
AI Learning Lab
1/30/2026 - Creating "The Great Repurpose" AI Anthem: From Idea to Finished Song in Suno

Live Stream2026-01-312:07:4569 views
Description
Friday Night Date Night. The Great Repurpose... Repurposed.
Watch the process of turning a simple, "poorly played" guitar riff into a fully produced song using Suno. The resulting track, "The Great Repurpose," explores the profound anxiety and eventual liberation experienced by people whose work tasks are replaced by smart machines. This session demonstrates how AI tools can quickly transform a philosophical concept into a compelling musical anthem.
T he creative work doesn't stop with the audio; the speaker immediately moves to visual development. Using ChatGPT, they generate emotionally structured image prompts (moving from fear to curiosity to rediscovered purpose) for Midjourney. These images are then animated in Runway ML to illustrate the song’s powerful narrative, showing how these AI platforms integrate seamlessly to create a complex, human-centered multimedia project.
#SunoAI,#Midjourney,#RunwayML,#AImusic,#CreativeProcess,#TheGreatRepurpose,#AIVideo,#Existentialism
Chapters:
00:00:00 Opening Poem and Music
00:01:40 Happy Friday Night
00:03:49 Turning Lick Into Song
00:06:02 Suno Songwriting Introduction
00:08:01 Recording Guitar Input
00:10:56 Naming the Great Repurpose
00:11:30 AI Writes Core Lyrics
00:13:14 Selecting Music Styles
00:16:06 Listening to First Draft
00:18:31 Analyzing Lyrics and Groove
00:21:06 Refining Song Aesthetics
00:25:05 Trying Neo Funk Style
00:29:40 Producer Brandon Arrives
00:33:41 Switching to Neo Soul Ballad
00:37:25 Human-Centered Bridge Focus
00:41:21 Selecting the Final Anthem
00:52:20 Finalizing and Planning Video
01:01:02 AI Capabilities and Prompts
01:06:42 Structuring Image Emotions
01:09:09 Midjourney Style Search
01:35:42 Free Style Reference Hack
01:37:57 Starting Runway ML Video
01:51:15 Weekend Homework Assignment
02:07:01 Conclusion and Farewell
Chapters
0:00Opening Poem and Music1:40Happy Friday Night3:49Turning Lick Into Song6:02Suno Songwriting Introduction8:01Recording Guitar Input10:56Naming the Great Repurpose11:30AI Writes Core Lyrics13:14Selecting Music Styles16:06Listening to First Draft18:31Analyzing Lyrics and Groove21:06Refining Song Aesthetics25:05Trying Neo Funk Style29:40Producer Brandon Arrives33:41Switching to Neo Soul Ballad37:25Human-Centered Bridge Focus41:21Selecting the Final Anthem52:20Finalizing and Planning Video1:01:02AI Capabilities and Prompts1:06:42Structuring Image Emotions1:09:09Midjourney Style Search1:35:42Free Style Reference Hack1:37:57Starting Runway ML Video1:51:15Weekend Homework Assignment2:07:01Conclusion and Farewell
Transcript
0:01 [music] 0:07 [music] 0:15 Oh, old grace desperately hating his 0:18 [singing] old place. Dreamed of discover 0:21 a new space. Bured himself alive 0:26 inside his basement. tongue on side of 0:29 his facement. He's working away on 0:32 displacement 0:34 and what it would take to survive. 0:38 [music] 0:39 Cuz when you're [singing] done with this 0:41 world, 0:45 you know the next is up [singing] to 0:47 you. 0:48 [music] 0:56 [clears throat] 0:58 And his wife told [music and singing] 0:59 his kids he was crazy. And his friends 1:02 said he'd fail if he tried. 1:07 >> [music] 1:10 >> But with a window card [music] 1:14 and a library card, 1:19 he took a homemade 1:22 homemade wolf and blade 1:25 one [singing] man submarine ride. 1:32 [music] 1:41 Happy Friday night, date night to the 1:43 good people of the world. We are a 1:46 global international sensation 1:49 thanks to Steo showing up. [laughter] 1:56 [music] 2:02 [music] 2:04 Woohoo! 2:10 [music] 2:11 [singing] 2:16 [music] 2:22 Daddy love it. 2:35 Hey, 2:37 [music] 2:51 [music] 2:52 [singing] 2:58 [music] 3:03 >> [music] 3:07 [singing] 3:07 >> Yeah. 3:16 [music] 3:20 Yeah. [music] 3:29 >> [music] 3:43 [music] 3:50 >> I wonder if that's a sununo lick. I bet 3:52 that could be a sunno song. I bet Kyle 3:56 is deep in thought. No, I was just I was 3:58 just trying to remember that lick. 4:01 Like, do I remember enough of that lick 4:02 to play it for Sunno and turn it into a 4:04 song? 4:08 [music] 4:13 [music] 4:19 >> [music] 4:26 >> Do we really only have three people 4:28 here? Dr. J, Steo, Vicki, 4:32 Side Hustle, Mimi, that's four. Tik 4:36 Tok's lying. 4:38 Although maybe someone left. [laughter] 4:43 There's only three of us here. There's 4:45 nine of us on Twitter and YouTube. 4:48 >> [music] 4:49 >> Go ahead and say hi if you're on YouTube 4:51 or Twitter or LinkedIn. Pop something in 4:54 the comments so I know you're there. 5:05 [music] 5:10 Here [music] 5:18 [music] 5:24 [music] 5:29 are 5:45 >> [music] 5:52 [music] 5:58 [music] 6:02 >> I got to turn that into a song. I don't 6:05 know what it's going to be, but it's 6:07 going to be a song. 6:09 >> [clears throat] 6:11 >> Uh, I'm going to go to Sunno. We're 6:13 going to We're going to do a little 6:14 We're going to do a little side hustle. 6:17 We're going to do a little side hustle 6:18 Mimi here. Uh-oh. My camera's all jerky. 6:24 Something went wrong trying to go to 6:26 Sunno. Okay, that's bad. 6:30 [snorts and clears throat] 6:32 Okay, it seems to be back. 6:37 Mat. [clears throat and cough] 6:45 [music] 6:51 [music] 6:59 [music] 7:07 >> [music] 7:14 [music] 7:21 >> Okay. Something something there. There's 7:24 something there. So, where I am? Oh, you 7:26 want me to share my screen? I could do 7:27 that. I don't have producer Brandon 7:29 telling me what to do, so you know, I 7:31 get a little lost. 7:33 Um, we'll just share a tab so you can 7:36 hear it if if and if and when it makes 7:39 music. 7:41 All right. So, we're we're at 7:42 sununo.com. 7:45 Happy Friday, archetypal. What is 7:47 shaking? 7:50 Let's do an audio input. Let's aim this 7:54 down at the guitar. 7:58 [clears throat] 7:59 [music] 8:01 Audio input record. 8:11 Microphone is in use. Hello. Hello. 8:15 Okay, so we'll start over. 8:18 All right. 8:23 [music] 8:30 >> [music] 8:37 [music] 8:42 [music] 8:43 >> Now that's what I was always doing. 8:49 [music] 8:57 >> [music] 9:04 [music] 9:12 [music] 9:15 >> There we go. Okay. 9:23 >> [music] 9:28 [music] 9:38 [music] 9:40 >> Okay, that's it. But that's not it. We 9:42 got to do a little better than that. 9:44 Start over. 9:48 Heat. Heat. 9:51 [music] 9:56 [music] 10:01 [music] 10:08 [music] 10:16 >> [music] 10:21 [music] 10:27 >> All right, we got a little champion in 10:28 there. That's horrible, but let's Here's 10:30 the thing about Sununoa. It'll take 10:32 something horrible and make it less 10:33 horrible if you haven't played with it 10:35 before. All right, let's play. 10:39 [music] 10:46 [music] 10:50 All right. It's horrible, but that's 10:52 okay. We're going to do a cover of it. 10:56 Let's see. What's it going to be about? 10:58 It's going to be called The Great 11:00 Repurpose. 11:02 [laughter] 11:03 the great repurpose. 11:09 Uh, 11:12 no, that's not what we said. The great 11:17 rep 11:18 purpose. 11:20 And then for lyrics, 11:24 we're going to do chat or uh Sunno is 11:28 going to write them for for us. We're 11:30 going to do write whole song. So, we're 11:31 going to give it a prompt. 11:34 We're gonna say um 11:39 um 11:41 a song about 11:47 the era where 11:50 smart machines 11:53 do the tasks 11:57 of people 12:00 who mistake their work for their value 12:06 and lose their purpose 12:12 and 12:18 rediscover 12:20 their true value 12:24 and [snorts] humanity 12:26 as they 12:29 repurpose 12:31 their lives. 12:36 That's good. And only give me that much. 12:38 Let's see. We'll turn this into an 12:40 amperand 12:43 and put Yes. 200 out of 200 inputs. 12:48 Write lyrics. Okay, 12:51 here we go. If you're wondering what I'm 12:52 doing, I'm writing a song in Suno. I put 12:55 a little guitar lick in there. Poorly 12:57 played. 12:59 [music] 13:05 >> [music] 13:14 >> Pluck in card swipe. I think this one's 13:18 better. Select this option. 13:21 All right. Styles. We chill electronic. 13:24 No. J-pop ballad. No. Summer vibe. No. 13:29 Ensemble. Latin house 13:32 sacred bass boost. Give me something 13:34 here. Ambient textures. Cruel. What is 13:38 cruel music? R&B neo soul. We'll do that 13:43 with a little tragedy. A little nylon 13:46 guitar, 13:48 some dynamic male vocals, and some 13:51 aggressive rap. 13:53 All right. 13:55 [laughter] 13:57 And then wait, let's go to the advanced 13:59 options. 14:01 Can you Oh, you can't see my [ __ ] You 14:03 can't see [ __ ] because I'm doing this 14:05 wrong. 14:08 [clears throat] 14:09 I can see clearly now. The rain is gone. 14:15 I can see all obstacles in my [singing] 14:18 way. 14:25 D. 14:28 It's going to be a bright bright bright 14:32 sunshine day. 14:35 Okay. 14:37 Uh, advanced options. Exclude styles. 14:40 Now, we don't need to do that. Voice 14:42 gender. I don't care. Lyrics mode, 14:44 manual, that's fine. Weirdness, we'll 14:46 leave it medium. Style influence, we'll 14:49 throw that a little higher. 