7/22/2025 - AI Filmmaking Explored: A Journey with LTX Studio

Transcript

1. 0:00like I used to be. All that true. I was never attention sweet. I still remember that girl. >> She's imperfect, but she tries.
2. 0:16She is good, but she lies. She is hard on herself. >> She is broken and won't ask for help. She is messy, but she's kind.
3. 0:34She's lonely. Most of the time she's all of this mixed up and baked beautiful pie. She's gone, but she used to be mine.
4. 0:49[Music]
5. 1:08Happy Tuesday, good people. What is shaking? What's going down? What's happening? I'm a little moist. It's a
6. 1:13little warm here in the uh $20 million production studio. Made to look like a shitty home office. I think we do a
7. 1:19pretty good job. I mean, it's a staff of 17. It was 18 until Jenny got a little lippy. She had to go. You know how that goes.
8. 1:28Oh, let me turn on my light here. Look. See, I had a whole bank of lights. A whole bank of uh they're like $20,000 lighting
9. 1:38packages. I have like 17 of them. I didn't have them turned on there. Yeah. Producer Brandon's on probation
10. 1:46after sleeping through the first hour yesterday. [Music]
11. 2:03Woohoo! [Music] Woohoo! [Music]
12. 2:39[Music] Heat. Heat. [Music]
13. 2:57[Music]
14. 3:17I love you. [Music]
15. 3:41Oh, good lordy. Good lordy. Good lordy. Good lordy. Good lordy. Oh man. Sam Alton warns of AI
16. 3:56voice fraud crisis. Oh, I saw that earlier. You know what's so funny about um the news anymore is that
17. 4:09when you get the bulk of your news from social media channels like there's there's a couple of guys that I watch for um political stuff and
18. 4:23their accounts have been cloned. And so what what what the shitty cloners are doing is they take their videos, they
19. 4:30green screen them out, put them on a different background, and then post the news as if it's today with like today's
20. 4:36date on it, but it's news from like two months ago. And I feel like every Sam Alman clip I see is like I can't tell if
21. 4:44it's like was this today or was this like three months ago. And so I saw that banking thing. Basically what what Alman
22. 4:51was saying in the banking clip that I saw today was um he goes there are still major banks that are using voice verification
23. 5:00to do large wire transfers. He's like that ship has sailed. Play Aussie. I don't know an Aussie song. You know my very first Yeah. Rip
24. 5:14Rip Aussie Osborne. Um it was funny when when he did that that concert, that farewell concert with Black Sabbath. Um
25. 5:21they interviewed his daughter and and she said that was his funeral. Um that he really prepared like got back
26. 5:29in shape to be able to do that and that was that was his farewell. That was his she said that was his funeral. And then
27. 5:35you know what is it two weeks later he he passed. Um, in 1986, maybe my buddy Scott Bukart and I, we were in
28. 5:50high school or maybe might have been right after that, might have been 87. I I don't think we graduated,
29. 6:01but we were of driving age and we went down to Atlanta, Georgia for ComX. And Comdex was like a big computer show.
30. 6:11It's where you, you know, went to buy PCs and peripherals and [ __ ] like that or, you know, that's like a big trade show. It's like CES.
31. 6:19Um, and we were like, "Hey, let's go see a concert." And so we scalped tickets for Azie Osborne. My very first rock and
32. 6:28roll concert was Azie Osborne in like 1986 in Atlanta, Georgia. It was great. [Music]
33. 7:18[Applause] [Music] [Applause] [Music] Um, so yeah, rip Aussie Osborne, man.
34. 7:36That the last bunch of years of his life. What a what a misery just from injuries and bad back surgeries and drugs.
35. 7:44Drugs and drugs. The drugs didn't help. Tik Tok comment from Valerie. Let's see. I loved the Osborne reality show. Yeah,
36. 7:59that was really good. Azie used to record in a studio in Dallas. Wow. I worked in the building. Used to see him all the time. That's
37. 8:08very cool. In the commissary. Nothing like dating yourself. Yeah. Really? Right. 1986. [Music]
38. 8:49My first Ozfest was in Denver in 2000. Nice. Um, we'll flip cameras here. Let's go. Black Bar for producer Brandon and for the sanity
39. 9:01of the tick tockers. [Music] Mr. It Aussie Osborne died today. So we were saying rip to Mr. Osborne.
40. 9:17[Music] [Applause] [Music] [Applause]
41. 9:33[Music] Sitting in this lonely town, wondering when things are going to
42. 9:48change. Dream my life away. [Applause] Seems these dreams have turned to a bunch of dust clouds.
43. 10:03Getting my nerve up, but my past is pulling me down. Yeah. Backed up my blue jeans. Did it fall
44. 10:18back. Somebody told me once before, he said, "You can never go home again. Won't you leave?"
45. 10:33said things to steer me away. Yeah. From the truth of who I am, what I believe. So I thanked him for his two cents with a handshake
46. 10:47and some sympathy. Yeah. I packed up my blue jeans, headed for this big prize of my freedom.
47. 11:03Bye-bye, black sheep to the black sheep of the family. Bye-bye. [Applause] Oh, it means so very much to me. Yeah.
48. 11:21Bye-bye [Music] to my friends and my family. Bye-bye.
49. 11:36Set my soul. Set it free. [Music] Um, what would you like to talk about
50. 11:52this evening, good people? What would you like to talk about? We can talk about the uh the artificial
51. 11:58intelligence. We can talk about robots. We can talk about banking fraud. [Music]
52. 12:14We could make things. I might, this is a suggestion of producer Brandon. I might go to LTX Studio and try to produce a minute long video.
53. 12:30Feels like it's bad. Irregulars for Steo image archetypal dog standup set with V3 sound and tabs. All right, let's go look at I got to
54. 12:40unshare. Oh, you know what? Wait, wait, wait. No, hold on. Hang on people. Hang on people. Okay, listen. Listen, listen
55. 12:49people. Listen up. Listen up. Next week, starting Monday, I'm doing a back to basics crash course on AI. All
56. 13:01right. It's going to be beautiful. It's going to be beautiful, people. It's going to be beautiful. Day one, we start
57. 13:09out with what is this AI thing anyway? What is this all about? Do we care? What is this? Why is it a big deal? Why is it here to
58. 13:18stay? Why is it like nothing else we've ever seen? So, Monday's going to sort of level set like why should you care about
59. 13:25AI? Next day, Chat GPT 101, November 30th, 2022 marks the beginning of a new era. That was the day that Chat GPT
60. 13:34launched and they're still the state-of-the-art leader in the industry. Why? I don't know. They figured something out.
