irregulars? Here's my limiting belief.
1:13:24 If it comes easily, I don't deserve it.
1:13:26 I think that one's a huge one, Kelly.
1:13:30 That That's one that I
1:13:32 think this is one of those AI things.
1:13:36 When people say they're guilty about AI,
1:13:38 I think this is the limiting belief. Is
1:13:40 that Danielle? No, that's Kelly
1:13:43 Camp. Here's Danielle's. Oh, this is a
1:13:45 good one.
1:13:47 Vibrant and textured handstyle. Sreff.
1:13:51 What was the word here, Danielle? This
1:13:53 is
1:13:55 good. The [ __ ] lightning bolt in the
1:14:02 eye. Oh,
1:14:04 nice. Midjourney. Not being creative.
1:14:07 Look at that. Not being creative. God
1:14:11 damn, that's such a good image. Not
1:14:13 being creative. the [ __ ] torture,
1:14:20 right? There's something really
1:14:22 cathartic about this
1:14:25 exercise. So, you can thank Danny
1:14:28 Kravitz and you can thank Leah Faston
1:14:30 for sort of merging these two ideas
1:14:33 together, which is also another reason
1:14:36 why you need to be in community. So, you
1:14:37 should join the AI salon, which Brandon,
1:14:40 if you'll pop the AI salon address up
1:14:42 there. Go to this web
1:14:47 address
1:14:49 and click on join our community. And
1:14:52 then you go in there and introduce
1:14:54 yourself and connect
1:14:56 yourself and um sign up for the AI salon
1:15:00 mastermind if you want, which is which
1:15:02 is a kind of more exclusive uh higher
1:15:05 level within the salon. The salon's
1:15:07 free, but just go in there and hang out
1:15:10 with people because being around other
1:15:12 people that are up to
1:15:14 stuff is how you end up discovering
1:15:17 things you never thought possible. Wow,
1:15:19 look at these. This is
1:15:29 frustration. That's a good
1:15:31 one. Huh? Drop link. Mine must not work
1:15:35 anymore. Don't know which
1:15:41 [Music]
1:15:44 link. That's a good
1:15:49 one. All
1:15:51 right. So, let's see. Oh, that
1:15:55 has Okay, that one's good. Let's grab
1:15:58 that one. So, we're going to download
1:16:00 this one.
1:16:19 Uh, let's download this one.
1:16:33 [Music]
1:16:37 Ah, okay.
1:17:05 All right, we're going to grab Adam
1:17:11 Stone and then this. So, this is
1:17:14 frustration. The image was frustration,
1:17:23 right? All right. What are we gonna
1:17:27 put? Anna's backstage. Okay, hang on.
1:17:30 Tell Ann she's got to wait for a second.
1:17:32 I'm acting here. This is I'm I'm I'm a
1:17:36 thespian. I'm I'm preparing. This is
1:17:39 method acting. Okay. Got to calm
1:17:43 down. Let's see.
1:17:46 [Music]
1:17:53 Um, night after night she insists on
1:17:57 coming up on stage. I can't take
1:18:02 it. All right, I think we got something
1:18:06 here. I think this is solid.
1:18:15 Yeah, I like it. It's solid. Where is
1:18:18 she?
1:18:23 Hi, Ann.
1:18:26 Hey. What's happening?
1:18:29 You better tell the nice people that I
1:18:31 never asked to come talk to you and that
1:18:34 like at least onethird of the 10 or five
1:18:38 times I've come up here have been at
1:18:40 your request.
1:18:42 Hey Ann was shaking.
1:18:46 I tried to find a pink bow. Couldn't
1:18:49 find it. But I did I got one for Yeah,
1:18:52 for the nice people I did wear my pink
1:18:54 robe. It's very nice. It's very lovely.
1:18:59 So, are you ready? Are you ready for AI
1:19:02 yet? Because I I am not. No. And I am I
1:19:06 have been
1:19:07 like self-talking myself
1:19:10 so much about not getting overwhelmed by
1:19:15 not knowing what's going on. Yeah, I
1:19:17 know. I mean, I had been on like a like
1:19:20 a mantra
1:19:22 because it's Can you believe we thought
1:19:25 it was moving fast before? Yeah, it's
1:19:28 it's what's weird about it is I think I
1:19:32 think the speed is the same. Like we're
1:19:34 we're seeing sort of launch launches on
1:19:36 a similar cadence, but what's being
1:19:38 launched is way more sophisticated.