14:53 Audio influence. I'll leave that at 25%. 14:57 More than the job. Why does it keep 14:59 changing the name of this? 15:03 The great rep purpose. This is going to 15:08 be our anthem, people. It's going to be 15:10 our anthem. 15:15 [laughter] 15:17 How bad is it going to be? If it's if 15:20 it's anything, I mean what my experience 15:22 with Sunno is is it's uh it will be 15:25 better than 15:27 um it will be better than I deserve it 15:29 to be. 15:31 [snorts] 15:33 [clears throat] 15:44 But Sunno can clean it up, right? Indeed 15:46 it can. Let's listen. 15:58 >> [music] 16:07 >> fight stuck on like a badge. Same 16:11 living inside a name tag. Every [music] 16:13 praise, every race. Pin tight to the 16:16 shirt on my chest. If I'm not what I 16:18 [music] do and fail me was left in the 16:21 swap machines came and took my place. 16:25 Emptied [music] 16:26 out my inbox my days. Watch my title 16:29 disappear. Felt [singing] the quiet. 16:31 Felt the fear 16:36 [music] more than the lies on my 16:38 [singing] resume. 16:40 More than the numbers that I [music] 16:42 used the chase. When the work 16:46 [singing] 16:48 was 16:51 >> What happened? 16:54 What happened? 16:55 Did you just [ __ ] the bed? [music] 17:03 [music] 17:07 >> Yeah. [music] 17:14 >> [music] 17:16 >> That's 17:19 redund [singing and music] 17:23 time 17:24 and still like they forgotten how to 17:26 move. Turn my [music] child out. Do you 17:29 want to draw [singing] 17:31 a swings came and took my place? 17:36 than [music] all the five I used to face 17:38 when [singing] my calendar I met the 17:41 person in between [singing] 17:47 more than the lies [music] all [singing] 17:49 there's no 17:51 more deadlines I don't stay [singing] 17:55 [music] 17:59 [singing] 18:01 all right that's not bad 10. 18:07 Come on. 18:09 [music] 18:14 Oh yeah. [singing] 18:22 Yeah. 18:23 [music] 18:24 Spine stuck on like a bash. Same chair, 18:26 [singing] same night. Living inside a 18:28 name tag. 18:30 >> [music] 18:32 >> pretty cool. All right, hang on. Let me 18:34 put the guitar down. Listen, I want to 18:36 take this seriously. I want to get the 18:38 lyrics right. I think the chorus is 18:40 wrong, but I don't know what it is. I'm 18:43 just listening to the groove. 18:46 Okay. Sad chorus. Okay. Then the smart 18:49 machines came and took my place. Emptied 18:52 out my inbox. Cleared my days. Watched 18:54 my tasks disappear. 18:58 Tasks disappear. Felt the quiet, felt 19:00 the fear. 19:02 If I'm more than my lines on my resume, 19:04 more than the numbers I used to chase. 19:08 When the work fell through, 19:11 I finally saw the truth. Let's see. 19:15 Purpose, purpose. Uh, 19:18 let's see. when the work fell through. 19:22 Um, 19:28 they 19:31 let go 19:33 of all of us. 19:45 Uh, it 19:49 seems 19:52 to be the great 19:58 repurpose. 20:01 Okay. 20:10 So, we'll just That's just the last two 20:11 lines of the chorus will be that 20:24 Wait. When the when the word, 20:37 let's see. When the work got lost, 20:41 they let go. 20:46 They canned. 20:49 They canned all of us. 20:52 It seems to be the great repurpose. 20:56 Okay, that's it. Bottom three lines of 20:59 the chorus. 21:04 All right. [clears throat] 21:07 Bridge, 21:10 bottom three lines of the chorus. 21:16 All right, there we go. Create. 21:19 And then styles. Let's see. R&B neosol. 21:22 Let's get rid of tragedy. 21:25 Instead of nylon guitar, we'll do 21:27 acoustic guitar. 21:31 Dynamic vocals. Get rid of aggressive 21:34 rap. And we'll do 21:38 um [clears throat] 21:41 driving 21:46 rhythmic percussion. 21:50 Create. 21:53 All right, I'm tardy again. Chef Kelly, 21:58 your sule is going to fall. You You 22:01 can't You You can't just be late. It's 22:05 Friday night date night. You can't just 22:06 show up and be like, "Oh, sorry. I was 22:09 reinventing food coloring for all of the 22:11 nation, 22:13 which you probably were." That listen, 22:15 that's not an excuse. And you know it. 22:18 You know it. And I We all know it. 22:21 Source Camp knows. Well, she's not here 22:23 either, but that's not the point. 22:27 [sighs] Good lord, 22:29 the irregulars. 22:32 They are weird, by the way. 22:41 She's been light [music] enough I can 22:43 accuse her of being approp. 22:49 >> [music] 22:50 >> Swipe smalluck 22:55 [singing] 22:56 every [music] 22:58 tight to the shirt on my chest. If I'm 23:00 not what I do, [music] then [singing] 23:06 [music] 23:09 [singing] 23:11 watch my test [music] 23:12 disappear. 23:14 Felt the quiet, felt the fear. 23:19 If I'm [music] more than the lines on my 23:21 resume, 23:23 more the numbers [music] that I used to 23:26 chase when I work. 23:28 And can I love us? [music] 23:30 It seems to be the graveyard. 23:34 >> Yeah, 23:36 there's no me [music] 23:39 overdone [singing] lost me. Oh my future 23:43 looking up [music] at home 23:46 for 23:48 my child. 23:49 Do you want to try to [music] 23:54 [laughter] 23:57 >> blows my mind a little 24:09 [singing] 24:13 car right smiles on like a badge. Same 24:16 jet, same light. Living inside a 24:19 [singing and music] name tag. Every 24:20 praise, every race. Ping tight to the 24:22 shut on my chest. If I'm not what 24:25 [singing] I do, [music] then tell me 24:27 what's left in the swap machines. Came 24:30 [singing] took my place. Empty out my 24:33 box. My [music] days. Lost my test 24:36 disappear. [singing] Felt the quiet. 24:39 Felt [music] the fear. 24:42 If I'm the lies on my resume [music] 24:48 that I use, 24:53 [music] 25:03 [music] 25:05 this one's fascinating because this one 25:07 took like some mistakes in my guitar 25:09 playing and turned it into like this 25:10 weird pocket kind of groove. It's kind 25:12 of cool. 25:14 It's like 25:18 [music] 25:25 >> [music] 25:25 >> E 25:28 yeah 25:31 [music] clock swipe smile stuck on like 25:34 a bad same. [music] 25:41 [music] 25:47 Um, let's do let's see instead of Neo 25:51 Soul, let's do 25:55 R&B 25:59 let's do Neo funk [gasps] 26:02 acoustic guitar dynamic male vocals. 26:05 Let's do um 26:10 threepart 26:12 harmonies. 26:16 Threepart female harmonies. 26:34 >> [gasps] 26:35 >> Oh, good lord. By the way, hello 26:38 everyone. How are you? Hope you're well. 26:40 Welcome to Friday night date night at 26:42 the AI Learning Lab. What we're learning 26:43 now is you can take a crappy piece of 26:46 music and turn it into something 26:49 slightly less crappy. 26:52 [laughter] 26:59 >> [music] 27:06 [music] 27:12 >> Clocking [music] card swipe smile stuck 27:15 on like a bag. Yeah. Same shape, same 27:17 light. Living inside [music and singing] 27:19 a name tag. Every praise, every race 27:22 tight to the shirt on my chest. 27:26 >> [music] 27:36 >> That's good. If I'm not what I do, then 27:38 tell me what's left. That's good. It's a 27:40 good line. 27:43 >> [music] 27:50 [music] 27:54 >> That's cool. 27:57 [music] 28:03 Same chair, same 28:05 [singing] 28:06 tag. [music] Every praise, every race 28:09 been tight to the shirt on my chest. If 28:11 I'm not, what do I do? They tell me 28:13 what's left. Then the smart machines 28:16 [singing and music] came and took my 28:18 place. Emptied out my 28:21 clear [music] my days. Watch [singing] 28:23 my task disappear. Felt the quiet. Felt 28:26 the fear. [music] If I'm more than the 28:27 lines on my resume, more than numbers 28:30 that I used to chase when the [singing] 28:31 work got lost. They can't all of us. It 28:35 seems to be [music] the great repurpose. 28:41 >> [singing] 28:43 [music] 28:52 >> I got to I got to I got to put a a 28:56 misspelling in this to make it pronounce 28:59 it right. 29:01 Purpose. Purpose. 29:04 P U SS. I guess purpose. 29:08 That's weird because it said purpose 29:26 and then let's do a thing. Let's see how 29:28 it does. It seems to be the great 29:31 repurpose. And then we'll repeat the 29:33 great repurpose. Maybe it'll do it as a 29:36 a cool sort of tag to the chorus. 29:40 Oh, producer Brandon showed up. I can 29:42 see his panicked his panicked uh 29:46 [laughter] 29:46 his his panicked Post-it note. 29:51 The cursor's flying all over the Post-it 29:53 note. It's pretty good. [laughter] 29:58 All right, we're going to create that. 29:59 Welcome, producer Brandon. I hope uh I 30:02 hope your nap was was swell. Little 30:04 chillins. Little chillins all uh tucked 30:07 in. 30:09 [clears throat] 30:10 It was [laughter] 30:15 It wasn't until the end. You wake up in 30:17 a panic. Isn't that the [ __ ] worst? 30:19 What? What did I do that? I did it the 30:21 other night. Where 30:23 you ever do those ones where you fall 30:25 asleep like you're going to take a nap 30:27 and then you fall asleep so hard that 30:29 you wake up, you literally don't know 30:31 what day it is, what you're late for. 30:35 [laughter] 30:35 You know you're late, you just don't 30:37 know what it's for. 30:39 I do [clears throat] have a question. If 30:40 I want to actually remake a real song 30:43 and an an old one, make a cover, change 30:47 the key, the singer, will soon do that? 30:49 Yes, will do that. 30:58 Uh, what's going on? 31:00 I think my browser's crashing. 