61. 13:42And Chat GPT, even the free version, is beyond mind-blowing. It's more than you know it it is. So, that's day two. Day
62. 13:50three is creativity day. Pictures and videos and songs and music and sound effects and voice cloning, all that sort of stuff.
63. 14:01storytelling tools. We're going to play with a lot of that stuff. Um Thursday, we're going to start to bring it all
64. 14:07together. We'll do use cases where you have to bring different tools together and figure out, okay, which tool do I use when
65. 14:15how do I I got all this stuff I want to do. Which tool do I use? How do I choose? So, we'll figure that out. And then Friday,
66. 14:24if I've done my job right, not only should you be excited as hell about AI, but you should also have a lot of
67. 14:30questions. So Friday is kind of a Q&A wrap-up kind of day. All right. Now, here's one of the unique things about
68. 14:37the the five days. We're going to start out the first 30 minutes starting at 8:00 PM Mountain time on Tik Tok. So,
69. 14:44we're going to do a pre-show on Tik Tok and then at 8:30 Mountain time, we're going live on YouTube. Okay. And if you
70. 14:53want to know the YouTube channel, look what I've done. I got all professional here. I put together there's the uh there's the URL for
71. 15:03YouTube, learning lab-ai. And if you take a screenshot or take a photo of that QR code, that'll take you
72. 15:10right there. If you haven't subscribed to the AI Learning Lab YouTube channel, go do that now because when we go live,
73. 15:19you're not going to want to miss this. It's free. So for anyone watching the live stream, this is free. Okay.
74. 15:26All right, people. All right. Is everybody excited? It's going to be exciting. I think it's going to be exciting. I think it's going
75. 15:36to be really good. Really good, people. All right, beautiful. So, let me let me stop sharing there for a second here.
76. 15:45And we're going to go over to the uh we're going to go over to the AI salon fair. Oh, wait. They changed the icon because
77. 15:59I'm sharing that tab. Hang on. I got to find it. Which one is it? Oh, I'm on it. Okay. So, if you haven't seen the AI AI salon,
78. 16:11here I am on the AI salon. This is our community site. There's a video from Khaki Fitz Simmons, the salon king. Very nice,
79. 16:20the champion up on the uh That's good. Hey, Steo, try the uh trick that Danielle taught us last night. Tell
80. 16:31it tell Chat GBT to not give it that antique finish and it'll get rid of that yellow yellow haze. Rest in peace, Azie.
81. 16:40Mama, I'm coming home. That was a really beautiful rendition of that song, by the way, that he sang on the uh the farewell tour there.
82. 16:51That's really nice, Danielle. Beautiful. All right, what do we got here? That's a Tik Tok from Archetypal. Let's watch
83. 16:58this because I think we can watch this here. So, what is this? I wrote and produced this song. Who's this? Khaki. Khaki Fitz
84. 17:12with a little help to honor a man who was like a father to me. Wow. He was my dad's dear friend who invited
85. 17:20me every summer up to his cabin at Voyagers National Park. I am so grateful I could do this and it wouldn't be possible ah without Kyle
86. 17:31Shannon the Irregulars. Heart heartfelt thanks. That's beautiful. All right, let's watch this. He's [Music]
87. 17:47everywhere. Bob in the sacred summers at Crane Lake by Khaki. Two young guys with hearts worn thin. Raised five kids and let us in.
88. 18:03Packed the van and took the drive north to where the wild comes alive. Crane Lake waiting calm and wide with Bob there always as our guide.
89. 18:18He taught us how to bait the line. Drive the boat and read the signs. Shot a gun but soft in tone. We never once felt we're alone.
90. 18:32The rocks, the dark, the winds that blew. He showed us all what love can do. He's everywhere. The ripple, the pine,
91. 18:44and lightning storms and fish lines. Northern lights that paint the sky. Quiet troops that never die. He rarely raised his voice at all, but
92. 18:59he could call us all. And even now empty. [Music] One year we fried a fish at
93. 19:16a yearling bear came wandering on. She ran inside. We grabbed the flare. Firecrackers bursting near. [Music]
94. 19:28Just another crane late day with to chase the field away to one night in a bunk that dream flight.
95. 19:43Seven fish in one boat waiting for a line. I cast off where no one dared pulled up a northern cheer.
96. 19:57He echore [Music] he'd stir again and drift once more.
97. 20:12We go to bed, but he just smiled. This was his plan. He's everywhere. The pine sweet, the rock path, and the old stairs.
98. 20:28Every joke in every care, every song that there could even
99. 20:45feel there. Yeah, it's really beautiful. And then Khaki just said, "The five kids just spent the weekend together after 42
100. 20:53years." Beautiful, beautiful, beautiful. Um, really nice. >> Really nice. I, you know, I just I kind of marvel that that
101. 21:06we live in a time, you know, as much as people poo poo, oh, that's not real music. No, no, it it is. It is. If if
102. 21:14Khaki doesn't have the the skills to write a song, but she still wants to make a tribute and make some music that captures
103. 21:25his spirit and and the spirit of those times. Now she can do that. We can all do that. We can all do the thing we didn't think
104. 21:35we could do. Right? the person that told themselves they weren't smart enough to do programming can now do programming.
105. 21:45So that's beautiful. Very nice. Um, okay. So, let me go look here. Archetypal's got another one up here. I think
106. 21:57he put it up as a YouTube link.
107. 22:15This is the cat skills golden retriever. Humans are superheroes. You guys are amazing. How do you not know this?
108. 22:29Name one other animal that can throw. Throwing is a freaking superpower. And my best friend can spam it all day. Launch one, champ.
109. 22:37>> Unbelievable that you take on the survival of pets as a hobby. Think about that when you're riddled with anxiety.
110. 22:44Don't you understand how challenging life is for every other living thing? We love you guys. Don't be so hard on
111. 22:51yourselves. My human may live through six generations of my family, caring for them all. How could immortals like that
112. 22:59be evil? Think about it. How far above the food chain do you have to be to keep apex predators in your bed while you sleep?
113. 23:08Even your own heroes are just bigger, stronger humans. You guys know how awesome you are. And you give great belly rubs.
114. 23:16I will admit that I'm not a big fan of losing my nuts, though. That seems like something I should have been consulted about.
115. 23:24Imagine if some tremendously powerful being had some odd hangup about your reproductive processes. You know, this
116. 23:32is in a similar vein like the thing I was just saying about what a remarkable time we live in. You can just prompt a
117. 23:40dog comedian into existence. And if you're a little clever about the editing and putting it together, you can have a nice a nice set.
118. 23:51I'll tell you what, you start a uh you start a Tik Tok channel for that dog, that'll that'll turn into something.