1:19:41 Exactly. Right. And so like it used to
1:19:44 be a thing would launch and within about
1:19:46 an hour you could have your head around
1:19:48 all of what it was. Are did someone just
1:19:51 cut the power off in your house?
1:19:55 You don't have to go home, but you can't
1:19:57 stay here, lady. Exactly. Yeah. So it is
1:20:01 it's completely overwhelming. It's just
1:20:04 nuts. All right. I'm gonna while we're
1:20:06 talking, I'm gonna be making a video
1:20:08 here. Um so so tomorrow CJ Fletcher I'm
1:20:12 really excited about that. Me too. I I
1:20:15 need to look back at um the transcript
1:20:18 from his workshop
1:20:21 because he said something
1:20:24 that really stuck with me and I want to
1:20:28 ask him about it tomorrow. But I got to
1:20:30 I got to get I'm sure it's in some of
1:20:33 our files. I want to look back at it.
1:20:35 He's such an interesting human being. He
1:20:38 is not your average bear. He's not. You
1:20:42 know it. Night after night. Oh,
1:20:47 night after night, she insists on coming
1:20:51 up on stage. I can't take it. Is that
1:20:55 going to be a baby saying it? No, it's
1:20:59 it's a it's a very disturbed man that I
1:21:03 don't I don't think this is gonna
1:21:04 actually go very well. A I want it to go
1:21:07 well. Sounds wonderful so far. Talks
1:21:09 with his head in his hands. Oh, no. It
1:21:14 there's I like one of the big themes of
1:21:18 tonight at the salon that Danny Kravitz
1:21:20 brought up and that I'm kind of I missed
1:21:22 it. Yeah, it was really good tonight.
1:21:25 And and one of the one of the things
1:21:27 that that he brought up and that I've
1:21:29 been feeling is just like it everything
1:21:32 is
1:21:33 about everything's about the idea. None
1:21:36 of it's about the tools. Like the tools
1:21:38 don't [ __ ] matter. They don't because
1:21:41 I I mean you need to understand that
1:21:43 they're there, right? If you understand
1:21:46 but you could understand that like two
1:21:48 or three of them are there. You don't
1:21:49 need the two or 30 hundred and then it's
1:21:52 all about your ideas and what do you
1:21:53 want to put in the world and what do you
1:21:54 want to do. Absolutely. Absolutely.
1:21:58 Yeah. Yeah. and and you know as these
1:22:01 tools and I've been watching you do it
1:22:04 like I believe more and more in the
1:22:08 power of use cases versus pretty much
1:22:10 any other way in you know it's just
1:22:13 because you're doing a use case and
1:22:16 you're boppinging around and getting all
1:22:20 the practical learnings that you need,
1:22:23 right? You don't have to ever even like
1:22:26 quote unquote finish something, you
1:22:28 know? Well, that's that's part of the
1:22:30 joy of this format is that I don't God.
1:22:33 Yeah. Yeah. Because when you have to
1:22:35 finish something, then it gets awful.
1:22:37 No. Right. Now you Now now it's no
1:22:41 longer fun at all. It is. It's no longer
1:22:44 fun. Yeah. This is this is pure add
1:22:47 heaven here, right? I just get to start
1:22:50 infinite number of product projects. Oh,
1:22:52 by the way, um, uh, what about vibe
1:22:58 coding something that like works for the
1:23:03 ADHD brain and pulls your conversations
1:23:06 together from different LLMs and
1:23:08 whatnot?
1:23:10 Yeah, I was thinking about that the
1:23:11 other night because it's it's
1:23:13 frustrating that that like chatbt is
1:23:16 going to corner the market on people
1:23:18 using it because it it remembers all
1:23:20 your conversations and people aren't
1:23:21 going to want to switch. So, it'd be
1:23:23 nice to be able to switch and have that
1:23:24 stuff maintained somehow. Yeah. Yeah.
1:23:27 Completely. Yeah.
1:23:31 All right. Well, so tomorrow um our AI
1:23:34 readiness project is uh 400 PM Mountain
1:23:38 time, 3 PM Pacific,
1:23:41 6 PM East Coast. Yep.
1:23:45 And CJ Fletcher is going to be there and
1:23:47 you should be there. Be there and be
1:23:49 squared. Be there and be squared.