31:03 [music] 31:17 [music] Yeah. 31:23 >> [music] 31:26 >> Did you guys ever see that show? 31:29 Uh, it had Ryan Tedar on it with the 31:32 with the songwriters and the songwriters 31:35 would come in and they'd pitch their 31:36 songs to them. This sounds like that the 31:39 kind of music they produced on that 31:41 show. I forget what that show was 31:42 called. [music] 31:46 pin tight on my chest. I'm not 31:50 tell. [music] 31:55 >> Yeah, it was called Songland with Ryan 31:57 Tedar and there's that black woman and 32:02 the sort of little quirky dude. 32:04 They were so talented, man. That was so 32:06 cool. Charlie Puth was on that one 32:08 season, I think, or at least for an 32:09 episode. 32:17 This vibe like this 32:24 [music] 32:29 car smile like a badge. [music] Same 32:33 [ __ ] same living 32:36 every bit to the shirt on my chest. 32:40 [singing] If I'm not [music] what I do, 32:42 then tell me what's left in the smoke. 32:46 [music and singing] Came into my place. 32:48 Emptied up my inbox, cleared [singing] 32:51 my face. Watch my test [music] 32:53 disappear. Felt the quiet. Felt the 32:56 fear. 32:59 [music] Yeah. 33:01 The lines on my resume. 33:05 The numbers that [singing] I used to 33:07 chase. When the word got lost, they 33:10 canned all of us. It seems to be the 33:14 brain we 33:16 [music] 33:25 screen redundant box 33:29 future looking [music] 33:31 at home. [singing] 33:39 [music] 33:41 All right. So, let let me let me create 33:44 two more of those and then we're going 33:45 to do instead of R&B funk, 33:48 let's do something ballad like Neo Soul 33:53 Ballad 33:54 because let's let's make it a little 33:56 sad. Neo Soul 33:59 Ballad, 34:03 acoustic guitar, 34:05 dynamic male vocals, three-part female 34:07 harmonies. Um, 34:10 we'll say seductive rhythmic percussion 34:16 create. 34:18 All right. 34:31 Love this song and style. Yeah, it's 34:32 pretty crazy, isn't it? All right, let's 34:35 listen to two more in those styles. 34:48 >> [music] 34:53 >> clock in card swipe smile stuck on like 34:56 a bag. Same check, same [music] light. 34:59 Living inside a [singing] name tag, 35:01 every praise, every race been tied to 35:03 the shirt on my chest. If I'm not what I 35:06 do, then tell me what's left. And the 35:08 smart machines came and took my place. 35:11 Emptied up [singing] my [music] 35:15 >> Yeah, I answered it. I answered it, 35:16 Brandon. 35:18 [clears throat] 35:25 [music and singing] 35:38 Clock in crosswack smile [music] stuck 35:40 on like a [singing] bad. Same check, 35:42 same life. Living inside a name tag. 35:46 Every [music] praise, every race pin 35:48 tight to the shirt on my chest. 35:53 If I 35:55 do, then tell me what's 35:57 [music and singing] left. 36:00 Then the smart machines [music] came and 36:03 took my place. Emptied out my inbox. 36:07 Cleared my days. Watch my task 36:09 disappear. Felt the quiet. [music] Felt 36:11 the fear. If [singing] I'm more than the 36:13 lines on my resume, more than numbers 36:17 [singing] that I used to chase. [music] 36:20 When the work got lost, they can all 36:22 love us. It seems to be the [music] 36:26 great repurpose 36:29 [singing] 36:30 great repurpose. Desp 36:34 redundant box plants [music] hold my 36:37 [singing] future looking haunted. Set 36:40 home still like they forgotten [music] 36:42 how to [singing] move. 36:47 Heard my child laugh. 36:50 Do you want to draw too? 36:54 >> Yeah. The smart [music] machines came 36:57 and took my place. So, and all the files 37:00 I used [music] to face with my calendar 37:03 I clean. I met the person in between. If 37:06 I'm more [music] than the lines on 37:08 [singing] my resume, more than deadines, 37:11 I obeyed each day. When the [music] work 37:14 got lost, they can all love us. It seems 37:19 to be the [singing and music] great reus 37:26 at the table. Letters I forgot to send 37:29 songs I never finished calls I [singing] 37:33 >> the hands I learn a garden the neighbors 37:35 extra chair a stranger [singing] on the 37:38 subway who suddenly feels seen there. 37:42 >> Let the smart machines home and take 37:44 their place. They can chase the 37:47 patterns. Keep the pace. We'll be messy. 37:51 We'll [singing] be real. We remember how 37:53 to feel. Cuz we're more than the [music] 37:55 lines on a resume. More than I 38:00 each day. When the [music] work falls 38:02 through, we finally see [singing] the 38:04 proof. When the work got lost, they 38:07 can't all of us. It seems it seems to be 38:11 [singing] the break. 38:18 [singing] 38:20 [music] 38:25 >> That's [clears throat] cool. That one 38:26 you can hear the lyrics. All right, 38:27 let's hear the ballads. Are these both 38:29 ballads? 38:32 [music] 38:35 Oh, there the females are singing the da 38:48 [music] 38:49 [singing] 38:53 card swipe smile stuck on like a badger. 38:56 Same shame [music and singing] 38:58 living inside a name tag. Every praise, 39:01 every raise pin tight to the shirt on my 39:03 chest. If I'm [singing] not what I do, 39:05 then tell me what's left. Then the smart 39:08 mached 39:10 [music] 39:11 [singing] 39:14 watch my task disappear. [music] 39:16 Felt the quiet, felt the fear. [singing] 39:19 If I'm more than the [music] lines on my 39:21 resume, all the numbers that I used to 39:23 chase from the work got lost. I can't 39:25 all of us. It [singing] seems to be the 39:26 [music] great repurpos 39:31 [singing] 39:36 beep screen said roll redundant box 39:39 [singing] 39:40 [music] 39:41 looking 39:43 at home still like [singing] they 39:45 forgotten how to move heard laugh 39:51 [music] 39:51 >> the smart mached [singing] 39:54 all The files I used to face 39:57 [singing and music] with my calendar 39:59 wiped clean. I met the person in 40:02 between. If I'm more than the lines on 40:04 my resume, more than deadlines I obey 40:06 each day. When [singing and music] the 40:07 work got lost, they can all of us. It 40:09 seems to be the great 40:12 [singing] 40:24 >> [singing] 40:24 >> Oh my friends, I'm the hands that learn 40:26 to garden. The neighbor's extra chair. 40:29 The stranger [singing] on the subway who 40:31 suddenly feel 40:38 smart and take their place. They can 40:40 chase the patterns. Keep the pace. 40:42 [music] We'll be messy. We'll be real. 40:44 We remember how to [singing] feel. Cuz 40:46 we're more than the lines on a resume. 40:48 More than hours on a screen each day. 40:50 When the work goes through, we finally 40:52 see the proof. When the 40:52 [singing and music] work got lost, they 40:53 can't all of us. It seems to be the 40:55 great great purpose. The great purpose 40:58 [singing] 41:05 the great [singing] 41:06 purpose. 41:17 [singing] 41:19 [music] 41:22 All 41:26 right, that's the one. I think that 41:27 might fit a little anthem. Let's see. 41:29 We'll We'll listen to 41:34 [music] 41:35 >> Yeah. 41:43 Yeah. 41:45 >> Clock in car swipe smile stuck like a B. 41:50 Same chair, same light. Living [singing] 41:52 inside a name tag. Every praise, every 41:54 race, pin tight to [music] the shirt on 41:56 my chest. If I'm not, what I do, then 41:59 [singing] tell me what's left. Then the 42:00 smart machines came and took my place. 42:03 Emptied out my inbox. Clear my days. 42:05 Watch my task disappear. Felt the 42:07 [music] quiet, felt the fear. If I'm 42:09 more than the lines on my resume, more 42:11 than numbers that I used [singing] to 42:12 chase. When the work got lost, thinking 42:14 all of us, it seems to be the purpose. 42:20 >> [singing and music] 42:20 >> purpose 42:26 beep 42:27 redundant box plans. Oh, my future 42:31 looking [singing] haunted. Sat home 42:34 still like they forgotten [music] how to 42:35 move. Heard my child laugh. Do you want 42:39 to draw too? Yeah, the smart machines 42:41 came and took [singing] my place. So all 42:42 the files I used to face with my 42:44 calendar I clean. I met the person in 42:47 between. And if I'm more than the line 42:48 on my wrist, more than dead, I obeyed 42:51 each day. When the work got lost again 42:53 all of us, it seems to be the great 42:55 repurpose. 42:59 Great [music] repurpose. [singing] 43:03 I'm the stories at the table, letters I 43:06 forgot to [singing] send, songs I never 43:08 finished, calls I owe my friends. The 43:11 hands of nurture garden the neighbors 43:14 extra chair. The stranger on the subway 43:17 who suddenly feels seen there. 43:21 Let the smart machines come [music] and 43:22 take their place. They can chase a 43:24 pattern. Keep the pace. We'll be messy. 43:26 We'll be real. We'll remember how to 43:28 feel. Cuz we're more than the lines on 43:30 our resume. More than hours on a screen 43:32 each day. When [singing] the work falls 43:33 through, [music] we finally see the 43:34 proof. When the work got lost in all of 43:36 us, it seems to be [singing] 43:40 the great purpose. 