119. 24:00Remember how Matt Refe took off? Nobody knew who Matt Refe was and then he did a little bit of crowd work
120. 24:07and put it up on TikTok and now he took off. Amazing. Self-education in almost any subject has never been easier. Yeah, Valerie. And
121. 24:19not even just self-education, like self-expression, right? You could learn how to, you know, rig a 3D dog and do voice things and,
122. 24:31you know, do that the oldfashioned way, but now you can also just prompt it. And the trick right now is the trick right
123. 24:39now is getting fluency in a whole series of different things and a whole series of different ways to feed your prompt
124. 24:48your ideas and get interesting stuff out of it. I was looking at the um at the Pika Pika Labs new um social thing, which by the
125. 25:03way um I couldn't find the official Pika app on the app store, so I don't know who them who the manufacturer is, who
126. 25:12the p publisher is, but I found a lot of knockoff apps, like four or five of them. I couldn't find the official
127. 25:18Picabs app, so I don't know if I'm looking for the wrong thing. So if anyone knows or has a link, let me know. Pika social video,
128. 25:44but it says Melis Ink. It says Melis, Inc., are you sure that's the real Pika app?
129. 26:00Is Melis the uh is Melis the parent company of Pabs? Let's go look.
130. 26:15Pika AI video. I guess it is. Um, let's go ask chat GBT, shall we? Um, new chat. Go to four. New chat.
131. 26:28Is Melis Inc. the parent of Pico Labs? It appears that they are.
132. 26:44Multiple sources confirm Pika Labs initially found it under the name Melis Labs. The name Melis Inc. referred to
133. 26:52its materials in app listings. All right. Well, there you have it. There you have it, people. Don't you go.
134. 27:05Kyle, I have an invite code for you if you want. Yes, please. Yes, Danielle, send that to uh DM that to me. [Music]
135. 27:28I heard a really interesting um wait, there's a Tik Tok pin. Um famous last quote. Is this safe? I guess it is. Um
136. 27:43I um what was I going to talk about? Pacabs. Oh, there was a really interesting post on Twitter today.
137. 27:55Someone put a post on Twitter and they said, you know, there's so many bots. Bots are overrunning, you know, all the social platforms and
138. 28:04and we're going to have to have a social platform that is for humans only. verified humans only. And I've I've
139. 28:11talked about that before, but the way the way the person phrased it is like that can that can only that can be the only solution. The
140. 28:20only solution should be that we should have human-on-one, you know, services. And I was thinking about the PA Labs
141. 28:27thing where they're going all in on AI video, right? It's a It's like a Tik Tok or or a a reals kind of app except it's
142. 28:39all video that's been created with their tools that some of them will have, you know, humans faces on them, but it'll have
143. 28:47like a monster behind them or it'll it'll be some sort of special effect, but it's like all AI. And I thought, oh,
144. 28:54that's kind of interesting. And it's like, yes, I think there will be a role for human-only social networks, but I think
145. 29:03there's also going to be a role for all AI channels that are just incredibly creative. It's like we have a fiction section of the bookstore,
146. 29:15right? Not every book has to be based on a real person. Not every book has to be an autobiography or a biography. Some can
147. 29:24just be [ __ ] stories. Well, why not do that with AI, too? There will be an AI generated section of the bookstore. Maybe. Maybe.
148. 29:36I I I don't I don't I think we're in a very very very small window in history where people care about whether something was
149. 29:50AI generated or not. I think when it comes to things like, you know, political rhetoric and video and
150. 29:57evidence and things like that, then it's really important. But if I'm just making a story and I film part of it in a
151. 30:06digital camera, part of it on film, and part of it with AI, like Netflix just put out a whole trailer on how they did
152. 30:13this whole sequence of special effects in one of the new movies on their platform. Danielle sent the code, by the way.
153. 30:20Thank you, Danielle. appreciate that. Beautiful. Yeah, I'll definitely check that out. Um, like Netflix didn't even have to say
154. 30:30that they used Runway ML to to do the special effects sequence. Um, was anybody bitching about the fact that
155. 30:39that those scenes looked weird? No. Because they treated AI just like another tool in the chain of craft of making that film.
156. 30:51And they got some people in there that could prompt the [ __ ] out of that thing. And they probably I'm guessing to put
157. 30:58something in a in a motion picture. I'm guessing that they probably generated a hundred videos per shot that
158. 31:07they used, per little snippet that they used. I can't imagine that it would have been less than that because it's just too janky, you know.
159. 31:19What's the name of it on Netflix? Um, let me go find out here. Netflix AI SFX.
160. 31:35Let me see if there's a Is this the one Netflix uses AI in a hit show? It's called the the eater.
161. 31:55Let's see. Netflix AI sequence.
162. 32:31here. Share the uh share my screen there, Brandon. There's the uh there's the film.
163. 32:47The VFX sequence was completed 10 times faster than it could have been with traditional tools and workflows. The
164. 32:54cost wouldn't have been feasible. The sequence is the first Genai final footage to appear in a Netflix original series or film.
165. 33:06Is this the one? I saw something earlier where they were showing how they made it.
166. 33:22Uh uh uh uh uh uh uh uh uh uh admits to using Netflix admits to using like they did something wrong.
167. 33:37[Laughter] Those dirty bastards. Those dirty bastards using the artificial intelligence. If anyone thinks
168. 33:55that this is going to be the last time it ain't. See if I can
169. 34:27That was all AI generated.
170. 34:46Yeah, I can't find it. Oh, well, I you know, everyone's gonna have to go first. But he I would I I can't imagine that there
171. 34:59wasn't a you know this is the first feature film that used a digital camera. This was the first feature film that was
172. 35:06edited on a laptop. This was the first feature film that was filmed on an iPhone. Right? Every time there's a new
173. 35:12technology we get we get, you know, some version of that. Um so I don't particularly see this as a big deal, but
174. 35:24to some people it is. I mean, I think it's kind of cool. I think it means the technology's gotten to the point that you can use it. Um,
175. 35:34look at me, mama, multitasking, grading exams over muscles of the human body while I watch this live. Oh man,
176. 35:53too good of them to admit it. If love and a AI is wrong, I don't want to be right. Anyone's having sound interference on
177. 36:05Tik Tok. It's hard to hear. Huh? I don't think I'm sharing my audio. You We shouldn't have that. It's probably the AC. Yeah. Let me try
178. 36:17turning off the AC. It just might get really hot, which I know none of you care about, but you know, I might get a little moist.