1:23:51 Um, the nice people need to know that
1:23:55 like our guest lineup is becoming fire.
1:24:01 I mean, it already has been. That's
1:24:03 what's crazy. And we're like getting
1:24:06 into new like nooks and crannies of the
1:24:09 AI world, you guys, who Yep. you know,
1:24:13 um, out there [ __ ] Yep. And I'm excited
1:24:18 about it. I'm excited.
1:24:21 Oh, and not only out there [ __ ] but
1:24:24 also um like we might have one of my
1:24:28 family members on the show.
1:24:33 You got to clear these things with
1:24:35 me. No, no,
1:24:39 not you don't get you don't get to chime
1:24:42 in. No. Yeah. Um anyway, we've got some
1:24:46 really good stuff coming up. Uh the
1:24:48 here's the uh here's the here's the URL
1:24:52 airelinesspro.com. All the streams will
1:24:54 be there. Yeah. All right. 4 PM
1:24:56 tomorrow. Bookmark that. Put it down and
1:25:00 uh join us tomorrow for CJ. CJ's an
1:25:02 amazing Do that everybody.
1:25:05 I will see you tomorrow. Great. Peace
1:25:08 out. Sleep tight. Oh, did he?
1:25:13 He put you down.
1:25:17 All
1:25:18 right.
1:25:23 G. Um, do we have an
1:25:27 image? We have an
1:25:33 image. Share screen. Share
1:25:36 Hedra. Hello,
1:25:39 Hedra. My name is Hedra.
1:25:44 Night
1:25:48 after night, she insists on coming up on
1:25:52 stage. I can't take it.
1:25:55 That's kind of a wild effect. Night
1:25:58 after night, she insists on coming up on
1:26:02 stage. I can't take it.
1:26:06 It makes it look it transitioned from a
1:26:10 painting to like some dude behind shower
1:26:13 [Laughter]
1:26:17 glass. But you know, they're not
1:26:22 bad. Where's this one? Why' we lose
1:26:26 this? Why that not
1:26:31 playing? Is this library?
1:26:34 There it is. I know who I am. It's not
1:26:39 them I'm afraid of. It's me.
1:26:45 Night after night, she insists on coming
1:26:49 up on stage. I can't take it.
1:26:54 All right,
1:26:56 everyone. That's it. That's all you get
1:26:58 for tonight. We did art. We did uh we
1:27:02 did a little therapy.
1:27:04 It's good.
1:27:13 Solid. All right. Um, okay. I'm getting
1:27:16 out of here. My eyes are crispy. I
1:27:18 didn't even I've got water here. Uh, but
1:27:20 I didn't drink
1:27:24 it. So, let's see. Tomorrow, come to the
1:27:27 AI readiness project. That's at 4. And
1:27:30 then we'll be back here tomorrow night
1:27:32 at 8. All right. We'll be back normal
1:27:33 time, normal place. Everything's going
1:27:36 to be good. It's going to be exciting.
1:27:37 It's gonna be fantastic. You're going to
1:27:39 love it. We have so much
1:27:41 planned. Oh, also life hacks and
1:27:44 education. So, in the AI salon, join the
1:27:48 AI mastermind and you can get into the
1:27:51 clubs and hubs areas. Okay. What you'll
1:27:54 notice when you're in the AI salon is
1:27:55 that there's a bunch of spaces that now
1:27:57 have a little crown by them. Those are
1:27:59 part of the mastermind. So, th those are
1:28:00 the mastermind spaces. So join that. The
1:28:03 whole idea is that we create a more
1:28:05 focused, more intense salon. So join
1:28:08 that and it'll be fantastic. Life hacks
1:28:12 rocks. All right, beautiful everybody.
1:28:15 Um, hope you had fun tonight. Peace out.
1:28:18 Um, those limiting beliefs rather than
1:28:21 believe them, turn them into midjourney
1:28:24 images. [ __ ] them. [ __ ] those limiting
1:28:27 beliefs. Turn them into content. All
1:28:29 right? And put the content out in the
1:28:31 world. Say, "Yeah, I'm full of shame.
1:28:32 Here's what it looks
1:28:34 like." Why not? [ __ ] it. All right. Hope
1:28:37 you had fun tonight. Peace out.
1:28:40 [Music]