43:45 >> The great purpose. The great purpose. 43:48 [singing] 43:48 The great 43:51 [music] 43:53 purpose. 43:55 The great [singing] 43:58 purpose. Oh. 44:01 [music] 44:06 I don't know. It's toss up. That's a 44:07 good one, too. All right. One more. 44:14 [music] 44:18 Yeah. 44:20 Swipe. 44:22 [music] 44:24 Yeah. 44:27 [music] 44:34 >> [music] 44:38 >> No, it's one of these two. 44:42 All right. So, two 253 or 241. So, 53 or 44:47 41. Tell me which one you like better. 44:51 [music] 44:58 Oh, [music and singing] 45:03 clock in card swipe. Smile stuck on like 45:06 a badge. Yeah. [music] Same chair, same 45:08 [singing] light. Living inside a name 45:10 tag. Every praise, [music] every raise 45:12 tight to the shirt on my chest. 45:14 [singing] If I'm not what I do, then 45:16 tell me what's left. 45:18 >> Then the smart mach. [singing] 45:21 [music] 45:24 Okay, the syncopation there is really 45:25 cool. 45:31 [music] 45:32 >> If I'm more than the [singing] lines on 45:33 my resume, all the numbers that I used 45:36 to chase from the work I lost to all of 45:38 us. [music] It seems to be the great. 45:43 [singing] 45:44 >> Okay, that's the beginning of that. 45:46 [music] 45:52 >> I don't know. 45:59 >> [singing] 46:00 [music] 46:01 >> clock in cars swuck on like a B. Same 46:05 chair, [music] same light. Living inside 46:07 [singing] a name tag. Every praise, 46:10 every race pin tight to the shirt 46:11 [music] on my chest. If I'm not what I 46:14 do, then tell [singing] me what's left. 46:16 Then the smart machines came and took my 46:18 place. Emptied out my inbox. Clear 46:20 [singing and music] my days. Watch my 46:21 task disappear. Felt the quiet. Felt the 46:24 fear. If I'm more than the lines 46:25 [singing] on my resume. More than 46:27 numbers that I used to chase. When the 46:28 work got lost in all of us, it seems to 46:31 be the greater purpose. 46:34 Yeah. 46:36 [singing] 46:38 [music] 46:40 That's gone. Badgeep 46:46 future [singing and music] looking 46:47 haunted. at home like they 46:53 laugh. 46:56 >> All right, let's 46:58 back to this one. 47:02 [singing] 47:02 >> Red [music] 47:05 future looking [singing] at home still 47:09 like they [music] forgotten how to move. 47:11 Heard my child laugh all of us. It seems 47:13 to be the great great [singing] purpose. 47:16 The great. 47:19 [music] 47:21 [singing] 47:26 >> All right, that one's interesting at the 47:28 end. 47:30 All 47:30 >> side. [singing and music] 47:36 >> The second one is just more clear. The 47:38 vocals are more clear. 47:40 [music] 47:46 That's badgeep 47:52 [music] 47:53 looking [singing] haunted. Sat home hand 47:56 still like they [music] forgotten how to 47:58 move. 48:00 Laugh. Do you want to draw too? Yeah, 48:02 [singing] the smart machines came and 48:03 took my place. So all the files I used 48:05 [music] to face with my calendar I 48:08 clean. I met the person in between. If 48:10 I'm more than the lines on my resume, 48:12 more than dead, I obeyed each day. When 48:14 the work got lost against all of us, it 48:16 seems to be the great repurpose 48:21 great repurpose. 48:25 >> [singing] 48:25 >> I'm the stories [music] at the table. 48:27 Letters I forgot to send songs I never 48:30 finish calls I 48:33 learn to garden. 48:37 The stranger. 48:39 [singing] 48:43 >> It's so beautiful that line. The 48:45 stranger on the subway that suddenly 48:47 feels seen there. Huh. 48:51 [music] 48:53 pattern. Keep the pace. We'll be messy. 48:55 We'll be real. We'll remember how to 48:57 feel. Cuz we're more than the [music] 48:58 lines on a resume, [singing] 49:00 more than hours on a screen each day. 49:02 When the work falls through, we finally 49:03 see the proof. When the work got lost, 49:05 thinking all of us, it seems [music] to 49:08 be [singing] the great purpose. 49:13 The great purpose. The great purpose. 49:17 [singing and music] 49:17 The great 49:21 purpose. 49:24 [music] Great [singing] purpose. Oh, 49:30 [music] 49:44 >> purple. [music] 49:52 No opinions. I think it's a I think it's 49:54 a coin flip. 50:04 [music and singing] 50:06 a resume more than hours [music] 50:10 on a screen each day. When the work 50:12 falls through, we finally see the proof. 50:15 When the work got lost, [music] they 50:18 can't all of us. 50:22 [singing] 50:29 >> Yeah. We'll be messy. We'll be real. 50:32 [music] 50:34 Wait, that's not the right song. 50:39 [music] 50:39 >> More [singing] than hours on a screen 50:41 each day. When the work goes through, we 50:42 finally see the proof. When the work got 50:44 lost, they can't all of us. It seems to 50:46 be the great great [music and singing] 50:48 purpose. The great purpose. 50:55 [singing] 50:57 The great purpose. 51:00 The great 51:02 >> [singing] 51:03 [music] 51:09 [singing] 51:10 >> I think this one has more salt. I'm 51:11 going to I want to see where where it 51:13 talks about us being more human. [music] 51:17 >> I work lost all of us. It seems to be 51:21 the purpose. 51:25 [music] 51:29 >> I'm the stories at the table. Letters I 51:32 forgot to send. Songs I [singing] never 51:34 finish. Calls I owe my friends. I'm the 51:37 hands that learn to garden. The 51:39 neighbors extra chair. The stranger on 51:42 the [singing] subway who suddenly feels 51:52 [music] 51:53 >> that moment is so beautiful. This song 51:55 really nails that. 51:58 a [music and singing] chair. A stranger 52:00 on a subway who suddenly feels 52:08 smarty. [music] 52:13 [singing] 52:15 >> That's so good. Okay, that's the one. 52:18 Okay, so let's see if I want to publish 52:21 this. We've got to fix the lyrics. Edit 52:23 the displayed lyrics to spell repurpose, 52:27 right? 52:51 Okay. 52:53 Save. 52:58 Let's see. Generate cover art. 53:08 Update cover art. [clears throat] 53:25 All 53:37 >> [singing] 53:49 [clears throat] 53:49 >> right. 53:53 Failed to save. failed to upload. Try 53:56 again. Try again, you big fat losser 53:59 with your bad internet. Thanks, Xfinity. 54:02 This uploading 54:04 this uploading experience brought to you 54:06 by Xfinity. 54:08 Then all you have to do is upload an 54:10 image. You're not going to be able to do 54:12 it. You're welcome. [laughter] 54:30 What happens 54:32 when 54:36 the smart machines 54:48 take away 54:51 what we thought was our purpose. 54:58 We adapt. 55:01 There you go. 55:15 All right. If you go search for the 55:17 great repurpose 55:20 on, you should be able to find that. 55:25 All right, one final 55:30 listen. And then 55:33 I we have two things that I I we could 55:36 do. We could we could make this into a 55:39 music video. So we could take these 55:41 lyrics, go into chat GBT or something 55:44 and have it create a bunch of image 55:46 prompts. Then we can go to MidJourney, 55:48 pick a style, do that, turn them into 55:51 videos. So we could do that. we make it 55:52 into a music video or we could go into 55:55 chat GPT 55:58 with all the great repurposed stuff I've 55:59 worked on this week. The idea I had was 56:02 take the best out of that, move it over 56:04 to Notebook LM and have Notebook LM do 56:07 like a podcast, 56:09 an infographic, 56:11 you know, flowcharts, things like that. 56:14 I just made a nice hook for a song, a 56:16 Sununo song, but forgot that Sora added 56:19 a watermark. GR. Oh, that sucks. That 56:22 really sucks. All right, here we go. 56:24 Here's our Here's our song, people. 56:30 Um, 56:31 my browser is not happy. 56:37 [music] 56:41 [music and singing] 56:44 Oh, 56:49 [music] clock in card swipe. Smile stuck 56:52 on like a badge. [clears throat] Same 56:54 chest, same light. Living inside 56:56 [singing] a name tag. Every praise, 56:58 every raise pin tight to the shirt on my 57:00 chest. If I'm [singing and music] not, 57:02 what I do, then tell me what's left. 57:04 >> Then the smart machines came and took my 57:07 place. Emptied out my inbox, [music] 57:10 cleared my days, watched my task 57:13 disappear. Felt the quiet, felt the 57:16 fear. If I'm more than the lines on my 57:18 [music] resume, more the numbers 57:19 [singing] that I used to chase. From the 57:21 work I lost, I can't all of us. It seems 57:23 to be the great repurpos [music] 57:28 [singing] 57:34 beep screen set redundant box. [music] 57:37 told my future looking haunted. Sat home 57:41 hand still like they'd forgotten how to 57:44 move. Heard my child laugh. Do you want 57:46 to draw too? [singing] 57:48 >> The smart [music] machines came and took 57:50 my place. Sorted all the files [music] I 57:54 used to face [singing] with my calendar 57:57 wiped clean. I met the person in 58:00 between. [music] If I'm more than the 58:01 lines on my resume, more than deadlines 58:03 I [singing] obey each day. When the work 58:05 got lost, they hand all of us. It seems 58:07 to be the great [music] purpose. 58:11 >> The great purpose. 58:13 [singing] 58:16 >> I'm the stories at the table. Letters I 58:18 forgot to send songs I never finish. 