179. 36:27Um, all right. So, I guess let's go try to make a film in LTX Studio. All right. So, there is a contest. I can hear YouTube and Tik Tok just
180. 36:42fine. Beyond the There's a contest from LTX Studio LTX Studio Beyond the Prompt. And I want to point this out for a
181. 36:57couple of reasons. One is the top prize is is cool. It's like five grand in a trip to Germany. Um second prize is 3500 bucks. Third prize
182. 37:12is 2500 bucks. um and you know extra credits and [ __ ] like that. Um um but I think that how they wrote
183. 37:27how they wrote the description of the contest um is really really good. Check your inbox. Okay, I will. Thanks. Thanks, Danielle.
184. 37:36Um and I can't I assume I can't look at it now, right? I can't I I have to do that on my phone, right? That's an iOS only thing.
185. 37:46I think it's iOS only. Yeah. So, I can't do it here. Although I could probably I could see if it shows up on my uh my iPad, but that's all
186. 37:59right. Okay. So, so beyond the prompt first, just good name for the contest. our point of view. When ideas can be generated instantly,
187. 38:12what still belongs to you? And this is the the all the hate that I got on LinkedIn with my recent post about Chain
188. 38:20of Craft, the Chain of Craft article, um about people saying, you know, you can't possibly be creative if you use AI.
189. 38:31They're sort of calling that out here, right? They're saying when ideas can be instantly generated instantly, what
190. 38:37still belongs to you? Today's tools can automate a lot, but meaning, intention, and taste can't be automated. Meaning, intention, and taste.
191. 38:53You could tell Chat GPT to have taste, but ultimately it's you that says, "Do I think that's any good or not?
192. 39:03meaning, intention, and taste can't be automated. That's what your creative edge is. I would argue that that's what
193. 39:10your creative voice is. That's what your voice is. It's called self-expression because you get to choose
194. 39:17the thing that you put in the world, independent of how it was created. Just because it was created quickly
195. 39:26with a tool that a lot of people don't understand [Music] doesn't mean that you didn't have intention behind it and there wasn't
196. 39:35meaning behind it. the song that Khaki made for for the uh the friend of her fathers, her taste in the style of song and the
197. 39:48lyrics and how to put it together with the photograph from from the lakehouse. Meaning, intention, taste, those were hers.
198. 40:02Who gives a [ __ ] what tool she used? She could have had a third cousin that was good at writing songs that wrote
199. 40:10that and she would have made a very similar video. The fact that she used AI, why is that anyone's business? It's independent
200. 40:21of the meaning, intention, and taste that she brought to it. That's your creative edge. It's what shapes a story, sets a tone, gives a
201. 40:30work its voice. This campaign is to call is a call to stay present, stay sharp, and explore how AI can extend your creativity
202. 40:42without replacing it. This is the thing people are missing. I kind of I kind of feel like these two paragraphs should be should be just
203. 40:54grabbed and like posted on walls everywhere. I'm using chat GPT as my research assistant. Yeah, your research assistant. Your research, your
204. 41:05intention. You want to do research because it's got meaning to you. You're going to use your critical thinking to figure out which of that
205. 41:17research is good and which of its bunk. Maybe you have chat GBT help you put together a presentation or a paper or a thought, but in the end
206. 41:31it's your creative expression. Now, can people use AI to do lazy [ __ ] Sure. Remember when all the clip art libraries came out
207. 41:44and every design looked like someone hit hit a clip art library with a lawn mower? You can do lazy work with any technology.
208. 41:58Having a creative voice, having creative intention, doing something with meaning, having taste, that's going to be our job forever ongoing.
209. 42:12So, so I really like this. The shortest AI film competition. Create a short film using LTX Studio. There's
210. 42:21no set theme, just a challenge. Bring your creative edge to an increasingly AI shaped world. Anything goes. Bring your edge. Must be
211. 42:33100% generated in LTX Studio. External post-production editing is allowed. Films must be no longer than 60 seconds
212. 42:42up to three teammates, one per film. All right. So, we're going to go to chat GPT. We're going to go to that's ideog.
213. 42:51Come on, people. We're going to go new chat. I'm going to go to uh GPT 4.5. Um, if you don't know about all these models,
214. 43:01GPT 40, 03, 04 mini, 04 mini high, 4.5, 4.1, 4.5, 4.1 mini. Um, it's not your fault. They're [ __ ] [Laughter]
215. 43:18From what I understand, I read a piece about someone just got hired at at OpenAI this week and they said um they
216. 43:26said the culture there is really remarkable. It's like it's like deep sense of ownership. Like small teams are given a task and they go off
217. 43:34and just build [ __ ] and launch it. So I'd imagine that every one of these little models probably has a different
218. 43:41team behind it. Um, it's it sucks for us as end users, but they they'll they'll probably consolidate all this in GPT5.
219. 43:49So, in a month or two, we won't have to deal with this. But GPT4.5 is supposed to be good at writing. So, let's see.
220. 43:59I'm going to say based on everything you know, every thing you know about me and my storytelling
221. 44:15style and proclivities. [Laughter] I just used the word proclivities in a sentence.
222. 44:29Oh, does anyone have agents yet? I do not have agents yet. Can I start a marketing group at OpenAI? I know.
223. 44:36Seriously, Source Camp open. Okay. Sam Sam Alman, if you're watching the AI learning lab, because I'm I I'm guessing
224. 44:44you are, right? Like you you put the diapers on the kid, put it to bed, and then you come to the AI learning lab. If you're watching,
225. 44:52hire some [ __ ] liberal arts majors. Hire some marketing people. Hire some creative people, please. It's not just about scientists.
226. 45:04I promise you. Hey Sam, here's a hint. It's called a large language model. Not computer language,
227. 45:19words, humanities, stories. Um, okay. Uh, based on everything you know about me and my storytelling style and
228. 45:34proclivities, I want you to help me come up with
229. 45:48some story ideas for a 60second film competition.
230. 46:06The imperative of the contest is and then I'm going to put colon and I'm going to go back to LTX Studio and I'm
231. 46:23going to go grab this really cool thing. All right.
232. 46:39I love this description and I want the the concepts you come up with
233. 46:57to be original, unique to me. Unexpected. unexpectedly
234. 47:13delightful or dramatic or funny or charming.
235. 47:30I think I would like the stories to have no dialogue
236. 47:44or a simple narration track. Um,
237. 47:59let's see. Let's just ask. Do you understand the assignment? And is
238. 48:14there anything more you want from me? All right, let's see what what old 4.5 does here. I will not take offense at the comment.