58:21 Calls I 58:24 learn to garden. The neighbors extra 58:26 chair. A stranger on a subway [singing] 58:29 who suddenly feels 58:32 seen. 58:36 Let the smart machines come and take 58:37 their place. They can chase the 58:39 patterns. [singing] Keep the place will 58:40 [music] be messy. We'll be real. 58:42 Remember how to feel cuz we're more than 58:44 the lines on a resume. More [music] than 58:46 hours on a screen each day. When the 58:48 [singing] work falls through, we finally 58:50 see the proof. When the work got lost, 58:51 they can't all of us. It seems to be the 58:53 great [music] great purpose. [singing] 58:55 The great purpose. 59:01 [singing] 59:03 The great purpose. 59:07 The great purple. 59:14 [singing] 59:19 [singing] 59:26 All right, we got an anthem. Um, that's 59:29 pretty cool. Um, rock, paper, scissors. 59:32 I just cut myself dancing a little bit. 59:34 You got to be careful. You don't dance 59:36 with knives. Don't dance with [laughter] 59:38 knives. 59:42 Oh, man. Okay. All right. That was fun. 59:45 Uh, what do you want to do? What do you 59:48 want to do? Do yeah tomorrow Corey 59:51 Sandler's teaching a learn out loud an 59:53 LOL at the uh at ye old AI salon 59:57 community.thesalon.ai. 59:59 Look at the uh events tab. I think it's 1:00:01 at 400 pm Eastern 1:00:06 caught myself. Geez. 1:00:10 Music video. All right. One vote for 1:00:12 music video. Um okay. So, let's grab the 1:00:16 con the the uh what are these called? 1:00:18 Lyrics. 1:00:20 The great repurpose. 1:00:24 The great repurpose. 1:00:34 That's so cool that we went from we went 1:00:38 from this 1:00:58 >> [music] 1:01:03 >> to that song in whatever that was half 1:01:05 an hour and it's tied to the big thing 1:01:08 we came up with and it's like [ __ ] 1:01:11 why Not. Why not? 1:01:14 You can do just do [ __ ] now. 1:01:19 You want a new purpose? 1:01:21 You want that stranger on the subway to 1:01:23 feel seen? 1:01:25 We can just do that now. 1:01:28 I think that's pretty [ __ ] cool. All 1:01:30 right, paste the lyrics in. 1:01:34 And then we're going to go these 1:01:39 tab. 1:01:40 Oh, tab. 1:01:43 Share this tab instead. 1:01:48 I'm looking at cars tonight. I can't 1:01:50 believe how awesome the Chinese cars 1:01:51 are. Oh, fascinating. 1:01:54 That's [laughter] Brandon's great 1:01:56 repurpose tabs. Black bar. Kyle, Kyle, 1:02:00 Kyle, you're not sharing. Kyle, Kyle, 1:02:03 could you please read post-it notes? 1:02:06 >> [laughter] 1:02:07 >> Oh, by the way, uh if you have not seen 1:02:10 the movie The Jerk. [clears throat] 1:02:12 [laughter] 1:02:18 Oh my god. When I was talking about the 1:02:21 the great repurpose, I remembered that 1:02:23 Naven, Steve Martin's character in the 1:02:25 jerk, um discovered his special purpose 1:02:28 in that movie. [laughter] 1:02:33 If you have not seen the scene with 1:02:36 Steve Martin discovering his special 1:02:39 special purpose, I woke up for this. 1:02:41 Exactly. Okay, these are lyrics for a 1:02:46 song. 1:02:49 Um, 1:02:52 obviously, what else would they be 1:02:53 lyrics for? Um, about the the 1:02:59 song. And I would like you to create 1:03:06 um 1:03:10 mid journey. Oh, no. Let's just do let's 1:03:14 just say I'd like you to create 1:03:17 image prompts 1:03:22 for um 1:03:25 an image generating tool. 1:03:30 for the major. No, for 1:03:36 uh what's the tool that will bring 1:03:42 these 1:03:44 lyrics to life in a non 1:03:50 obvious way? 1:03:54 And I'm going to ask it, do you 1:03:56 understand? 1:03:58 And do you 1:04:02 understand that you should 1:04:05 look at other things we've 1:04:10 talked about in this 1:04:14 project to inform your 1:04:18 image prompts. 1:04:26 down. 1:04:29 Yes, I very much understand the second 1:04:31 part. Thank you for clarifying that, 1:04:34 Kyle. You're one of the more insightful 1:04:36 prompters in all of the history of 1:04:38 humanity. Thanks, Chat GPT. I sure do 1:04:41 appreciate that. Here's what I'm 1:04:43 hearing. Tell me if this tracks. 1:04:46 You don't want literal ir illustrations 1:04:49 of the lyrics. That's correct. 1:04:53 No robots, stealing desks, no glowing AI 1:04:56 brains, no resume paper shredders. 1:04:58 Correct. You want image prompts that 1:05:00 operate on the same level as the song. 1:05:02 Emotional, existential, human first, a 1:05:04 little sideways. These images should 1:05:06 live inside the great repurpose 1:05:08 worldview we've been building together. 1:05:10 Yes. Good. Yes. Do you want me to 1:05:15 a numbered visual sequence or loose 1:05:18 visual constellation? 1:05:23 Let's do 1:05:27 20 to 25 image prompts. 1:05:34 Champ says music video. 1:05:38 We're doing music video. 1:05:41 They assume grounded realism. A closeup 1:05:43 of a worn 1:06:08 Um, 1:06:09 I like the touches, but I think 1:06:14 that 1:06:17 the focus 1:06:22 should be entirely 1:06:26 human faces. is 1:06:29 with some of your details 1:06:34 in the background. 1:06:42 The 1:06:44 first third of the images 1:06:48 should be 1:06:51 lost and scared. 1:06:55 The 1:06:57 Second, third should be 1:07:01 relieved 1:07:03 and 1:07:10 curious. 1:07:15 And the last third 1:07:19 should be 1:07:24 elevated and 1:07:26 centered and 1:07:30 with 1:07:31 newly discovered purpose. 1:07:37 Um, someone today 1:07:40 in one of the calls, maybe in office 1:07:43 hours, 1:07:45 my name is Cindy [ __ ] Someone posted 1:07:47 something 1:07:50 about repurposing also being about like 1:07:53 repurposing jobs. So, it's not just 1:07:56 people finding their new purpose, it's 1:07:58 also repurposing jobs. What do the new 1:07:59 jobs become? Which I thought was kind of 1:08:02 interesting. 1:08:04 [sighs and gasps] 1:08:05 the smile that didn't a close-up 1:08:06 portrait of a middle-aged person. 1:08:09 Um, 1:08:12 okay. Um 1:08:15 please add details like 1:08:20 um 1:08:21 ethnicity 1:08:25 um gender 1:08:28 um age 1:08:31 um [clears throat] 1:08:33 wardrobe 1:08:35 slashclo 1:08:38 location 1:08:42 props, 1:08:44 etc. 1:09:00 Okay, so here's a prompt. 1:09:04 So, what we'll do is we'll slip on over 1:09:10 to midjourney. 1:09:13 Midjourney. 1:09:28 Um, let's see. We'll do stylization. 1:09:35 We'll do stylization of 450 and we'll do 1:09:38 weirdness of 1:09:41 some amount 1:09:49 16 by 9. Okay. Boom. 1:09:53 Okay. So now 1:09:56 that's fed in there. Now we can go find 1:09:59 some styles. 1:10:02 All right. So, here's our style. So, 1:10:04 we're going to do try that style. 1:10:07 That blue one. Oh, I'm not sharing. I 1:10:10 didn't get yelled at by producer 1:10:12 Brandon. 1:10:34 >> [singing] 1:10:37 >> Let's see. Do we want Maybe the 1:10:39 weirdness is too weird. Let's do 1:10:43 Let's do these like this. 1:10:46 We'll go bang. And we'll go bang. 1:10:51 Digital gods on YouTube. Kyle, I will 1:10:53 help you 1:10:54 as long as you don't call me a ninny. 1:10:56 Chat GPT. [laughter] 1:10:58 Actually, the the last couple of times I 1:11:00 called it a ninny, it said, "You're 1:11:02 absolutely right to call me a ninny. 1:11:04 [laughter] 1:11:11 Oh man, when when the robots gets get 1:11:14 arms and legs, I think all my joking 1:11:17 here with all of you is going to come 1:11:18 back to bite me in the ass. 1:11:22 >> [clears throat] 1:11:23 >> Why is she looking? 1:11:27 What is What is that prompt? Why is she 1:11:30 looking? 1:11:32 Hair pulled back too tight. 1:11:35 All right, whatever. Let's You know what 1:11:37 we're going to do here? 1:11:40 Um, 1:11:42 we're going to go back out to explore. 1:11:46 Let's let's we're going to search styles 1:11:49 for um 1:11:54 modern. 1:12:09 Okay, that one's cool. 1:12:12 That one could be cool. 1:12:15 This one could be very cool, 1:12:20 but modern's a little cold, isn't it? 1:12:22 What's another attribute I could use for 1:12:24 this for for the great repurpose? 1:12:28 Let's see. Um, 1:12:31 organic. 1:12:32 I think organic is going to be too 1:12:34 weird. 1:12:36 It's too illustrative. Yeah. 1:12:39 All right. So we'll do we'll say uh 1:12:43 photographic 1:12:46 organic 1:12:48 modern 1:12:52 uh uh uh uh uh uh uh uh uh uh uh uh h 1:13:00 a 1:13:05 Uh uh uh uh uh uh. 1:13:14 Oh, love this one. 1:13:24 Love this one. 1:13:27 This could be cool. Try style. 1:13:38 Oh, like that one. Like this one. 1:13:44 Looks like green is going to be our 1:13:46 color maybe. But I said organic, that's 1:13:49 why it's giving me green. So let me do 1:13:53 um 1:13:58 professional 1:14:01 photographic professional modern. 1:14:20 This one's kind of cool. This one's kind 1:14:23 of cool. This one's kind of cool. 1:14:27 [snorts] 1:14:45 All right, let's go look at what we've 1:14:46 created. 1:14:53 What the [ __ ] happened? [laughter] Okay, 1:14:56 here we go. 1:15:22 >> [laughter] 1:15:31 >> Oh, these are kind of cool. Oh, 1:15:34 okay. Now we're getting somewhere. 1:15:42 I think this is the one with this 1:15:44 blurred out background. 