239. 48:29It's not just about scientists. I know you have a good heart. It's not just about the scientists. I think clearly at a frontier AI
240. 48:44company, scientists are the stars of the show. I'm just saying if you look at a company like Apple when Steve Jobs was was in charge, the
241. 48:57the art played as much a role in in that brand as the science. Um I would argue that since his death that that balance
242. 49:07has shifted um actually it's shifted not even toward the science, it's shifted toward the operations and efficiency. I
243. 49:15absolutely understand the assignment. You're looking for an original, sharp, compelling 60-cond film concepts that
244. 49:21speak directly to the theme of AI's ability to automate ideas versus the irreplaceable role of personal meaning,
245. 49:27intention, and taste. Your storytelling style, as I know it, thrives on cleverness, dramatic or comedic twists,
246. 49:35and unexpected quirky charm. The preference for minimal dialogue or narration aligns perfectly with your taste for visual storytelling and
247. 49:44impactful simplicity. To ensure I hit the mark, just two questions before I dive in. Do you have any preferences for
248. 49:51genre or visual style? I think that's a good one. Like whimsical, gritty, gritty, surrealism, surreal, quirky humor, dramatic irony,
249. 50:03or are you open to a mix? Do you want any AI specific elements explicitly shown on screen like a chatbot? Okay, so let's see. One,
250. 50:15I don't really care so long as they serve the story to absolutely zero AI elements.
251. 50:32I want these stories to be moving and human
252. 50:47and feel human and feel human. AI is a poopy head. Poopy head is a technical term we use in
253. 51:03prompt engineering. [Laughter] Got it. Zero overt AI because AI is a poopy head and totally human emotionally
254. 51:16compelling storytelling. I'll craft ideas that are visually memorable, narratively tight, and resonate on a human level
255. 51:24without relying on literal references to AI. Here are seven original, human focused, zero dialogue story ideas.
256. 51:36The perfect lemonade. A small boy meticulously arranges his lemon lemonade stand. Now, first dance, last dance. In
257. 51:46a community center, an elderly woman nervously dance. Dances are dances are hard. AI's bad at dances. A young woman. Oh, I told it to be
258. 51:58human. Uh, I'm going to stop this. Um, being human doesn't mean it needs to have people.
259. 52:15I mean more like through the eyes of a human. I could see one of the
260. 52:32stories be like that plastic bag dancing in American beauty.
261. 52:49I want moving storytelling and don't want to be limited to seeing
262. 53:06people. Let's have a mix. In fact, give me five,
263. 53:2920 story ideas. with their visual
264. 53:43identities. Try that. The puddles journey rich rich macro cinematography.
265. 53:59Follow a puddle forming during a rain during rain. Trembling as droplets ripple its surface, capturing reflections of
266. 54:08building skies passes by, gradually shrinking under the sunlight. Its reflections grow more vibrant and
267. 54:15precious until it disappears entirely. Wow. Oh, the meaning imper impermanence is beautiful. That's quite gorgeous, isn't it?
268. 54:28Turn on dictation, bro. Nah, that would be too easy. [Laughter] You haven't been here before, have you?
269. 54:38I normally do turn on dictation, but I didn't I didn't think these prompts were going to be as long as they were. Um,
270. 54:44but I realized I had more that I wanted to say. So, uh, so I'll do it next time. I'll do it if I if I prompt again. Um,
271. 54:51the shadows dance. A shadow cast by a leaf dances gracefully across a city wall. That's this is very much like the
272. 55:00American Beauty thing. gently shifting its shape in intensity through sunrise to sunset. When night falls, the shadow
273. 55:07vanishes and the empty wall remains quietly awaiting dawn. No, they missed the story here. The shadow
274. 55:19should disappear and then we should see the leaf and the leaf should fall down and just sit on the ground. But
275. 55:24whatever. Flight of the paper cranes. No. Wilted serenade flowers arranged. No. A kite's longing. Portraits of a
276. 55:32raindrop. Okay, now now none of these have people in them. Okay, stop. Um, now give me a balance. Some non-people,
277. 55:47some people, maybe some animals. Stop being so limited. Start being creative. All right, we're
278. 56:04going to give 4.5 one more shot. I'm not I'm not super happy with this. I'm going to flip back to 40, which I think is just a better model.
279. 56:16It's also This is slower than [ __ ] I think this was a really big model. The Pebbles Odyssey. a small pebble. You
280. 56:30know what? Let's um I'm going to go do something here. I'm going to go grab that first one was pretty good. The puddles journey.
281. 56:41Okay, I'm going to go to LTX Studio and let's see. Join the competition. I think I signed up for it yesterday.
282. 56:52Register here. I think I already did. Sign in with Google.
283. 57:07Turn on dictation, dude. All right. Sorry. I'm sorry. I got an annoying channel. Why are you still watching it?
284. 57:22You enjoy 4.0 mini. 4.0. You mean 04 mini or 4.1? 04 mini.
285. 57:38Quick coding analysis. Great coding. Fastest for advanced reasoning. Yeah, let me let me just try I'm going to go to let me stop this one.
286. 57:49I'm going to go um try again with 4.0. This should be faster for one thing. Hell yes. Let's go again.
287. 57:59The moth in the mirror. All right, let's let that thing work and then Okay, go to the LTX Studio homepage. Log in.
288. 58:16Timeline editing is here. Great. Generate motion. How new story board
289. 58:30generate motion. Here we go. Okay. Paste.
290. 58:46Develop concept with AI. Okay. Here we go. Uh uh uh. Are you allowed more than one
291. 59:00submission? I assume so. You got a tool that can make one minute videos quickly and easily. The puddle's journey custom impermanence
292. 59:12nature's beauty urban life reflection. Oh, this is cool. It actually generates keywords at the concept level.
293. 59:22alternative story lines. Okay. As the rain begins to fall, droplets collide with the pavement, forming a small
294. 59:30puddle that captures the essence of a bustling city. Macro cinematography highlights the trembling surface of the puddle,
295. 59:39reflecting the intricate archite architecture of nearby buildings. The expansive sky and hurried footsteps
296. 59:48of passers by. Each ripple tells a story. As the rain subsides, the puddle becomes a canvas of shimmering. You know what it it's missing?
297. 1:00:03Um,
298. 1:00:17I'm going to put um, suddenly a sneaker from
299. 1:00:32A person running to their car completely
300. 1:00:48obliterates the puddle. only for it to quickly
301. 1:01:06reform. The sun emerges. We'll do that as a new paragraph. Okay. Um, so like that little thing that I just added completely.
302. 1:01:18So when I wrote the piece on chain of craft like let me give you some components of the chain of craft here. One was to come
303. 1:01:29to LTX studio and look at the rules of the of the contest again. One was I could have just come into LTX studio and
304. 1:01:36started making this but I wanted to go to chat GPT and play with different models and see if I could get it to
305. 1:01:42inspire ideas. It gave us a bunch of shitty ideas. There was one in there that resonated with me, which is this one.
306. 1:01:49Then in reading it, I'm like, we're missing a dramatic moment where a big if if if we're just looking at a puddle and
307. 1:01:55we're seeing the beauty of the puddle, wouldn't it be interesting if a big foot goes the puddle flies everywhere and then,
308. 1:02:03you know, comes back. That's part of the chain of craft, right? That's part of my intention, my taste. Chat GBT didn't come up with that.
309. 1:02:18If that's a moment that makes someone smile or surprises them. I did that. Did I execute the 3D graphics and the
310. 1:02:29motion and the cinematography and the and the music backing track? Nope. But that was my contribution in the
311. 1:02:41chain of craft in in the dozen or 20 or 50 or a thousand steps that it's going to take us to generate this thing. Right?
312. 1:02:53And my point of that article was don't dis dismiss or discount your contribution when you're working with AI. When
313. 1:03:04someone says, "Oh, what? Oh, you did that in LTX." Oh, yeah. That's the one where you just push the button and it
314. 1:03:08makes a movie. That's that one. Yeah. Conversation's over, right? They've completely dismissed your contribution and you let them do
315. 1:03:23it. Don't do that [ __ ] What'd you make that in? Well, first I decided I wanted to make something that was dramatic and
316. 1:03:31I didn't want to have people in it. Oh, right. What's your idea? All right. The sun emerges, casting warm rays that
317. 1:03:42intensify the colors with the puddle, enhancing the beauty of fleeting reflections. People walking by, oblivious to the masterpiece at their
318. 1:03:48feet, while the putty puddle slowly begins to shrink, its life force dwindling. In its final moments, the
319. 1:03:55puddle captures a breathtaking sunset, a kaleidoscope of colors. Okay, that's good. That's fine. Let's do this one. There's no cast here.
320. 1:04:14Video style view all boost lowkey vintage.
321. 1:04:30Vintage could be interesting. next. All right, it's breaking down our scene for us. If you haven't used LTX Studio
322. 1:04:46before, it's really quite fascinating. It's it's a it's a um a whole series of different tools that they wrap together.
323. 1:04:54So, the scene breakdown, a small puddle forms during a rainstorm, disappears, leaving only dry pavement. Scene one, formation of the puddle.
324. 1:05:04Scene two, the puddle's reflections. The sneaker suddenly crashes into the puddle, obliterating it, only for it to
325. 1:05:16quickly reform, showcasing its resilience. Urban street with pavement surrounded by buildings. August 5:00 p.m. Bright
326. 1:05:25natural light, clear skies. Scene four, the final moments of the puddle. So, it's a four scene film. How much is LTX Studio? I don't know.
327. 1:05:43But I can probably if I click upgrade here, am I going to lose it? Hang on a sec. Let me go. LTX Studio costs pricing.
328. 1:05:59Uh, if we go monthly, I don't recommend you buy any annual subscriptions to anything right now. Period. 15 bucks a
329. 1:06:06month. So, they have a free tier. So, you get 800 computing seconds one time. So, basically, they let you probably
330. 1:06:16make one film is my guess. 15 bucks a month, you get 8,600 computing seconds per month. And computing seconds are not how many
331. 1:06:29seconds of film are produced. If you produce five seconds, but it takes you two minutes to render all that, that two
332. 1:06:36minutes is going to count against your thing. 35 or 125 a month. Okay. Rain droplets fall into the pavement
333. 1:06:52creating the smell. Small splashes is the impact of wet surface. A trembling puddle. The surface of the puddle reflects. Oh, wait.
334. 1:07:17Yeah. Like what they did is boring.
335. 1:07:36This going to be way longer than a minute, too. Um [Music]
336. 1:07:54[Laughter] timeline editor play.
337. 1:08:14Oh, you probably can't hear that, can you? Hang on. I like the music. [Music]
338. 1:08:46Huh? Ding ding ding ding ding ding ding ding.
339. 1:09:01All right, we're going to kill some of these. Delete. Delete. Why can I not delete you? What's going on? Oh, I see. It takes
340. 1:09:19time. Apparently, it takes time. Delete. Let's get rid of these feet here. There. We're going to see feet later. Delete.
341. 1:09:32Down, down, down, down, down, down. Okay, this is going to be wide shot angle. We're going to be bird's eyee view.
342. 1:09:47We want to look down on the puddle. That's not a bird's eye view. Overhead.
343. 1:10:04Huh? Shot type. Well, no. Let's do extremely wide.
344. 1:10:24I want overhead. Huh? Guess we're not going to get it.
345. 1:10:41Fascinating. It's just fascinating, Bob. You know, Bob, I'll tell you what, it's it's kind of fascinating which one they
346. 1:10:48choose to use, which one they choose not to use. You know what I mean? You know what I'm saying? This is actually a
347. 1:10:54different puddle. Let's get rid of that one. It's not the same puddle. Shing ding ding ding ding ding ding ding. This is not the same puddle
348. 1:11:03either. Let's go delete. Delete. All right. So, that should be good. Now, let's go. How do I generate scene? All right.
349. 1:11:18Most of these generators I've used are money grabs. I wish someone could recommend a killer AI. Um, I'll tell you what, Tik Tok, the um,
350. 1:11:31the one right now that I'm most enamored with is MidJourney Video. Now, it doesn't have sound effects. If if you
351. 1:11:38want if you want full-on sound effects like talking animals and people, V3 from Google is the one. It's 149 bucks a
352. 1:11:49month um for three months and then it goes up to 250. That'll probably come down in price. Um if you just want really beautiful video
353. 1:11:59then um then uh what you call it um midjourney's really good. It's really really good. Um but you have to like you
354. 1:12:10still here's the thing with all these video tools right now. You still have to know storytelling and film craft to to
355. 1:12:16be able to put them together. It's not going to be like that for long. Like we're going to have probably one of the
356. 1:12:22things LTX Studios doing here is they're trying to give existing filmmakers a familiar metaphor for control,
357. 1:12:33right? Filmmakers want to storyboard every shot. They want to describe everything. They want to do every camera
358. 1:12:38angle. Like the fact that I couldn't do an overhead shot of that puddle pissed me off, right? So, even though they're
359. 1:12:44trying to give you all this control, you really don't have the control. We're going to get to the point where
360. 1:12:51you're going to be able to describe a scene and put in just descriptions of stuff and it will automatically do,
361. 1:12:58you know, camera tracking and cameras and special effects and lighting effects and all that sort of [ __ ] Um, we're
362. 1:13:05just not there yet. Um, one thing I know that you can do in LTX Studio is you can go over, we could go over and take all of these shots
363. 1:13:14into midjourney and film them in midjourney. That actually might be a way to do it. Although it did say you had to
364. 1:13:20make it in here, but I if it's produced in here. So, wait a minute. If I can generate motion, can I upload an autosfx create composition?