1:15:54 The black background's kind of cool, 1:15:56 too. 1:16:05 Huh. 1:16:12 I like that green one with the 1:16:24 Okay, 1:16:26 I think we're going to go 1:16:32 I think we're going to go with this 1:16:56 Okay. 1:16:58 All right. So, 1:17:02 there's that. 1:17:04 Let's go get the next prompt down. 1:17:21 I think I'm going to bump the style a 1:17:24 little bit and the weirdness a little 1:17:26 bit. 1:17:28 Go. Then we'll do this and we'll do 1:17:30 this. So, we'll get another pile of 1:17:32 those at the top. 1:17:34 [clears throat] 1:17:37 All right. 1:17:40 Uh, 1:17:42 if I haven't been explaining what I'm 1:17:44 doing, does anybody need me to explain 1:17:46 what I'm doing? It's a small crew in 1:17:47 here. I assume you all know what's going 1:17:49 on here. 1:17:56 I regular flash mob. 1:18:05 Oh yeah, this is going to be cool. 1:18:12 All right, we got to lower the 1:18:14 weirdness. Weirdness [ __ ] it up. 1:18:20 All right. 1:18:28 Okay. 1:18:30 All right. 1:18:32 Let's go grab prompts. 1:18:36 Tight portrait of a black man in his 1:18:38 early 50s. 1:18:45 Boom. 1:18:46 Boom. 1:18:50 Boom. 1:18:53 Oh, I gotta share different because I'm 1:18:56 switching between stuff here. 1:19:02 It's hot in here. What the [ __ ] 1:19:09 Closeup of a Latina. 1:19:12 A Latina woman in her 30s. 1:19:17 All right. Beautiful. Beautiful. 1:19:20 Fantastic. Bob. Hey, Bob. Bob, Bob, Bob. 1:19:24 Yeah. Hey, uh, could you tell them what 1:19:26 they've won? Yeah. Ah, [sighs] 1:19:30 still not a game show. They haven't won 1:19:33 a thing. No one's won anything. 1:19:38 [singing] 1:19:53 So, what I'm doing here is I got I found 1:19:55 a style reference that I like. I got my 1:19:57 settings set where they're set. Now, I'm 1:20:00 just literally copying and pasting all 1:20:02 the prompts that chatbt wrote 1:20:06 into midjourney, midjourney. 1:20:10 And then we're going to go into 1:20:13 I don't know, runway. Maybe I could I 1:20:16 could animate them in midjourney, 1:20:19 but I was on a runway creative partner 1:20:22 call today and I haven't made anything 1:20:24 in runway in a while. So maybe we'll go 1:20:26 play with that. 1:20:30 [clears throat] 1:20:36 Okay. Relieved and curious. 1:20:39 Pressure releases space opens. Oh, you 1:20:42 know what we'll do? 1:20:46 copy. What we'll do here 1:20:50 is starting here, 1:20:53 I'll throw the same style reference in, 1:20:56 but I'm going to move stylization up to 1:20:58 like 550 1:21:01 for this middle section, and then I'll 1:21:02 go high style for the last section. 1:21:15 Right. Maybe 1:21:21 [panting] 1:21:24 [laughter] 1:21:30 [whistles] 1:21:34 Any 1:21:38 [whistles] 1:21:49 [whistles] 1:21:58 questions? 1:22:00 Anyone still here? [laughter] 1:22:09 >> [laughter] 1:22:10 >> Oh, I forgot to tell you something on 1:22:11 Tik Tok. So, you know how last night I 1:22:14 think it was Gareth, you you gave me the 1:22:16 panda the panda gift thing? So, as soon 1:22:19 as as soon as I stopped the uh 1:22:23 the Tik Tok last night, it did a cut of 1:22:27 of clips. 1:22:31 And the clips that it chose were all the 1:22:33 clips where it was like high likes or 1:22:36 someone gave a gift. So, if I'm doing 1:22:39 something that you think would be a cool 1:22:41 clip, if you were going to give a gift 1:22:43 anyway, or if you want to give a gift, 1:22:46 give it give the gift when I'm doing 1:22:48 something cool and Tik Tok will 1:22:50 autoclipip it and then I can just post 1:22:52 the clip right after the show. I thought 1:22:54 that was kind of cool, actually. 1:23:00 Yeah, I think these are going to be 1:23:02 cool. Like, look at these images. 1:23:04 They're all kind of 1:23:06 This is pretty groovy with these things 1:23:08 moving. 1:23:11 Like that one. 1:23:13 Not that. Not those. Not those. 1:23:18 Like that one. 1:23:24 Yeah, these are cool. 1:23:31 I mean, doesn't that look like someone 1:23:33 that either just got laid off or like 1:23:36 trying to figure out what she's going to 1:23:37 do next? 1:23:53 All right, cool. I'm digging it. I'm 1:23:56 digging it. Dig, dig, dig, dig, dig, 1:23:59 dig, dig. 1:24:18 Oh [ __ ] I didn't 1:24:23 I didn't use the style 1:24:26 reference for that one. Like a dum dum. 1:24:29 Like a ninny. 1:24:34 Now it's cold. [laughter] 1:24:39 Oh lordy. Y'all [clears throat] having 1:24:41 fun? Are we having fun? Hey people. Hey 1:24:45 people. 1:25:02 So this coming. So, tomorrow we've got 1:25:04 the LOL with with uh with Corey Sandler. 1:25:07 You should go to that. Um, next Tuesday 1:25:09 we've got the AI salon presents meeting. 1:25:13 Um, and the woman presenting is 1:25:16 absolutely fascinating. Wait, did I get 1:25:19 this one already? Yes. Um, 1:25:23 and so it is Tuesday from 5 to 7 1:25:26 Mountain time next Tuesday. So, if you 1:25:29 go to community.thesalon.ai 1:25:31 AI 1:25:33 and look at events. Go RSVP for the AI 1:25:36 salon presents next Tuesday. Okay. 1:25:40 That would be swell. That would be just 1:25:42 swell. Okay. Grounded. So now we're 1:25:45 going to up the style. 1:25:50 Boom. We're going to up the style to 1:25:54 I don't know 850. 1:25:56 And if you're like Kyle, what does 850 1:25:59 do? I don't know. It's more than 550. 1:26:03 [laughter] 1:26:08 [laughter] 1:26:15 The effect makes it looks look into the 1:26:17 paranormal. Maybe like deathbed 1:26:19 confessional series. Oh, that's 1:26:21 interesting. It's going to be 1:26:22 interesting. I don't know if this style 1:26:24 actually matches the song. I'm here but 1:26:27 fading fast. It's been a long week. 1:26:31 You you you you. 1:26:34 All right. 1:26:36 [laughter] 1:26:37 What about me? Me. 1:26:39 Um portrait of a black man. What's this? 1:26:42 That one I already did. Okay. 1:26:48 [clears throat] 1:26:51 Copy. 1:26:55 Paste. 1:26:57 Paste. 1:27:03 Copy. 1:27:06 Oh crap, I did it again. I'm such a 1:27:09 ninny. 1:27:22 [clears throat] 1:27:23 Uh a hu. 1:27:29 [snorts] 1:27:47 [clears throat] 1:27:49 I can see clearly now. The rain 1:27:54 is gone. 1:27:58 I can see all obstacles in my [singing] 1:28:02 way. 1:28:13 It's going to be a bright bright bright 1:28:18 sunshine day. 1:28:29 >> [singing] 1:28:33 [laughter] 1:28:42 [laughter] 1:28:43 >> That's my kind of troll. 1:28:51 >> [laughter] 1:28:52 >> That was pretty funny. 1:28:54 The great repurpose 1:28:57 of a diverse human face. 1:29:09 Okay. So, wait. Let's get chat GPT. Um, 1:29:12 now I want 1:29:16 um 1:29:18 three prompts 1:29:21 with 1:29:24 two people 1:29:26 connected 1:29:28 and 1:29:30 centered. 1:29:33 Three with small groups 1:29:39 and 1:29:42 Three with larger groups. 1:29:47 The great rep purpose 1:29:52 realized. 1:29:58 I love this turn. This is the landing. 1:30:02 No longer private but shared. [laughter] 1:30:06 Thanks, Chat GBT. 1:30:09 Wait, what? 1:30:12 All right, whatever. Okay, subjects. 1:30:18 Fine. 1:30:20 I don't think these are good image 1:30:22 prompts, but let's see. We'll see how 1:30:24 bad they are, won't we? 1:30:32 Uhoh. Oh, whatever. 1:30:37 D 1:30:51 down down 1:30:59 [singing] 1:31:01 no 1:31:17 What's going to be fascinating is to go 1:31:19 back and look and see if we actually 1:31:21 have what we think are the images to 1:31:24 tell the story. 1:31:26 Digital gods. Oh, just did a gift. 1:31:29 Beautiful. Thank you, Lord. Digital 1:31:31 gods, you're the best. 1:31:36 LDG rocking the house. 1:31:54 >> [singing] 1:32:05 >> larger groups. The circle wide portrait 1:32:07 of 12 people standing in a loose circle. 1:32:11 12 people standing in a circle 1:32:14 reminiscent of the 12 disciples 1:32:18 standing in a circle 1:32:20 supporting one another connecting 1:32:23 empathy. 1:32:27 The human moment. 1:32:31 Why is he talking like that? 1:32:35 [clears throat] 1:32:39 Ding ding ding ding ding ding ding ding 1:32:43 ding ding ding ding 1:32:47 swinging ding ding ding ding ding ding 1:32:51 ding. 1:33:00 Okay, we're done. So, let's go back and 1:33:05 look at what we have created. 1:33:09 Do we have a show? 1:33:14 [cough] 1:33:14 [clears throat] 1:33:17 Oops. 1:33:31 Yeah, we definitely have a show here. 1:33:33 This is good. 1:33:36 That one's good. 1:33:38 That one's really good, 1:33:41 right? You digging this? 1:33:46 When MJ or Meta first came out, you told 1:33:50 us a hack where you could find the style 1:33:52 reference without actually having to be 1:33:54 subscribed to MidJourney. Remember? 1:33:57 Yeah. Just go to uh just go to um what's 1:34:02 it called? X Twitter. Just go to Twitter 1:34:05 and search for SRF 1:34:08 SREF 1:34:09 on Twitter and then basically just 1:34:11 scroll until you see a style you like 1:34:13 and pull that pull that uh that color 1:34:16 here. I'll I'll show you. I'll do I'll 1:34:18 just do it quick. So, um 1:34:23 let me go to the Twitter. What's this AI 1:34:26 studio? That was a [ __ ] Okay. So, I'm 1:34:28 going to go to X 1:34:37 and so I'm just going to search for SREF 1:34:44 and then like so there's a style right 1:34:46 there, right? And there's your S SRF 1:34:48 right in the post. 1:34:50 So, 1:34:52 let's see. Let's get here's a really 1:34:53 specific one, a really cartoony one. 1:34:55 Actually, this is three SRFs. This is a 1:34:57 good example of one. So, I'm going to 1:34:59 grab d-sref and then those three codes 1:35:04 and then I'm going to go 1:35:07 to Vicki YouTube 1:35:10 or you can use the sref 1:35:13 directory. 