365. 1:13:37Wide shot tools. Duplicate. Send a timeline. Lock frame. Move to tools.
366. 1:13:52Generative fill. Remove objects. Face expression. Camera angle. But wait, if I just do if I just do new scene or new shot.
367. 1:14:14I thought there was a way I could import an image in here. I know there used to be. Anybody
368. 1:14:29can you just include that in your script? Include what? Camera shots and angles and things like that. Uh, you can you
369. 1:14:38can put in a full script in here. I I chose to have it do the AI one. What I probably should have done was had chat
370. 1:14:44GPT make the scenes and then put that in. Maybe that's a way to do it. Let's try that. Um, oh wait, I'm not sharing my screen
371. 1:14:55anymore. We're going to try a completely different approach. Share screen. Share screen. Sharing the screen. Sharing. Sharing. Sharing.
372. 1:15:06Sharing. All right. Is that it? Okay. I want you to create a script
373. 1:15:21for a film. that film that is no more than 60 seconds.
374. 1:15:35Let's say um 15 to 20 shots about 3 seconds each.
375. 1:15:53And I want each shot written as an image prompt with description
376. 1:16:09of the movement and camera uh activity. Uh uh uh uh uh uh uh uh uh uh uh Uh,
377. 1:16:26let's just try that. Let's see what it does. The shoelace small. Wait, what? Oh, I didn't give it the script. Stop.
378. 1:16:41I didn't give you the concept. Here it is. Beautiful title. Surface tension. I love that theme. Impermanence is beautiful.
379. 1:16:59Shot list. One. Extreme closeup of raindrops hitting a coarse asphalt. Two. Raindrops cluster merging. This is better. Three.
380. 1:17:09Ripples boom outward. Tight macro. Um, child's boot splashes in the puddle. Leaf floats lazily. Clouds part above.
381. 1:17:24All right. So, let's try this. Oh,
382. 1:17:39give me a new script where you have I'm going to move over to chat GPT03 mini or 03. Give me a new script where you include
383. 1:17:59timing of each shot. The shots should not add up to more than
384. 1:18:1660 seconds. Thinking 04 mini is great but longer
385. 1:18:32but super intuitive. Oh, that's good. Um, now modify the script in chat prior to LTX. Yeah, that's what I'm going to
386. 1:18:39do. Oh. Oh, look. Oh, it's doing it did it did some Python analysis on the shots. 56 seconds, 18 shots. That's really
387. 1:18:51cool. 3 seconds. Extreme macro. Three. Uh, let's see. All right, let's go with this. This is nice and tight. Shot by shot breakdown
388. 1:19:08thought for 60-second short film script surface tension. Okay, I like this. It's a great name, by the way.
389. 1:19:20All right, let's go back to LTX Studio. Go back to the beginning. We're going to say generate storyboard.
390. 1:19:28I'm going to say stick to the script. Now we're going to pop in our script. Shop shotby-shot breakdown.
391. 1:19:39Next. And by the way, that little script I just did is 2700 words or characters out of 12,000. So you could roughly do four times as
392. 1:19:51big a script as this. It captured the name correctly. Surface tension. That's cool.
393. 1:20:10Now it's giving us a breakdown. We can choose the style afterwards.
394. 1:20:25Scene one. Huh? It it made this one giant paragraph. The scene begins with a extreme macro shot
395. 1:20:40of raindrops splattering, each impacting like tiny sunburst. The camera's locked with shallow focus. Next. All right. So,
396. 1:20:49I guess it's going to interpret all this as a bunch of shots in a single scene, which is that's effectively what it is, right?
397. 1:21:12Connection is back. You're up to date. Raindrops splatter on coarse asphalt. Drops coalesce into a thin mirror of water.
398. 1:21:25You were at different times of the day.
399. 1:21:42Um, let's go back to chat GPT and say, um, I need you to describe each, let's see, to describe the
400. 1:21:57location and background background of each shot. so that the image generator
401. 1:22:16retains continuity across the shots. You can change angles or backgrounds,
402. 1:22:31but the puddle needs to be seen by the audience
403. 1:22:45as the same puddle, not different ones. I know I should be dictating. I understand.
404. 1:23:02Okay. Um, you can change angles andles. You can change angles and background. Okay. Let's see. Um, make sure each shot
405. 1:23:22is stand alone. Uh, but that all of them establish
406. 1:23:38a single location. All right. [Music]
407. 1:23:56Okay, fantastic. Shingle shedding narrow. Let's see. Asphalt yellow parking line.
408. 1:24:11It didn't understand it. Let's see. Well, maybe this will do it. It's It's got a single setting. So, let's grab all this.
409. 1:24:37Go back to LTX Studio. Go back to the beginning. Go generate storyboard. Go lock the script in. Go do this. Go next.
410. 1:24:53[Music] They're making a child. Let's see. Low key. Low key. Let's do boost. Or do we want
411. 1:25:09film noir? We could do black and white. Black and white could be dramatic. No, I think we'll do boost.
412. 1:25:18We'll do boost. We'll do it. And you can also drag and drop in a style reference. That's kind of cool. Yeah, that's fine. Whatever. Kid in a
413. 1:25:29yellow yellow rain jacket. [Music]
414. 1:26:00Let's see. Let's see. Let's see what we get here. people. This is this is one of my challenges with LTX is it doesn't it
415. 1:26:08doesn't seem to do all that well retaining continuity across shots and it frustrates me and so I tend not to I just want [ __ ] to work.
416. 1:26:22Um and this is this is one of those things that lives in the space in between you having control and you not having
417. 1:26:30control. Yeah. Like this is not the same puddle, right? Look, we're here's a lamp post in a double yellow line. Here's a different
418. 1:26:40time of day at a different location. Here's a gutter next to a double yellow line. That's a different double yellow
419. 1:26:47line. Try composition. You can doodle your way. Oh, create composition. Yeah. No.
420. 1:27:04Well, you know, let's preview it because stitching your vision together. This could take up to 60 seconds.
421. 1:27:19Oh, try it. It's a good demo. All right. Um, let let me see what it looks like. We could also go with we could we could we could embrace the
422. 1:27:31jank here and say, "Listen, if this thing's never going to give us [ __ ] a consistent shot, a consistent scene,
423. 1:27:39this could just be every puddle is the same. Every puddle is is a world in and of itself, and we're looking at all the puddles.