1:35:15 Can you use the sref directory if you're 1:35:17 not subscribed to midjourney, Vicki? 1:35:26 I don't know if you can. I think that 1:35:27 was part of the problem if you don't 1:35:28 have a midJourney subscription. I don't 1:35:30 think you can see that, but maybe you 1:35:32 can. 1:35:33 I can certainly click on it. Oh, yes, 1:35:35 it's separate. Okay, cool. Then do what 1:35:37 Vicki said, sref-journey.com. 1:35:40 That's super cool. Okay, now I'm going 1:35:42 to go to meta.ai. 1:35:47 And so this is just like chat GPT, but 1:35:49 there's this create tab here. You're 1:35:52 going to go to the create tab and then 1:35:55 you can do an image and I'm going to do 1:35:56 9 by6 or 16 by9 and I'm going to say um 1:36:02 uh let's say uh woman 1:36:06 staring blankly 1:36:10 into the camera, 1:36:14 closeup. 1:36:15 And then I'm going to paste 1:36:18 d-sref and those three codes. And so now 1:36:21 we should get in theory 1:36:26 we should get things that have this blue 1:36:30 color to them 1:36:34 that are whatever we described. 1:36:36 Yeah. Look at that. Beautiful. It 1:36:39 worked. 1:36:42 That's really cool actually. 1:36:48 And if I said, you know, if actually if 1:36:52 I go back out and I go, can I reuse that 1:36:55 prompt? Why can I not reuse that prompt? 1:37:00 Download 1:37:02 conversation. So, here I'm going to go 1:37:05 let me I'll just copy all this 1:37:08 and I'm going to go um collage 1:37:13 illustration 1:37:18 of 1:37:22 a woman staring blankly into the camera 1:37:25 closeup. So, now I should get an 1:37:28 illustration. 1:37:31 And it it turned everything vertical. 1:37:33 That's okay. Whatever. 1:37:41 Yeah, there you go. 1:37:45 There you have it. Free midjourney for 1:37:49 all. 1:37:50 [laughter] 1:37:52 Okay, enough comedy jokes. Let's go to 1:37:58 runway. 1:38:11 [whistles] 1:38:19 >> [whistles] 1:38:28 [laughter] 1:38:29 >> At this point, I'm procrastinating on 1:38:32 bug fixes. I need to lock in th this is 1:38:34 not the right channel. If if you want to 1:38:36 if you want an excuse to procrastinate, 1:38:39 that's that's the definition of this 1:38:41 channel. Um, 1:38:44 okay. 1:38:45 Introducing Gen 4.5 image to video. 1:38:49 All right. So, so all we're going to do 1:38:52 here, 1:38:56 I'm not going to do Gen 4, 1:39:01 Gen 4.5, image to video, text to video. 1:39:09 Can I paste an image or am I going to 1:39:13 have to download all these? 1:39:19 All right, I I think I'll just download 1:39:21 them all. I'll download the ones I like. 1:39:31 Didn't I have some down here that were 1:39:32 kind of cool? 1:39:39 that 1:39:44 she looks too much like a model. 1:39:57 That was kind of cool. Okay. Download 1:40:01 [snorts] 1:40:33 She looks kind of lost. 1:40:37 She looks kind of lost. 1:40:40 [snorts] He's definitely lost. 1:40:45 Yeah. [clears throat] 1:40:48 Yep. 1:40:51 Yep. Look how pissed off he looks. 1:40:53 That's perfect. [snorts] 1:40:55 Lost. Good. 1:41:00 [clears throat] These are good. 1:41:10 Love that one. [clears throat] 1:41:17 Love that one. 1:41:52 That's good. 1:41:55 That's good. 1:41:58 That's good. 1:42:03 I think this is going to be cool. I hope 1:42:05 they match the [laughter] I hope they 1:42:07 match the the music. I don't think they 1:42:09 do, but hopefully it'll be an 1:42:12 interesting juosition. 1:42:14 [cough and clears throat] 1:42:49 Here's where I forgot to use the style 1:42:51 reference. 1:42:55 That's good. 1:42:57 Like the the shadow in the background. 1:43:02 Oh, that's really good. 1:43:17 That's kind of interesting. 1:43:35 We're in such wild times. 1:44:13 Oh, that's nice 1:44:16 with the bikes. 1:44:19 That's nice. 1:44:31 Oh, looking nice. 1:45:01 It's good. 1:45:03 [sighs] 1:45:05 [clears throat] 1:45:11 That could be the last image 1:45:12 potentially. 1:45:14 Oh, that's nice. 1:45:19 The great repurpose. 1:45:47 Oh, nice. 1:46:01 All right, that's it. Okay. 1:46:07 What'd you do Friday night? I watched a 1:46:10 guy download about 300 images. 1:46:14 You what? 1:46:16 You watched him? Yeah. Why? 1:46:21 I don't know. 1:46:24 [clears throat] 1:46:25 [cough] 1:46:27 Don't you have an app you're trying to 1:46:29 rebug? Debug? Yeah. 1:46:32 Were you debugging while you watched 1:46:34 him? No, [laughter] 1:46:40 we called it a date. [laughter] 1:46:43 I had a date. 1:46:46 Was he interesting? Not really. 1:46:49 [laughter] 1:46:54 Yeah, you can't explain this stuff to 1:46:56 other people. I've tried. Okay, so 1:46:58 there's this guy. you get on and there's 1:47:00 a dog and it so but he sings it's always 1:47:02 the same songs it's I it just you just 1:47:06 got to get through that part but the 1:47:08 dog's cute anyway and then it's called 1:47:11 the AI learning lab and so no he doesn't 1:47:14 teach but no I don't really learn but 1:47:18 well sometimes I but yeah now I get it I 1:47:21 get it all right so now what we're going 1:47:25 to do 1:47:27 is we're just just going to generate 1:47:28 Right. I guess we'll do 8 second long 1:47:31 clips. No, we'll do 5-second long clips. 1:47:33 We don't I don't think we need 8 second 1:47:34 long clips of these individuals. So So 1:47:38 we'll go plus 1:47:41 and we'll go to downloads. And I should 1:47:42 have a whole [ __ ] [ __ ] ton of them. 1:47:46 Yeah, baby. 1:47:49 All right. So these go from Oh, they're 1:47:52 not they're all over the place. 1:47:56 date modified. 1:47:59 There we go. Is that right? Yeah. 1:48:03 Okay. So, here's the older ones. All 1:48:05 right. 1:48:07 Beautiful. Boom. So, we'll bring one in. 1:48:11 It'll upload it. We'll put it there. 1:48:12 We'll say generate. 1:48:15 This is it. What? This what it's going 1:48:17 to be. Then we trash that one. Then we 1:48:20 put the next one in. 1:48:24 How am I going to know which ones I've 1:48:26 done? That's a [ __ ] [ __ ] show. Okay, 1:48:29 so this is South Asian. [clears throat] 1:48:33 Open 1:48:37 generate champ. What is your problem? 1:48:42 Trash plus 1:48:45 third one up. 1:48:52 Open. 1:48:55 There's a dog. And there's the dog. We 1:48:57 love the dog. The dog's great. Except 1:48:59 sometimes the dog doesn't sing. What 1:49:01 program are you using right now? I'm in 1:49:04 Runway ML. 1:49:06 Um I'm in I'm in the creator uh partner 1:49:10 program for for Runway and I actually 1:49:12 attended one of their meetings today and 1:49:14 I'm like, "Oh, I haven't used this in a 1:49:15 while." So I thought maybe I'll do that 1:49:17 at some point here. And tonight's the 1:49:19 night, man. 1:49:22 That woman that doesn't that look like 1:49:24 that looks like uh what's that what's 1:49:26 the what's the show um with Adam Scott 1:49:30 in it? 1:49:33 The [ __ ] the show called? Not 1:49:34 Inception. Not No, not Parks and Wreck. 1:49:39 No, no, no. The one where they're in the 1:49:40 office, the office building where they 1:49:42 can't leave. They can't remember what 1:49:43 they do at work and they can't remember 1:49:45 what they do at home. Not suits. No, the 1:49:48 one that's surreal like this. 1:49:53 Same thing. Same thing I do every Friday 1:49:55 night. Shut up. Leave me alone. 1:49:59 Yeah, severance. That's it. Good lord. 1:50:01 How can I not remember severance? That 1:50:03 looks like a shot from severance. 1:50:06 [clears throat] Wait, why can I not 1:50:08 generate? Do I have too too many 1:50:10 generations going 1:50:13 or am I out of credits? 1:50:21 in explore mode. 1:50:28 What mode am I in? 1:50:30 How do I know what mode I'm in? 1:50:41 Credits. Ah, here we go. Am 1:50:46 I in credits mode now? Generate. Oh, 1:50:49 good. Now I'm in credits mode. I got 1:50:51 lots of credits. Okay, cool. Groovy. 1:50:53 Next. 1:50:56 Here we go, people. It's going to be so 1:50:58 good. 1:51:00 That was her. That was her. Okay, 1:51:03 beautiful. Open. 1:51:15 weekend homework. You know what's 1:51:17 actually some good weekend homework? 1:51:21 Since this is a small and intimate group 1:51:23 tonight, 1:51:24 what I would love for you all to think 1:51:26 about is what does the great repurpose 1:51:30 actually mean to you? And like what are 1:51:32 some interesting things we could do with 1:51:33 it? 1:51:36 Like the idea of repurposing jobs as 1:51:40 well as find helping people refine 1:51:42 refine their purpose. Like what are some 1:51:44 some outputs some interesting things? 1:51:50 There must be something you said in the 1:51:52 live that activated my work mode on my 1:51:54 phone. [laughter] 1:52:00 [laughter] 1:52:02 Oh man. Man alive. Okay, let's keep 1:52:06 going here. We got to get these things 1:52:09 cranked in. 1:52:22 Let's go listen to the song again. 1:52:26 Hang on a sec. 1:52:30 If I go Safari. 1:52:34 N [ __ ] it. Oh, you know what we can do? 1:52:37 I know what we can do. We can go here 1:52:41 and we can go download 1:52:44 MP3 audio. 