424. 1:28:18Yeah, I hate that. I hate the music. All right, let's go back. Let's see. Where's my library? Is this recent? Is that the one I just had?
425. 1:28:30Let's see. This one previewed.
426. 1:28:44This is literally why it's free. Listen, here's the thing. Tik Tok. Every every one of these AI tools right now is
427. 1:28:52jankier than [ __ ] and will be for some time. It doesn't mean you shouldn't learn them. It doesn't mean you
428. 1:28:58shouldn't play. Um but it also doesn't mean it's not going to be frustrating as [ __ ]
429. 1:29:53All right. I kind of like this. Let's see. Um, so we need sound effects. Auto sound effects on on.
430. 1:30:08We got to cut We got to cut a bunch of these things, too, because that was a minute 30. And I think we can set the length of these scenes.
431. 1:30:41All right. Um timeline
432. 1:31:21motion editor. Let's you know what we'll do? We'll just kill We'll just kill scenes we don't like here. Like that one looks boring.
433. 1:31:34That one looks boring. That just looks too different. That's the kids thing. That's that. That's that. Delete that.
434. 1:31:50That's too soon. All
435. 1:32:19right, let's preview that. [Music]
436. 1:32:39105.
437. 1:32:55All right. So, we got to kill one. So, let's do Oh, let's kill let's kill this one because we don't want to see people
438. 1:33:02in it. And then let's try this create composition thing. So, compose the perfect frame. Got it. Start scribbling. So, we're going to have
439. 1:33:13puddle down here. And then we're going to have right.
440. 1:33:38Is there an eraser? Yes. Apply
441. 1:33:54enhance scribble strength. Make the foot huge. Yeah, I should probably make the foot huge, shouldn't
442. 1:34:09I? Whatever. All right. Apply. Yeah, it's not it edit composition. Okay.
443. 1:34:30Okay.
444. 1:35:05There we go.
445. 1:35:22A child's yellow boot. makes a big splash in a large
446. 1:35:40puddle of clear water. I don't want the [ __ ] muddy water. [Music]
447. 1:35:54Regenerate. Regenerate. I'm telling you what to do here, Buck. And you're not getting it right. I'm not liking it. I ain't liking it.
448. 1:36:09Oh, that's good enough. [ __ ] it. Enhance. apply. Um, shot type angle.
449. 1:36:31Oh, you can't do shot types when you put in a composition. Interesting. So, I think this is now under a minute, right? It's probably 101.
450. 1:36:53[Music] One minute exactly. Let's [ __ ] it. Let's do it. All right. Let's I kind of like the music. Let's do preview. How do you do render?
451. 1:37:07Uh preview static shot. Let's see. Uh, character dialogue
452. 1:37:24motion editor. Oh, send to timeline. Oh, click to share and it'll Oh, no.
453. 1:37:38[ __ ] Share. Share the project pitch deck package. MP4 video of your storyboard. Share the project. No, this isn't right.
454. 1:37:57Oh, no. Go to the timeline. Okay. Same same share dialogue. Select an option.
455. 1:38:14Huh? [Music] [Applause] Open in motion editor. Oh, I guess you
456. 1:38:29need to go into the motion editor. This is stupid. Can I just You used to be able to just It would just render [ __ ] for you. Upload.
457. 1:38:44Shut up. I haven't used this in a while. Frame animation. Generate video. I have to do this for every [ __ ] one. Really?
458. 1:39:00It's V3. So, there's that. The shape of water too. Electric bugaloo. Ask chat GPT. You can screenshot it and ask chat GPT.
459. 1:39:13Oh my god. Seriously, what what happened? Are we done? What?
460. 1:39:50Oh,
461. 1:40:08It doesn't look like rain. >> All right, I quit. >> I quit. I give up. I will admit defeat.
462. 1:40:23Sorry, you're using a Chromebook. Your five G gigs of RAM are cooked. Oh my god, that was torture. Okay. Well, there you have it.
463. 1:40:40All right. Uh, I'm not good at LTX Studio. There you go. You too can be a filmmaker. Um, so go to LTX and you figure out how to
464. 1:40:51do it and then come back and show me. Oh, good lord. Good lord. Good lord. Good lord. All right. Um, I'm gonna get
465. 1:41:04out of here. What did I earn? Tick tock. Tik Tok comments. Wow, you're the man. Yeah, thanks Tik
466. 1:41:19Tok. Um, but listen, this is the whole point. The whole point of this channel is find stuff like that, play with it, figure
467. 1:41:34out where the edges are. Some people love being able to geek out in all the little details in every one of those
468. 1:41:40cells. I just want my [ __ ] to work, right? So, it doesn't LTX doesn't really match with my personality, but it
469. 1:41:48doesn't mean there's not something there. There's something there. Um, but with all these things, you got to
470. 1:41:54learn it. And with video, it's weird because video is expensive. It's hard to learn because, you know, um what I would
471. 1:42:01recommend if you want to get into film is um is get into the creative partner programs. Go play with Pika after the
472. 1:42:09show, Kyle. I will definitely do that. I I promise. Um Champy wants some cheese. He does. He's He's a little whiny. He is
473. 1:42:17a little whiny. I respect you. Oh, thank you very much. I I appreciate that, Tik Tok. Um let's see. So, tomorrow,
474. 1:42:28tomorrow's just a normal day. Tomorrow's Wednesday. Um, I'm gonna have more stuff together for the uh for the fiveday
475. 1:42:36crash course next week. So, we'll talk more about that. Um, tomorrow is also the um AI readiness project podcast. Uh,
476. 1:42:44it's normally with Ann Murphy and I. She was on vacation. Uh, so I've got uh Gwen Gwyn Shafitz, I think is her last name,
477. 1:42:52is going to be co-hosting with me. And we're going to have uh Matt Caresus is his name. Mr. K um educator uh that
478. 1:43:02that is deep into AI and uses AI and education. Should be a really good show. That's at 400 p.m. Mountain time, 3 p.m.
479. 1:43:09Pacific. Um it'll stream on my um my ex channel, my LinkedIn channel, the AI Salon YouTube channel, and then all of
480. 1:43:18Sheile Leads AI's channels as well. So, if you go to airednesspro.com, that's where all of the individual uh
481. 1:43:27stream locations are. And uh yeah, just join us tomorrow at 400 PM Mountain time. All right. Beautiful. Hope you had
482. 1:43:37fun, everybody. Uh it would have been nice if we could have won an Academy Award tonight, but we didn't even make a puddle.
483. 1:43:52That's fantastic. All right, peace out. Have a good night, everybody. Peace.