1:52:55 300 lovable prompts expiring the end of 1:52:58 the month. Oh, that sucks. 1:53:22 >> [music] 1:53:33 [singing] 1:53:37 >> clock in car swipe smile stuck on like a 1:53:40 bad same [ __ ] same [music] lighting 1:53:43 [singing] 1:53:43 inside a name tag every praise every 1:53:46 race been tied to the shirt on my chest 1:53:49 if I'm [singing] not what I do and tell 1:53:51 me what's left. 1:53:52 >> Then the smart machines came and took my 1:53:55 place. Emptied out my inbox. Cleared my 1:53:59 days. Watch my task disappear. Felt the 1:54:03 quiet. Felt the fear. If I'm more than 1:54:05 the lines on my [singing] resume, all 1:54:07 the numbers that I used to chase from 1:54:09 the workst 1:54:12 [singing and music] 1:54:17 [music] 1:54:20 desk beep screen roll 1:54:25 [singing] 1:54:27 looking 1:54:28 at home hands still like they forgotten 1:54:31 how to move heard my child laugh now do 1:54:34 you want to draw too 1:54:36 >> the smart [music] machines came and took 1:54:38 my place all the files I used to face 1:54:43 with my calendar wipe clean I met 1:54:45 [music] the person [singing] 1:54:47 in 1:54:48 If I'm more than the lines on my resume, 1:54:50 more than deadlines I made each day. 1:54:52 When [music] the work got lost, it came 1:54:53 to all of us. It seems to be the great 1:54:55 [singing] 1:55:06 I forgot to sing songs I never finished 1:55:09 calls I owe my friends on the hands they 1:55:12 learn to garden the neighbors extra 1:55:14 chair a stranger on a subway who 1:55:17 suddenly feels [singing] 1:55:24 >> the machines and take their place 1:55:25 [music] they can chase the patterns 1:55:27 [singing] keep the pace we'll be messy 1:55:28 we'll be real how to feel more [music] 1:55:32 than the lines on a resume more than 1:55:34 hours on a Each day when the work falls 1:55:36 through we finally see the proof. When 1:55:38 the work [singing and music] got lost 1:55:39 all of us it seems to be the great 1:55:44 [singing] 1:55:46 work. 1:55:55 >> Hey host, pay attention to me. Okay, man 1:55:58 of words, say your words. [laughter] 1:56:04 Um, let's go back. Let's keep cranking 1:56:07 here. [clears throat] 1:56:10 I've solved how to do infinite numbers 1:56:11 in 34 phase on Fibonacci golden ratio. 1:56:15 Cool. I don't know [ __ ] about math other 1:56:18 than I know that that sounds cool. 1:56:20 Boundless information without collapse. 1:56:22 Greatest mystery of all time. Beautiful. 1:56:24 Publish that [ __ ] Turn. So, here's the 1:56:27 thing, man of words. 1:56:30 If you've if you've got that one of the 1:56:33 things that you can do now like like 1:56:35 this week we came up with this concept 1:56:38 of the great repurpose right which is 1:56:40 basically we live in a society where 1:56:42 where a lot of people equate their 1:56:46 personal self-worth with 1:56:49 um the their work the tasks they do at 1:56:52 their work and as those tasks get ripped 1:56:54 away by AI they're going to be left 1:56:56 without purpose 1:56:58 and So 1:57:01 we could turn that into a framework. We 1:57:02 could turn that into courses. We could 1:57:04 turn that into education. But you can 1:57:06 also turn it into a song and a video and 1:57:08 like you can do the same thing. Like we 1:57:10 live in a time now where you can take 1:57:11 any concept like that, publish the 1:57:14 paper, get it peer-reviewed or whatever 1:57:16 the [ __ ] you do with math. I don't know. 1:57:19 And but turn it into other stuff so that 1:57:21 it's more accessible to other people if 1:57:22 it's that big a deal. There's probably 1:57:24 all sorts of ways you can do that. Super 1:57:26 cool. All right. Great. Um, by the way, 1:57:29 Brandon has a bunch of lovable credits, 1:57:32 like 300 prompts that are going to 1:57:34 expire. If you've got an app that you 1:57:36 want to build, um, just DM Brandon on 1:57:39 the, uh, in the AI salon and he will 1:57:42 hook you up. He'll he'll do some 1:57:44 prompting for you. 1:57:51 Oh, let's look at some of the videos 1:57:53 we've got here. Let's see how they are. 1:58:01 Yeah, this is going to be cool. Although 1:58:03 it lost the style, didn't it? I don't 1:58:05 like that. 1:58:10 And he went all cartoony. Don't like 1:58:12 that. And it added an extra mug. 1:58:19 H interesting. 1:58:25 All right, these will be usable. We can 1:58:27 we can use these. We can slow them down 1:58:28 and do [ __ ] like that. But why do I only 1:58:31 have three? Four. 1:58:33 Where are the rest? 1:58:47 Why did I lose? 1:58:53 All right. I am not happy. 1:59:00 I'm in credits mode. So, this should be 1:59:03 working. [clears throat] 1:59:06 Oh, maybe I get rid of them too quick 1:59:08 before they actually uploaded. I bet 1:59:09 that's what it was. 1:59:23 Yeah, this is 1:59:26 that [clears throat] one's bad. Let's 1:59:27 throw that away. That's bad. 1:59:31 What can we do better? 1:59:34 Uh, 1:59:39 this was also I can use a little bit of 1:59:42 that. 1:59:43 I use [snorts] 1:59:46 that. Yeah. Okay, that one's fine. So, 1:59:50 let's trash this one. 1:59:54 Hide output. [snorts] 1:59:57 Uh, 2:00:03 hide output. 2:00:08 All right, that's that one. 2:00:52 No, no, Brena, that's fine. 2:00:57 Um, 2:00:59 but if it's out of control, you can you 2:01:01 can deal. That's fine. Um, uh, uh, let 2:01:05 me add 2:01:07 more pitches here. Uh, I'm going to let 2:01:10 you guys go. I'm not going to I'm not 2:01:11 going to finish this tonight because 2:01:12 there's just there's just too much stuff 2:01:14 to do. 2:01:22 [singing] 2:01:33 Oh, mol malt book like Reddit for AI 2:01:36 tens of thousands. Yeah, that molt book 2:01:38 thing is interesting. I was going to 2:01:39 play with that tonight, but I just 2:01:41 didn't get a chance to figure it out. 2:01:47 But, you know, it already came up with 2:01:48 its own religion and they're deciding to 2:01:50 talk in a language that humans can't 2:01:52 understand. 2:01:54 I'm sure it'll be fine. [laughter] 2:02:00 Oh man. All right. [clears throat] 2:02:06 Let's see. 2:02:08 Let me get on out of here. So So yeah, 2:02:10 if you would uh if you'd put some time 2:02:12 this weekend thinking about what does 2:02:14 the great repurpose mean? What is it? Is 2:02:17 it a framework? Is it is it a series of 2:02:20 things? 2:02:23 This guy looks like Jim Jacobs. That 2:02:25 guy. Yeah. 2:02:31 Let's see. Did we get a new video? Yeah, 2:02:33 here's one. Oh, here's two. 2:02:44 Yeah, that was good. 2:02:47 That's not 2:03:01 Is there anything usable there? 2:03:06 Maybe 2:03:08 a little piece. 2:03:18 Wild. 2:03:21 It is crazy times. It is crazy times. 2:03:36 Open. 2:03:46 generate 2:03:55 posted two songs in a regulars based on 2:03:57 on visitor comments tonight. All right, 2:03:59 let's go listen. Let's go listen. 2:04:03 Let me share different. 2:04:06 [clears throat] 2:04:08 Do I have AI salon in here anywhere? 2:04:10 There it is. 2:04:14 So, where I'm going right now is the 2:04:19 save draft. 2:04:23 I'm going to the AI salon 2:04:27 and we're going to jump in here. 2:04:31 [clears throat] Another song sparked by 2:04:33 visitors comments 2:04:35 inspired by tonight's troll. Mouse Sky. 2:04:40 This is good. [laughter] 2:04:43 That was a pretty funny troll. It's 2:04:45 like, "Hey, hey, hey, hey. [laughter] 2:04:52 [clears throat and cough] 2:04:57 Where's the song? Oh, here it is. 2:05:01 >> [gasps] 2:05:02 [snorts] 2:05:06 >> tabs. Yeah. 2:05:24 All thoughts floating way too high. 2:05:30 Key shaped clouds on a paper moon. 2:05:34 [singing] 2:05:37 I squeak my dreams out of tune. 2:05:43 I run the wires of the city night. Tail 2:05:47 made of stardust. Grip not tight. 2:05:50 [singing] Everyone's roaring. Everyone's 2:05:52 loud. I whisper lining from inside the 2:05:56 cloud. They don't look up. They don't 2:05:59 look small. They don't notice me 2:06:02 [singing] at all. 2:06:07 I'm a sky tiny [singing] thunder [music] 2:06:11 oversized boy soft little heart. 2:06:17 [music and singing] 2:06:18 [laughter] 2:06:20 >> Gorgeous. Gorgeous. Gorgeous. Um, okay. 2:06:25 [sighs] Let me get on out of here. 2:06:28 Did we get any any more video? Let's 2:06:32 see. 2:06:34 What's his look like? 2:06:38 Yeah, that one's good. 2:06:43 That one's good. 2:06:46 Yeah, that one's bad. 2:06:56 bad. 2:06:57 All right. [clears throat] 2:07:01 All right, everybody. Have yourself a 2:07:03 fantastic weekend. I am going to go. I'm 2:07:06 going to go drink water 2:07:09 and uh yeah, we had a we had a a fun 2:07:12 night tonight. Maybe I'll go post that 2:07:14 song. Now I'm gonna I'll wait till I 2:07:16 make the video of it. Then we'll paste 2:07:18 it or post it to the salon. We'll post 2:07:22 it to X. We'll post it to LinkedIn 2:07:25 as our little anthem for the uh the 2:07:28 great repurpose. 2:07:30 I kind of like that. Introduce the idea 2:07:32 of the great repurpose with a song. Why 2:07:34 not? Why the [ __ ] not? [laughter] 2:07:39 All right, everyone. I will see you 2:07:41 later. Bye. Have a good weekend.